Sound & Moving Image
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The document discusses the key factors in creating a soundtrack for moving images. It explains how the mood of a video can alter the tempo and genre of music used. It also describes the process of recording dialogue, adding music tracks, and including sound effects to set the environment and sync sound with on-screen action. The timeline is used to lay out the finished soundtrack piece with dialogue, music, and adjusted sound effects.
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Comparison between final production and prelimenary
The document compares the preliminary and final versions of a production. It discusses improvements made in brightness and visibility of shots through color correction. It also describes more varied camera angles being used in the final version to better convey meanings. Additionally, it notes that original music was commissioned for the soundtrack of the final production, whereas the preliminary relied only on diegetic sounds. Overall, there are clear enhancements between the versions in use of lighting, angles, and sound design.
Recording and editing radio trailer
We recorded voiceovers for a radio advertisement in short segments rather than one long take to more easily select the best parts. Jordan was chosen as the voiceover talent because the documentary focused on teenagers. The radio advertisement was edited by copying the best clips from the five-minute documentary and adding complementary music. Effects like reverb were used on the voiceover to make it stand out and create impact when heard.
Aspects of post production
Post-production involves several steps to refine a film or video after principal photography. It includes colour correction to enhance visuals, sound balancing to mix audio levels naturally, and adding titles and effects. For their short film, the document discusses using Edius Pro 7 for colour correction and sound balancing during post-production to give the film a cinematic look and balanced audio mixing while keeping the editing process unified within one software. Effects for short films typically focus on diegetic sounds from within the scene versus non-diegetic elements added later.
Problems That Occur During Post Production
This document discusses potential issues that may arise during the post-production of a short film and ways to address them. It notes that problems with lighting, sound balance, and the film not flowing smoothly can occur. To fix lighting, the brightness and contrast can be edited using an "S" curve on the YUV color wheel. Sound issues like varying volumes can be resolved by balancing clip levels during editing. Color can be corrected to give the film a blue tinge to appear as evening, using the color wheel and brightness curve on the editing software Edius 7.
Questiopn 1
The document discusses how the media product uses forms and conventions of real media. It describes using background music throughout to accompany the voiceover, similar to real documentaries. The music was from another media product to inspire the title. Graphics were placed in the bottom left corner for interviews, with a plain font for readability. During editing, opening titles were improved with a reverse zoom and cutaways were added between interviews to smooth the flow, mimicking techniques of real documentaries.
Editing process
The document discusses the various editing techniques used in Adobe Premiere Pro to create a music video. Audio tracks were used for the song and talking segments. Video clips were filtered with black and white and tints, split into four sections on the screen using key frames, and transitioned from corners to the center. Key frames were also used to fade clips from black and white to color. Speed adjustments changed the pace of some clips. Overlapping shapes and double exposure effects were added to clips.
Intro to sound
The document introduces key concepts about sound in media. It divides sound into two categories: diegetic sound that comes from within the world of the film, like dialogue and ambient noise, and non-diegetic sound that does not have a visible on-screen source, like theme music. Sound helps create meaning by enhancing emotion, conveying character psychology, and setting location and period. Key terminology includes soundtrack, theme music, sound effects, ambient sound, dialogue, voiceover, sound bridges, parallel sound, and contrapuntal sound.
Editing process
The audio editing involved separating the soundtrack from clip audio onto different tracks. Clips were muted or deleted and the soundtrack was cut to sync with the lyrics. Many clips were edited to be black and white to match an indie music video aesthetic. Transitions between black and white and color were added using keyframes to gradually fade. Some clips were sped up or slowed down by adjusting the percentage. Double exposures were made by overlaying two clips at 50% opacity. Tints of different colors and brightness/contrast were applied to clips. Split screens divided the screen into four resized clips. Shapes in the video were added and colored with adjusted opacity to provide continuous color throughout.
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Comparison between final production and prelimenary
The document compares the preliminary and final versions of a production. It discusses improvements made in brightness and visibility of shots through color correction. It also describes more varied camera angles being used in the final version to better convey meanings. Additionally, it notes that original music was commissioned for the soundtrack of the final production, whereas the preliminary relied only on diegetic sounds. Overall, there are clear enhancements between the versions in use of lighting, angles, and sound design.
Recording and editing radio trailer
We recorded voiceovers for a radio advertisement in short segments rather than one long take to more easily select the best parts. Jordan was chosen as the voiceover talent because the documentary focused on teenagers. The radio advertisement was edited by copying the best clips from the five-minute documentary and adding complementary music. Effects like reverb were used on the voiceover to make it stand out and create impact when heard.
Aspects of post production
Post-production involves several steps to refine a film or video after principal photography. It includes colour correction to enhance visuals, sound balancing to mix audio levels naturally, and adding titles and effects. For their short film, the document discusses using Edius Pro 7 for colour correction and sound balancing during post-production to give the film a cinematic look and balanced audio mixing while keeping the editing process unified within one software. Effects for short films typically focus on diegetic sounds from within the scene versus non-diegetic elements added later.
Problems That Occur During Post Production
This document discusses potential issues that may arise during the post-production of a short film and ways to address them. It notes that problems with lighting, sound balance, and the film not flowing smoothly can occur. To fix lighting, the brightness and contrast can be edited using an "S" curve on the YUV color wheel. Sound issues like varying volumes can be resolved by balancing clip levels during editing. Color can be corrected to give the film a blue tinge to appear as evening, using the color wheel and brightness curve on the editing software Edius 7.
Questiopn 1
The document discusses how the media product uses forms and conventions of real media. It describes using background music throughout to accompany the voiceover, similar to real documentaries. The music was from another media product to inspire the title. Graphics were placed in the bottom left corner for interviews, with a plain font for readability. During editing, opening titles were improved with a reverse zoom and cutaways were added between interviews to smooth the flow, mimicking techniques of real documentaries.
Editing process
The document discusses the various editing techniques used in Adobe Premiere Pro to create a music video. Audio tracks were used for the song and talking segments. Video clips were filtered with black and white and tints, split into four sections on the screen using key frames, and transitioned from corners to the center. Key frames were also used to fade clips from black and white to color. Speed adjustments changed the pace of some clips. Overlapping shapes and double exposure effects were added to clips.
Intro to sound
The document introduces key concepts about sound in media. It divides sound into two categories: diegetic sound that comes from within the world of the film, like dialogue and ambient noise, and non-diegetic sound that does not have a visible on-screen source, like theme music. Sound helps create meaning by enhancing emotion, conveying character psychology, and setting location and period. Key terminology includes soundtrack, theme music, sound effects, ambient sound, dialogue, voiceover, sound bridges, parallel sound, and contrapuntal sound.
Editing process
The audio editing involved separating the soundtrack from clip audio onto different tracks. Clips were muted or deleted and the soundtrack was cut to sync with the lyrics. Many clips were edited to be black and white to match an indie music video aesthetic. Transitions between black and white and color were added using keyframes to gradually fade. Some clips were sped up or slowed down by adjusting the percentage. Double exposures were made by overlaying two clips at 50% opacity. Tints of different colors and brightness/contrast were applied to clips. Split screens divided the screen into four resized clips. Shapes in the video were added and colored with adjusted opacity to provide continuous color throughout.
Question 2
The document discusses the effectiveness of combining a music video with ancillary texts like magazine ads and CD packaging. It analyzes the consistency between these products in their genre, conventions, technical elements, imagery, colors, and characters. Specifically, the music video and ancillaries maintain consistency through using the same dark mysterious color scheme, slow R&B genre, close-up camera shots, settings, and lone female character to create a cohesive abstract narrative and achieve synergy across the products. The only difficulty was ensuring everything flowed together correctly while maintaining consistency.
Questiopn 1
The documentary used a calm voiceover and upbeat background music from the Animal Magic theme song. Graphics were placed in the bottom left corner of the screen for consistency and to not distract the viewer. During editing, the opening titles were reversed to look more professional and cutaways were added over interviews to improve the flow without jump cuts between segments.
Screen grap of opening sequence
The document discusses the editing process for adding effects to shots in a film. For indoor shots, a cool steel effect was used to give a dark, tense feel, while a desert glare effect provided a brighter look. For outdoor shots, only the cool steel effect was used. Settings for specific effects are described, such as decreasing the saturation for outdoor shots and increasing shadows. The document also mentions editing text by uploading fonts and adjusting font size and boldness, as well as changing color levels and saturation for the text frame.
Digi feedback
The document provides feedback on the first draft of a digipak. It notes that the use of original images from the music video in similar lighting and colors as the video went well. Group shots of the main characters together and without one character mirrored elements of the narrative from the video. However, improvements are needed by adding the title of the song and artist, and including a track list on the back cover to provide more context to the audience about what the digipak represents. While some locations used in the shots were not prominent in the video, the characters and artist are still recognizable.
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The document discusses the editing process for a music video. Various editing techniques were used, including cutting clips in sync with the audio, grouping clips together, fading transitions, overlaying titles, and adjusting clip opacity. Shots included driving footage captured with a GoPro, filming a singer rotating on a chair, and extreme close-ups of a rear view mirror to show a memory. Different effects like Gaussian blur and transform settings were applied to enhance shots and create metaphors.
Sound in tv and film
Sound in TV and film can be divided into two types: diegetic and non-diegetic. Diegetic sound belongs to everything within the story such as dialogue, speech, background noise and ambient sound effects. Non-diegetic sound is added later in post-production, including music, narration and additional sound effects not part of the on-screen story. Sound has properties of tone, pitch, volume and resonance and sometimes rhythm.
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The document discusses the editing process for a music video. Various editing techniques were used, including cutting clips in sync with the audio, grouping clips together, fading transitions, overlaying titles, and adjusting clip opacities to blend transitions. Shots included driving footage captured with a GoPro, street lights filmed with a 50mm lens and blurred, and a rotating shot of the vocalist singing. Effects like Gaussian blur and ghosting multiple clips were used to reinforce themes and create intriguing visuals. Close-ups of the driver's expression showed memories through manipulation of fading and a dream effect. The video was given uniqueness through a final zooming clip transition using Ken Burns crop.
Use of genre
The document summarizes the use of genre in a boyband music video and related media. It describes how the video location uses plain and colored backgrounds typical of pop music videos. Costumes feature matching outfits to identify the band and individualize members. Video editing uses fast cuts to create an upbeat feel without transitions. The website and digipak carry over the bold pop theme with consistent branding across pages and reference to iconic boyband poses and styles.
Q4 media done
The student used various media technologies at different stages of their project. In the planning stage, they used the internet, ILP, and blog to conduct research and share findings. They watched documentaries on BBC iPlayer and took notes. During construction, they used Mac computers with Final Cut Express to edit documentary footage and Garage Band for the radio trailer. They also used Photoshop and InDesign to create the magazine pages.
Prelim – editing and construction
This document summarizes editing work done on a film scene. The audio level of background music was lowered to make dialogue clearer. Video clips were cut and color corrected to match the darker look of the original scene. Color adjustments like lowering saturation were made to transform a bright clip into something more fitting for a horror atmosphere. Before and after comparisons showed the effects making the scene appear more eerie.
The digipack product
The document discusses the design of a digipack album cover for a fictional indie band called Limerence. It analyzes how the design utilizes conventions from professional indie albums to appear professional. Key conventions included using muted colors associated with the indie folk genre, placing the band name prominently, featuring natural imagery, and selecting a simple yet stylish font. The document also compares the design to specific album covers and considers some minor improvements that could make the text more readable.
Evaluation question 4 construction
The document discusses the process of creating several products - a music video, website, and digipack - for a band called Limerence.
Various software tools were used including Final Cut Express for the music video, Wix for the website, Photoshop for the digipack, and After Effects for visual effects. Footage was shot with digital cameras and color grading was applied in post-production. The products were designed to have consistent aesthetics and promote the band across different platforms. Feedback was gathered through Google Forms surveys on early cuts of the music video.
Evaluation Question 3
The feedback received from the rough cut of the music video helped improve the final video in several ways: [1] Certain shots were cropped or re-shot to maintain consistent aesthetics, and smoother cuts and clearer scenes were added. [2] Color grading was added to bring out a green, red, and white color scheme. [3] Effects were utilized to create more vivid darkness surrounding the main character. Feedback from Survey Monkey and YouTube also helped the filmmakers understand what was effective and what needed improvement. Feedback on the digital packaging and website similarly highlighted inconsistencies that were addressed by aligning colors, fonts, layouts, and themes across all elements of the project.
Editing diary
The document summarizes the editing process of a documentary over several weeks. It describes:
1) Organizing footage and selecting the best quality shots for inclusion.
2) Creating an opening montage and selecting title music.
3) Adding archive footage and designing titles and banners in Photoshop and Fireworks.
4) Importing interviews and cutting them into the documentary.
5) Adding transitions and effects to improve flow.
6) Fine-tuning sound levels and balancing audio tracks.
Edits in progress
Throughout editing their music video, the filmmakers had to manipulate the speed of many close-up shots of the main character singing to sync their mouth movements with the song lyrics. They also used effects like black and white to change the look of shots and relate to the song's lyrics, and added dissolves between shots to give the video a smoother feel. Additionally, they had to adjust the width of shots recorded in standard definition to fit the widescreen format.
Editing
We edited shots from our music video footage to make certain shots more prominent than others. We used the Pinnacle app to apply filters and editing styles to enhance the footage and ensure it fit with the song. Shots were cropped and reversed to symbolize lyrics and play with viewer expectations. Precise lip synching to the repetitive song was challenging. Editing also allowed us to manipulate shots to maximize audience emotion and give the video a distinctive style through slowed footage and filters.
Editing on a wi high documentary
We edited a documentary on Adobe Premiere Pro by importing various elements and editing them together. We started with a title sequence showing the documentary name being typed, then imported interviews and removed the interviewer's questions. We also added cutaway images between answers and imported music throughout to make it more appealing. Finally, we added end credits by screenshotting text from PowerPoint and importing the image.
Prelim - Construction and Editing
The document summarizes the preliminary tasks involved in constructing an edited video clip that mimics an original clip from a film. The tasks included trimming clips to the correct length and order, setting beginning and end frames, slightly reducing the speed of some clips to match the original pace, changing sound levels to make the audio smoother, and applying effects to mimic the quality of older cameras used in the original film.
Rough Cut 2: Evaluation
1) The title sequence has improved drastically from the previous rough cut through improved color grading, sound layering, and mise-en-scene elements that set the tone and location.
2) While mostly successful, some problems still exist including needing additional sound layering and replacing the temporary title typography that does not suit the genre.
3) In conclusion, adding more sound layers and changing the titles will improve the sequence by making it more impactful for audiences to identify the intended genre.
Construction
The document describes the various effects, tools, and techniques used to create a music video in Final Cut Pro X. A cross dissolve and muting effects were used to relate to lyrics and create a dull atmosphere. The 'isolate' effect was used to brighten writing on bricks and Adobe Elements was used to further enhance the color. An earthquake effect and black and white were used to portray emotions. A vignette distracted from moving traffic. The 'trails' effect portrayed the feeling of being drunk. Color was drained throughout to focus on the narrative and portray struggles with alcoholism and gambling. Layer masks and fades were used to fit bricks together naturally. Effects like bevels and outer glows were used to make
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The document discusses the film Pain and Gain and analyzes the trailer's use of sound. It notes that the trailer is segmented into an introduction, subject introduction, subject explanation, and ending. Each segment uses different music and sound effects. For example, the introduction is soft while the subject introduction increases in tempo. Overall, the trailer effectively uses elements like pathos, foley, and changes in atmosphere and tempo to engage the viewer and set the tone for the film.
Call Sheet
This document is a call sheet for a one day film shoot taking place on April 8, 2012 at Rotherfield Woods. It lists the director, producers, location, and scenes to be shot that involve actor Oliver Dench filming in the woods. The call sheet provides contact details for the key crew and schedules meal times, scenes to be shot, and call times for cast and crew.
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Question 2
The document discusses the effectiveness of combining a music video with ancillary texts like magazine ads and CD packaging. It analyzes the consistency between these products in their genre, conventions, technical elements, imagery, colors, and characters. Specifically, the music video and ancillaries maintain consistency through using the same dark mysterious color scheme, slow R&B genre, close-up camera shots, settings, and lone female character to create a cohesive abstract narrative and achieve synergy across the products. The only difficulty was ensuring everything flowed together correctly while maintaining consistency.
Questiopn 1
The documentary used a calm voiceover and upbeat background music from the Animal Magic theme song. Graphics were placed in the bottom left corner of the screen for consistency and to not distract the viewer. During editing, the opening titles were reversed to look more professional and cutaways were added over interviews to improve the flow without jump cuts between segments.
Screen grap of opening sequence
The document discusses the editing process for adding effects to shots in a film. For indoor shots, a cool steel effect was used to give a dark, tense feel, while a desert glare effect provided a brighter look. For outdoor shots, only the cool steel effect was used. Settings for specific effects are described, such as decreasing the saturation for outdoor shots and increasing shadows. The document also mentions editing text by uploading fonts and adjusting font size and boldness, as well as changing color levels and saturation for the text frame.
Digi feedback
The document provides feedback on the first draft of a digipak. It notes that the use of original images from the music video in similar lighting and colors as the video went well. Group shots of the main characters together and without one character mirrored elements of the narrative from the video. However, improvements are needed by adding the title of the song and artist, and including a track list on the back cover to provide more context to the audience about what the digipak represents. While some locations used in the shots were not prominent in the video, the characters and artist are still recognizable.
Bigtime 160413140245
The document discusses the editing process for a music video. Various editing techniques were used, including cutting clips in sync with the audio, grouping clips together, fading transitions, overlaying titles, and adjusting clip opacity. Shots included driving footage captured with a GoPro, filming a singer rotating on a chair, and extreme close-ups of a rear view mirror to show a memory. Different effects like Gaussian blur and transform settings were applied to enhance shots and create metaphors.
Sound in tv and film
Sound in TV and film can be divided into two types: diegetic and non-diegetic. Diegetic sound belongs to everything within the story such as dialogue, speech, background noise and ambient sound effects. Non-diegetic sound is added later in post-production, including music, narration and additional sound effects not part of the on-screen story. Sound has properties of tone, pitch, volume and resonance and sometimes rhythm.
Big time
The document discusses the editing process for a music video. Various editing techniques were used, including cutting clips in sync with the audio, grouping clips together, fading transitions, overlaying titles, and adjusting clip opacities to blend transitions. Shots included driving footage captured with a GoPro, street lights filmed with a 50mm lens and blurred, and a rotating shot of the vocalist singing. Effects like Gaussian blur and ghosting multiple clips were used to reinforce themes and create intriguing visuals. Close-ups of the driver's expression showed memories through manipulation of fading and a dream effect. The video was given uniqueness through a final zooming clip transition using Ken Burns crop.
Use of genre
The document summarizes the use of genre in a boyband music video and related media. It describes how the video location uses plain and colored backgrounds typical of pop music videos. Costumes feature matching outfits to identify the band and individualize members. Video editing uses fast cuts to create an upbeat feel without transitions. The website and digipak carry over the bold pop theme with consistent branding across pages and reference to iconic boyband poses and styles.
Q4 media done
The student used various media technologies at different stages of their project. In the planning stage, they used the internet, ILP, and blog to conduct research and share findings. They watched documentaries on BBC iPlayer and took notes. During construction, they used Mac computers with Final Cut Express to edit documentary footage and Garage Band for the radio trailer. They also used Photoshop and InDesign to create the magazine pages.
Prelim – editing and construction
This document summarizes editing work done on a film scene. The audio level of background music was lowered to make dialogue clearer. Video clips were cut and color corrected to match the darker look of the original scene. Color adjustments like lowering saturation were made to transform a bright clip into something more fitting for a horror atmosphere. Before and after comparisons showed the effects making the scene appear more eerie.
The digipack product
The document discusses the design of a digipack album cover for a fictional indie band called Limerence. It analyzes how the design utilizes conventions from professional indie albums to appear professional. Key conventions included using muted colors associated with the indie folk genre, placing the band name prominently, featuring natural imagery, and selecting a simple yet stylish font. The document also compares the design to specific album covers and considers some minor improvements that could make the text more readable.
Evaluation question 4 construction
The document discusses the process of creating several products - a music video, website, and digipack - for a band called Limerence.
Various software tools were used including Final Cut Express for the music video, Wix for the website, Photoshop for the digipack, and After Effects for visual effects. Footage was shot with digital cameras and color grading was applied in post-production. The products were designed to have consistent aesthetics and promote the band across different platforms. Feedback was gathered through Google Forms surveys on early cuts of the music video.
Evaluation Question 3
The feedback received from the rough cut of the music video helped improve the final video in several ways: [1] Certain shots were cropped or re-shot to maintain consistent aesthetics, and smoother cuts and clearer scenes were added. [2] Color grading was added to bring out a green, red, and white color scheme. [3] Effects were utilized to create more vivid darkness surrounding the main character. Feedback from Survey Monkey and YouTube also helped the filmmakers understand what was effective and what needed improvement. Feedback on the digital packaging and website similarly highlighted inconsistencies that were addressed by aligning colors, fonts, layouts, and themes across all elements of the project.
Editing diary
The document summarizes the editing process of a documentary over several weeks. It describes:
1) Organizing footage and selecting the best quality shots for inclusion.
2) Creating an opening montage and selecting title music.
3) Adding archive footage and designing titles and banners in Photoshop and Fireworks.
4) Importing interviews and cutting them into the documentary.
5) Adding transitions and effects to improve flow.
6) Fine-tuning sound levels and balancing audio tracks.
Edits in progress
Throughout editing their music video, the filmmakers had to manipulate the speed of many close-up shots of the main character singing to sync their mouth movements with the song lyrics. They also used effects like black and white to change the look of shots and relate to the song's lyrics, and added dissolves between shots to give the video a smoother feel. Additionally, they had to adjust the width of shots recorded in standard definition to fit the widescreen format.
Editing
We edited shots from our music video footage to make certain shots more prominent than others. We used the Pinnacle app to apply filters and editing styles to enhance the footage and ensure it fit with the song. Shots were cropped and reversed to symbolize lyrics and play with viewer expectations. Precise lip synching to the repetitive song was challenging. Editing also allowed us to manipulate shots to maximize audience emotion and give the video a distinctive style through slowed footage and filters.
Editing on a wi high documentary
We edited a documentary on Adobe Premiere Pro by importing various elements and editing them together. We started with a title sequence showing the documentary name being typed, then imported interviews and removed the interviewer's questions. We also added cutaway images between answers and imported music throughout to make it more appealing. Finally, we added end credits by screenshotting text from PowerPoint and importing the image.
Prelim - Construction and Editing
The document summarizes the preliminary tasks involved in constructing an edited video clip that mimics an original clip from a film. The tasks included trimming clips to the correct length and order, setting beginning and end frames, slightly reducing the speed of some clips to match the original pace, changing sound levels to make the audio smoother, and applying effects to mimic the quality of older cameras used in the original film.
Rough Cut 2: Evaluation
1) The title sequence has improved drastically from the previous rough cut through improved color grading, sound layering, and mise-en-scene elements that set the tone and location.
2) While mostly successful, some problems still exist including needing additional sound layering and replacing the temporary title typography that does not suit the genre.
3) In conclusion, adding more sound layers and changing the titles will improve the sequence by making it more impactful for audiences to identify the intended genre.
Construction
The document describes the various effects, tools, and techniques used to create a music video in Final Cut Pro X. A cross dissolve and muting effects were used to relate to lyrics and create a dull atmosphere. The 'isolate' effect was used to brighten writing on bricks and Adobe Elements was used to further enhance the color. An earthquake effect and black and white were used to portray emotions. A vignette distracted from moving traffic. The 'trails' effect portrayed the feeling of being drunk. Color was drained throughout to focus on the narrative and portray struggles with alcoholism and gambling. Layer masks and fades were used to fit bricks together naturally. Effects like bevels and outer glows were used to make
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The document discusses the film Pain and Gain and analyzes the trailer's use of sound. It notes that the trailer is segmented into an introduction, subject introduction, subject explanation, and ending. Each segment uses different music and sound effects. For example, the introduction is soft while the subject introduction increases in tempo. Overall, the trailer effectively uses elements like pathos, foley, and changes in atmosphere and tempo to engage the viewer and set the tone for the film.
Call Sheet
This document is a call sheet for a one day film shoot taking place on April 8, 2012 at Rotherfield Woods. It lists the director, producers, location, and scenes to be shot that involve actor Oliver Dench filming in the woods. The call sheet provides contact details for the key crew and schedules meal times, scenes to be shot, and call times for cast and crew.
Points drawn from moving image analysis
Through analyzing moving images, the author has identified several techniques commonly used in horror film trailers to appeal to audiences. These include establishing shots of production companies and age ratings at the start. A variety of shots are used to introduce characters and settings. Edits like fade-to-black and jump cuts set the pace and flow while creating an unsettling feeling. Eerie sounds, diegetic effects like breathing, and non-diegetic music add to the fear and suspense. Lighting uses high-key and low-key contrasts to emphasize scenes, while enigma codes and cliffhangers intrigue viewers. The trailer usually ends by displaying the film title and release date.
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The document provides an overview of key technical aspects of mise-en-scene in film including setting, props, costumes, performance, lighting, camerawork, editing, and sound. It defines concepts such as three point lighting, high and low key lighting, angles, shot duration, transitions, continuity, and diegetic and non-diegetic sound. Examples are provided for many of the techniques discussed.
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The document provides an overview of key technical aspects of film including mise-en-scene, cinematography, performance, lighting, camerawork, editing, and continuity techniques. It defines these elements and provides examples to illustrate concepts like shot types, lighting approaches, compositional rules, transitions, and conventions used to maintain continuity.
Ang Hukuman Ni Sinukuan: Bakit Naparusahanang Lamok
Credits to the one who made the talasalitaan. I just borrowed.
But the rest, I was the one who made it. Thanks for reading!
Sincerely,
MRS. ANNA MIE M. ARNADO
(Canduman NHS, Mandaue City, Cebu)
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The editor's role is to rearrange footage to create sequences for the film. The document discusses the editor's work on their own film, where they used Audacity to add sound effects and Adobe Premiere Pro to place them in the timeline. Finding sound effects that matched the scenes, like a biting sound for a mouse eating the moon, was challenging. The editor created a first draft and then identified places needing more sound. They spent up to 3 hours a day from Monday to Thursday editing the first draft, and up to 2 hours on Friday and Sunday finalizing the version.
Aspects of post production
Post-production involves several steps to refine a film or video after filming. It includes colour correction to enhance visuals, sound balancing to mix audio levels naturally, adding titles and effects, and distinguishing between diegetic sounds from within the scene and non-diegetic external sounds. The document discusses several post-production software options and settles on Edius Pro for its simple interface and ability to integrate video and audio editing within one program. Colour correction, sound balancing, and distinguishing diegetic from non-diegetic sounds are some of the key post-production aspects that refine the visual and auditory experience of a film.
Aspects of post production
Post-production involves several key steps to finalize a film or video project after filming. It includes color correction to enhance visuals, sound balancing to mix audio and create natural sound effects, adding titles and effects as needed, and distinguishing between diegetic sounds originating from within the scene and non-diegetic external sounds. The document discusses several post-production software options and settles on Edius Pro, which allows for integrated video editing, color correction, and sound balancing in a single interface.
Aspects of post production
Post-production involves several key steps to finalize a film or video project after filming. It includes color correction to enhance visuals, sound balancing to mix audio and create natural sound effects, adding titles and effects as needed, and distinguishing between diegetic sounds originating from within the scene and non-diegetic external sounds. The document discusses several post-production software options and explains how the filmmakers intend to use Edius Pro for color correction, sound editing, and mixing to complete their short film project shot in dark conditions.
Sound Lesson 2013
This document provides lesson objectives and materials for teaching students about the use of sound in media. It begins by explaining the key objectives: for students to understand diegetic and non-diegetic sound with examples; analyze how sound creates meaning in a TV drama clip; and use sound terminology. It then defines important sound terminology like diegetic, non-diegetic, sound effects, and voiceovers. Examples are provided of different sound clips to analyze meanings. The document aims to teach students how sound enhances emotional experience and meaning in media.
14 10-2021 reflection
The video project is halfway completed at 1.5 minutes out of a planned 2-3 minutes. Sound design for the intro is finished and color grading is complete for medium and close-up shots. Skills in video editing, sound design, and color correction were used. Epidemic Sound was used for audio and sound effects. Adobe Premiere Pro was used for editing with effects like crossfades and noise reduction. Titles were created in Premiere Pro to maintain a metallic theme. Stock footage came from Pexels.
Music video rough edit evaluation
The rough music video edit for the song "Infinity" by Infinity Ink had too little footage to fill the length of the song. For the final edit, the student will use Adobe After Effects to manipulate and reuse existing footage to make it seem like there is more. Effects will be added to match the fast-paced, colorful conventions of the genre. Colors and contrasts will be adjusted to be more vibrant and include strobe light effects. The pace of the video will also be quicker by trimming clips and reusing/repeating footage so no scene lasts more than a few seconds.
GCSE Film Studies - Sound
This document summarizes different types of sounds used in films. It divides film sounds into diegetic and non-diegetic categories. Diegetic sounds are part of the film's world, while non-diegetic sounds come from the film's soundtrack. It also discusses synchronous and asynchronous sound effects, and how the three components of a film soundtrack - dialogue, sound effects, and music - must be carefully balanced. Parallel and contrapuntal music are described based on whether the music's tone matches or contrasts the on-screen mood. Sound bridges are also summarized as connecting scenes through continuing sound across frames.
A2 musicvideo evaluation.
The document provides an evaluation of a music video production. It discusses how the video both uses and challenges conventions of the R&B genre through its narrative style, tone, pacing, camera work, and costumes. Intertextual references are made to other music videos like "Elvis Ain't Dead" by Scouting for Girls and videos by Lana Del Rey and Charlie Simpson. The evaluation also addresses how the video applies Goodwin's theory of music videos by linking the visuals to lyrics and music, incorporating genre characteristics, and considering notions of looking. Digipak and website designs are discussed in terms of conveying the folk music genre through color schemes, images, and interactive elements to promote the band.
Post production log
The document summarizes various post-production techniques used to edit a video project, including color balancing footage to create a moody look, cutting animated images to fit the music using speed and duration alterations, and adding effects like fades, dissolves, and grain to reinforce the dreamlike pace of the song and create cohesive transitions between sequences.
Post production log
The document summarizes various post-production techniques used to edit a video project, including color balancing footage to create a moody look, cutting animated images to fit the music using speed and duration alterations, and adding effects like fades, dissolves, and grain to reinforce the dreamlike pace of the song and create smooth transitions between sequences.
Editing process
1) The editors created a time lapse of the sun going down behind a church by speeding up the clip 700%.
2) For a clip of a boy running in a dream, they added echo and decay effects to give it a mysterious feel and convey he was running from something.
3) They added name banners at the start of interviews with graphics and text identifying the speaker and their profession to inform the audience.
Sound
Diegetic sound refers to all sound effects and music that the characters in a film or TV show can hear. Non-diegetic sound includes music and effects that only the audience can hear and are not part of the story world. The document discusses various types of sound that can be used in TV dramas, including dialogue, voiceovers, incidental music, ambient sounds, themes, and stings. It notes that sound and music are used to enhance drama and manipulate viewers' emotions by helping illustrate the emotional content of the story.
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Cubase instruction guide
This document provides instructions for using various audio editing and effects tools in the Cubase digital audio workstation software. It explains how to import audio files, arrange tracks on the timeline, loop sections of audio, edit individual sounds, adjust volume and effects on tracks, and use dynamics processors like compressors and limiters as well as noise gates to control audio levels.
Evaluation unit 6
The reviewer analyzes Classified London's brand logo and finds it has both a modern and sophisticated style that will appeal to people aged 16-25 in London. While liking the subtle designs, the reviewer suggests expanding the product line and targeting both female and male customers to reach a wider audience. Overall, the reviewer believes Classified has found a niche in the urban fashion market for young people but could grow further with a broader range of clothing and more diverse marketing.
Final major project
This document outlines a final major project for a student named Josh McLean. It details the production of a brand launch for a clothing line called "Classified LDN" including t-shirt designs, models, photographers, and delivery deadlines. It provides crew names and roles, including a graphic designer and t-shirt distributor. It also includes budgets, order details, and contingencies in case of delays. The goal is to produce 50 embroidered t-shirts, do a photo shoot to advertise in a magazine, and analyze profits from sales.
Work log
The document is a work log detailing the process of developing a fashion brand and product from April 30th to June 24th. It describes brainstorming ideas, selecting a logo design, creating mockups, conducting audience research through surveys, receiving feedback and redesigning based on feedback. It also discusses planning a photo shoot, magazine publication, researching competitors, developing a presentation, ordering products, and finalizing budgets and schedules. The log shows the iterative process of refining the brand and product design based on research and feedback.
Prsmusiclogsheet
This PRS music log sheet documents the creation of a single titled "Mechanicz– Curry Chips" for a grime artist. The single was directed by Josh McLean of Henley College and has a duration of 00m:00sec. The log sheet records the license type as MCPS Rate Card.
Poster Design Process
The document describes the process of creating a poster to advertise a clothing brand. Key steps included:
1) Importing a photo taken on location and editing it in Pixelmator and Photoshop to sharpen details and manipulate the image.
2) Isolating the model from the background using selection tools to edit each independently and darken the background.
3) Adding texture around the borders by scanning pieces of plumbing tape to resemble posters pasted on walls.
4) Including branding elements like the logo and slogan, using different fonts and colors to make the information clear and consistent.
T-Shirt Making Process
The author decided to print their own sample T-shirt when the company they ordered from could not provide one in time for a photoshoot. They initially tried printing the logo in Photoshop but it came out pixelated due to resizing. Recreating the logo in InDesign, the author realized it needed to be mirrored to print correctly on the shirt. They were able to reverse the image in InDesign. Through test prints on paper and old shirts, the author refined the sizing and ironing process before printing the final sample T-shirt.
2
The document discusses plans to start a clothing brand, including designing t-shirts, choosing an embroidered crew neck style, and finding a company to produce them. It also discusses advertising strategies, comparing to the well-known brand Carhartt and how they appeal to different demographics. Plans are outlined to hire photographers and models to take promotional photos of people wearing the branded clothing, with included costs for production and advertising totaling over £6,932.93.
1
This document outlines a business plan for a new clothing line called Classified. The author will use investment money to print an initial batch of crew neck t-shirts and place advertisements. They chose crew neck t-shirts and were inspired by simple, illustrative advertisements. The clothing will target males ages 16-25 and will offer high quality products at lower prices than the competitor Carhartt. The total startup costs are estimated to be £3432.93, which will cover t-shirt production, software, travel, and graphic design work.
Recce
The document provides a production update for the short film "Got Banked". It notes background ambience as a major issue and proposes shooting in a quiet room with only actors present to solve it. As a contingency plan, the writer/director would shorten the production to just focus on the bank robbery if needed, as the script was written to allow parts to be removed while keeping the story clear. A location recce is also mentioned.
Production schedule
This production schedule outlines a 6 week process for creating a radio drama, with pre-production occurring in weeks 1-2, script writing in week 3, recording in week 4, editing in weeks 5-6, and the final production uploaded by the end of week 6.
Korg D1200mkii manual
This document provides an overview of the main features and functions of the D1200mkII digital audio workstation, including:
1) It allows for 16-channel recording and mixing with 12 tracks that can be bounced to 96 virtual tracks, and includes modeling effects for guitar, bass and microphone recording.
2) Other features include 8 insert effects, 2 master effects, a final effect, 100 scenes and marks, track editing, and the ability to backup songs and burn audio CDs using the built-in CD burner.
3) The user interface allows for controlling inputs, tracks, effects, scenes and more using tabs to navigate between channels, effects and other parameters which can be adjusted using knobs and buttons
MIX 3 Printscreens
The document discusses editing and adjusting various tracks in a song. The opening section was adjusted by lowering and adding top end to the EQ. A 15 second loop was used to judge adjustments to the kick drum track, which had its EQ raised at both ends and left normal in the middle. Distortion was added to the kick drum to improve the sound. The snare was adjusted by lowering the bottom end and raising the top end of the EQ towards the end to emphasize the final bang. Reverb was added to the snare to create a small repetition. The overall drums were lowered and main drums boosted by adjusting the EQ. A filter was added to control frequencies. The pitch was changed to C Major and some tracks were left un
MIX 2 printscreens
The document discusses adjustments made to a mix to balance the levels of different instruments. The overheads section was overpowering and had lower frequencies cut. A gate was added to let the kick drum and hi-hat be heard. The piano section was too loud so its levels and volume were adjusted. A limiter prevented the piano from overpowering other sections. The bass microphone picked up other drums, so EQ pulled out top end and adjusted levels to focus on the bass. A compressor also balanced levels and reduced drum sounds in the background. All levels were adjusted in the mixer to prevent instruments from overpowering each other.
MIX 1 screen shots
The document discusses adjustments made to a song recording to balance the levels of different instruments and improve clarity. Distortion was added to quiet the guitar and remove unwanted room sounds. The levels of the snare and kick drum were raised and gates were used to make them more distinct. The bass levels and EQ were adjusted to make it louder without overwhelming other elements. All levels were balanced so vocals were not overpowered.
Proposal
The document discusses plans to launch a new clothing brand called Classified. It describes the brand's intended demographic as males aged 16-25 and middle class. It outlines plans to produce an initial run of 50 white crew neck t-shirts with the embroidered logo and advertise in FHM magazine. The total budget needed is estimated at £6,932.93, which will cover production, photography, and advertising costs. Inspiration was drawn from Carhartt's simple yet eye-catching advertising campaigns that prominently feature the brand logo.
Moodboard
This document contains a list of links to various websites including image hosting sites and font libraries. The links relate to topics like t-shirt designs, clothing brands, and typography. No other context or explanation is provided for the assortment of URLs listed.
Research into market
The document summarizes research into producing a t-shirt brand targeting 16-25 year olds. It discusses:
- Analyzing a successful Carhartt advertising campaign using illustrations to stand out.
- Setting a competitive price point of £19.99 for t-shirts, cheaper than brands like Adidas and Nike.
- Using design software like Photoshop and InDesign to create logo and designs for printing.
- Choosing Champion or American Apparel for high-quality printing and recognition from other brands.
- Targeting advertising in urban areas like Shoreditch known for music, art, and youth streetwear styles.
Questionaire
This document summarizes feedback from potential customers on a proposed clothing brand design. Key points include:
- The most popular logo design featured a dripping graffiti text style. Positive feedback boosted the creator's confidence.
- Interviewees recommended adding a logo in addition to the text to make the brand more distinctive.
- Based on feedback and target demographic, the creator decided to lower the t-shirt price from £20 to £15.
- Additional feedback on redesigned brand name logos helped choose a final design, though it still needs refinement before finalization.
Audience research
The target audience for the product is males ages 16-25. This age group is most interested in the style of t-shirt and logo. Brands that target this age group, ages 20-25, help appeal to both younger and older customers. While mainly targeted at males, some females may also be interested in wearing more masculine styles. The product aims to be affordable to socioeconomic classes B, C1, C2 and D, as an expensive designer brand would not interest the middle classes that make up most of the target range.
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Sound & Moving Image
- 1. The relationship between sound & picture Josh McLean
- 2. Creating a soundtrack for a moving image
- 3. Key factors Pretty lights - Almost Pretty lights - Down the line familiar Example of how the song effects the feel of the video & depending on the mood of the video alters the tempo and type of song that is used.
- 4. Sound Effects Foley Sounds Ambient Sounds
- 5. Diegetic & Non Diegetic Sound
- 6. The Process Original version
- 7. Open cubase and insert the film clip in to your timeline
- 8. Record the dialogue for the film and place it on the timeline so that it is synced with the characters which are speaking
- 9. One characters voice pitch shifted and reverb added
- 10. Voice over added
- 11. Insert the track in which you have chosen to use in the film, editing the volume of the track so that it doesn’t overpower the speech of the characters on screen.
- 12. Sound effect added to create an enviroment in the advert
- 13. Other relevant sound effects added, some altered for different sound.
- 14. The layout of the finished piece on the timeline
- 15. Final Piece
Editor's Notes
- When creating a soundtrack a layer of different types of sounds need to be put together to re create the atmosphere of a real life situation for example if your trying to re create a car showroom then you would add an effect reverberation so that an echo is made. If your wanting to show a main road then you would use a sound effect of cars driving past, this creates and atmosphere in the film and doesn’t make it seem unrealistic to the viewers.
- The different types of sounds that need to be layered into the soundtrack are categorized by the type of sounds which they are; Voice over - someone whos face is not shown in the clip buts voice is included in the advert/film Dialogue - A character who is involved in the films speech parts of the advert may have been pre recorded so that in the editing the voice is added, to save the amount of takes when filming. Sound effects - sound effects is a wide variety of sounds, sound effects are added because in the film the sounds of day to day items or inputs in the film cant be picked up by the camera r are decided that they will improve the film are added in editing so the film matches up, again to make it seem more realistic to the audience. Music - Sometimes the main factor of a advert, the song having a relation to whats going on on screen and helping the advert role a lot smoother because the gaps in speech are filled by the sound of the music & depending on the purpose of the advert it could create feelings in the audience through the tempo of the song. Mention genres of filming and music relation, have to fit together to make the film flow better.
- There are different sorts of sound effects to match purposes, such as foley sounds for the recognizeable day to day sounds which can be re created by recording them yourself, such as a phone ringing…. (play) these are used to create a realness in the final piece instead of taking it from a sound back, re creating the sound to the sound and way in which you want it to turn out. Ambient sounds are from a sound bank so they have not been recorded they have been made on the computer through different effects, these are added after all the realness has been put back into the film using the foley sounds voice overs etc to add a little something to the video.
- Diegetic sound is what is seen on screen is what you hear there are no effects added into the sound, any sound that is heard Is shown or known as to where it is coming from. Non diegetic sound is when music is added to a scene to create a feeling in the audience such as in jaws when the shark is going to attack the renound sound is made which has been added into the film for the effect, non diegetic is going against the normal, what differs a film from the reality.
- I re created a advert by taking the original and making the soundtrack for the whole advert, im going to show you a step by step guide on how to re create the same advert, using Cubase and the different key factors that should be used in soundtrack for a moving image.