The document discusses conventions used in film title sequences and openings, using the film Psycho as an example. It describes conventions at both the macro and micro level. At the macro level, Psycho does not show characters in its title sequence but only addresses them in the credits. At the micro level, Psycho uses black and white film stock, dramatic music, and motion titles to set an ominous tone. The document also discusses how the student group applied conventions from Psycho in their own horror title sequence, such as using red text on a black background and dramatic sound and music to signal the genre to viewers.
The document discusses how the group attracted their target audience for their thriller/horror film opening title sequence called "Sinister Escape". They used tense music, dark colors like black and red, and crime-themed fonts to build suspense and engage viewers of the genre. They also studied camera techniques from other horror films. Through editing and reordering scenes to clarify the storyline, and using fake blood and ominous locations, they created an atmosphere of danger and murder that hinted at the plot without revealing too much. By including these genre-specific elements, they successfully reached their target horror film audience.
The document discusses conventions in title sequences and how the student's group followed conventions in their horror/thriller title sequence project. It provides examples of title sequences from films like Shutter Island and Psycho that the group drew inspiration from. The group made sure to follow typical genre conventions like using dark lighting and colors, dramatic music, and animation/motion in the titles to set the tone and give the audience an idea of the genre. While the group was influenced by other title sequences, they developed their own original story idea and visual style for their title. Overall, the group felt they were successful in creating a recognizable title sequence that adhered to typical horror/thriller conventions without challenging them.
Opening sequences aim to entice audiences to continue watching and establish characters and genre. Directors have many techniques at their disposal including flashbacks, establishing shots, narration, action scenes, chase scenes, production logos, title sequences, animation, compilation of photographs, increasing the narrative pace and content, and soundtracks. Unconventional openings can also be used to add mystery or artistic style.
This document summarizes how the media product uses and develops conventions of horror film trailers. It analyzed trailers like "30 Days of Night" and "Jennifer's Body" to understand conventions like victims screaming, blood, and quick shots. It features an innocent young girl as the protagonist, a common victim type. The lighting gradually darkens and a jump scare is included, both common techniques. It keeps some camera shot conventions but leaves ambiguity around whether the young girl is the protagonist or antagonist, challenging expectations.
The document discusses the creative choices made in developing a media product. It describes using the title "Wire Productions" to honor the continued importance of wires, and the title "Jeremy's Boy" to intrigue audiences. Red and white colors were used for the titles against a red brick house. During a key scene, debris and a fireplace were included to suggest danger and an abandoned house. The gangsters are dressed smartly to portray sophisticated criminals. Suspenseful music with increasing volume was used for tension during a threat of violence. A variety of shots including close-ups, point-of-view, and two shots help audiences understand the setting and action.
Question 2 - How effective is the combination of your main product and the an...Rebecca Reynolds
Media Studies Evaluation Part 2
Link to Radio Trailer - https://www.youtube.com/watch?v=GH5GsZ59Yuk
Link to Doctor Who Radio Trailer - https://www.youtube.com/watch?v=4m9OIQEgBOg
The purpose of the title sequence and filmmaria demine
The document discusses the purpose and importance of title sequences and film openings. They are used to set the tone and atmosphere of the film through music, sound, and colors. They also introduce the main characters and setting while sometimes providing hints about the plot or themes. Title sequences aim to grab audience attention and intrigue them to continue watching in order to find out what happens next. They convey key information about the film's genre and legal requirements for producer credits. Overall, titles sequences are an important way to engage audiences at the start of a movie.
The document discusses conventions used in film title sequences and openings, using the film Psycho as an example. It describes conventions at both the macro and micro level. At the macro level, Psycho does not show characters in its title sequence but only addresses them in the credits. At the micro level, Psycho uses black and white film stock, dramatic music, and motion titles to set an ominous tone. The document also discusses how the student group applied conventions from Psycho in their own horror title sequence, such as using red text on a black background and dramatic sound and music to signal the genre to viewers.
The document discusses how the group attracted their target audience for their thriller/horror film opening title sequence called "Sinister Escape". They used tense music, dark colors like black and red, and crime-themed fonts to build suspense and engage viewers of the genre. They also studied camera techniques from other horror films. Through editing and reordering scenes to clarify the storyline, and using fake blood and ominous locations, they created an atmosphere of danger and murder that hinted at the plot without revealing too much. By including these genre-specific elements, they successfully reached their target horror film audience.
The document discusses conventions in title sequences and how the student's group followed conventions in their horror/thriller title sequence project. It provides examples of title sequences from films like Shutter Island and Psycho that the group drew inspiration from. The group made sure to follow typical genre conventions like using dark lighting and colors, dramatic music, and animation/motion in the titles to set the tone and give the audience an idea of the genre. While the group was influenced by other title sequences, they developed their own original story idea and visual style for their title. Overall, the group felt they were successful in creating a recognizable title sequence that adhered to typical horror/thriller conventions without challenging them.
Opening sequences aim to entice audiences to continue watching and establish characters and genre. Directors have many techniques at their disposal including flashbacks, establishing shots, narration, action scenes, chase scenes, production logos, title sequences, animation, compilation of photographs, increasing the narrative pace and content, and soundtracks. Unconventional openings can also be used to add mystery or artistic style.
This document summarizes how the media product uses and develops conventions of horror film trailers. It analyzed trailers like "30 Days of Night" and "Jennifer's Body" to understand conventions like victims screaming, blood, and quick shots. It features an innocent young girl as the protagonist, a common victim type. The lighting gradually darkens and a jump scare is included, both common techniques. It keeps some camera shot conventions but leaves ambiguity around whether the young girl is the protagonist or antagonist, challenging expectations.
The document discusses the creative choices made in developing a media product. It describes using the title "Wire Productions" to honor the continued importance of wires, and the title "Jeremy's Boy" to intrigue audiences. Red and white colors were used for the titles against a red brick house. During a key scene, debris and a fireplace were included to suggest danger and an abandoned house. The gangsters are dressed smartly to portray sophisticated criminals. Suspenseful music with increasing volume was used for tension during a threat of violence. A variety of shots including close-ups, point-of-view, and two shots help audiences understand the setting and action.
Question 2 - How effective is the combination of your main product and the an...Rebecca Reynolds
Media Studies Evaluation Part 2
Link to Radio Trailer - https://www.youtube.com/watch?v=GH5GsZ59Yuk
Link to Doctor Who Radio Trailer - https://www.youtube.com/watch?v=4m9OIQEgBOg
The purpose of the title sequence and filmmaria demine
The document discusses the purpose and importance of title sequences and film openings. They are used to set the tone and atmosphere of the film through music, sound, and colors. They also introduce the main characters and setting while sometimes providing hints about the plot or themes. Title sequences aim to grab audience attention and intrigue them to continue watching in order to find out what happens next. They convey key information about the film's genre and legal requirements for producer credits. Overall, titles sequences are an important way to engage audiences at the start of a movie.
The document discusses various elements used in the opening of a thriller film including font style and size, genre, shots, props, camerawork, costumes, locations, story, special effects, and title. The opening scene is dark and suspenseful, showing someone being killed at a church to draw the audience in and raise questions. Key props like a rope are used to frame the protagonist for murder. Various camera techniques like pans and tracks are employed. Characters wear dark clothing to seem intimidating compared to the protagonist. Locations like a forest and church increase fear and suspense. The opening sets up an innocent man being tortured to show he is the victim and spark interest in why he was killed and if his soul will be
The opening sequence is a 1-2 minute montage depicting the kidnapping of a child in a way that distorts time and creates tension. It follows conventions of psychological thrillers through graphic torture scenes, a dark and isolated setting, and close-ups that emphasize the child's emotions without showing the antagonist. Elements like flickering text, rough cuts, and an unsettling soundtrack aim to confuse the audience and suggest the film's physiological genre.
Our media product follows many conventions of television documentaries. We used simple cuts between interviews and b-roll footage to avoid distracting the audience. We also included zooms of still images to make the footage more engaging. When interviewing subjects, we removed the questions and edited it to make it seem like they were telling a story. Graphics included the subject's name and relevance in consistent, easy-to-read text. We used a serious, standard male voiceover and focused on only one topic to maintain a single, non-linear narrative structure. The title sequence and music helped set the tone by depicting fearful reactions and relating to spiders. Both the radio trailer and newspaper advert followed conventions by providing scheduling details, enticing
This document discusses how the media product adheres to or challenges conventions of real trailers, posters, and magazines. It examines conventions of format, including a teaser trailer's typical duration of 30 seconds to 1.5 minutes, and fast pacing with some slow motion effects. Genre conventions discussed include the thriller narrative of crime investigation, isolated woodland settings, stalkers and victims as typical characters. The media product generally follows conventions but also innovates in some aspects of format and genre.
This document analyzes how the film "lights out" uses conventions of the horror genre in its title, visual elements, setting, costumes, camerawork, editing, storyline and overall presentation. The title relates directly to the film's subject of darkness and power cuts. Typography uses a dripping red font that conveys danger and blood. The setting of an isolated rural house makes characters vulnerable. Costumes are normal teen clothes, and camerawork uses point-of-view shots and parallel editing to create tension. The opening scene and overall storyline follow conventions of stalking victims and paranormal events in a stereotypical horror structure. Throughout, the film relies on common horror techniques to suggest its genre to audiences.
Codes and conventions of opening creditsValvainolivi
Codes and conventions are followed in title sequences to introduce the key production elements of a film or television program. The opening credits usually include the production company name, director, main actors, film title, and other important roles. Big production companies and major directors and actors are given individual billing and longer screen time in the credits to highlight their importance and attract audiences. Less prominent cast and crew are grouped together or given shorter billing. The order and presentation of credits follows standard formats to efficiently convey the key selling points of the production to viewers.
The trailer for the crime thriller Se7en uses various techniques to build tension, mystery, and intrigue. It employs a slow, tense musical score and serious voiceover to draw in viewers. Dark lighting, colors, and camera work are used to give the trailer an eerie feel that is conventional for the genre. The editing varies between longer, calm shots to build mystery, and faster, action-packed shots to create excitement. Close-ups of characters' faces convey emotions without revealing too much of the plot. Major stars like Morgan Freeman and Brad Pitt in the titles aim to attract a wide audience. Overall, these elements leave viewers wanting to learn more about the film's mysterious plot.
The document discusses how the group used a blog to collaboratively plan and improve their horror film project. They posted planning updates and received feedback to strengthen their work. Through analyzing example horror film openings, they learned conventions like typography, color, and plot elements to incorporate. They filmed across four locations using a DSLR camera and equipment for stable shots. Editing challenges like desaturating footage and stabilizing shots were overcome. They chose simple title designs and added visual effects to denote flashbacks.
The document discusses how a student film follows various media conventions in its opening sequence, including establishing key locations with master shots and introducing Saint Paul's Cathedral. It also includes a protagonist hero typically seen in horror films, with light hair and costume to signify being good. Flashback scenes also use sepia tones and fades as is conventional. The hero is further presented as good through the use of white clothing, reflecting standard media representations. In conclusion, the student's film incorporates many standard elements seen in real media to seem realistic.
The document discusses how the media product, a horror movie trailer, uses and develops forms and conventions of real horror movie trailers. Specifically:
- The trailer follows Todorov's narrative theory of equilibrium and disequilibrium to structure scenes for maximum tension.
- Editing techniques like quick cuts and music are used during disequilibrium moments to build fear.
- Common horror movie theories around character types and gender roles were applied to the casting.
- Conventions like keeping the killer anonymous and using a knife as the weapon help generate fear.
- Features like studio logos and tone cards were added to make the trailer seem like realistic horror movie previews.
The document discusses the use of makeup, clothing, filming locations, and props for a student film trailer about an exorcism. For the villain's makeup, dark colors were used under the eyes to look bruised, and fake blood and scratches were added to appear raw. A long black dress was chosen for the villain to connote evil. Most filming occurred indoors, especially in bedrooms, to be consistent with where possessions typically happen. Candles, a knife with fake blood, and a crucifix covered in blood were the main props and were used to set an eerie tone and religious theme. A few outdoor chase scenes were also included to make the trailer seem realistic.
This document discusses how a media product uses conventions of real thriller films in its opening sequence. It uses a dark background and non-diegetic music for the title to set an eerie tone. For the antagonist character, it uses slow footsteps, handcuffs, and spotlights to indicate he is dominant and has done something wrong. For the protagonist, it uses brighter clips, fragility, and injury to show she is not the villain. It includes close-ups of the characters to provide insight but not reveal too much. It also uses slow fades between clips rather than quick cuts to increase tension. The document analyzes how these techniques develop and challenge conventions of the thriller genre.
The document summarizes the key elements used in the trailer for the movie "Pengyeulan" including key moments, on-screen text, titles, names, and music. The trailer utilizes six main elements found in most professional trailers: key scenes that advance the plot or establish characters/setting, a tagline, release date, cast names, and an original soundtrack. While following conventions, it challenges the norm by not including a voice-over, relying only on character dialogue.
The combination of the main film product and two ancillary texts (a film poster and radio trailer) was effective in promoting the film. The film poster represented the mysterious atmosphere of the film through the image of a hooded character and tagline. Research was conducted into successful thriller posters to guide the design. Similarly, the radio trailer included sound bites and music from the film to directly reflect the main product. Both ancillary texts linked well to the film and represented it accurately according to research into common effective promotional techniques.
The document summarizes the key elements used in the trailer for the movie "Pengyeulan" including key moments, on-screen text, titles, names, and music. The trailer utilizes six main elements found in most real-life movie trailers. It features important scenes that convey the genre, relationship between characters, and heighten tension. On-screen text includes the tagline and release date. Names of the cast and past works of the producers are also included. The trailer challenges conventions by not using a voice-over, relying only on character voices. The music helps set the mood by contrasting light and heavy tones.
The document analyzes the codes used in the trailers for the films Black Mass and Legend. It discusses the visual, narrative, enigma, and audio codes employed. For visual codes, both trailers begin with establishing shots and use lighting and shots to set tone and pace. Narrative codes are more implied to build intrigue. Enigma codes include ambiguous clips and a voiceover to generate questions. Audio codes combine a voiceover, music, and film clips to create tension and draw the audience in.
This document discusses how the media product challenges and develops conventions of horror films. It presents several conventions that were challenged, such as killing a male character instead of the usual female victim. It also challenged revealing the killer's identity to generate suspense. Some conventions were followed, like using ominous music, fast-paced editing, and a variety of shots to set the scene and keep the audience engaged. Overall, the goal was to empower young female viewers while still capturing elements typical of the horror genre.
The document analyzes how the trailer and poster for the film "Ace is High" uses, develops, and challenges conventions of real media products.
The trailer uses conventions similar to "Se7en" such as introducing the production companies and focusing on a detective investigating a serial killer. It develops conventions by including the title/logo together rather than separately and showing more of the detective's personal life.
The poster uses conventions like a red/black/white color scheme and close-up of the main character typical of crime thrillers. It develops conventions by giving the actor's face a red effect to stand out rather than blur into the background and placing the title at the top with a tagline rather than centered
This document advertises satin bridesmaid dresses for sale on the website Gudeer.com, highlighting two dress options - an orange strapless dress with curved neckline and 3D flowers for $129, and a strapless silver satin knee-length A-line dress for $129. It invites the reader to browse Gudeer's collection of satin bridesmaid dresses and view information on sizing, shipping policies, and contact details.
This document displays images and pricing information for 20 different bridesmaid dresses available for purchase on page 5 of the Gudeer.com website. The dresses range in price from $90 to $189 and include styles in various colors, lengths, necklines and fabrics like chiffon, lace and organza. Each dress display includes an image, style name, price and option to add it to favorites. In addition, the page provides navigation buttons to view other pages of results or learn more about sizing, measurements and company policies.
The document discusses various elements used in the opening of a thriller film including font style and size, genre, shots, props, camerawork, costumes, locations, story, special effects, and title. The opening scene is dark and suspenseful, showing someone being killed at a church to draw the audience in and raise questions. Key props like a rope are used to frame the protagonist for murder. Various camera techniques like pans and tracks are employed. Characters wear dark clothing to seem intimidating compared to the protagonist. Locations like a forest and church increase fear and suspense. The opening sets up an innocent man being tortured to show he is the victim and spark interest in why he was killed and if his soul will be
The opening sequence is a 1-2 minute montage depicting the kidnapping of a child in a way that distorts time and creates tension. It follows conventions of psychological thrillers through graphic torture scenes, a dark and isolated setting, and close-ups that emphasize the child's emotions without showing the antagonist. Elements like flickering text, rough cuts, and an unsettling soundtrack aim to confuse the audience and suggest the film's physiological genre.
Our media product follows many conventions of television documentaries. We used simple cuts between interviews and b-roll footage to avoid distracting the audience. We also included zooms of still images to make the footage more engaging. When interviewing subjects, we removed the questions and edited it to make it seem like they were telling a story. Graphics included the subject's name and relevance in consistent, easy-to-read text. We used a serious, standard male voiceover and focused on only one topic to maintain a single, non-linear narrative structure. The title sequence and music helped set the tone by depicting fearful reactions and relating to spiders. Both the radio trailer and newspaper advert followed conventions by providing scheduling details, enticing
This document discusses how the media product adheres to or challenges conventions of real trailers, posters, and magazines. It examines conventions of format, including a teaser trailer's typical duration of 30 seconds to 1.5 minutes, and fast pacing with some slow motion effects. Genre conventions discussed include the thriller narrative of crime investigation, isolated woodland settings, stalkers and victims as typical characters. The media product generally follows conventions but also innovates in some aspects of format and genre.
This document analyzes how the film "lights out" uses conventions of the horror genre in its title, visual elements, setting, costumes, camerawork, editing, storyline and overall presentation. The title relates directly to the film's subject of darkness and power cuts. Typography uses a dripping red font that conveys danger and blood. The setting of an isolated rural house makes characters vulnerable. Costumes are normal teen clothes, and camerawork uses point-of-view shots and parallel editing to create tension. The opening scene and overall storyline follow conventions of stalking victims and paranormal events in a stereotypical horror structure. Throughout, the film relies on common horror techniques to suggest its genre to audiences.
Codes and conventions of opening creditsValvainolivi
Codes and conventions are followed in title sequences to introduce the key production elements of a film or television program. The opening credits usually include the production company name, director, main actors, film title, and other important roles. Big production companies and major directors and actors are given individual billing and longer screen time in the credits to highlight their importance and attract audiences. Less prominent cast and crew are grouped together or given shorter billing. The order and presentation of credits follows standard formats to efficiently convey the key selling points of the production to viewers.
The trailer for the crime thriller Se7en uses various techniques to build tension, mystery, and intrigue. It employs a slow, tense musical score and serious voiceover to draw in viewers. Dark lighting, colors, and camera work are used to give the trailer an eerie feel that is conventional for the genre. The editing varies between longer, calm shots to build mystery, and faster, action-packed shots to create excitement. Close-ups of characters' faces convey emotions without revealing too much of the plot. Major stars like Morgan Freeman and Brad Pitt in the titles aim to attract a wide audience. Overall, these elements leave viewers wanting to learn more about the film's mysterious plot.
The document discusses how the group used a blog to collaboratively plan and improve their horror film project. They posted planning updates and received feedback to strengthen their work. Through analyzing example horror film openings, they learned conventions like typography, color, and plot elements to incorporate. They filmed across four locations using a DSLR camera and equipment for stable shots. Editing challenges like desaturating footage and stabilizing shots were overcome. They chose simple title designs and added visual effects to denote flashbacks.
The document discusses how a student film follows various media conventions in its opening sequence, including establishing key locations with master shots and introducing Saint Paul's Cathedral. It also includes a protagonist hero typically seen in horror films, with light hair and costume to signify being good. Flashback scenes also use sepia tones and fades as is conventional. The hero is further presented as good through the use of white clothing, reflecting standard media representations. In conclusion, the student's film incorporates many standard elements seen in real media to seem realistic.
The document discusses how the media product, a horror movie trailer, uses and develops forms and conventions of real horror movie trailers. Specifically:
- The trailer follows Todorov's narrative theory of equilibrium and disequilibrium to structure scenes for maximum tension.
- Editing techniques like quick cuts and music are used during disequilibrium moments to build fear.
- Common horror movie theories around character types and gender roles were applied to the casting.
- Conventions like keeping the killer anonymous and using a knife as the weapon help generate fear.
- Features like studio logos and tone cards were added to make the trailer seem like realistic horror movie previews.
The document discusses the use of makeup, clothing, filming locations, and props for a student film trailer about an exorcism. For the villain's makeup, dark colors were used under the eyes to look bruised, and fake blood and scratches were added to appear raw. A long black dress was chosen for the villain to connote evil. Most filming occurred indoors, especially in bedrooms, to be consistent with where possessions typically happen. Candles, a knife with fake blood, and a crucifix covered in blood were the main props and were used to set an eerie tone and religious theme. A few outdoor chase scenes were also included to make the trailer seem realistic.
This document discusses how a media product uses conventions of real thriller films in its opening sequence. It uses a dark background and non-diegetic music for the title to set an eerie tone. For the antagonist character, it uses slow footsteps, handcuffs, and spotlights to indicate he is dominant and has done something wrong. For the protagonist, it uses brighter clips, fragility, and injury to show she is not the villain. It includes close-ups of the characters to provide insight but not reveal too much. It also uses slow fades between clips rather than quick cuts to increase tension. The document analyzes how these techniques develop and challenge conventions of the thriller genre.
The document summarizes the key elements used in the trailer for the movie "Pengyeulan" including key moments, on-screen text, titles, names, and music. The trailer utilizes six main elements found in most professional trailers: key scenes that advance the plot or establish characters/setting, a tagline, release date, cast names, and an original soundtrack. While following conventions, it challenges the norm by not including a voice-over, relying only on character dialogue.
The combination of the main film product and two ancillary texts (a film poster and radio trailer) was effective in promoting the film. The film poster represented the mysterious atmosphere of the film through the image of a hooded character and tagline. Research was conducted into successful thriller posters to guide the design. Similarly, the radio trailer included sound bites and music from the film to directly reflect the main product. Both ancillary texts linked well to the film and represented it accurately according to research into common effective promotional techniques.
The document summarizes the key elements used in the trailer for the movie "Pengyeulan" including key moments, on-screen text, titles, names, and music. The trailer utilizes six main elements found in most real-life movie trailers. It features important scenes that convey the genre, relationship between characters, and heighten tension. On-screen text includes the tagline and release date. Names of the cast and past works of the producers are also included. The trailer challenges conventions by not using a voice-over, relying only on character voices. The music helps set the mood by contrasting light and heavy tones.
The document analyzes the codes used in the trailers for the films Black Mass and Legend. It discusses the visual, narrative, enigma, and audio codes employed. For visual codes, both trailers begin with establishing shots and use lighting and shots to set tone and pace. Narrative codes are more implied to build intrigue. Enigma codes include ambiguous clips and a voiceover to generate questions. Audio codes combine a voiceover, music, and film clips to create tension and draw the audience in.
This document discusses how the media product challenges and develops conventions of horror films. It presents several conventions that were challenged, such as killing a male character instead of the usual female victim. It also challenged revealing the killer's identity to generate suspense. Some conventions were followed, like using ominous music, fast-paced editing, and a variety of shots to set the scene and keep the audience engaged. Overall, the goal was to empower young female viewers while still capturing elements typical of the horror genre.
The document analyzes how the trailer and poster for the film "Ace is High" uses, develops, and challenges conventions of real media products.
The trailer uses conventions similar to "Se7en" such as introducing the production companies and focusing on a detective investigating a serial killer. It develops conventions by including the title/logo together rather than separately and showing more of the detective's personal life.
The poster uses conventions like a red/black/white color scheme and close-up of the main character typical of crime thrillers. It develops conventions by giving the actor's face a red effect to stand out rather than blur into the background and placing the title at the top with a tagline rather than centered
This document advertises satin bridesmaid dresses for sale on the website Gudeer.com, highlighting two dress options - an orange strapless dress with curved neckline and 3D flowers for $129, and a strapless silver satin knee-length A-line dress for $129. It invites the reader to browse Gudeer's collection of satin bridesmaid dresses and view information on sizing, shipping policies, and contact details.
This document displays images and pricing information for 20 different bridesmaid dresses available for purchase on page 5 of the Gudeer.com website. The dresses range in price from $90 to $189 and include styles in various colors, lengths, necklines and fabrics like chiffon, lace and organza. Each dress display includes an image, style name, price and option to add it to favorites. In addition, the page provides navigation buttons to view other pages of results or learn more about sizing, measurements and company policies.
Martin lawsuit guitar and Yasuma guitar Gudeer Kitty
In the late 1960s, Martin Guitar sued Yasuma Guitar for producing low-priced versions of Martin guitars. As a result, Yasuma was expelled from their country in the early 1970s. Yasuma guitars with the Happy Lacky logo are now rare collectors' items sought after by guitar collectors due to their association with Martin Guitar and the supplier that produced them for the Japanese market as affordable alternatives to Martin guitars.
The document summarizes a study on improving the performance of a two-leg inverter fed brushless DC motor (BLDCM) drive. Key points:
1) A two-leg inverter fed BLDCM drive is proposed that uses only four switches and two current sensors, compared to a conventional three-leg inverter that uses six switches and three current sensors. This reduces switching losses and cost.
2) A MATLAB/Simulink model of the proposed two-leg inverter fed BLDCM drive with two DC input sources is developed.
3) Simulation results show the proposed drive has reduced torque ripple, lower voltage stress, lower current total harmonic distortion, and faster dynamic performance
This document describes the design and implementation of a controller-based buck-boost converter for a small wind turbine. The converter helps maximize the effective use of power from the wind turbine by boosting lower voltages and bucking higher voltages to maintain a stable output of around 48V for charging batteries. A microcontroller senses the input voltage and controls PWM signals to drive MOSFET switches in the buck-boost converter in either buck or boost mode as needed. Simulation and hardware results show the converter performs as intended, maintaining an output around 48V over a wide range of input voltages from 10V to 70V. This ensures batteries can be charged efficiently from the variable voltage output of the small wind turbine.
This document summarizes a research paper on fair scheduling techniques in wireless mesh networks (WMNs) with multiple gateways. It begins with background on WMNs and challenges of scheduling. It then reviews existing fair scheduling algorithms and classifies them. The document proposes a new fair scheduling approach for WMNs with multiple gateways consisting of 4 steps: demand tables, demand propagation, group generation, and schedule generation. Simulation results show the proposed approach improves performance metrics like fairness and throughput compared to approaches without fair scheduling.
This document summarizes and reviews several techniques for image mining, including feature extraction, image clustering, and object recognition algorithms. It discusses color, texture, and edge feature extraction techniques and evaluates their precision and recall. It also describes the block truncation algorithm for image recognition and the cascade feature extraction approach. The key techniques - color moments, block truncation coding, and cascade classifiers - are evaluated based on experimental recall and precision results. Overall, the document provides an overview of different image mining techniques and evaluates their effectiveness.
This document presents an analytical model for calculating the vibration period of reinforced concrete structures accounting for soil-structure interaction effects. The model formulates expressions for calculating the fundamental period based on shear, flexural, and rocking modes of vibration considering both the structure and soil as deformable. Finite element analysis is used to analyze the response of various low, medium, and high-rise frames assuming both fixed and flexible base conditions. Results show that accounting for soil-structure interaction increases the calculated vibration period, with greater effects for softer soil types. The proposed model provides results that correlate well with other established methods for different soil conditions and building heights.
This document discusses leveraging MapReduce with Hadoop to analyze weather data. It proposes building a data analytical engine using MapReduce on Hadoop to process massive amounts of temperature data from sensors. The document describes implementing MapReduce jobs to analyze National Climatic Data Center temperature data, with mappers filtering and assigning data to key-value pairs and reducers calculating averages, maximums, and minimums on the data. Overall, the document examines using Hadoop and MapReduce to scalably process large volumes of sensor weather data.
This document presents a new technique called Frequent Pattern Mining with Serialization and De-Serialization (FPMSD) for efficiently mining frequent patterns from large transactional databases. FPMSD uses down-level indexing to quickly identify patterns associated with individual items meeting the minimum support threshold. It also utilizes serialization to save discovered frequent patterns to a file and deserialization to load previously found patterns, reducing computation time compared to analyzing the dataset from scratch. The paper describes the FPMSD algorithm and evaluates its performance against other techniques like Apriori, DHP, ECLAT and FP-Growth on several datasets, demonstrating that FPMSD has the fastest execution times, especially on larger datasets with higher minimum support values.
PT. Jeklindo Consulting memberikan jasa konsultan perijinan usaha dan dokumen perusahaan serta pribadi. Mereka menawarkan berbagai jasa pengurusan perijinan seperti API, NIK, PMA, dan lainnya.
Windsor Waste Management is the exclusive licensee for Hazibag bags in the UK, which are flexible intermediate bulk containers (FIBCs) that hold the equivalent of one IBC or five drums and provide benefits over traditional waste containers. Hazibag bags reduce transport costs compared to drums and IBCs due to being lighter and more compact, and can lower the carbon footprint of waste transportation by up to 70% while also saving on delivery time and storage space for empty containers. Windsor provides a nationwide collection service for solid hazardous waste contained in Hazibag bags.
The document discusses the author's passion for music and how their life has improved through surrounding themselves in music. They find emotional fulfillment and enjoyment in the creative process of making new sounds. While they grew up in Texas, studying game development at Full Sail introduced them to possible careers in music. Their experiences in Florida have opened new doors for them, and they are driven to work harder to better themselves as a musician and connect with others through discussing different musical tastes.
A line bridesmaid dresses uk - dress mebridal.co.ukGudeer Kitty
DressMeBridal.co.uk is an online store that sells affordable bridesmaid dresses in the UK, including a-line styles. The site features over 60 a-line bridesmaid dress options in various colors and fabrics like chiffon and lace. Customers can shop dresses by categories like best sellers, new arrivals, price, and more. The store offers high quality dresses, a 7-day return policy, free shipping on orders over £99, and a 10% membership discount.
Modeling the Effect of Variation of Recruitment Rate on the Transmission Dyna...IOSR Journals
In this Paper, the effect of the variation of recruitment rate on the transmission dynamics of
tuberculosis was studied by modifying an existing model. While the recruitment rate into the susceptible class of
the existing model is constant, in our modified model we used a varying recruitment rate. The models were
analyzed analytically and numerically and these results were compared. The Disease Free Equilibrium (DFE)
state of the existing model was found to be
,0,0,0
, the DFE of the modified model was found to be
( ,0,0,0) * S where * S is arbitrary. While all the eigenvalue of the existing model are negative, one of the
eigenvalues of the modified model is zero. The basic reproduction number o R of both models are established to
be the same. The numerical experiments show a gradual decline in the infected and exposed populations as the
recruitment rates increase in both models but the decline is more in the modified model than in the existing
model. This implies that eradication will be achieved faster using the model with a varying recruitment rate.
Service Graphics 2015 has seen our installation crews busy crossing the country do great work. To showcase just some of the marquee projects delivered our 2015 yearbook is hot off the press. Have a look and see what our specialist teams can do for you. #wechangespace
A Correlative Study of Cardiovascular Response to Sustained Hand Grip in Heal...IOSR Journals
The cardiovascular changes like increase in heart rate (HR) and mean arterial pressure(MAP) following isometric contraction (sustained hand grip) are mediated largely by the sympathetic nervous system which is activated by both central command to autonomic system and by reflexes arising within the contracting muscle .Body mass index (BMI) has been used since long to asses health and obesity .But BMI has the limitation of not distinguishing between fat and fat free mass. Hence the validity of BMI as an indicator of body fat in cardiovascular risks is recently challenged. So the present study was taken up with an objective to find out the cardiovascular changes during sustained hand grip and their relation with BMI, body fat percentage (BF%) , fat free mass(FFM) and fat free mass index(FFMI).The study included 50 healthy young adults ( 31male & 19female) of age group 17-25 yrs. Their height and weight were measured. Basal heart rate and blood pressure were recorded. BF% was measured by OMRN body fat Monitor. They were subjected to hand grip at 30% max. Voluntary contraction (MVC) for 3 minutes. HR & BP were recorded at the end of 3 min . SBP&MAP showed significant correlation with FFM and FFMI but it was insignificant with BMI.
This document discusses issues found with the design of fiber to the home (FTTH) networks in Bermuda. It notes inconsistencies between address point files and drop designs within sample fiber distribution territories (FDTs), with some address points missing drops and some drops designed without corresponding address points. The boundaries of the FDTs are also analyzed, finding that they were not distributed efficiently throughout neighborhoods and some extended into the ocean. Fiber access terminals (FATs) within the FDTs are noted to be centered rather than spread out.
The document provides an analysis of a 2 minute 30 second film opening created for a media studies assignment. It uses flashbacks and lighting changes to hint that the main character is a killer and build mystery and tension. The film is intended to appeal to audiences who enjoy psychological thrillers through its unsettling editing style, atmospheric music, and unique camerawork that follows the character. The document discusses the film's representation of gender, its target adult audience, and the technical skills the creators learned in planning, filming, and editing the project.
The document discusses the process of researching film openings to plan an opening scene for a student project. It examines conventions like studio idents, introducing the storyline, and credits. Inspired by films like Se7en, the students created their own dark-toned ident and mysterious opening scene leaving the storyline and characters ambiguous. Their title sequence was modeled after Se7en using close-ups and movement to convey an unsettling tone through editing, text, and sound. Formatting of text was kept uniform to maintain a professional quality.
EVALUATION - Question 1 - In what ways does your film opening use, develop or...Sarah Nurse
The document discusses how the film opening uses conventions of the thriller genre in its use of sound, color, editing, text, lighting, mise-en-scene, and setting. It explores how the opening incorporates slow building music, low key lighting, minimal credits, props to convey plot points, and costumes to represent character nature. While following many conventions, it also challenges some like using simpler credits and starting with high key lighting then shifting to low key. The conclusion is that the opening successfully uses thriller conventions but also makes some original choices.
The document provides an analysis of a 2 minute 30 second film opening created for a media studies assignment. It summarizes the techniques used, including flashbacks without narrative context to hint the main character is not who he appears. It discusses the target audience as adults aged 18-30 interested in thrillers and psychological drama. Distribution through Twisted Pictures is chosen for its experience with disturbing content similar to what is depicted.
This document analyzes the conventions used in the opening sequences of psychological horror films and compares them to the student's own media production. It finds that the student's opening followed several conventions, such as introducing the distribution companies, using a dramatic title design in white text on black, limited camera movement, establishing shots, and unsettling non-diegetic music. However, the student also challenged some conventions by having their first scene in daylight rather than low light, using more midshots rather than just close-ups, and minimizing issues with diegetic sound editing. The analysis found the student both effectively utilized common horror film techniques but also developed elements of their own to surprise the audience.
The document provides an analysis of a 2 minute 30 second media product created by the student. It summarizes the key techniques used in the opening sequence including flashbacks showing death scenes, changing lighting, and unsettling editing with quick flashes and loud bangs during flashbacks. It also discusses the target audience as adults aged 18-30 who enjoy thrillers and psychological films. Skills learned during the project included planning, camera work, editing techniques like sound design, and creating a dark mysterious atmosphere through mise-en-scene and lighting.
The document discusses the conventions used in creating a teaser trailer for a media product. It examines how the teaser trailer adheres to typical conventions such as using a montage editing style and mysterious shots to create intrigue. It also explores how the teaser develops its own conventions, like incorporating the production company "Youth Pictures" and using sound design to suggest the narrative. Overall, the document shows how the teaser challenges conventions by targeting a niche teen audience while still following standard teaser trailer conventions.
The document provides details about the filmmaking process for a short horror film titled "The Set Up". It discusses researching conventions of the horror genre by analyzing films like "Triangle" and "Scream". Top conventions included using tension-building music and an unaware protagonist. Feedback was received on the pitch, noting needed improvements to lighting and shot transitions. Various technologies were used, including YouTube for research, phones/Facebook for communication, and Final Cut Express for editing.
The document discusses how the media product's opening sequence uses and challenges conventions of real media products. Specifically:
- It follows conventions like using credits/titles but with its own unique font and style.
- It uses teenagers as main characters instead of adults, going against romance convention, but still aims to be realistic.
- Settings and props are kept simple and realistic, as in low-budget romance films.
- It includes a voiceover for narrative clarity, inspired by the popular film Dear John.
- Editing aims to maintain continuity and a smooth realistic flow between shots, appearing like a real media product.
The document discusses how the media product's opening sequence uses and challenges conventions of real media products. Specifically:
- It includes credits and titles like real films to appear professional while using its own unique font styles.
- It features heterosexual teen main characters, challenging the convention of adult leads, to attract a younger audience.
- It uses natural lighting, basic props and settings, and a soundtrack to remain realistic while challenging conventions in other ways like the male lead's appearance.
- It includes a voiceover for clarity and uses continuity in editing to maintain a smooth professional style like real films.
The document discusses research done for a student horror film project. It analyzes conventions used in well-known horror films like "Scream" to understand how to build tension. Top conventions studied included using unsettling sounds that build over time, isolating characters, and having a naive protagonist. Feedback on a draft was received, noting strong research but room to improve lighting and adding more to the film poster.
The document discusses conventions used in the opening sequence of a student film project. It introduces characters, genre, and setting similarly to real film openings. It establishes the horror genre through an establishing shot of woods in black and white. A main character is then introduced. The opening sequence provides backstory through on-screen text to give context without revealing the full plot. Non-diegetic music is used to create tension, as is typical for horror films. The sequence leaves the story on a cliffhanger to intrigue audiences, as horror films often do.
The document provides details about the filmmaker's research and planning for their A2 film project. They analyzed well-known horror films like "Triangle" and "Scream I" to understand conventions of the genre. Key conventions they focused on were using sound and music to build tension, portraying the main character as naive to potential danger, setting the film in an isolated location, and using a male protagonist rather than the typical female. During filming and editing, they learned about using proper lighting and sound equipment. Feedback noted they should improve transitions between shots and pacing of the soundtrack. Various media technologies were used for research, planning, communication, filming, and editing.
The document provides details about the filmmaker's research and planning for their A2 film project. They analyzed well-known horror films like "Triangle" and "Scream I" to understand conventions of the genre. Key conventions they focused on included using sound and music to build tension, portraying isolated and unaware characters, and settings that emphasize darkness and isolation. They also analyzed trailers, posters and other marketing materials. Feedback from test screenings helped them improve lighting and pacing. A variety of media technologies were used for research, planning, filming, editing and promotion.
The document discusses the forms and conventions used in the thriller genre of film. It describes several key elements of thrillers including the narrative focus on characters with psychological problems, deaths of close characters, settings that are dark and poorly lit, camera shots like close-ups that build tension, fast-paced editing, and sound effects that create an ominous atmosphere. It then discusses how the described student media project incorporated several of these thriller conventions in its narrative, camera work, editing, sound, and special effects to represent the genre.
The document discusses conventions of teaser trailers and how the student's media product followed or challenged some of those conventions. It provides examples of conventions for idents, characters, titles, editing, shots, posters, and magazines. The student analyzed teaser trailers and other media to incorporate typical conventions into their project where appropriate, such as using a slow start that picks up pace for the trailer, and including a billing block on the poster. Some conventions were challenged, like using a female protagonist rather than the typical male. The analysis shows how the student researched conventions to create a polished media product that would appeal to audiences.
The document discusses various techniques used in the opening of a crime/action thriller film to engage the audience. It describes using a toy gun and headset to signify the genre. Fast-paced music was chosen to match other action films and keep the opening energetic. Text was included to clearly establish the time and setting. Split screen editing allowed multiple events to be shown simultaneously and maintain pace. The unique selling point of having female leads in action roles challenges stereotypes and makes the film more interesting to wider audiences.
Evaluation 1. in what ways does your media product use, develop or challenge ...Izzy Nobbs
The teaser trailer was 1.13 minutes long to match typical trailer lengths. Editing techniques like cut to black and gradual speeding were used to build tension. Dark tones and ominous sounds created an unsettling mood. Minimal plot details aligned with conventions to pique interest. The title was placed at the end to linger in viewers' minds. Research informed the trailer's style and color scheme.
The document discusses various techniques used in the opening of a crime/action thriller film to engage the audience. It describes using a toy gun and headset to signify the genre. Fast-paced music was chosen to match other action films and keep the opening energetic. Text was included to clearly establish the time and setting. Split screen editing allowed multiple events to be shown simultaneously and maintain pace. The unique selling point of having female leads in action roles challenges stereotypes and makes the film more interesting to wider audiences.
The document discusses the evaluation of a title sequence created for a film noir thriller film called "Forever". It describes the creative choices made in developing the title sequence, including using a simple black and white style with faded text based on research of films like "Se7en". Music was incorporated using copyright-free piano music to set an intriguing tone. Shadows and low-key lighting were used to emulate the film noir style. Feedback from the target audience of 15+ was positive, saying the title sequence was engaging and made them want to watch the full film.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
Assessment and Planning in Educational technology.pptx
Question 1
1. 1. IN WHAT WAYS DOES YOUR MEDIA
PRODUCT USE, DEVELOP OR
CHALLENGE FORMS AND
CONVENTIONS OF REAL MEDIA
PRODUCTS?
2. Our film's opening sequence challenges the forms and
conventions for the introduction of a film in several ways. For
example, in the majority of films there is dialogue at least
within the first minute. However, we chose not to include any
dialogue throughout our opening sequence and relied on our
chosen soundtrack. We felt that this added to the
mysteriousness of the film and it also encouraged the
audience to pay more attention to the character's actions,
clothes and surroundings since the viewer is not distracted
by dialogue.
3. We also broke the conventions of a typical film opening
sequence by making the decision to hide the main
character's identity. Usually a few of the main
characters are revealed during the first few minutes of a
film to give a greater insight into the genre of the film
and what's to come. We thought that keeping the
character's identity a secret would intrigue the
audience more and make them want to continue
watching the film to find out who the killer is.
4. On the other hand, our film's opening sequence uses
the conventions of other films of the same genre. For
instance, in films such as Se7en we noticed that the
titles in the opening sequence were written in a
'scratchy' font. We decided to incorporate this idea into
our own opening sequence since it adds to the creepy
effect we were aiming to achieve.
5. Another example of our opening sequence conforming
to the conventions of other similar films is the use of
our soundtrack. We found some unlicensed music on
the internet and had it playing over the top of our film.
Most horror/mystery films feature music that builds
suspense which is something we also wanted to do,
therefore we made sure that the music we chose was in
a minor key to reflect the mood and it had a steady
tempo to build tension with instruments such as strings.
6. In addition, our opening sequence develops on the conventions of a
typical horror/mystery film. Through our research we discovered that
the lighting and colour scheme of the film has a large impact on the
tone of the film and also added to the miss-en-scene. A good example
of this is in the opening sequence of True Blood; there is obvious
colour grading throughout to give it a darker, more cinematic feel, and
there is use of the colour red and things that look like blood. To get a
similar cinematic feel in our own opening sequence, we chose to use
colour grading too. By increasing the contrast and filtering the colours
red, white and black, we achieved this. We also added a glow overlay
to the centre of our film which gave the effect of a spotlight. This
helped establish the scene and almost felt like the main character was
being interrogated by the camera.
7. In True Blood there are many shots showing teeth and
fangs which are all references to the theme of the
series, vampires. In our opening sequence we made
sure to include lots of objects to infer that our main
character is a serial killer. For example, we used a knife
and kept using the colour red which has connotations
of blood.