This document provides a shot list for a music video by Disclosure. It outlines 32 shots over 4 minutes and 27 seconds, with most shots being flashbacks showing the relationship between the boy and girl from meeting to arguing and breaking up. The shots advance the narrative of the song, which is about a boy who realizes his flaws caused the break up with his perfect girlfriend, though he had good intentions.
Opendatabay - Open Data Marketplace.pptxOpendatabay
Opendatabay.com unlocks the power of data for everyone. Open Data Marketplace fosters a collaborative hub for data enthusiasts to explore, share, and contribute to a vast collection of datasets.
First ever open hub for data enthusiasts to collaborate and innovate. A platform to explore, share, and contribute to a vast collection of datasets. Through robust quality control and innovative technologies like blockchain verification, opendatabay ensures the authenticity and reliability of datasets, empowering users to make data-driven decisions with confidence. Leverage cutting-edge AI technologies to enhance the data exploration, analysis, and discovery experience.
From intelligent search and recommendations to automated data productisation and quotation, Opendatabay AI-driven features streamline the data workflow. Finding the data you need shouldn't be a complex. Opendatabay simplifies the data acquisition process with an intuitive interface and robust search tools. Effortlessly explore, discover, and access the data you need, allowing you to focus on extracting valuable insights. Opendatabay breaks new ground with a dedicated, AI-generated, synthetic datasets.
Leverage these privacy-preserving datasets for training and testing AI models without compromising sensitive information. Opendatabay prioritizes transparency by providing detailed metadata, provenance information, and usage guidelines for each dataset, ensuring users have a comprehensive understanding of the data they're working with. By leveraging a powerful combination of distributed ledger technology and rigorous third-party audits Opendatabay ensures the authenticity and reliability of every dataset. Security is at the core of Opendatabay. Marketplace implements stringent security measures, including encryption, access controls, and regular vulnerability assessments, to safeguard your data and protect your privacy.
Chatty Kathy - UNC Bootcamp Final Project Presentation - Final Version - 5.23...John Andrews
SlideShare Description for "Chatty Kathy - UNC Bootcamp Final Project Presentation"
Title: Chatty Kathy: Enhancing Physical Activity Among Older Adults
Description:
Discover how Chatty Kathy, an innovative project developed at the UNC Bootcamp, aims to tackle the challenge of low physical activity among older adults. Our AI-driven solution uses peer interaction to boost and sustain exercise levels, significantly improving health outcomes. This presentation covers our problem statement, the rationale behind Chatty Kathy, synthetic data and persona creation, model performance metrics, a visual demonstration of the project, and potential future developments. Join us for an insightful Q&A session to explore the potential of this groundbreaking project.
Project Team: Jay Requarth, Jana Avery, John Andrews, Dr. Dick Davis II, Nee Buntoum, Nam Yeongjin & Mat Nicholas
Techniques to optimize the pagerank algorithm usually fall in two categories. One is to try reducing the work per iteration, and the other is to try reducing the number of iterations. These goals are often at odds with one another. Skipping computation on vertices which have already converged has the potential to save iteration time. Skipping in-identical vertices, with the same in-links, helps reduce duplicate computations and thus could help reduce iteration time. Road networks often have chains which can be short-circuited before pagerank computation to improve performance. Final ranks of chain nodes can be easily calculated. This could reduce both the iteration time, and the number of iterations. If a graph has no dangling nodes, pagerank of each strongly connected component can be computed in topological order. This could help reduce the iteration time, no. of iterations, and also enable multi-iteration concurrency in pagerank computation. The combination of all of the above methods is the STICD algorithm. [sticd] For dynamic graphs, unchanged components whose ranks are unaffected can be skipped altogether.
1. Shot list: Good intentions by Disclosure
PROLOGUE 1:
0:00 – 0:14 – N/A
SHOT ONE – Slow motion, Girls feetpanning shot, walking. Camera stops
/ she picks up letter with photos on doorstep:close-up.
0:15 – 0:16 – N/A
SHOT TWO – Camera cuts to long shot of the girl closing doorbehind her
as she enters the house.
0:17 – 0:18 – N/A
SHOT THREE – Mid shot of the girl standing in a room looking down at the
package.
PROLOGUE 2:
0:18 – 0:22 – N/A
SHOT FOUR – Close up of girl’s hands as she flickers through the photos.
0:23 – N/A
SHOT FIVE – *FLASHBACK*
0:24 – N/A
SHOT SIX – *FLASHBACK*
0:25 – N/A
SHOT SEVEN – *FLASHBACK*
0:27 – N/A
SHOT EIGHT – *FLASHBACK*
0:28 – N/A
SHOT NINE – *FLASHBACK*
0:29 – N/A
SHOT TEN – *FLASHBACK*
2. 0:32 – N/A
SHOT ELEVEN– *FLASHBACK*
0:33 – N/A
SHOT TWELVE – *FLASHBACK*
0:34 – N/A
SHOT THIRTEEN– *FLASHBACK*
VERSE 1:
0:36 – 0:40 – Baby, you can believe me when I say I tried my best
SHOT FOURTEEN– Close-up of boy with his hand on the steering wheel
0:41 – 0:43 – N/A
SHOT FIFTEEN- Camera cuts to extreme close up of his eyes as they
look to the right.
0:44 – 0:51 – But there’s no other way, you deserve the world, I couldn’t
give you less.
SHOT SIXTEEN– Point of view shot from boy’s perspective as we see the
girl moving about through her living room window, from outside.
PRE – CHORUS:
0:51 – 0:56 – But I’m not perfect
SHOT SEVENTEEN- Pace slows down, camera follows the girl as she sits
down (looking upset)
0:56 - 0:59 - The way you’re perfect
SHOT TWELVE - Shallow focus of the girl, two thirds of the screencovered
from something blurred and closerto the lense. (rule of thirds)
1:00 - 1:02 - and though it hurts, yeah
SHOT THIRTEEN- Mid shot of the girl as she takes a deep breath and
runs her hands through her hair.
1:03 - 1:06 - it hurts to say goodbye.
3. SHOT FOURTEEN- extreme close up of the girls hands running through
her hair (pace slowed right down)
GAP:
1:06 - 1:09 - N/A
SHOT FIFTEEN- boy gets out of his car and slams the door.
CHORUS:
1:09 - 1:18 - I know I let you down, it wasn't that your love wasn't good
enough
SHOT SIXTEEN- *FLASHBACK*
1:19 - 1:22 - couldn't stick around
SHOT SEVENTEEN- mid shot of boy standing outside the house
1:23 - 1:28 - it's only in myself I couldn't trust
SHOT EIGHTEEN- *FLASHBACK*
1:29 - 1:41 - I had good intentions I had good intentions
SHOT NINETEEN - *FLASHBACK*
GAP:
1:42 - 1:44 - N/A
SHOT TWENTY- deep focus on street light
VERSE 2:
1:45 - 1:52 - And its a shame, oh ironic that I went and put you through
SHOT TWENTY-ONE - *FLASHBACK* long shot of boy and girl arguing in
a hallway.
1:54 - 1:56 - I take the blame
SHOT TWENTY-TWO - ecu of girl crying, sat on the staircase
1:56 - 2:00 - Cause the truth, there’s really nothing you could do.
SHOT TWENTY-THREE -long shot of boy shouting up at girl on stairs.
4. PRE-CHORUS:
2:02 - 2:06 - But i’m not perfect
SHOT TWENTY-FOUR - ecu boys eyes shutting / camera cuts to / ecu of
girls eyes shutting
2:07 - 2:19 - the way you’re perfectand though it hurts yeah, it hurts to say
goodbye
SHOT TWENTY-FIVE - *FLASHBACK*firsttime they met
CHORUS:
2:20 - 2:28 - I know i let you down, it wasn’t that your love wasn’t good
enough.
SHOT TWENTY-SIX- *FLASHBACK*(Some kind of dance scene.)
2:29 - 2:37 - couldn’t stick around, it’s only in myself that I didn’t trust.
SHOT TWENTY-SEVEN- *FLASHBACK*
2:38 - I had good intentions
SHOT TWENTY-EIGHT - close up of girl.
2:47 - I had good intentions
SHOT TWENTY-NINE - close up of boy
2:56 - I had good intentions
SHOT THIRTY - close up of girl
OUTRO:
3:10 - 3:27 - But i’m not perfectthe way you’re perfectthe way you’re
perfectand though it hurts yeah it hurts to say goodbye.
SHOT THIRTY-ONE - *FLASHBACK*
3:28 - 3:47 - But i’m not perfectthe way you’re perfectand though it hurts
yeah it hurts to say goodbye.
SHOT THIRTY-TWO- *FLASHBACK*