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SHOTLIST/SHOOTING SCHEDULE – V2 (Scenes 4-7) Button Basher Director: Gabriel Kelly
SCENE SHOT CAMERA
POSITION
Lens DESCRIPTION - (NEVER SHOW THE KITCHEN DOOR UNLESS SPECIFIED) DONE
4 1 XCU 50mm The man's hands as he tightens his tie. ✓
4 2 MS 35mm? Front on, the man stands in front of the fridges.He tightens his tie, nods to himself and reaches off frame rightwith
his left hand,fumbles for a sec and receives a fat sandwich and gives a toothy grin before walkingto the table.
✓
4 3 OTS/MWS 24mm? The man brushes the seat and sits into frame and places down the sandwich.Focus pulls to the clock showing
button time.
✓
4 4 MS 24mm? The button sounds but doesn’t appear and the man scans thekitchen before lookingup to the ceiling. ✓
4 5 WS 16mm (KEEP THE CAMERA STILL) Series of jump cuts where the man looks up atthe ceiling,under the table, in the sink,an
empty cupboard,the microwave, in the bin and behind the poster before opening the fridge and lookingup and
down.
✓
4 6 MCU 35mm/
24mm?
Shot of the empty fridgeshelves. Tiltdown to the veg drawer where the man opens it then closes it. ✓
4 7 POV 35mm The man's face as he scans up then down then smiles then frowns and closes the fridge. ✓
4 8 MS 50mm The man closingthe fridge, staringatitblankly.Then focus pulls to the clock as he jolts round. ✓
4 9 CU 50mm The clock shows it’s nearly sandwich time. ✓
4 10 MWS 24mm The man’s face drops and he walks to the sofa huffs and throws his arms onto it. As he does he looks atis and starts
searchingdown the sides.
4 11 CU 85mm? Quick handheld shots of his hands scramblingto search the sofa ✓
4 12 FS 24mm Front on, the man sits back on the safo and sobs.The button can be seen under the sofa and dings alertingthe man
who raises hishead and looks under the sofa.
✓
4 13 MCU 35mm The mans hands on the sofa pushingitfrom over the button. ✓
4 14 POV/Extrem
e Low Angle
24mm/
16mm?
POV from the button of the man as he gets very angry and stamps on the button ✓
4 15 MCU/High
angle
35mm The man's foot stampingon the button and then slowly raisingit. ✓
4 16 MWS 24mm? Eye level. The man slowly raiseshis footand his anger fades to guilt.The button dings,the man slowly turns and as
he sees it his faceturns to a sorrow
✓
4 17 CU 85mm The mans face as he turns around and then makes a sorrowgrimace. ✓
4 18 MWS/Low
angle
24mm The sandwich and button framed foreground and the man behind as he walks over. He drags the sandwich to the
sideand then cautiously picksitup out of frame
✓
4 19 POV 35mm The man's arm as he picks up the sandwich and shakes it. ✓
4 20 MCU 50mm (USE PROP BUTTON) The man (waistup) as he shakes the sandwich and then tries to gently press the button sobs
and places itback down (replace with non button sandwich) then he smacks down, takes his hand away and pulls
the destroyed sandwich up into frame. Just as he reacts sadly,the camera whip pans to the clock.(SET THE CLOCK
TO SANDWICH BEFORE)
✓
4 21 CU/BEV 50mm Of the sandwich as the man places itdown (covers his eyes off screen) pauses then smacks ithard. ✓
4 22 MCU 50mm The man covering his eyes with his righthand. ✓
4 23 MS 24mm Sandwich in foreground, we see the man raisehis lefthand and smack down on the sandwich sprayingmayo out. ✓
4 24 CU 50mm The man's hand raisingup and slammingdown (out of frame) ✓
4 25 CU 50mm Mayo sprayingonto the table. ✓
4 26 MS/OTS/
moving
35mm (Handheld) With the clock in frame right and the man (frame left) facingitaway from the camera. The man grabs
the clock off the wall as the camera moves left behind the man as he walks backwards and then hurls the clock
onto the floor.
✓
4 27 CU 50mm The broken clock on the floor (Get a coupleangles) (DISASSEMBLE THE CLOCK SO IT CAN BE USED AGAIN) ✓
4 28 CU 50mm The man's expression as he scrunches his face.
4 29 WS 24mm The table in the foreground in focus and the man in the background out of focus.The button appears in the centre
of the table with a lifeless click and theman slowly turns then walks over aboutto press the button.
✓
4 30 CU 85mm The man looks at the button stunned, looks back to the clock then his eyes slowly raiseto the door. ✓
4 31 WS 16mm The man lowers his armand walks towards the door (towards the camera) ✓
4 32 MWS 35mm Slidingshotrevealingthe door from behind the wall.The man walks slowly towards itand raises hishand to the
handle.
✓
4 33 CU 85mm The mans hand as itgoes to the handle,pauses and then pulls ✓
4 34 WS 24mm The man walks through the door.
5 1 OTS 24mm The man walks into frame from the left, the lights come on and the man walks down the hall and opens the paned
door. (lights must be coming from the paned door even when the hallway lights areoff)
✓
5 2 POV 35mm Walkingdown the hall lookingatthe doors and coming to the paned door. ✓
6 1 WS 24mm (SHOW THE DOOR U DIVVYS) (Camera in the corner of the kitchen. The man peers through a door into what seems
likean identical kitchen.The camera then pans to another person in the same clothes lookingbewildered for a few
seconds almostgoingto say something before a button appears.The other person turns back and starts hittingthe
button.
✓
6 2 MS/OTS 35mm Closeto the man as he watches the other person hitthe button a few times. The man then exits slowly. ✓
7 1 WS 24mm The man lets the door slowly closeon his back before he lets out a held breath then turns to the exit. Slightpan to
the exit door.
✓
7 2 CU 50mm The man’s hand tries the handle but it’s locked. ✓
7 3 CU/Low
angle
50mm The man expression as he tries the handlethen looks to the panel. ✓
7 4 CU 35mm The panel reading“PUSH TO EXIT” (use the existingfiresafety panel) ✓
7 5 MS 24mm The man staringatthe door for a while before he steps back,pauses again and goes for a kick. ✓

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Shotlist button basher v2

  • 1. SHOTLIST/SHOOTING SCHEDULE – V2 (Scenes 4-7) Button Basher Director: Gabriel Kelly SCENE SHOT CAMERA POSITION Lens DESCRIPTION - (NEVER SHOW THE KITCHEN DOOR UNLESS SPECIFIED) DONE 4 1 XCU 50mm The man's hands as he tightens his tie. ✓ 4 2 MS 35mm? Front on, the man stands in front of the fridges.He tightens his tie, nods to himself and reaches off frame rightwith his left hand,fumbles for a sec and receives a fat sandwich and gives a toothy grin before walkingto the table. ✓ 4 3 OTS/MWS 24mm? The man brushes the seat and sits into frame and places down the sandwich.Focus pulls to the clock showing button time. ✓ 4 4 MS 24mm? The button sounds but doesn’t appear and the man scans thekitchen before lookingup to the ceiling. ✓ 4 5 WS 16mm (KEEP THE CAMERA STILL) Series of jump cuts where the man looks up atthe ceiling,under the table, in the sink,an empty cupboard,the microwave, in the bin and behind the poster before opening the fridge and lookingup and down. ✓ 4 6 MCU 35mm/ 24mm? Shot of the empty fridgeshelves. Tiltdown to the veg drawer where the man opens it then closes it. ✓ 4 7 POV 35mm The man's face as he scans up then down then smiles then frowns and closes the fridge. ✓ 4 8 MS 50mm The man closingthe fridge, staringatitblankly.Then focus pulls to the clock as he jolts round. ✓ 4 9 CU 50mm The clock shows it’s nearly sandwich time. ✓ 4 10 MWS 24mm The man’s face drops and he walks to the sofa huffs and throws his arms onto it. As he does he looks atis and starts searchingdown the sides. 4 11 CU 85mm? Quick handheld shots of his hands scramblingto search the sofa ✓ 4 12 FS 24mm Front on, the man sits back on the safo and sobs.The button can be seen under the sofa and dings alertingthe man who raises hishead and looks under the sofa. ✓ 4 13 MCU 35mm The mans hands on the sofa pushingitfrom over the button. ✓ 4 14 POV/Extrem e Low Angle 24mm/ 16mm? POV from the button of the man as he gets very angry and stamps on the button ✓ 4 15 MCU/High angle 35mm The man's foot stampingon the button and then slowly raisingit. ✓ 4 16 MWS 24mm? Eye level. The man slowly raiseshis footand his anger fades to guilt.The button dings,the man slowly turns and as he sees it his faceturns to a sorrow ✓ 4 17 CU 85mm The mans face as he turns around and then makes a sorrowgrimace. ✓ 4 18 MWS/Low angle 24mm The sandwich and button framed foreground and the man behind as he walks over. He drags the sandwich to the sideand then cautiously picksitup out of frame ✓ 4 19 POV 35mm The man's arm as he picks up the sandwich and shakes it. ✓
  • 2. 4 20 MCU 50mm (USE PROP BUTTON) The man (waistup) as he shakes the sandwich and then tries to gently press the button sobs and places itback down (replace with non button sandwich) then he smacks down, takes his hand away and pulls the destroyed sandwich up into frame. Just as he reacts sadly,the camera whip pans to the clock.(SET THE CLOCK TO SANDWICH BEFORE) ✓ 4 21 CU/BEV 50mm Of the sandwich as the man places itdown (covers his eyes off screen) pauses then smacks ithard. ✓ 4 22 MCU 50mm The man covering his eyes with his righthand. ✓ 4 23 MS 24mm Sandwich in foreground, we see the man raisehis lefthand and smack down on the sandwich sprayingmayo out. ✓ 4 24 CU 50mm The man's hand raisingup and slammingdown (out of frame) ✓ 4 25 CU 50mm Mayo sprayingonto the table. ✓ 4 26 MS/OTS/ moving 35mm (Handheld) With the clock in frame right and the man (frame left) facingitaway from the camera. The man grabs the clock off the wall as the camera moves left behind the man as he walks backwards and then hurls the clock onto the floor. ✓ 4 27 CU 50mm The broken clock on the floor (Get a coupleangles) (DISASSEMBLE THE CLOCK SO IT CAN BE USED AGAIN) ✓ 4 28 CU 50mm The man's expression as he scrunches his face. 4 29 WS 24mm The table in the foreground in focus and the man in the background out of focus.The button appears in the centre of the table with a lifeless click and theman slowly turns then walks over aboutto press the button. ✓ 4 30 CU 85mm The man looks at the button stunned, looks back to the clock then his eyes slowly raiseto the door. ✓ 4 31 WS 16mm The man lowers his armand walks towards the door (towards the camera) ✓ 4 32 MWS 35mm Slidingshotrevealingthe door from behind the wall.The man walks slowly towards itand raises hishand to the handle. ✓ 4 33 CU 85mm The mans hand as itgoes to the handle,pauses and then pulls ✓ 4 34 WS 24mm The man walks through the door. 5 1 OTS 24mm The man walks into frame from the left, the lights come on and the man walks down the hall and opens the paned door. (lights must be coming from the paned door even when the hallway lights areoff) ✓ 5 2 POV 35mm Walkingdown the hall lookingatthe doors and coming to the paned door. ✓ 6 1 WS 24mm (SHOW THE DOOR U DIVVYS) (Camera in the corner of the kitchen. The man peers through a door into what seems likean identical kitchen.The camera then pans to another person in the same clothes lookingbewildered for a few seconds almostgoingto say something before a button appears.The other person turns back and starts hittingthe button. ✓ 6 2 MS/OTS 35mm Closeto the man as he watches the other person hitthe button a few times. The man then exits slowly. ✓ 7 1 WS 24mm The man lets the door slowly closeon his back before he lets out a held breath then turns to the exit. Slightpan to the exit door. ✓ 7 2 CU 50mm The man’s hand tries the handle but it’s locked. ✓ 7 3 CU/Low angle 50mm The man expression as he tries the handlethen looks to the panel. ✓
  • 3. 7 4 CU 35mm The panel reading“PUSH TO EXIT” (use the existingfiresafety panel) ✓ 7 5 MS 24mm The man staringatthe door for a while before he steps back,pauses again and goes for a kick. ✓