This is the final draft of the script for our main task.

1. OPENING SFX
LOCATION:GABES HOUSE INT.
0:00 – 0:07:
MID shotfocusingonCHEST and what itrepresents.MOVEMENTof LIGHTS to fit withthe SFXof
song.
0:07 – 0:09:
CLOSE UP on the CHEST, CUT on the beat.
LOCATION:OUTSIDE MUSIC BLOCK EXT.
0:09 – 0:12:
CUT to EXTREME CLOSE UP on the girl’sEYES. CUT on beat.
0:12 – 0:16:
CUT to CLOSE UP, at 0:14 the EYES open.
0:16 – 0:19:
CUT to MID shot,can see GIRL issurroundedbyCROWD usinga SHALLOWfocus.
0:19 – 0:22:
CUT to WIDE shotand on beat,BLURRED surroundings
0:22 – 0:23:
GIRL wearingHEADPHONESwalkspastthe camera, obscuringthe view andactingas a CUT
VERSE
0:23 – 0:27:
OUT OF THIS ZONE
TRYING TO SEE
ARCING movement of HEADPHONE users
0:27- 0:31:
I’M SO ALONE
NOTHING FOR ME
ARCING movement of HEADPHONE users to enhance ISOLATION and fit lyric
LOCATION:WINFORDEXT.
0:31 – 0:33:
I GUESS I’LL GO HOME
WIDE shot showing the FRONT of the GIRL, RUNNING

2. LOCATION:BRISTOL EXT.
0:33 – 0:34:
TRY TO BE SANE
WIDE shot showing the SIDE of the GIRL, RUNNING
LOCATION:LORDS WOOD EXT.
0:34 – 0:36:
TRY TO PRETEND
WIDE shot showing BEHIND of the GIRL, RUNNING
0:36 – 0:41:
NONE OF IT HAPPENED
OH THIS OLD TREE
LONELY OLD ME
CONTINUATION fromPREVIOUSshot,PANStothe LEFT of the frame to reveal CAR. PUSHES forward
into the FRONT of the CAR to show MAN wearing HEADPHONES
LOCATION:OUTSIDE MUSIC BLOCK EXT.
0:41 – 0:46:
WHOOPS-A-DAISY
I THOUGHT I WAS HAPPY
CUT to a MID shot,pushto TRACKthe GIRL. PAN to the RIGHT to show surrounding PEOPLE wearing
HEADPHONES
0:46 – 1:01:
OOOOH (SFX)
WIDE shot to REVEALthe GIRL on the FLOOR,people walkingpast.MID shotTRACKINGthe GIRL
througha CROWD. CONTINUEDshot,PUSHING forward,girl TURNS to the SIDE.
1:01 – 1:02:
DROP IN SFX/MUSIC
MATCH on action, CONTINUING to turn her HEAD and TILT DOWN
LOCATION:ELEPHANT ROOM INT.
SFX
1:02 – 1:06:
HIGH ANGLEshot lookingDOWN onthe TABLE
1:06 – 1:11:

3. PANNINGshotacrossthe TABLE, PAN UP onto the girl’sFACE,CLOSE UP shot withDOOR inthe
frame to allowANIMATION
1:11 – 1:12:
CLOSE UP shot of GIRL turningTOWARDthe DOOR
1:12 – 1:15:
CLOSE UP/MID SHOT of the DOOR forthe ANIMATION (ONTHE SFX) SLOW ZOOMOUT from
previousshottoREVEAL full DOOR
VERSE:
1:15 – 1:23:
OUT OF THE ZONE
NOW THAT I SEE
I DON’T NEED THEM AND THEY DON’T NEED ME
WIDE SHOT PANNING girl to the DOOR
1:23 – 1:29:
I GUESS I’LL GO HOME
TRY TO BE SANE
TRY TO PRETEND
CLOSE UP on DOOR handle – SLOW MOTION OPENING to REVEAL next ROOM
1:29 – 1:31:
NONE OF IT HAPPENED
DESTINED TO BE
CLOSE UP OPENING the DOOR to REVEAL TABLE and MAP
1:31 – 1:33:
LONELY OLD ME
CLOSE UP on the MAP
1:33 – 1:35:
WHOOPS-A-DAISY
180 FLIP to show the GIRL’S REACTION – CLOSE UP
LOCATION:GABES HOUSE EXT.
1:35 – 1:39:
I THOUGHT I WAS HAPPY
AAAAAHHHHH

4. WIDE SHOT of HOUSE, PAN/TILTUP to reveal more of DOOR, continuation from previous shot, GIRL
BURSTING through DOOR and RUNNING out of shot
1:39 – 1:41:
AHHHHHHHHH
CLOSE UP of GIRL’s FEET, TRACKING them – enter and exit the frame
CHORUS
1:41 – 1:45:
WHY WON’T THEY TALK TO ME
WIDE SHOT with ESTABLISHED back and foreground, HEADPHONES VISIBLE. GIRL becomes in focus
and STEPS on the HEADPHONES
1:45 – 1:50:
EEEEEEEEE
MID shot of GIRL RUNNING – holding MAP. Goes THROUGH/ AGAINST a BUSH
1:50 – 1:53:
I THOUGHT I WAS HAPPY
MID shot of GIRL SMILING after escaping BUSH
LOCATION:CHEW STOKE EXT.
1:53 – 1:55:
AAAAHHHHHH
WIDE shot of the GIRL RUNNING across the shot
LOCATION:CABOT CIRCUS CARPARKINT.
1:55 – 2:02:
AHHHH WHY WON’T THEY TALK TO ME
WIDE shot of GIRL RUNNING, pushes/pulls open DOOR
2:02 – 2:04:
EEEEEE
WIDE PAN shot following GIRL up the STAIRS
2:04 – 2:05:
EEEEEE
WIDE shot of GIRL opening DOOR, ZOOMIN to a CLOSE UP

5. SFX
2:05 – 2:07:
WIDE shot showingOTHERSwearingHEADPHONES
2:07 – 2:09:
TRANSITION shot,SITTINGDOWN
LOCATION:ELEPHANT ROOMINT.
2:09 – 2:11:
TRANSITION shot,followingmovementtoNEWLOCATION – CUT onbeat
2:11 – 2:13:
HIGH ANGLEshot showingGIRLworkingonthe map -CUT onbeat
VERSE
2:13 – 2:16:
BUT I DON’T EVEN CARE ABOUT IT
CLOSE UP of her WRITING in BOOK, then RIPPING it out
2:16 – 2:17:
ANYWAY
EXTREME CLOSE UP of PENCIL sharpening – CUT ON BEAT
2:17 – 2:18:
AYYYY
CLOSE UP on a POST IT NOTE, movement to the RIGHT of the MAP, CUT to an EXTREME CLOSE UP of
a PIN being placed in the BOARD
2:18 – 2:19:
AYYYY
CLOSE UP with SLIDER movement LEFT following movement with STRING – CUT ON BEAT
2:19 – 2:21:
(DRUM BEAT)
WIDE/MID shot of GIRL at DESK – RUBBISH building up at each CUT on the beat
2:21 – 2:26:
I WOULDN’T LISTEN TO A WORD ANY OF THEM SAY
OVER THE SHOULDER shot of the GIRL getting frustrated and CROSSING OUT markings. ROLLS
PENCIL in frustration
2:26 – 2:30:

6. THEY JUST TALK ABOUT THEMSELVES
ANIMATION starts – CLOSE UP on the PENCIL and PAPER
2:30 – 2:33:
ALL DAY
MID SHOT of MAP as a whole, able to show entire ANIMATION
SFX
2:33 – 2:35:
MID SHOT showing confusion of GIRL, SHAKING HEAD from side to side. ZOOMOUT to WIDE SHOT
pushing back from the table and GETTING UP. Camera CIRCLES the GIRL to reveal her FACE
VERSE
2:35 – 2:37:
ONE DAY I’LL BE A STAR
ZOOMIN to a MID SHOT to showher starting to FALL, follow movement. CUT TO a CLOSE UP on the
FEET to show her TRIPPING OVER
2:37 – 2:40
THEY’LL BE SORRY
CLOSE UP on the GIRL as she FALLS to the FLOOR. ANIMATION STARTS. GIRL sits up into shot
CHORUS:
2:40 – 2:43:
AHHH WHY WON’T
CLOSE UP behind the GIRL with the MAP
2:43 – 2:52:
THEY TALK TO ME
MAP pulledupintoSHOT,‘X’shownon SHOT,PULLS MAP DOWN to reveal a MID SHOT of the CHEST
2:52 – 2:53:
(GUITAR DROP)
MID SHOT of the GIRL in awe. TRANSITION OUT of the ANIMATION
2:53 – 2:54:
AAAAHHHHH
CONTINUATION from previous shot, CUT out of ANIMATION

7. LOCATION:VARIOUSSHOTS FROMPREVIOUSLOCATIONSEXT.
2:54 – 3:19:
WHY WON’T THEY TALK TO ME
WIDE SHOT showing GIRL RUNNING through various LOCATIONS from PREVIOUS SCENES – CUT ON
BEAT
LOCATION:GABES HOUSE INT.
SFX:
3:19 – 3:21:
WIDE SHOT showingGIRL RUNNINGto the CHEST
3:21 – 3:26:
MID SHOT showingGIRLOPENINGthe CHEST