Shot List
•Download as DOCX, PDF•
0 likes•348 views
The shot list describes 13 shots to tell a story involving the character Nicolas Coomonte. Shot types include black screens, long shots, close-ups, point of view shots, mid shots, and handheld shots. The shots are planned to introduce the character, show where he is and what he is looking at, see him running and getting into a house, watch how he sleeps and walks, show that he knows what will happen, and see how strong he has become and how another guy is now running.
Report
Share
Report
Share
Recommended
Shot List
This shot list outlines 14 shots for a scene involving an old pickup truck carrying characters wearing masks. The shots include long shots of the truck driving towards and away from the camera, pan shots showing characters in the truck, medium and close up shots of the characters and their masks, and shots showing a captive being interrogated at gunpoint by one of the masked characters. The shots are meant to introduce the characters, reveal tensions between them, and establish power dynamics without explicitly showing violence.
Faster opening analysis
The document analyzes camera techniques used in a film scene set in a prison cell. An extreme close-up of a prisoner's chest establishes an enigma as to his identity. A bird's-eye view shows the prisoner pacing impatiently. A close-up of a tattoo implies it will be significant later. Shots of the prisoner's feet moving quickly contrast calm shots of guards' feet to suggest the prisoner has bad intentions. A shot using out-of-focus transitions between a wall picture and the prisoner shows what the audience should focus on. Shot reverse shots reveal the prisoner's angry facial expression when looking at one photo but emotion when removing another, implying something happened to the person in the second photo motivating the prisoner
Part 3
The document is a shot list for a film containing 10 shots. The first shot is a low angle of boots walking past the camera. The second and third shots are close ups of characters Aimee and Shakil with shocked expressions. The fourth shot is a long shot from a low angle showing Aimee and Shakil standing equal distances from the body of Tommy in the middle, with Mansib stepping into the shot. The final shots include end credits for the film "The Target" and a note that it is coming soon.
Part 2
This document contains a shot list for a film or video with 11 shots described. The shots include establishing shots of locations, medium shots of characters talking or interacting, slow motion and point of view shots, and shots showing chase scenes and characters arriving at the same place. Dialogue is included for some shots. The locations listed are a department/building and an interrogation room.
Part 1
Tommy is on the phone with Mansib who asks what Tommy has done this time. The scene then focuses on Aimee preparing weapons, including putting a gun in her waistband and knife in her boot. The credits roll showing Aimee-Rose Gosset. Mansib mentions two assassins, and the scene cuts to Shakil adjusting his tie and putting on a jacket, preparing for a job.
Shot types
The document describes 48 shots from a horror film sequence. It lists each shot number, type of camera shot, brief description of the scene, and location. The sequence involves two characters interacting and joking around before one leaves, leaving the other alone in a house. An antagonist pursues the lone character through various rooms and floors of the house, ultimately discovering and killing them while the other tries unsuccessfully to return in time.
cinematography
The document defines and describes various camera shot types used in filmmaking. An establishing shot sets the scene by showing when and where a character is located. A long shot shows a person or object from far away to get their full body in frame, while a medium shot shows a person from the middle up and allows clearer views of facial expressions. A close-up shot focuses on facial expressions or important objects by showing little background. An extreme close-up can show details the naked eye would not see like tears or gritted teeth.
48 storyboards
This document outlines the shot sequence and structure for a horror/thriller film scene. It involves two main characters who encounter an antagonist. There are various shots showing the characters interacting and exploring an area. However, the antagonist is secretly following and watching them. Tension rises as one character gets attacked and the other finds a dead body. The antagonist then chases the remaining character through the area, culminating in a climactic moment where the cupboard is opened with the antagonist and character inside.
Recommended
Shot List
This shot list outlines 14 shots for a scene involving an old pickup truck carrying characters wearing masks. The shots include long shots of the truck driving towards and away from the camera, pan shots showing characters in the truck, medium and close up shots of the characters and their masks, and shots showing a captive being interrogated at gunpoint by one of the masked characters. The shots are meant to introduce the characters, reveal tensions between them, and establish power dynamics without explicitly showing violence.
Faster opening analysis
The document analyzes camera techniques used in a film scene set in a prison cell. An extreme close-up of a prisoner's chest establishes an enigma as to his identity. A bird's-eye view shows the prisoner pacing impatiently. A close-up of a tattoo implies it will be significant later. Shots of the prisoner's feet moving quickly contrast calm shots of guards' feet to suggest the prisoner has bad intentions. A shot using out-of-focus transitions between a wall picture and the prisoner shows what the audience should focus on. Shot reverse shots reveal the prisoner's angry facial expression when looking at one photo but emotion when removing another, implying something happened to the person in the second photo motivating the prisoner
Part 3
The document is a shot list for a film containing 10 shots. The first shot is a low angle of boots walking past the camera. The second and third shots are close ups of characters Aimee and Shakil with shocked expressions. The fourth shot is a long shot from a low angle showing Aimee and Shakil standing equal distances from the body of Tommy in the middle, with Mansib stepping into the shot. The final shots include end credits for the film "The Target" and a note that it is coming soon.
Part 2
This document contains a shot list for a film or video with 11 shots described. The shots include establishing shots of locations, medium shots of characters talking or interacting, slow motion and point of view shots, and shots showing chase scenes and characters arriving at the same place. Dialogue is included for some shots. The locations listed are a department/building and an interrogation room.
Part 1
Tommy is on the phone with Mansib who asks what Tommy has done this time. The scene then focuses on Aimee preparing weapons, including putting a gun in her waistband and knife in her boot. The credits roll showing Aimee-Rose Gosset. Mansib mentions two assassins, and the scene cuts to Shakil adjusting his tie and putting on a jacket, preparing for a job.
Shot types
The document describes 48 shots from a horror film sequence. It lists each shot number, type of camera shot, brief description of the scene, and location. The sequence involves two characters interacting and joking around before one leaves, leaving the other alone in a house. An antagonist pursues the lone character through various rooms and floors of the house, ultimately discovering and killing them while the other tries unsuccessfully to return in time.
cinematography
The document defines and describes various camera shot types used in filmmaking. An establishing shot sets the scene by showing when and where a character is located. A long shot shows a person or object from far away to get their full body in frame, while a medium shot shows a person from the middle up and allows clearer views of facial expressions. A close-up shot focuses on facial expressions or important objects by showing little background. An extreme close-up can show details the naked eye would not see like tears or gritted teeth.
48 storyboards
This document outlines the shot sequence and structure for a horror/thriller film scene. It involves two main characters who encounter an antagonist. There are various shots showing the characters interacting and exploring an area. However, the antagonist is secretly following and watching them. Tension rises as one character gets attacked and the other finds a dead body. The antagonist then chases the remaining character through the area, culminating in a climactic moment where the cupboard is opened with the antagonist and character inside.
Im’-pact
The document provides shot-by-shot analysis of a film called "Im'Pact". Shot 1 introduces the title of the film. Shot 2 shows a man banging a gavel to represent authority and order. Shot 3 uses lighting and angles to portray chaos in a room as different perspectives are debated. Shot 5 shows the main character Walt having a shrine to his mistress on his desk. Later shots reveal that Walt's partner is also being unfaithful, as she is shown smiling after Walt leaves and then calling another man.
Shooting Schedule
The shooting schedule outlines 14 shots to be filmed on December 8th, with 8 shots taking place inside Marika's house and 6 outside. Scenes inside the house include a camera dropping, footsteps, and a blank screen of screaming. Outside shots include a suspect running along the street, bumping into a person, a tired person leaning against a wall to catch their breath, a blurred vision walk, a fall to the ground, lying on the floor looking at the sky, and again looking at the sky.
Script draft
1) The opening scene shows a man receiving a call and answering with a knife in hand, implying he is going to carry out a violent act.
2) The camera then cuts to a group of men sitting in the dark with only candles for light. They discuss how their supplies are running low and regime is crumbling as more "unfortunates" arrive.
3) As tensions rise, one man slams a knife on the table while another notices a camera by the door, but before they can react, a grenade is thrown inside with the film's title on it, and the camera cuts to black with an explosion.
Camera angles
This document defines and describes various camera angles used in filmmaking, including establishing shots to set the scene, wide shots for context, medium shots from the waist up, close ups to emphasize important objects or people, point of view shots that make the audience feel like they are in that position, over the shoulder shots to help place characters, and high and low angle shots from above or below eye level to change perspective.
The Wall
Two men dressed in camouflage are hiding in an isolated desert area. One goes to investigate and is shot, causing the other to rush to help. Shots are then fired at the uninjured man, who leaps over a small wall for cover. He tries to call for help but realizes his radio has been hacked by someone with an accent. The voice tells him he needs to start talking, building tension as the audience wonders what will happen next. The trailer implies this is "not a war" but instead "a game", hinting at the thriller elements of the full movie.
Photography
The document discusses various photography techniques and topics for images, including landscapes, wildlife, aerial shots, sports, portraits, architecture, fashion, macro, and photojournalism. It provides instructions for students to find 5 impactful images within these categories from specified websites. For each image, they must provide the topic, type of shot, event depicted, photographer, and why they chose it. Examples of selected images include a photo of scared civilians fleeing violence in Ukraine by Jerome Sessini, a mid-shot of US military in Africa by Michael Christopher Brown showing they care for others, and a close-up of a conflict between police and public by John Vink showing violence on the front line. More information is then provided about photographer
Shot no
The document outlines 21 shots for a film sequence, beginning with establishing shots to set the atmosphere and introduce the protagonist and antagonist. Shot 7 shows the antagonist spying on the protagonist from over her shoulder. Subsequent shots alternate between the antagonist watching the protagonist and close-ups of the protagonist's anxious face and distraught gaze at a picture. Shot 18 cuts to the protagonist hearing a knife sound and scream. The sequence ends with a 360-degree pan around the protagonist and a title card appearing.
Analysing media language
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
La confidential camera shots analysis
The document describes different camera shots used in the film La Confidential including wide shots to establish settings and introduce characters, over the shoulder shots, close ups to show emotion and details of faces, medium close ups for conversations, and low angle shots to create tension during arguing and violence by making characters look larger and more intimidating. These shots are used to develop characters and scenes as well as elicit emotional responses from audiences.
12 Angry Men
The document summarizes several scenes from a film about 12 jurors deciding the guilt or innocence of a man. The first scene uses a long shot to introduce the setting and main characters. A second scene uses an over-the-shoulder shot to show a juror discussing his relationship with his son. A third scene uses a close up and zoom to emphasize a piece of evidence being used to argue one side. Subsequent scenes use different shots like medium close up and over the shoulder to focus on different jurors arguing different perspectives in the debate over the man's guilt.
Framing a Shot Properly
The document discusses different camera techniques used in thriller films to build tension and immerse the audience. Close-ups are used to show character emotions and make them feel trapped, while long shots would not build as much tension. Wide angles allow the audience to understand the scene, but close-ups could make shots pointless by removing context. Low angles convey authority while high angles appear weaker. Wide shots also ensure the audience sees all relevant details. Close-ups focus attention on dialogue by removing distractions.
Animatic
The document outlines the shots planned for an animatic of a film trailer. It describes 14 shots across 4 scenes: Scene 1 establishes the main character finding a memory stick and viewing its contents; Scene 2 shows his shocked reaction; Scene 3 shows two sinister characters pursuing the main character; Scene 4 has the main character caught and facing questioning at gunpoint before appearing to be killed.
Main Task Story board
The document outlines the camera shots and angles that would be used to film a crime scene investigation and the emotional aftermath. It describes a variety of shots including long shots, medium shots, close-ups, and two shots from different angles (eye level, high, low) to reveal details of the crime scene, dead body, detectives investigating, and the father's reaction. The shots are planned to establish settings, reveal characters' expressions and body language, and portray the murderer watching the investigation from a hidden, high angle position.
Living the future
This document outlines a film idea called "Living the Future" that is described as a dark, horror version of Futurama. The film would follow a character frozen in 2015 who wakes up in 2075 to find the future is not as advanced as expected. He has some traumatic encounters but remains optimistic like the character Fry from Futurama. Our character eventually finds comfort and friendship when he meets a man just like himself, but they wonder if they are the only sane people left. The opening scene is set in 2015 and shows our character's depressed daily life before freezing himself to wake up in the future world.
Shots sheet
This document outlines 10 shots that will be used in a film to depict a killer murdering victims in a room. Shot 1 is a low angle tracking shot that follows the killer walking in a dark setting where their identity is obscured. Shot 2 is a tilt establishing shot that introduces the victims in the room under low key lighting to create a cold feeling. Shot 3 is a long shot showing the main victim tied against the wall. Shot 4 is a point of view shot through the eyes of the main victim showing the other two dead victims.
The descent shots chloe
The document summarizes various shots used in the film The Descent. It describes 15 different shots including tracking shots, close ups, mid shots, cutaways, wide shots, trombone shots, steadicam shots, and handheld camera shots. The shots are used to depict Sarah waking up confused in the hospital after an accident, seeing something that frightens her in the empty hospital, running from something in the dark, and suddenly encountering her friends in the light.
Shot list
This shot list contains 17 shots for a film scene involving a girl who returns home in a panic after receiving a voicemail. The shots include establishing shots of the girl's house from different angles, close-ups showing her emotions, mid and long shots as she runs home, and shots from inside a van implying she is kidnapped, with a final high angle wide shot of her tied to a chair.
Shot List
This document contains a shot list for a film with 20 shots. It describes each shot type, movement, and what is shown including establishing shots of a field, close-ups of a girl's beaten face, conversations between an antagonist and girl, a silhouette shot creating suspense, and shots of a protagonist finding a backpack in the woods and discovering a gun.
Shot list
The document is a shot list for a film containing 20 shots. It describes the various camera shots planned, including over-the-shoulder shots showing a conversation between an antagonist and female protagonist, close-ups of the protagonist's beaten face and fearful eyes, and shots of a male protagonist finding a backpack in the woods containing a note and gun. The shots include different camera angles, movements, and focal lengths to move the plot forward and build suspense.
Shot list
The shot list summarizes 14 shots for a film project. Shot 1 is a point of view shot focusing on props. Shot 2 is an establishing shot of the location and character Jay. Shot 3 is a tracking shot following the movement of character Leon. Shots 4-6 cover tracking, close-up, and mid shots of characters Jay and Leon. Shots 7-10 include mid, long, and two-shot views of characters meeting and interacting. Shots 11-13 focus on close-ups and long shots showing facial expressions and characters walking away to create tension.
Training day analysis
The document provides an in-depth analysis of the camera work in a 5-minute scene from the crime thriller film Training Day. It discusses the various shots used - including mid shots, close ups, low angles, and tracking shots - and how they are used to convey meaning and immerse the audience. For example, close ups are used to show characters' facial expressions and build tension, while low angles imply power dynamics between characters. The scene involves 4 LAPD officers raiding a building and finding $4 million, with detailed analysis of how camera techniques are employed to tell this part of the story.
Training Day Analysis
The document provides an analysis of a scene from the film Training Day. The scene depicts four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million inside. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the 5-minute clip. Various shots are used, including close-ups, mid-shots, and long shots to show facial expressions and the officers' points of view. Tension is built through low-angle shots, zooms, and cuts between characters. The clip culminates in the corrupt officer Alonzo unexpectedly shooting one of the men in the building, shocking both Jake and the audience.
More Related Content
What's hot
Im’-pact
The document provides shot-by-shot analysis of a film called "Im'Pact". Shot 1 introduces the title of the film. Shot 2 shows a man banging a gavel to represent authority and order. Shot 3 uses lighting and angles to portray chaos in a room as different perspectives are debated. Shot 5 shows the main character Walt having a shrine to his mistress on his desk. Later shots reveal that Walt's partner is also being unfaithful, as she is shown smiling after Walt leaves and then calling another man.
Shooting Schedule
The shooting schedule outlines 14 shots to be filmed on December 8th, with 8 shots taking place inside Marika's house and 6 outside. Scenes inside the house include a camera dropping, footsteps, and a blank screen of screaming. Outside shots include a suspect running along the street, bumping into a person, a tired person leaning against a wall to catch their breath, a blurred vision walk, a fall to the ground, lying on the floor looking at the sky, and again looking at the sky.
Script draft
1) The opening scene shows a man receiving a call and answering with a knife in hand, implying he is going to carry out a violent act.
2) The camera then cuts to a group of men sitting in the dark with only candles for light. They discuss how their supplies are running low and regime is crumbling as more "unfortunates" arrive.
3) As tensions rise, one man slams a knife on the table while another notices a camera by the door, but before they can react, a grenade is thrown inside with the film's title on it, and the camera cuts to black with an explosion.
Camera angles
This document defines and describes various camera angles used in filmmaking, including establishing shots to set the scene, wide shots for context, medium shots from the waist up, close ups to emphasize important objects or people, point of view shots that make the audience feel like they are in that position, over the shoulder shots to help place characters, and high and low angle shots from above or below eye level to change perspective.
The Wall
Two men dressed in camouflage are hiding in an isolated desert area. One goes to investigate and is shot, causing the other to rush to help. Shots are then fired at the uninjured man, who leaps over a small wall for cover. He tries to call for help but realizes his radio has been hacked by someone with an accent. The voice tells him he needs to start talking, building tension as the audience wonders what will happen next. The trailer implies this is "not a war" but instead "a game", hinting at the thriller elements of the full movie.
Photography
The document discusses various photography techniques and topics for images, including landscapes, wildlife, aerial shots, sports, portraits, architecture, fashion, macro, and photojournalism. It provides instructions for students to find 5 impactful images within these categories from specified websites. For each image, they must provide the topic, type of shot, event depicted, photographer, and why they chose it. Examples of selected images include a photo of scared civilians fleeing violence in Ukraine by Jerome Sessini, a mid-shot of US military in Africa by Michael Christopher Brown showing they care for others, and a close-up of a conflict between police and public by John Vink showing violence on the front line. More information is then provided about photographer
Shot no
The document outlines 21 shots for a film sequence, beginning with establishing shots to set the atmosphere and introduce the protagonist and antagonist. Shot 7 shows the antagonist spying on the protagonist from over her shoulder. Subsequent shots alternate between the antagonist watching the protagonist and close-ups of the protagonist's anxious face and distraught gaze at a picture. Shot 18 cuts to the protagonist hearing a knife sound and scream. The sequence ends with a 360-degree pan around the protagonist and a title card appearing.
Analysing media language
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
La confidential camera shots analysis
The document describes different camera shots used in the film La Confidential including wide shots to establish settings and introduce characters, over the shoulder shots, close ups to show emotion and details of faces, medium close ups for conversations, and low angle shots to create tension during arguing and violence by making characters look larger and more intimidating. These shots are used to develop characters and scenes as well as elicit emotional responses from audiences.
12 Angry Men
The document summarizes several scenes from a film about 12 jurors deciding the guilt or innocence of a man. The first scene uses a long shot to introduce the setting and main characters. A second scene uses an over-the-shoulder shot to show a juror discussing his relationship with his son. A third scene uses a close up and zoom to emphasize a piece of evidence being used to argue one side. Subsequent scenes use different shots like medium close up and over the shoulder to focus on different jurors arguing different perspectives in the debate over the man's guilt.
Framing a Shot Properly
The document discusses different camera techniques used in thriller films to build tension and immerse the audience. Close-ups are used to show character emotions and make them feel trapped, while long shots would not build as much tension. Wide angles allow the audience to understand the scene, but close-ups could make shots pointless by removing context. Low angles convey authority while high angles appear weaker. Wide shots also ensure the audience sees all relevant details. Close-ups focus attention on dialogue by removing distractions.
Animatic
The document outlines the shots planned for an animatic of a film trailer. It describes 14 shots across 4 scenes: Scene 1 establishes the main character finding a memory stick and viewing its contents; Scene 2 shows his shocked reaction; Scene 3 shows two sinister characters pursuing the main character; Scene 4 has the main character caught and facing questioning at gunpoint before appearing to be killed.
Main Task Story board
The document outlines the camera shots and angles that would be used to film a crime scene investigation and the emotional aftermath. It describes a variety of shots including long shots, medium shots, close-ups, and two shots from different angles (eye level, high, low) to reveal details of the crime scene, dead body, detectives investigating, and the father's reaction. The shots are planned to establish settings, reveal characters' expressions and body language, and portray the murderer watching the investigation from a hidden, high angle position.
Living the future
This document outlines a film idea called "Living the Future" that is described as a dark, horror version of Futurama. The film would follow a character frozen in 2015 who wakes up in 2075 to find the future is not as advanced as expected. He has some traumatic encounters but remains optimistic like the character Fry from Futurama. Our character eventually finds comfort and friendship when he meets a man just like himself, but they wonder if they are the only sane people left. The opening scene is set in 2015 and shows our character's depressed daily life before freezing himself to wake up in the future world.
Shots sheet
This document outlines 10 shots that will be used in a film to depict a killer murdering victims in a room. Shot 1 is a low angle tracking shot that follows the killer walking in a dark setting where their identity is obscured. Shot 2 is a tilt establishing shot that introduces the victims in the room under low key lighting to create a cold feeling. Shot 3 is a long shot showing the main victim tied against the wall. Shot 4 is a point of view shot through the eyes of the main victim showing the other two dead victims.
The descent shots chloe
The document summarizes various shots used in the film The Descent. It describes 15 different shots including tracking shots, close ups, mid shots, cutaways, wide shots, trombone shots, steadicam shots, and handheld camera shots. The shots are used to depict Sarah waking up confused in the hospital after an accident, seeing something that frightens her in the empty hospital, running from something in the dark, and suddenly encountering her friends in the light.
Shot list
This shot list contains 17 shots for a film scene involving a girl who returns home in a panic after receiving a voicemail. The shots include establishing shots of the girl's house from different angles, close-ups showing her emotions, mid and long shots as she runs home, and shots from inside a van implying she is kidnapped, with a final high angle wide shot of her tied to a chair.
Shot List
This document contains a shot list for a film with 20 shots. It describes each shot type, movement, and what is shown including establishing shots of a field, close-ups of a girl's beaten face, conversations between an antagonist and girl, a silhouette shot creating suspense, and shots of a protagonist finding a backpack in the woods and discovering a gun.
Shot list
The document is a shot list for a film containing 20 shots. It describes the various camera shots planned, including over-the-shoulder shots showing a conversation between an antagonist and female protagonist, close-ups of the protagonist's beaten face and fearful eyes, and shots of a male protagonist finding a backpack in the woods containing a note and gun. The shots include different camera angles, movements, and focal lengths to move the plot forward and build suspense.
Shot list
The shot list summarizes 14 shots for a film project. Shot 1 is a point of view shot focusing on props. Shot 2 is an establishing shot of the location and character Jay. Shot 3 is a tracking shot following the movement of character Leon. Shots 4-6 cover tracking, close-up, and mid shots of characters Jay and Leon. Shots 7-10 include mid, long, and two-shot views of characters meeting and interacting. Shots 11-13 focus on close-ups and long shots showing facial expressions and characters walking away to create tension.
What's hot (20)
Similar to Shot List
Training day analysis
The document provides an in-depth analysis of the camera work in a 5-minute scene from the crime thriller film Training Day. It discusses the various shots used - including mid shots, close ups, low angles, and tracking shots - and how they are used to convey meaning and immerse the audience. For example, close ups are used to show characters' facial expressions and build tension, while low angles imply power dynamics between characters. The scene involves 4 LAPD officers raiding a building and finding $4 million, with detailed analysis of how camera techniques are employed to tell this part of the story.
Training Day Analysis
The document provides an analysis of a scene from the film Training Day. The scene depicts four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million inside. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the 5-minute clip. Various shots are used, including close-ups, mid-shots, and long shots to show facial expressions and the officers' points of view. Tension is built through low-angle shots, zooms, and cuts between characters. The clip culminates in the corrupt officer Alonzo unexpectedly shooting one of the men in the building, shocking both Jake and the audience.
Training Day Analysis
The document provides an analysis of a scene from the film Training Day. The scene involves four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the scene. Various shots are described, including close-ups, mid shots, and pans that are used to convey emotions and tension. Diegetic and non-diegetic sounds are discussed, as well as how the editing builds suspense through cuts and match cuts. Details of the setting and characters' appearances are also provided in the mise-en-scene analysis.
Shot list
This document contains a shots list for a film scene depicting a crime investigation. It describes 20 shots ranging from close-ups to medium and long shots. Shot 1 establishes the crime scene with press gathered around a chalk outline on the ground. Shot 5 shows two actors talking with the crime scene in the background. Subsequent shots include a detective's point of view, birds eye views of the scene, close-ups of evidence and conversations between investigators. The shots list provides technical directions and descriptions of the camera angles, movements, compositions and key elements in each shot to film the crime scene investigation.
Micro Elements
This document discusses various film techniques including shots (extreme close-up, close-up, medium shot, long shot, extreme long shot), angles (low angle shot, high angle shot), camera movements (tracking, panning, tilting, zooming in and out), editing techniques (cut shots), and other elements (pace, performance, diegetic and non-diegetic sound, mise-en-scene). Each technique is defined and an example image is provided to illustrate how it can be used to convey meaning or establish elements of the story, characters, or setting.
Preliminary storyboard - Daniel Tyler
This document outlines a storyboard for a preliminary task consisting of 15 shots depicting an interaction between a woman and a man. The shots begin with the camera following the woman's legs from behind as she walks. It then cuts to shots of her approaching a door, grabbing the handle, and opening the door. Shots then show the man looking over his shoulder as the woman walks towards him and sits down. They exchange tense words about the man drinking and his health before he aggressively stands up and walks away, leaving the woman looking scared as the screen fades to black.
Shot list - Official
The document lists 14 different shot types used in filmmaking including mid shots, close ups, long shots, establishing shots, over the shoulder shots, point of view shots, tracking shots, pans, zooms, Hitchcock zooms, handheld/fixed shots, dolly shots, and slow motion shots. Each shot type is defined by the camera angle, perspective, or movement used to capture the scene or subject.
Shot types and analysis A-Level Media
This document contains summaries of various film shots and composition techniques:
1) The wide shot summary describes 9 characters in the shot, one covered in blood while the others look at him suspiciously. The costumes provide personality insights.
2) The mid shot summary of two characters, one with a snake on his arm possibly representing evil manipulation. The other has a bright moon behind him representing goodness.
3) The mid shot summary of a character by a police car and station, identifying him as a detective based on the clues.
4) Additional shot summaries are provided examining characters, settings, costumes, lighting, and implications.
5) Composition techniques like rule of thirds, balance, dynamic vs
Picture Cinematography
The document defines and provides examples of different types of camera shots including two shots, POV shots, close ups, extreme close ups, high angle shots, low angle shots, mid shots, long shots, extreme long shots, and Dutch angle shots. Each shot is defined by its camera position or distance from the subject and their typical uses such as showing relationships, different points of view, emotion, details, size manipulation, or establishing context.
CinematographyNEWUPLOAD
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Unit 1 AO1b Micro analysis
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Shot list
This document lists 12 camera shots in order that will be filmed. The shots include close-ups and wider shots showing two unknown characters entering a house, talking over drinks, a flashback to a fight in a toilet where one character kills an agent, and a confrontation where one character pulls a gun on the other before being shot themselves.
Micro elements in a film opening
This document provides examples of different types of shots used in filmmaking including extreme close-ups, close-ups, medium shots, long shots, extreme long shots, track shots, pan shots, tilt shots, and zoom shots. Each shot is defined and an example image is provided to illustrate the shot type and how it can be used to focus on details, set a scene, or follow motion.
Storyboard for Main Task Media
The document describes 26 camera shots that would be used to film a crime scene investigation. The shots include various angles, zooms, and movements to reveal details of the crime scene, victims, detectives, and father's reaction. Key shots include an establishing long shot of the river side, medium shots of the detectives discussing the case and comforting the father, and high angle shots of the murderer spying on the investigation from afar. The camera work aims to clearly show the scene, draw out emotions and reveal clues while also characterizing different people involved through strategic camera angles.
Mediaaaa
The document discusses how different camera shots and techniques are used in film openings to set tone and provide meaning, focusing on the techniques of mise-en-scene, close-ups, medium shots, long shots, pans, tilts, zooms, and cuts. It analyzes several example shots from movie openings, examining how elements like setting, costumes, expressions, and props are used to convey information about characters and the story.
Storyboard for Media Coursework
The document provides detailed camera shot descriptions for filming a crime scene investigation. It includes shots such as close-ups of the victim's body and face to reveal details, medium shots of detectives discussing the case, and high angle shots looking down on the murderer spying on the investigation from afar. Shots are described as being at eye-level or with slight variations in angle to portray different perspectives and meanings.
Planning edit
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
Se7en
This document analyzes various shots from a detective film and what purpose each shot serves in moving the plot forward and establishing characters and setting. It discusses how long shots, close-ups, and mid-shots are used to set the scene, focus on character actions and facial expressions, and advance dialogue scenes. Many of the shots employ genre conventions to identify the main characters as detectives and move between crime scene investigations and conversations about the case.
Micro elements in film opening
The document discusses how different camera shots are used in opening sequences to create meaning and tension. An extreme close-up of a zombie's eyes shows blood and desperation. A close-up from a POV perspective shows the scariness and expression of a zombie about to eat someone. A medium shot clearly shows a man running from a zombie, showing his movement and pace. The long shots show the location and zombies attacking, with an extreme long shot establishing the living area setting.
Camera Work
This document defines and describes various types of camera shots and angles used in filmmaking:
Long shots show movement and action from a distance, capturing the whole body. Mid shots are used for conversations, showing characters from the waist up. Close ups focus on a person's face to convey their emotions. Extreme close ups zoom in on specific details like eyes or lips. Establishing shots introduce a new location from a wide angle. Point of view shots allow the audience to see from a character's perspective.
Similar to Shot List (20)
More from Sam Benzie
Evaluation question 3
The document summarizes feedback received from target audiences on a music video project. Key points:
- Interviews with 3 target audience members provided insight into what they want from music videos, such as something different, narrative-based videos, and authentic characters.
- Feedback confirmed the video succeeded in being different through visual filters and a narrative-based approach without the artist. It showed meaning through props and used authentic 17-year-old actors without lyrics.
- Pitching the idea to classmates helped identify flaws and gain additional perspective, though the final video diverged from the original plan based on this feedback.
- Feedback on draft digipak designs was incorporated, combining elements like the 3D effect and
Evaluation question 4
Jack Francis used various media technologies at different stages of his music video project. In the research and planning stage, he used his computer to conduct online research and draft documents using Word and PowerPoint. He also used his mobile phone to communicate with actors and find inspiration by viewing other music videos. During construction of the video, Jack used a Panasonic camera and tripod to film footage, downloading software to obtain the music file, and Movie Studio Platinum to edit the footage and add the music. He uploaded the final video to YouTube. For ancillary tasks like a digipak and advertisement, Jack used Photoshop to add text and edit images, an online filter website, and a printer. Finally, he uploaded all
Risk assessment
The document contains 3 risk assessments for filming scenes for a music video at different outdoor locations. Key hazards identified include water and quicksand near the beach, uneven surfaces and smoke bombs in the woods, and vehicles and crowds at an unspecified third location. Measures taken to prevent injuries include ensuring proper footwear, first aid kits, adequate clothing, and supervision of teenagers. Additional actions such as locating hazards beforehand, monitoring tide and crowd levels, and having phones and transportation available are also outlined. Responsibilities for addressing risks are assigned to the project manager Jade Paul.
Risk assessment jf
This document outlines potential hazards, injuries, severity levels, prevention measures, and emergency response plans for a film shoot. It identifies hazards from camera equipment, falling down stairs, getting hit by a car, low lighting, and alcohol in the eyes. Prevention measures include safety checks, practice, road safety reminders, lighting the environment, and emptying alcohol containers. The emergency response plan is to call an ambulance if anyone is injured from these hazards. Responsible parties are identified for any required actions.
Mise-en-scene
The document outlines the mise-en-scene elements for a music video including costume, lighting, actors, makeup, props, setting, and editing. Costumes will show the relationship is unstable through dark clothes for the female actor and concealed faces for the male actor. Lighting will use high key when the female is happy and low key when sad. The video will focus on older teenage actors to match the target audience. Minimal makeup on the female will show she is controlled by the male. Props like sparklers and lanterns will symbolize moving on from the past. Multiple settings like the beach and woods will avoid boredom. Editing will use smooth transitions and color correction to engage the audience.
Casting
This document provides casting considerations for a music video about a female protagonist who is unhappy in her relationship and is better off alone. It describes two main characters, Cleo and Finn, and proposes several actors for each role. For the role of Cleo, Kat is suggested due to her extensive acting experience from childhood productions. Megan is also proposed but is younger than the character. For the role of Finn, Callum is put forward given his experience acting in school productions playing various roles, though he is younger than the character. Sam is also proposed but has less overall acting experience than Callum.
Shooting schedule
This document provides a shooting schedule detailing the date, time, location, actors, and shot types for filming a project. It includes shots at V festival in Chelmsford on August 21st, close-ups of Kat and Callum at Callum's house on September 20th, establishing and tracking shots of Kat and Callum at Mablethorpe beach during sunset on September 24th, tilt and tracking shots of Kat and Callum in Blackpool on September 30th, and establishing and close-up shots of Kat at Willinghamwoods on October 1st.
Shooting schedule a2
The document provides a shooting schedule for a music video by the band The Vaccines. It details that filming will take place over one day, September 21st, beginning at dusk at a petrol station with scenes of Kirsty and Oliver, then moving indoors at night to film scenes inside a house of Kirsty and Callum using a camera and tripod along with alcohol as props. Filming will conclude the following early morning with exterior street scenes of Kirsty and Oliver filmed with a camera and tripod.
Shot list music video
The shot list documents scenes for a music video involving characters Kirsty, Oli, Ellie, and Callum. It includes 35 shots at a petrol station of Kirsty and Oli awkwardly sitting together and Kirsty walking away from Oli. It then details 15 shots of Kirsty walking along a pathway from different angles. Additional shots include Kirsty drinking alcohol at a house, being sick, and a sexual encounter with Callum. The list concludes with shots of Ellie walking along the same pathway from different angles and Kirsty and Oli hugging at the petrol station.
Evaluation Question 3
From audience feedback on their music video concept, the document summarizes that they learned to:
1) Keep makeup and costumes natural to make characters more relatable to indie genre conventions.
2) Favor a mixed narrative over including diegetic sound which could be distracting.
3) Film entirely outside to create atmosphere and meet indie genre conventions rather than including indoor scenes.
Evaluation question 6
The document discusses technologies used during each phase of constructing a media product. In planning and research, the author learned to use Blogger and Prezi effectively but had difficulties with Slideshare. During construction, the author gained skills using a camera, microphone, LED light, and movie editing software. In evaluation, the author became familiar with Emaze but was already proficient in presentation software like PowerPoint. Overall, the author felt their media skills improved the most during the construction phase of the large project.
Question 3
Warner Bros would be an effective major distributor for the film Imperium. As one of the big six film studios, Warner Bros has the resources and experience needed to distribute a mainstream crime/drama film widely. With over 8000 employees and $13 billion in revenue in 2015, Warner Bros can handle large production and promotion campaigns. They successfully promoted Goodfellas, which made a $21 million profit. To reach the target audience of males and females aged 35+ for Imperium, the distributor must carefully select promotion platforms and design advertisements appropriately. Television, online social media, and fan pages would be effective low-cost promotion methods.
Risk assessment
This document identifies potential hazards during an outdoor activity and measures to prevent injuries. It lists hazards such as roads, cameras, leaves, trees, and wildlife/dogs. For each hazard, it identifies potential injuries, a severity rating, measures taken to prevent injury, the number of people at risk, additional required measures, and those responsible. The hazards include getting run over, electrocution from cameras, slipping on leaves, falling branches from trees, and bites from wildlife or dogs. Preventative measures include being vigilant around roads, checking cameras for damage, walking carefully through leaves, avoiding trees, and not approaching wildlife. Those participating are responsible for their own safety.
Shooting schedule
This document contains a shooting schedule for a film being shot over one day. It lists 15 scenes, all taking place on October 12, 2016. The locations are either exterior shots on a road near a village or interior shots in a barn. The main characters involved are Wilson, Makenzie, and Detective McCoy. Scenes include shots of Wilson walking and smoking, entering the barn, dialogue exchanges between the characters, and a close-up of a gun.
Shooting schedule
The document contains a shooting schedule for a film with 12 scenes planned for the first day of shooting. The first 6 scenes take place outside on a road and show Wilson walking into and around a village, including shots of his torso and him throwing down a cigarette. Scenes 7-11 take place inside a barn and include introductions of the characters Wilson, Makenzie, and Detective McCoy. These scenes involve dialogue exchanges between the characters shot over shoulders and in close-ups. Props include a desk, chairs, and cigarettes.
Student video analysis
The document provides instructions for a student video analysis assignment. Students are asked to analyze 2-3 past student film openings, considering elements like camera work, editing, pacing, setting, sound, acting, and titles. At least one film must be from the student's genre. Two sample student films are then analyzed in detail based on these elements:
1) A thriller film opening showing two students captured in an abandoned building trying to escape their captor.
2) A black-and-white noir film opening featuring a detective investigating a serial killer case.
Title sequence analysis
This document analyzes the title sequences of three films: The Shining, Se7en, and Reservoir Dogs. It finds that all three films include the studio logo, director, film title, and key or other cast members in their opening credits. The order that most commonly appears is studio logo first, followed by the film title, director, producer, key cast, and other cast. Based on this analysis, the author concludes that their own title sequence should include at least the studio logo, director, film title, and cast members, with that standard order.
Shooting schedule
The document contains a shooting schedule for a film titled "Imperium" with 10 shots planned over 1 day. The locations include a road outside a village, a barn interior. Characters include Wilson, Makenzie and Detective McCoy. Scenes include Wilson walking on the road and throwing down a cigarette, then entering the barn where a freeze frame will capture his face and a master shot of the whole barn setting. Dialogue shots between the characters are also scheduled inside the barn.
Student film opening analysis
This document provides an analysis and review of two student film openings titled "Carnage" and "Counterpart". For Carnage, the reviewer provides positive feedback on the camera work, editing, sound design, costumes, lighting, and setting in building tension and suspense. The only criticism is that it felt more like a trailer than an opening. For Counterpart, the reviewer critiques the shaky camera work, distracting background elements, uneven editing, and stiff acting, though notes some successful elements like the shadowy masked characters and fitting title/music. Overall, Carnage received higher marks for its effective techniques in setting an ominous tone through its technical elements.
Mise en scene
The document discusses the importance of mise-en-scene elements for establishing believability in a 1960s-set film opening scene involving the interrogation of a detective by gangsters. Costumes of the time period, natural lighting outside transitioning to low-key lighting inside, realistic makeup depicting injuries, and props like plain chairs, period-appropriate guns and cigarettes will be used. The rural setting provides isolation for the interrogation without witnesses.
More from Sam Benzie (20)
Shot List
- 1. Shot List Names: Nicolas Coomonte Shot Number Shot Type & Movement (e.g. Close Up) Shot Description 1 Black Screen To introduce the character. 2 Long shot, without movement. This shot is taken to introduce where he is. 3 Close-up shot, no movement. The shot is taken to watch in which direction he is looking. 4 Point of view shot. Pan to the right. The shot is taken to watch what he is seeing. 5 Close-up shot. No movement. The shot is taken to watch in which direction he is looking. 6 Point of view shot. Pan to the left. The shot is taken to watch what he is looking at. 7 Long shot of the action. Handheld. To see what is happening with a good point of view and with good detail. 8 Mid shot. No camera movement. To see him running. 9 Long shot. Handheld. To see how the main character gets into the house. 10 Mid shot to close up shot. Slow camera zoom to his face. To watch how he sleeps. 11 Long shot, without movement. To watch how he walks. 12 Close-up shot. No movement. To see that he knows what is going to happen. 13 Mid shot of the action, low angle. Handheld. To see how strong the main character is now. 14 Long shot. No camera movement. To see how the other guy is running now.