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Script Draft
Night Time- Opening low angle shot of a man’s feet as the camera slowly cranes up his body. It stops
at a close up of his face. We hear his phone ring and he answers.
EVIL MAN:
Yes… I’m on my way.
Camera cuts to his hand revealing a knife. The camera then pans outwards to an establishing shot of
the street.
Dip to Black
The camera cuts to a house with the camera positioned above a group of men sitting round a table
in the dark. There are a few candles around as the only lighting. There is one man standing who is
the protagonist.

GOOD MAN 1:
Camera cuts to OTS of GOODMAN1 looking up towards JP.
JP, we can’t live like this, they have taken away our electricity and the they
aren’t letting us get our rations any more. We can’t keep giving our supplies
to the unfortunates, they could have changed the way they are. Our regime
is crumbling…
JP spins round holding a knife. And holds it pointing at GOOD MAN 1. Camera is a mid-shot of JP.
JP:
Unlike you I have belief in those people and our regime. If you don’t want to
survive on your own, then just leave!
GOOD MAN 2:
Camera cuts to a high angle shot of GOODMAN2 sitting down.
We can’t afford to fight between us JP, the real enemy is growing as we
speak, were probably getting hunted down right this second.
JP Slams knife in to the table by GOOD MAN1’s hand. Camera goes to a close up of the Knife.
GOODMAN2 looks at the camera that looks over the door. OTS shot that slowly zooms in to the
camera.
GOODMAN2:
Wait who is that?...
JP:
Walks over to the camera bends down looking in to it. The camera is OTS.
Weapons and positions people…
You hear a door slam open and a grenade bounce in to the kitchen. The camera focuses on the
grenade which has the title of the film on it. You hear the faint sound of ‘Get Down’ as the camera
dips to black.

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Script draft

  • 1. Script Draft Night Time- Opening low angle shot of a man’s feet as the camera slowly cranes up his body. It stops at a close up of his face. We hear his phone ring and he answers. EVIL MAN: Yes… I’m on my way. Camera cuts to his hand revealing a knife. The camera then pans outwards to an establishing shot of the street. Dip to Black The camera cuts to a house with the camera positioned above a group of men sitting round a table in the dark. There are a few candles around as the only lighting. There is one man standing who is the protagonist. GOOD MAN 1: Camera cuts to OTS of GOODMAN1 looking up towards JP. JP, we can’t live like this, they have taken away our electricity and the they aren’t letting us get our rations any more. We can’t keep giving our supplies to the unfortunates, they could have changed the way they are. Our regime is crumbling… JP spins round holding a knife. And holds it pointing at GOOD MAN 1. Camera is a mid-shot of JP. JP: Unlike you I have belief in those people and our regime. If you don’t want to survive on your own, then just leave! GOOD MAN 2: Camera cuts to a high angle shot of GOODMAN2 sitting down. We can’t afford to fight between us JP, the real enemy is growing as we speak, were probably getting hunted down right this second. JP Slams knife in to the table by GOOD MAN1’s hand. Camera goes to a close up of the Knife. GOODMAN2 looks at the camera that looks over the door. OTS shot that slowly zooms in to the camera. GOODMAN2: Wait who is that?... JP: Walks over to the camera bends down looking in to it. The camera is OTS. Weapons and positions people…
  • 2. You hear a door slam open and a grenade bounce in to the kitchen. The camera focuses on the grenade which has the title of the film on it. You hear the faint sound of ‘Get Down’ as the camera dips to black.