Shot list
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The document describes different shot types and angles that will be used in a music video and what scenes and meanings each type represents. Extreme close-ups of a prostitute's face will emphasize features and draw attention. Mid shots from a low angle of a singer will call attention to her power and star persona. Long shots will establish locations and distinguish personalities while providing a full view of subjects.
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Use of shots
The document discusses the use of shots in a video about a teenage boy grieving the death of a loved one. It analyzes the establishing shot, wide shots, long shots, close ups, tracking shots, over-the-shoulder shots, isolated shots, and closing shots used to represent the character's feelings and journey to terms with loss. Nature shots are used to exaggerate the character's emotions through pathetic fallacy. The video concludes with the character smiling, representing overcoming grief.
Evaluation question 7 - John Glen
This document discusses techniques for creating a successful thriller that the author learned about and applied in their preliminary task and final thriller opening. These techniques include the 180 degree rule, reaction shots, shot reverse shot technique, and match-on-action shots. The author analyzes how they used techniques like the 180 degree rule and shot reverse shots to build tension without dialogue. While they were unable to explicitly use match-on-action shots, they identify one part of their final cut that relates indirectly to this technique. Overall, the author feels they gained valuable knowledge of techniques that helped improve their thriller opening.
Task 2 micro elements
The opening sequence introduces the audience to the two main protagonists of the film. Through a series of shots including long shots, medium shots, close-ups, and zooms, the audience learns about the characters' personalities and surroundings. The music and sounds help set the mood and pace of the sequence to engage the audience early in the film.
Shot reverse shot
Shot reverse shot is a filming technique used when characters are conversing where the camera cuts between shots of each character, allowing the audience to associate that they are talking to each other, even if not fully in frame together. This technique provides an eyeline match between two characters and switches perspectives to film the conversation from both angles in an alternating pattern during editing.
Technique or technical practice
The document discusses the progression of the filmmaker's techniques from an initial preliminary task to the main task. It covers improvements made in areas like camera movement, composition of shots, camera shots and angles, white balance, storyboards, and scripts. Techniques like lead room and fluid motion for camera movements, use of rule of thirds for composition, and different shot sizes and angles were explored. Exercises on white balance and evaluating storyboards helped apply techniques more realistically for the main task film.
Elle Aime Jouer- Evaluation.
The document analyzes and discusses how the student film "Elle Aime Jouer" uses, develops, and challenges conventions of real French New Wave films.
The film draws from French New Wave techniques like tracking shots, locations, costumes, props, camera work, editing, and sound to emulate the style of 1960s French films. It sets itself in Manchester but uses iconic French elements. Overall, the ancillary materials like the poster complement the film and help advertise it as a finished piece inspired by the French New Wave genre.
In what ways does your media product use
Vanessa is introduced at the start visiting her parents' gravesite, establishing her as sad and innocent with bright lighting. Sam appears halfway through with low lighting, surprising the audience and making him seem suspicious. Different music tracks are used to reflect the characters - soft music for Vanessa and intense music for Sam. Camera shots like close-ups and low angles on the characters are meant to add tension and establish their roles. The opening sets up the main characters and their contrasting personalities to engage the audience and set the tone for the thriller genre.
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Use of shots
The document discusses the use of shots in a video about a teenage boy grieving the death of a loved one. It analyzes the establishing shot, wide shots, long shots, close ups, tracking shots, over-the-shoulder shots, isolated shots, and closing shots used to represent the character's feelings and journey to terms with loss. Nature shots are used to exaggerate the character's emotions through pathetic fallacy. The video concludes with the character smiling, representing overcoming grief.
Evaluation question 7 - John Glen
This document discusses techniques for creating a successful thriller that the author learned about and applied in their preliminary task and final thriller opening. These techniques include the 180 degree rule, reaction shots, shot reverse shot technique, and match-on-action shots. The author analyzes how they used techniques like the 180 degree rule and shot reverse shots to build tension without dialogue. While they were unable to explicitly use match-on-action shots, they identify one part of their final cut that relates indirectly to this technique. Overall, the author feels they gained valuable knowledge of techniques that helped improve their thriller opening.
Task 2 micro elements
The opening sequence introduces the audience to the two main protagonists of the film. Through a series of shots including long shots, medium shots, close-ups, and zooms, the audience learns about the characters' personalities and surroundings. The music and sounds help set the mood and pace of the sequence to engage the audience early in the film.
Shot reverse shot
Shot reverse shot is a filming technique used when characters are conversing where the camera cuts between shots of each character, allowing the audience to associate that they are talking to each other, even if not fully in frame together. This technique provides an eyeline match between two characters and switches perspectives to film the conversation from both angles in an alternating pattern during editing.
Technique or technical practice
The document discusses the progression of the filmmaker's techniques from an initial preliminary task to the main task. It covers improvements made in areas like camera movement, composition of shots, camera shots and angles, white balance, storyboards, and scripts. Techniques like lead room and fluid motion for camera movements, use of rule of thirds for composition, and different shot sizes and angles were explored. Exercises on white balance and evaluating storyboards helped apply techniques more realistically for the main task film.
Elle Aime Jouer- Evaluation.
The document analyzes and discusses how the student film "Elle Aime Jouer" uses, develops, and challenges conventions of real French New Wave films.
The film draws from French New Wave techniques like tracking shots, locations, costumes, props, camera work, editing, and sound to emulate the style of 1960s French films. It sets itself in Manchester but uses iconic French elements. Overall, the ancillary materials like the poster complement the film and help advertise it as a finished piece inspired by the French New Wave genre.
In what ways does your media product use
Vanessa is introduced at the start visiting her parents' gravesite, establishing her as sad and innocent with bright lighting. Sam appears halfway through with low lighting, surprising the audience and making him seem suspicious. Different music tracks are used to reflect the characters - soft music for Vanessa and intense music for Sam. Camera shots like close-ups and low angles on the characters are meant to add tension and establish their roles. The opening sets up the main characters and their contrasting personalities to engage the audience and set the tone for the thriller genre.
Video Analysis - The Wolves by Ben Howard
Video analysis I did for the song 'The Wolves' by Ben Howard including Technical detail to conventions/genre/meaning and using Goodwin, Carlson and Shore's techniques.
Music video analysis
The music video for "Ho Hey" by The Lumineers demonstrates characteristics of the folk rock and indie folk genres. It tells the story of a lonely man through lyrics and visuals. In the beginning, shots of photos on the wall show he has been living alone, corresponding to the lyrics. As the song builds, other band members join in shots, representing the lyrics about finding family. The video starts as an illustration of the lyrics but then becomes disjointed as the visuals no longer match the continued story in the lyrics. Technically, the camera work and lighting create an atmospheric mood through low light, close-ups, and color effects like pink fabric and confetti.
AO2&AO4 What is Mise-en-scene?
Mise-en-scene refers to everything within the frame of a shot that can be used to enhance the audience's understanding, including costumes, makeup, setting, props, and lighting. It aims to create a realistic feeling and help viewers comprehend the emotions and roles of characters. Key elements of mise-en-scene are costumes, which convey a character's identity; makeup, which can set the time period and distinguish characters; setting, which provides context for understanding roles; and props and lighting, which further immerse the audience in the story and its themes. Together, these components allow filmmakers to interact with and express meaning to audiences visually as well as verbally.
Treatment sheet
The document discusses taking inspiration from The Godfather film for the scene's setting and style to reflect the noir genre conventions of the classic period. It aims to include themes of vengeance and respectably dressed gangsters in bars and docks to portray older, classic aspects of noir. References to modern noir films like Kick Ass show how gangster portrayals have changed over time, but this film wants a more classic noir style for its opening sequence.
The Unattainable Perfection - Media Evaluation - Michael Burrows
1. The document discusses the filmmaker's research into the surrealist film genre, including analyzing notable surrealist films and their conventions.
2. Key codes and conventions of surrealist cinema were identified, such as frequent juxtapositions, anti-narrative structure, and portrayal of the subconscious.
3. Techniques from analyzed surrealist films like dissolves and straight cuts were applied in the filmmaker's own surrealist short film to explore themes of desire and the subconscious.
Ppt animation
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Fred aujas
Fred Aujas is a French director known for his unique style that blends reality and fantasy through motion design, matte painting, and 3D animation. His videos create new worlds and creatures with layered colors, animation, and live footage transformed digitally. This document discusses several of Aujas' music videos, noting how each maintains his signature style while adapting to the artist. The videos use green screens, close-ups, narration, and symbolism to tell visual stories through his collage-like blending of mediums.
Music Video Analysis
The music video for "Especially for You" by Kylie Minogue and Jason Donovan tells the story of two young people, played by Minogue and Donovan, who are in love but separated. Throughout the video, they go about their daily lives alone and coincidentally end up in the same places but at different times, missing each other. In the end, they reunite at the same audition and embrace, rekindling their love. The video uses a narrative structure and performance elements like singing to tell the story and show the characters' emotions.
Evaluation Q1 (final)
The document provides details about the filmmaking techniques and conventions used in the production of a thriller/drama film project. It discusses how elements of classic thriller films like Seven and Memento were utilized, such as themes of crime/violence, close-ups, suspenseful music. However, it also challenges some thriller conventions by exploring themes of PTSD in soldiers and classified the film as a thriller/drama. Cinematography techniques like POV shots and camera movements build tension. Special effects like filters signify flashbacks and psychological states. Pacing increases over time. Mise-en-scene includes military uniforms and props. Iconography through photographs and dog tags convey themes and backstory. An original piano score was used
Question 1
The document discusses research conducted on action/adventure film openings to inform the making of the author's own action film clip. Key findings from films like Pirates of the Caribbean, The Goonies, The A-Team and Star Wars included introducing main characters early, using non-diegetic music to set mood, employing shot reverse shot in conversations, having male characters at the center of action, using tracking shots to add pace, including a villain to create tension, and using parallel editing between characters. This research provided ideas that helped with filming and editing the author's action clip.
Ingmar bergman film style
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Dan Croll - Planning.
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Reflective video (Planning) A2 script
This document summarizes the planning for a short film featuring two couples at a restaurant. The film will show one couple that is affectionate and another that is passionate but aggressive, mirroring each other's actions to surprise viewers and convey that you cannot judge people by their appearance. Camera techniques like establishing shots, close-ups, and shot-reverse-shots will be used to set the scene and emphasize character interactions. Dialogue will develop the characters and relationships, while props like an engagement ring and mobile phones will add meaning and reinforce the moral. Locations like two restaurants have been contacted for the film.
EDITING 1 - TASK 2B
The document discusses different editing techniques used in filmmaking. It describes how a flashback scene uses changes in color and music to indicate a shift to a past event. It also explains how an establishing shot is used to introduce characters and set the scene. Finally, it discusses how consecutive shots can be cut together rapidly to match the rhythm of background music and convey a mood of upbeat fun between characters.
Storyboard (final)
This document provides a storyboard for the music video for the song "Gunslinger" by Avenged Sevenfold. It outlines 23 shots with descriptions of the camera actions and lyrics or actions occurring in each shot. The storyboard shows various shots of a singer and soldiers, with camera movements including pans, pulls, tilts and static shots. It appears to tell a narrative story through the sequence of shots.
Theories
Andrew Goodwin proposed a theory of music video editing with three styles: Illustration, where shots cut on the beat and visually represent the lyrics; Amplification, where shots cut on and off the beat to create a narrative that enhances the lyrics; and Disjuncture, where shots cut off the beat and the images do not relate to the lyrics. Carol Vernallis found that music videos use incomplete and shifting narratives as well as discontinuity to piece together a "phantasmagorical body" of the artist. Bordwell and Thompson categorized editing techniques as Kuleshov effect, graphic, spatial, temporal, and rhythmic based on how they manipulate meaning, continuity, location, time, and pace.
Artist Research & Inspiration - Time Based Studies
This document provides information on various artists and artworks that inspire the concept of time-based studies. It summarizes key works including Sam Javanrouh's cityscape time-lapse photograph, Harold Edgerton's milk drop photo capturing motion, Linda Connor's star trail images showing celestial movement over hours, and Hiroshi Sugimoto's long exposure photos of a movie theater audience and seascape that visualize the effects of slow shutter speeds. The document also discusses Henri Cartier-Bresson's decisive moments style and a photo by Richard Billingham capturing his parents in a documentary style. Overall, it explores different artistic techniques for representing the passage of time in photography.
How I used conventions from Sorority Row products in the production
Katy Bailey researched the trailer and poster for the film Sorority Row to help produce marketing materials for her own film. She used Sorority Row's trailer as a template, disrupting the equilibrium at the 19 second mark to draw in the target audience. Intertitles were placed after introducing the horror genre. Different music was used before and after the genre shift. For the poster, Bailey took inspiration from two Sorority Row posters, using a dark color scheme and the idea of a burning photograph of the main character.
Shot list
This shot list summarizes the camera angles, objects/locations, and intended effects/representations for a film about a prostitute. Some of the key shots include a mid close up of a sign saying "open 24 hours" to represent prostitution, low angles of heels walking to introduce the main character, and close ups of the prostitute putting on makeup to show her daily routine. Other shots like a low angle looking up of the artist singing are meant to emphasize her power and dominance, and a mid shot zooming in of the prostitute staring in the mirror is to engage the audience and show she is unhappy.
Presentation1
The opening scene of 'WE OWN THE NIGHT' takes place in a busy, elegant nightclub. Costumes show the men as wealthy and sophisticated while the women wear attractive, low-cut dresses. Cinematography includes tilts, tracks, pans and close-ups of the main character to establish the setting and his role. Fast editing and pace immerse the audience in the film's world. Diegetic sounds of music and conversation and non-diegetic music set tone and suspense. The scene uses conventions of action genre to introduce characters and setting.
Task 2 microelements
The opening sequence introduces the two main protagonists of the film through a series of shots at different locations. Various camera techniques like long shots, medium shots, and close-ups are used to draw attention to key characters and details. The editing and non-diegetic music help set the pace and tone for the audience early on. Overall, the sequence quickly establishes important information about the characters and narrative through visual and audio elements at a fast pace.
Camera angles
The document discusses camera techniques used in horror trailers, including shots that create suspense and unease. It recommends low angle shots of characters walking to build suspense, and long shots of empty spaces to make audiences feel something may appear. Close-ups of faces are suggested to show characters' reactions. The document also proposes handheld camera work to give an authentic, found footage feel. It outlines specific shots the author plans to use in their own horror trailer, such as establishing shots, full shots of costumes, close-ups of a character's changing emotions, and tracking shots during a chase scene.
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Video Analysis - The Wolves by Ben Howard
Video analysis I did for the song 'The Wolves' by Ben Howard including Technical detail to conventions/genre/meaning and using Goodwin, Carlson and Shore's techniques.
Music video analysis
The music video for "Ho Hey" by The Lumineers demonstrates characteristics of the folk rock and indie folk genres. It tells the story of a lonely man through lyrics and visuals. In the beginning, shots of photos on the wall show he has been living alone, corresponding to the lyrics. As the song builds, other band members join in shots, representing the lyrics about finding family. The video starts as an illustration of the lyrics but then becomes disjointed as the visuals no longer match the continued story in the lyrics. Technically, the camera work and lighting create an atmospheric mood through low light, close-ups, and color effects like pink fabric and confetti.
AO2&AO4 What is Mise-en-scene?
Mise-en-scene refers to everything within the frame of a shot that can be used to enhance the audience's understanding, including costumes, makeup, setting, props, and lighting. It aims to create a realistic feeling and help viewers comprehend the emotions and roles of characters. Key elements of mise-en-scene are costumes, which convey a character's identity; makeup, which can set the time period and distinguish characters; setting, which provides context for understanding roles; and props and lighting, which further immerse the audience in the story and its themes. Together, these components allow filmmakers to interact with and express meaning to audiences visually as well as verbally.
Treatment sheet
The document discusses taking inspiration from The Godfather film for the scene's setting and style to reflect the noir genre conventions of the classic period. It aims to include themes of vengeance and respectably dressed gangsters in bars and docks to portray older, classic aspects of noir. References to modern noir films like Kick Ass show how gangster portrayals have changed over time, but this film wants a more classic noir style for its opening sequence.
The Unattainable Perfection - Media Evaluation - Michael Burrows
1. The document discusses the filmmaker's research into the surrealist film genre, including analyzing notable surrealist films and their conventions.
2. Key codes and conventions of surrealist cinema were identified, such as frequent juxtapositions, anti-narrative structure, and portrayal of the subconscious.
3. Techniques from analyzed surrealist films like dissolves and straight cuts were applied in the filmmaker's own surrealist short film to explore themes of desire and the subconscious.
Ppt animation
Sebab saya suka dengan cerita animasi ini. Reason why I like this movie . I like to watch animation movie Spiderman Into The Spider Verse. State why you like and dislike movie. The reasons why I like and dislike from this animation movie because....
Fred aujas
Fred Aujas is a French director known for his unique style that blends reality and fantasy through motion design, matte painting, and 3D animation. His videos create new worlds and creatures with layered colors, animation, and live footage transformed digitally. This document discusses several of Aujas' music videos, noting how each maintains his signature style while adapting to the artist. The videos use green screens, close-ups, narration, and symbolism to tell visual stories through his collage-like blending of mediums.
Music Video Analysis
The music video for "Especially for You" by Kylie Minogue and Jason Donovan tells the story of two young people, played by Minogue and Donovan, who are in love but separated. Throughout the video, they go about their daily lives alone and coincidentally end up in the same places but at different times, missing each other. In the end, they reunite at the same audition and embrace, rekindling their love. The video uses a narrative structure and performance elements like singing to tell the story and show the characters' emotions.
Evaluation Q1 (final)
The document provides details about the filmmaking techniques and conventions used in the production of a thriller/drama film project. It discusses how elements of classic thriller films like Seven and Memento were utilized, such as themes of crime/violence, close-ups, suspenseful music. However, it also challenges some thriller conventions by exploring themes of PTSD in soldiers and classified the film as a thriller/drama. Cinematography techniques like POV shots and camera movements build tension. Special effects like filters signify flashbacks and psychological states. Pacing increases over time. Mise-en-scene includes military uniforms and props. Iconography through photographs and dog tags convey themes and backstory. An original piano score was used
Question 1
The document discusses research conducted on action/adventure film openings to inform the making of the author's own action film clip. Key findings from films like Pirates of the Caribbean, The Goonies, The A-Team and Star Wars included introducing main characters early, using non-diegetic music to set mood, employing shot reverse shot in conversations, having male characters at the center of action, using tracking shots to add pace, including a villain to create tension, and using parallel editing between characters. This research provided ideas that helped with filming and editing the author's action clip.
Ingmar bergman film style
It is about the film making styles of Ingmar Bergman. He needs to be appreciated and credited as an auteur film maker of all times basing on his oeuvre .
Dan Croll - Planning.
The document outlines plans for filming a music video for the song "Home" by Dan Croll. It discusses using a slow zoom-in shot of a wooden gate to open the video and set the scene. The finishing shot will be a long shot of the main character walking into the distance. Rural and city locations will be used to emphasize feelings of calmness and homesickness. Establishing shots will portray an indie feel through rural outdoor shots of objects like grass and sticks. Potential actors Matthew Tyler and Sam Marlow are mentioned for the male role due to their similar fashion sense. Shots of the character walking happily in fields but feeling uncomfortable and lost in busy city scenes will be used to convey being at home versus out of
Reflective video (Planning) A2 script
This document summarizes the planning for a short film featuring two couples at a restaurant. The film will show one couple that is affectionate and another that is passionate but aggressive, mirroring each other's actions to surprise viewers and convey that you cannot judge people by their appearance. Camera techniques like establishing shots, close-ups, and shot-reverse-shots will be used to set the scene and emphasize character interactions. Dialogue will develop the characters and relationships, while props like an engagement ring and mobile phones will add meaning and reinforce the moral. Locations like two restaurants have been contacted for the film.
EDITING 1 - TASK 2B
The document discusses different editing techniques used in filmmaking. It describes how a flashback scene uses changes in color and music to indicate a shift to a past event. It also explains how an establishing shot is used to introduce characters and set the scene. Finally, it discusses how consecutive shots can be cut together rapidly to match the rhythm of background music and convey a mood of upbeat fun between characters.
Storyboard (final)
This document provides a storyboard for the music video for the song "Gunslinger" by Avenged Sevenfold. It outlines 23 shots with descriptions of the camera actions and lyrics or actions occurring in each shot. The storyboard shows various shots of a singer and soldiers, with camera movements including pans, pulls, tilts and static shots. It appears to tell a narrative story through the sequence of shots.
Theories
Andrew Goodwin proposed a theory of music video editing with three styles: Illustration, where shots cut on the beat and visually represent the lyrics; Amplification, where shots cut on and off the beat to create a narrative that enhances the lyrics; and Disjuncture, where shots cut off the beat and the images do not relate to the lyrics. Carol Vernallis found that music videos use incomplete and shifting narratives as well as discontinuity to piece together a "phantasmagorical body" of the artist. Bordwell and Thompson categorized editing techniques as Kuleshov effect, graphic, spatial, temporal, and rhythmic based on how they manipulate meaning, continuity, location, time, and pace.
Artist Research & Inspiration - Time Based Studies
This document provides information on various artists and artworks that inspire the concept of time-based studies. It summarizes key works including Sam Javanrouh's cityscape time-lapse photograph, Harold Edgerton's milk drop photo capturing motion, Linda Connor's star trail images showing celestial movement over hours, and Hiroshi Sugimoto's long exposure photos of a movie theater audience and seascape that visualize the effects of slow shutter speeds. The document also discusses Henri Cartier-Bresson's decisive moments style and a photo by Richard Billingham capturing his parents in a documentary style. Overall, it explores different artistic techniques for representing the passage of time in photography.
How I used conventions from Sorority Row products in the production
Katy Bailey researched the trailer and poster for the film Sorority Row to help produce marketing materials for her own film. She used Sorority Row's trailer as a template, disrupting the equilibrium at the 19 second mark to draw in the target audience. Intertitles were placed after introducing the horror genre. Different music was used before and after the genre shift. For the poster, Bailey took inspiration from two Sorority Row posters, using a dark color scheme and the idea of a burning photograph of the main character.
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The Unattainable Perfection - Media Evaluation - Michael Burrows
The Unattainable Perfection - Media Evaluation - Michael Burrows
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Artist Research & Inspiration - Time Based Studies
How I used conventions from Sorority Row products in the production
How I used conventions from Sorority Row products in the production
Similar to Shot list
Shot list
This shot list summarizes the camera angles, objects/locations, and intended effects/representations for a film about a prostitute. Some of the key shots include a mid close up of a sign saying "open 24 hours" to represent prostitution, low angles of heels walking to introduce the main character, and close ups of the prostitute putting on makeup to show her daily routine. Other shots like a low angle looking up of the artist singing are meant to emphasize her power and dominance, and a mid shot zooming in of the prostitute staring in the mirror is to engage the audience and show she is unhappy.
Presentation1
The opening scene of 'WE OWN THE NIGHT' takes place in a busy, elegant nightclub. Costumes show the men as wealthy and sophisticated while the women wear attractive, low-cut dresses. Cinematography includes tilts, tracks, pans and close-ups of the main character to establish the setting and his role. Fast editing and pace immerse the audience in the film's world. Diegetic sounds of music and conversation and non-diegetic music set tone and suspense. The scene uses conventions of action genre to introduce characters and setting.
Task 2 microelements
The opening sequence introduces the two main protagonists of the film through a series of shots at different locations. Various camera techniques like long shots, medium shots, and close-ups are used to draw attention to key characters and details. The editing and non-diegetic music help set the pace and tone for the audience early on. Overall, the sequence quickly establishes important information about the characters and narrative through visual and audio elements at a fast pace.
Camera angles
The document discusses camera techniques used in horror trailers, including shots that create suspense and unease. It recommends low angle shots of characters walking to build suspense, and long shots of empty spaces to make audiences feel something may appear. Close-ups of faces are suggested to show characters' reactions. The document also proposes handheld camera work to give an authentic, found footage feel. It outlines specific shots the author plans to use in their own horror trailer, such as establishing shots, full shots of costumes, close-ups of a character's changing emotions, and tracking shots during a chase scene.
How do music videos interpolate the audience
The document discusses different techniques used in music videos to make audiences feel interpolated or involved. It provides examples from specific music videos to illustrate these techniques. Some of the key techniques discussed are: showing the audience both sides of a character by splitting their image; using home video-style filming to make audiences feel comfortable; following characters to feel like the audience is experiencing what they are; and using direct address from singers to build intimacy and a relationship between the audience and performers. The document also discusses how these techniques will be applied in the author's own music video, such as showing the band emerge from and return to a shed to bookend the video and make the audience feel they are with the characters throughout.
Dear john
This trailer summary provides key details about the plot and characters of the romantic drama "Dear John". It introduces the main characters of John, played by Channing Tatum, and Savannah, played by Amanda Seyfried. It shows them meeting on the beach and beginning a romantic relationship. However, their relationship is challenged when John has to return to the army. The trailer uses voiceovers, music, and editing techniques like fades and shot reverse shots to demonstrate the highs and lows of their long-distance relationship as they stay connected through letters. It builds anticipation for challenges that could tear them apart.
Music Video Evaluation
The document provides an analysis of shots included in a music video. It summarizes each shot and explains how it advances the narrative or theme. Key shots include an opening shot that grabs attention, a "student-teacher" shot that involves the viewer, and shots depicting an "alternate universe" theme including a character watching real life on TV. Towards the end are shots of the artist interacting with the audience and concluding shots including a close-up of an eye representing awakening and an ending shot of the artist's shadow. The video uses various shots, angles, and effects to immerse viewers in the story and leave them wondering what happened.
Music Video Evaluation
The document provides an analysis of shots included in a music video. It summarizes each shot and explains how it advances the narrative or theme. Key shots include an opening shot that grabs attention, a "student-teacher" shot that involves the viewer, and shots depicting an "alternate universe" theme including a character watching real life on TV. Towards the end are shots of the artist interacting with the audience and concluding shots including a close-up of an eye representing awakening and an ending shot of the artist's shadow. The video uses various shots, angles, and effects to immerse viewers in the story and leave them wondering what happened.
Evaluation Q1
The document discusses a music video the author created for the song "Cape Cod" by the indie band Vampire Weekend.
The author analyzes how their music video both uses and challenges conventions of real music videos according to Andrew Goodwin's theory. While it includes a relationship between lyrics and visuals, it departs from conventions by not featuring the band or promoting their "star image." Instead, it tells a narrative story with social commentary.
The visuals were inspired by synesthesia and interpret the lyrics ambitiously to expose negative media representations of women. Technical difficulties led to an unintentional green screen effect, but the video still achieved its quirky, playful goal through
Production- AS media portfolio
The document provides details about the production of an opening sequence for a film. It discusses the ideas behind using shots of the protagonist's eye, exterior locations of past murders, and revealing the protagonist through mise-en-scene. It describes using a drum sound to introduce the protagonist and faster camera movements when an alarm goes off. Visual and audio changes are made to shots and music to create tension and unsettle the audience. Sound editing in Logic Pro is used to loop music under shots to extend its length.
Evaluation task 1 (1)
The document summarizes the key elements of a music video for the artist "Blaze" including:
1) Costuming represents the urban/R&B genre through a hooded jacket and hoop earrings.
2) Locations include the subway and a house to create tension and show Blaze's emotions.
3) Narrative elements show Blaze as vulnerable facing a dominant male character in a game of Russian roulette.
4) Genre conventions like costuming, props, and locations identify the video as R&B/hip-hop.
Scream 3 trailer analysis
The document analyzes the trailer for Scream 3. It summarizes that the trailer uses many typical conventions of slasher film trailers including close-up shots of characters reacting in fear, mysterious male characters shown with contrasting lighting, shots of an unseen assailant or open door to generate suspense, and ending with the iconic ghostface mask and scream sound effects. The analysis suggests the trailer aims to intrigue audiences by challenging conventions like the "virgin girl" character and adding an extra scene at the end to further spark interest.
Plot blocking - completed by Beth
1) The document outlines the planned opening sequence for a film which will portray a main character slowly going insane.
2) It begins with an establishing shot of the character in a kitchen and then shows them performing everyday tasks to introduce the setting and character.
3) Flashbacks are then shown to portray happy and traumatic memories from the character's childhood in order to show the emotional connection between these memories and present-day events that are triggering the character's instability.
Clips analysis
The music video features a 15 second mini movie without sound at the beginning to focus attention on the scene. This establishes the artist's past state versus her current irrational state. Scenes show the troubled artist staggering into a narrow subway tunnel, representing her feelings of entrapment. Repetitive shots of the artist emphasize the building tension without seeing her lips, provoking anxiety. The aim of using black and white and close up shots was to illustrate the artist's paranoia and hallucinations in a clinical, mental hospital-like setting. Contrasting her white dress with the dirty surroundings suggests she does not belong while her makeup suggests her mental state.
Katy perry wide awake
The document analyzes different shots used in Katy Perry's music video for "Wide Awake". It discusses the use of close-up shots to show facial expressions, establishing shots to set the scene, tracking shots to follow a character, low angles to share a character's perspective, over-the-shoulder shots to involve the audience, and mid shots and long shots to provide context. Intertextual references are also made to Perry's other music videos through imagery of a pink cloud and wig.
Film reviews research
This document provides a film review that uses images and text to summarize the genre, synopsis, and target audience. Key details about the film's producers, directors, and release date are given. Images and font choices help establish the comedy genre as informal and for adult audiences. Color and iconography provide clues about the film's narrative themes of infinity and danger. Character positioning and use of the "rule of thirds" draws attention to a main character. The review aims to attract female viewers by objectifying masculine characters and using language that invites viewing their undressing.
Trailer analysis - mission impossible 3.
The document discusses the lighting, color, camera work, and editing choices made in the trailer for Mission Impossible 3. Low key lighting was used to make the film seem mysterious. The main colors used were red and yellow, with red representing seriousness and passion. Camera techniques like close-ups, over the shoulder shots, and crane shots were employed to focus viewers on characters and actions. Fast cuts and fades between scenes leave viewers wanting to see more. These elements aim to convey that the film is a serious spy thriller with secrets and danger.
Chloe Fielder
The document discusses several theories about typical conventions in music videos, including:
1) Having a relationship between the visuals and lyrics, with visuals illustrating what the lyrics say
2) Having the editing change with the beat of the music
3) Including many close-ups of the artist, especially for a debut song
4) Creating a sense of voyeurism by showing intimate moments
The document then discusses how the described music video project incorporated some of these conventions, such as having visuals clearly illustrate the smiling, happy lyrics in one scene through mid-shots of the characters.
Evaluation task 1 (1)
The document summarizes the representation of an artist in a music video through various elements of filmmaking. It describes the costuming as urban style to fit the R&B/hip-hop genre. It notes that the location is the subway and artist's house, and the black and white filming creates a darker atmosphere. It discusses the camerawork, performances, narrative, and how different shots and props are used to convey meaning and suggest the genre.
Evaluation Question One
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Shot list
- 1. Shot Type / Angle Scene the shot will be Representation/ Meaning used in (with locations) Extreme Close up This will be used for the Emphasises the object or shots of when the feature of a person. Allows ‘prostitute’ is getting the audience to be drawn ready. For example, we to this image. will have extreme close ups of the ‘prostitutes’ lips, eyes and legs. Mid- shot, low angle. This will be used when This shot will call attention filming the singer. The to the singer and her power camera will be positioned over the audience and her at a low angle, looking up fans. It will also highlight at the singer. the star persona of the singer. Long shot This will be used when Using a long shot when filming the singer and the filming in Soho and at the ‘prostitute’ when she is in bar will highlight the area Soho. of interest in the video. It We will also film the bar will allow the audience to scene in a long shot. distinguish the personality and sexual nature of the ‘prostitute’. Additionally, filming the singer in a long shot provides the audience with the full image of the singer. This helps to emphasise the genre of the music. Mid shot We will be using a front A mid shot will show the mid shot when filming the character in the video but singer and the ‘prostitute’. only half of them. This once again brings the attention to that part of the character. Over the shoulder shot We will be using this shot This will highlight the when the ‘prostitute’ is emotion of the ‘prostitute’. looking at herself in the It will enable the audience mirror. to establish the look of the ‘prostitute’. As a result, the audience can get a feel of how the ‘prostitute’ feels about herself. Eye angles We will be using this type This will bring a neutral of angle quite a lot in the feeling to the video, to video. For example, when make it seem more filming the characters and professional. The eye scenes and locations. angle shot is also used to allow the audience to view the image on screen how they would if it was real life.