This document provides a shot list for a film scene involving the character Vinnie. The scene begins with Vinnie waking up in his room and being pulled out of bed by the Don to deliver a package. It then follows Vinnie as he encounters Tony Masmuratto and his goons, shoots Tony, is chased, returns home distressed, is confronted by the Don and learns he is now being hunted by the notorious Johnny Flick Eyes. The document ends with Johnny Flick Eyes knocking out Vinnie while the credits roll.
1) The screenplay introduces characters Wendy, Gracie, Harold, and Jason and sets up a story involving drugs, crime organizations, and undercover police work.
2) Gracie's life changes after Wendy saves her from a drug dealer, and Wendy tries to get Gracie involved in her criminal world.
3) Things escalate as Harold threatens Wendy and Gracie with death if they fail in their drug dealing tasks, and during a mission at a club Jason is shot, revealing his identity as an undercover cop.
4) Gracie betrays Wendy by calling the police on her, leading to a confrontation and the discovery that Jason was involved in the previous drug crimes they are all connected to.
The document is a script that summarizes the thoughts and debate between different emotions - Common Sense, Happiness, Sadness, Anger, Intelligence, Libido, Femininity, and Sloth - inside a teenage boy's head as he considers whether to go on a date with a girl who asked him out. After much discussion, the emotions vote and it ends in a tie. Intelligence casts the deciding vote for "yes" and the boy agrees to the date.
1) Daniel receives a call from a girl asking him out on a date.
2) Inside Daniel's mind, his emotions have a debate over whether he should accept the date. Common Sense breaks a tie vote by Intelligence who votes yes.
3) Daniel tells the girl he would like to go out with her on Saturday for their meal date. He winks at the camera, feeling confident about the potential new relationship.
This document outlines the shooting script for a baking competition show. It includes directions for camera shots and movements that will introduce the contestants and judges. It also describes interviews between a host and each contestant, where the host gets insights into the contestants and shows preview clips of their experiences. Scenes with the judges asking contestants about their baking choices in the first round are outlined. The script concludes with shots of contestants succeeding and failing in their first bakes, and an ending title sequence with the "Bake or Break" logo over footage of the sky.
This comic document tells a story about Todd and Julie preparing an emergency kit and plan after Todd has a nightmare about a zombie outbreak. They hear a severe thunderstorm warning on the radio for their area. As the storm hits, they take shelter in the basement and Todd finds his father's old hand-crank radio, realizing such items could be useful in emergencies. They decide to properly prepare by making emergency kits with essential supplies like food, water, first aid items and documents.
The document contains screenshots from several movies including Silence of the Lambs, Seven, Shutter Island, Red Dragon, and The Purge. The screenshots portray intense scenes that build tension through close-ups of characters' emotions, settings that imply danger, images of violence or death, and shots that leave the audience wondering what will happen next. Overall, the screenshots provide glimpses into pivotal moments that advance the plots and engage viewers emotionally in the various thriller and horror films.
Both Winston Smith from 1984 and Truman Burbank from The Truman Show lived in dystopian societies with strict limitations and control over their lives. They were not allowed to love who they wanted or travel freely. To gain freedom and happiness, both characters rebelled against their oppressive environments despite the risks, with Winston joining a resistance and Truman escaping his fabricated world on television.
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. It depicts Common Sense leading a debate between emotions like Happiness, Sadness, Anger, Libido, and Intelligence on whether the boy should accept the date. After a tied vote, Intelligence casts the deciding vote in favor of the date. Common Sense then relays the decision back to the boy, who accepts the date.
1) The screenplay introduces characters Wendy, Gracie, Harold, and Jason and sets up a story involving drugs, crime organizations, and undercover police work.
2) Gracie's life changes after Wendy saves her from a drug dealer, and Wendy tries to get Gracie involved in her criminal world.
3) Things escalate as Harold threatens Wendy and Gracie with death if they fail in their drug dealing tasks, and during a mission at a club Jason is shot, revealing his identity as an undercover cop.
4) Gracie betrays Wendy by calling the police on her, leading to a confrontation and the discovery that Jason was involved in the previous drug crimes they are all connected to.
The document is a script that summarizes the thoughts and debate between different emotions - Common Sense, Happiness, Sadness, Anger, Intelligence, Libido, Femininity, and Sloth - inside a teenage boy's head as he considers whether to go on a date with a girl who asked him out. After much discussion, the emotions vote and it ends in a tie. Intelligence casts the deciding vote for "yes" and the boy agrees to the date.
1) Daniel receives a call from a girl asking him out on a date.
2) Inside Daniel's mind, his emotions have a debate over whether he should accept the date. Common Sense breaks a tie vote by Intelligence who votes yes.
3) Daniel tells the girl he would like to go out with her on Saturday for their meal date. He winks at the camera, feeling confident about the potential new relationship.
This document outlines the shooting script for a baking competition show. It includes directions for camera shots and movements that will introduce the contestants and judges. It also describes interviews between a host and each contestant, where the host gets insights into the contestants and shows preview clips of their experiences. Scenes with the judges asking contestants about their baking choices in the first round are outlined. The script concludes with shots of contestants succeeding and failing in their first bakes, and an ending title sequence with the "Bake or Break" logo over footage of the sky.
This comic document tells a story about Todd and Julie preparing an emergency kit and plan after Todd has a nightmare about a zombie outbreak. They hear a severe thunderstorm warning on the radio for their area. As the storm hits, they take shelter in the basement and Todd finds his father's old hand-crank radio, realizing such items could be useful in emergencies. They decide to properly prepare by making emergency kits with essential supplies like food, water, first aid items and documents.
The document contains screenshots from several movies including Silence of the Lambs, Seven, Shutter Island, Red Dragon, and The Purge. The screenshots portray intense scenes that build tension through close-ups of characters' emotions, settings that imply danger, images of violence or death, and shots that leave the audience wondering what will happen next. Overall, the screenshots provide glimpses into pivotal moments that advance the plots and engage viewers emotionally in the various thriller and horror films.
Both Winston Smith from 1984 and Truman Burbank from The Truman Show lived in dystopian societies with strict limitations and control over their lives. They were not allowed to love who they wanted or travel freely. To gain freedom and happiness, both characters rebelled against their oppressive environments despite the risks, with Winston joining a resistance and Truman escaping his fabricated world on television.
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. It depicts Common Sense leading a debate between emotions like Happiness, Sadness, Anger, Libido, and Intelligence on whether the boy should accept the date. After a tied vote, Intelligence casts the deciding vote in favor of the date. Common Sense then relays the decision back to the boy, who accepts the date.
Vinnie is forced to deliver a mysterious package by his boss, the Don. However, things go wrong when Vinnie gets into an altercation with Tony Masmurattoes and accidentally shoots and kills him. Vinnie is then chased by Tony's men but escapes. When the Don finds out what happened, he kidnaps and interrogates Vinnie. It is revealed that Vinnie has angered the powerful Masmurattoes crime family by killing Tony.
Vinnie works for the local crime boss, The Don, delivering packages. He kills Tony Masmurattoes during a confrontation and this angers the powerful Masmurattoes crime family. The Don warns Vinnie that Johnny Flick Eyes, a notorious torturer, has been sent after him. Vinnie is then captured by Johnny Flick Eyes and taken to a warehouse, where he will presumably be tortured. The film ends with Vinnie screaming as the credits roll.
Vinnie is tasked with delivering a mysterious package by his boss, the Don. However, he runs into trouble when he kills Tony Masmurattoes, from the powerful Masmurattoes crime family, in self defense. This puts a hit out on Vinnie by Johnny Flick Eyes, a notorious torturer. Vinnie is captured by Johnny and taken to a warehouse, where he is hung up under lights as Johnny tells him he has to learn. The credits roll as Vinnie's screams are heard, indicating Johnny has started torturing him.
Vinnie is forced to deliver a mysterious package by his boss, The Don. He accidentally kills Tony Masmurattoes during a confrontation. This angers the Masmurattoes crime family, who send the notorious torturer and killer Johnny Flick Eyes after Vinnie. The Don warns Vinnie about Johnny and his brutal methods before throwing him out. Vinnie walks down the street and sees Johnny, who drags Vinnie away as the credits roll amidst Vinnie's screams.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
1. A man is seen in a dimly lit garage sharpening knives and putting on black gloves while surrounded by weapons on a table. He holds up a knife and says "Perfect".
2. A woman named June answers a knock at her door and screams upon seeing the killer. She slams the door and runs to the kitchen to find keys and escape out the back door.
3. June runs into her backyard and over the back fence, fleeing into a nearby forest with the killer in pursuit. She hides behind a tree but is found and has a knife held to her throat as she cries and pleads for her life before the screen goes black.
The document is a script that summarizes the thought process of different emotions in a teenage boy's brain as he considers whether to go on a date. When asked out by a girl, the emotions debate the pros and cons. Common Sense leads a discussion between Happiness, Sadness, Anger, Libido, Femininity and others before ultimately deciding to agree to the date. The boy then happily accepts the date over the phone.
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. When asked out to dinner by a girl, the boy's emotions of Happiness, Libido, Sloth and Intelligence vote in favor while Sadness and Anger vote against. Common Sense, the leader, is tasked with breaking the tie which he does by siding with the "yes" votes. The boy then happily agrees to the date.
This production plan outlines the props, costumes, cast, crew, budget, and filming schedule for a film. It will be a low-budget production utilizing available items and focusing on key scenes. Props include a fake gun, chairs, and fake blood. The main characters are described along with potential cast members. Contingency plans address challenges like delays, technical issues, or restricted content. The setting may be changed from the 1930s to present day to ease filming logistics.
This production plan outlines the equipment, costumes, casting, crew, budget, and contingency plans for an upcoming film project. Key equipment includes a Canon camera, LED lights, tripod, and fish eye lens. Costumes include suits in various colors for main characters. Main characters are cast, including Mason Dillnott as Vinnie. The filmmaker will handle cinematography and editing solo with a £30 budget. Contingency plans address potential delays, equipment issues, difficulty obtaining props, and changing weather or ethics concerns. The period setting may be revised from the 1930s due to challenges maintaining that aesthetic during location filming.
This production plan document outlines the equipment, costumes, cast, crew, budget, and schedule for a film project. It details the props needed for each scene, including a fake gun, chair, and fake blood. The camera, lights, tripod, and fish eye lens are listed as rented equipment. Costumes are described for the main characters. Potential cast members are identified for each role based on their appearance and acting abilities. Contingency plans address potential issues with scheduling, equipment, costumes, locations, and weather. Legal and ethical considerations are also noted.
My script and shooting script helped the filmmaker visualize their film and separate their idea from others by focusing on a 1930s mafia genre. Some weaknesses included aspects of the production plan like cast reasoning and weaknesses in the mind map made visualizing characters difficult. Opportunities included the scripts helping visualize filming goals to make cinematography and editing easier. Threats involved organizing time better, scheduling actors and filming, and being ready for editing by the deadline, as well as potential environmental changes.
This document outlines the production plan for a film, including:
- Props and equipment needed such as a gun prop, chair, fake blood, camera, lights, tripods, and suits.
- Costume details for main characters like Vinnie, The Don, Tony, and Johnny.
- Plans to cast specific actors as the main characters.
- One-person crew with a maximum £30 budget for props.
- Contingency plans for delays, filming issues, access to suits, and bad weather.
- Mention of legal and ethical considerations but no details provided.
- Notes some changes made to a key scene and chase scene for more details.
This document provides an overview and analysis of the 2001 video game Max Payne. It summarizes that Max Payne is an action-oriented third-person shooter game with a film noir-inspired narrative that follows the protagonist, a troubled NYPD cop framed for murder, as he seeks revenge. The script for the game's introductory cutscenes serves to provide exposition for players at the start. The target audience for Max Payne would have been mature adults over age 18 due to the game's violent content and themes.
This radio script is for the drama "Where this service will separate" written by Katherine Jakeway and directed by James Robinson. It follows protagonist David as he deals with grief after a loss. The script relies heavily on descriptive dialogue to convey the story and world visually through audio alone. It contains 14 scenes of mostly complex conversations between characters. The narrative and characters do not fit typical narrative theories due to the complexity of the drama. The genre is drama, which is conveyed through serious themes addressed in the setting and David's displays of anxiety. The target audience is older at ages 25-60+, as the mature drama content would not be suitable or understandable for younger listeners.
This document provides an analysis of the comedy movie "The Hangover" in several sections. It introduces the characters and plot, which follows three friends waking up in Las Vegas with no memory of the previous night before one of their friend's weddings. It describes the movie's narrative style of using comedy to piece together the events of the missing night. The document also categorizes "The Hangover" as a comedy genre film based on its conventions of light dialogue and extreme location juxtapositions. Finally, it analyzes the target audience as being ages 15 and above but most likely appealing to males in their late 20s to late 30s who could relate to the situation of the protagonists.
This document provides an analysis of a script excerpt from the television show "The Handmaid's Tale" across several categories:
1) The style uses typical television script conventions like detailed scene settings and stage directions to quickly introduce characters and pull the audience into fast-paced scenes and dialogue.
2) The content is based on the dystopian novel by Margaret Atwood, following a Handmaid in a totalitarian theocratic regime and her experiences. This pilot episode provides exposition for the main protagonist and her goals.
3) Narratively, it follows the regular structure of a TV serial drama across multiple seasons, though applying Vladimir Propp's narrative theories is more difficult given the dystopian genre and ex
Greg goes to his friends' house to watch TV but finds that the remote is not working and his friends are laughing at nothing on the screen. When he questions them, they tell him to relax. After a few minutes of tense silence and his friends laughing at the apparently blank TV, Greg rushes to the bathroom to vomit and then runs outside, disturbed by the strange situation.
Vinnie needs to deliver a package but Tony is blocking his way and won't let him pass. When Vinnie tries to walk by, Tony laughs and orders his goons to pin Vinnie down, but Vinnie refuses to be humiliated again. Tony charges at Vinnie, and Vinnie, shaking, pulls out a gun. He says he won't be humiliated by Tony's family again. When Tony charges at him again, Vinnie shoots and kills Tony by instinct. Vinnie realizes his mistake and shakes in shock as the music starts for an ensuing chase scene.
Greg goes to his friends' house to watch TV but finds that the remote is not working and his friends are laughing at nothing on the screen. When he questions them, they tell him to relax. As the intense silence continues with only occasional laughter from his friends, Greg becomes more freaked out and rushes to vomit in the bathroom before running outside, unable to understand what is happening in the room.
Vinnie needs to deliver a package but Tony is blocking his way and won't let him pass. When Vinnie tries to walk by, Tony laughs and orders his goons to pin Vinnie down, but Vinnie refuses to be humiliated again. Tony charges at Vinnie, and Vinnie, shaking, pulls out a gun. He says he won't be humiliated by Tony's family again. When Tony also charges, Vinnie shoots and kills Tony by accident. Vinnie is shaken by what he has done as Tony's goons look on in shock. Cue chase scene with music playing.
Vinnie is forced to deliver a mysterious package by his boss, the Don. However, things go wrong when Vinnie gets into an altercation with Tony Masmurattoes and accidentally shoots and kills him. Vinnie is then chased by Tony's men but escapes. When the Don finds out what happened, he kidnaps and interrogates Vinnie. It is revealed that Vinnie has angered the powerful Masmurattoes crime family by killing Tony.
Vinnie works for the local crime boss, The Don, delivering packages. He kills Tony Masmurattoes during a confrontation and this angers the powerful Masmurattoes crime family. The Don warns Vinnie that Johnny Flick Eyes, a notorious torturer, has been sent after him. Vinnie is then captured by Johnny Flick Eyes and taken to a warehouse, where he will presumably be tortured. The film ends with Vinnie screaming as the credits roll.
Vinnie is tasked with delivering a mysterious package by his boss, the Don. However, he runs into trouble when he kills Tony Masmurattoes, from the powerful Masmurattoes crime family, in self defense. This puts a hit out on Vinnie by Johnny Flick Eyes, a notorious torturer. Vinnie is captured by Johnny and taken to a warehouse, where he is hung up under lights as Johnny tells him he has to learn. The credits roll as Vinnie's screams are heard, indicating Johnny has started torturing him.
Vinnie is forced to deliver a mysterious package by his boss, The Don. He accidentally kills Tony Masmurattoes during a confrontation. This angers the Masmurattoes crime family, who send the notorious torturer and killer Johnny Flick Eyes after Vinnie. The Don warns Vinnie about Johnny and his brutal methods before throwing him out. Vinnie walks down the street and sees Johnny, who drags Vinnie away as the credits roll amidst Vinnie's screams.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
1. A man is seen in a dimly lit garage sharpening knives and putting on black gloves while surrounded by weapons on a table. He holds up a knife and says "Perfect".
2. A woman named June answers a knock at her door and screams upon seeing the killer. She slams the door and runs to the kitchen to find keys and escape out the back door.
3. June runs into her backyard and over the back fence, fleeing into a nearby forest with the killer in pursuit. She hides behind a tree but is found and has a knife held to her throat as she cries and pleads for her life before the screen goes black.
The document is a script that summarizes the thought process of different emotions in a teenage boy's brain as he considers whether to go on a date. When asked out by a girl, the emotions debate the pros and cons. Common Sense leads a discussion between Happiness, Sadness, Anger, Libido, Femininity and others before ultimately deciding to agree to the date. The boy then happily accepts the date over the phone.
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. When asked out to dinner by a girl, the boy's emotions of Happiness, Libido, Sloth and Intelligence vote in favor while Sadness and Anger vote against. Common Sense, the leader, is tasked with breaking the tie which he does by siding with the "yes" votes. The boy then happily agrees to the date.
This production plan outlines the props, costumes, cast, crew, budget, and filming schedule for a film. It will be a low-budget production utilizing available items and focusing on key scenes. Props include a fake gun, chairs, and fake blood. The main characters are described along with potential cast members. Contingency plans address challenges like delays, technical issues, or restricted content. The setting may be changed from the 1930s to present day to ease filming logistics.
This production plan outlines the equipment, costumes, casting, crew, budget, and contingency plans for an upcoming film project. Key equipment includes a Canon camera, LED lights, tripod, and fish eye lens. Costumes include suits in various colors for main characters. Main characters are cast, including Mason Dillnott as Vinnie. The filmmaker will handle cinematography and editing solo with a £30 budget. Contingency plans address potential delays, equipment issues, difficulty obtaining props, and changing weather or ethics concerns. The period setting may be revised from the 1930s due to challenges maintaining that aesthetic during location filming.
This production plan document outlines the equipment, costumes, cast, crew, budget, and schedule for a film project. It details the props needed for each scene, including a fake gun, chair, and fake blood. The camera, lights, tripod, and fish eye lens are listed as rented equipment. Costumes are described for the main characters. Potential cast members are identified for each role based on their appearance and acting abilities. Contingency plans address potential issues with scheduling, equipment, costumes, locations, and weather. Legal and ethical considerations are also noted.
My script and shooting script helped the filmmaker visualize their film and separate their idea from others by focusing on a 1930s mafia genre. Some weaknesses included aspects of the production plan like cast reasoning and weaknesses in the mind map made visualizing characters difficult. Opportunities included the scripts helping visualize filming goals to make cinematography and editing easier. Threats involved organizing time better, scheduling actors and filming, and being ready for editing by the deadline, as well as potential environmental changes.
This document outlines the production plan for a film, including:
- Props and equipment needed such as a gun prop, chair, fake blood, camera, lights, tripods, and suits.
- Costume details for main characters like Vinnie, The Don, Tony, and Johnny.
- Plans to cast specific actors as the main characters.
- One-person crew with a maximum £30 budget for props.
- Contingency plans for delays, filming issues, access to suits, and bad weather.
- Mention of legal and ethical considerations but no details provided.
- Notes some changes made to a key scene and chase scene for more details.
This document provides an overview and analysis of the 2001 video game Max Payne. It summarizes that Max Payne is an action-oriented third-person shooter game with a film noir-inspired narrative that follows the protagonist, a troubled NYPD cop framed for murder, as he seeks revenge. The script for the game's introductory cutscenes serves to provide exposition for players at the start. The target audience for Max Payne would have been mature adults over age 18 due to the game's violent content and themes.
This radio script is for the drama "Where this service will separate" written by Katherine Jakeway and directed by James Robinson. It follows protagonist David as he deals with grief after a loss. The script relies heavily on descriptive dialogue to convey the story and world visually through audio alone. It contains 14 scenes of mostly complex conversations between characters. The narrative and characters do not fit typical narrative theories due to the complexity of the drama. The genre is drama, which is conveyed through serious themes addressed in the setting and David's displays of anxiety. The target audience is older at ages 25-60+, as the mature drama content would not be suitable or understandable for younger listeners.
This document provides an analysis of the comedy movie "The Hangover" in several sections. It introduces the characters and plot, which follows three friends waking up in Las Vegas with no memory of the previous night before one of their friend's weddings. It describes the movie's narrative style of using comedy to piece together the events of the missing night. The document also categorizes "The Hangover" as a comedy genre film based on its conventions of light dialogue and extreme location juxtapositions. Finally, it analyzes the target audience as being ages 15 and above but most likely appealing to males in their late 20s to late 30s who could relate to the situation of the protagonists.
This document provides an analysis of a script excerpt from the television show "The Handmaid's Tale" across several categories:
1) The style uses typical television script conventions like detailed scene settings and stage directions to quickly introduce characters and pull the audience into fast-paced scenes and dialogue.
2) The content is based on the dystopian novel by Margaret Atwood, following a Handmaid in a totalitarian theocratic regime and her experiences. This pilot episode provides exposition for the main protagonist and her goals.
3) Narratively, it follows the regular structure of a TV serial drama across multiple seasons, though applying Vladimir Propp's narrative theories is more difficult given the dystopian genre and ex
Greg goes to his friends' house to watch TV but finds that the remote is not working and his friends are laughing at nothing on the screen. When he questions them, they tell him to relax. After a few minutes of tense silence and his friends laughing at the apparently blank TV, Greg rushes to the bathroom to vomit and then runs outside, disturbed by the strange situation.
Vinnie needs to deliver a package but Tony is blocking his way and won't let him pass. When Vinnie tries to walk by, Tony laughs and orders his goons to pin Vinnie down, but Vinnie refuses to be humiliated again. Tony charges at Vinnie, and Vinnie, shaking, pulls out a gun. He says he won't be humiliated by Tony's family again. When Tony charges at him again, Vinnie shoots and kills Tony by instinct. Vinnie realizes his mistake and shakes in shock as the music starts for an ensuing chase scene.
Greg goes to his friends' house to watch TV but finds that the remote is not working and his friends are laughing at nothing on the screen. When he questions them, they tell him to relax. As the intense silence continues with only occasional laughter from his friends, Greg becomes more freaked out and rushes to vomit in the bathroom before running outside, unable to understand what is happening in the room.
Vinnie needs to deliver a package but Tony is blocking his way and won't let him pass. When Vinnie tries to walk by, Tony laughs and orders his goons to pin Vinnie down, but Vinnie refuses to be humiliated again. Tony charges at Vinnie, and Vinnie, shaking, pulls out a gun. He says he won't be humiliated by Tony's family again. When Tony also charges, Vinnie shoots and kills Tony by accident. Vinnie is shaken by what he has done as Tony's goons look on in shock. Cue chase scene with music playing.
The document contains two proposed radio advertisements for a school:
1) A 7-year-old boy rides home with his mother after school and enthusiastically tells her about his great day, surprising her by saying his favorite new subject is math. This 20-second ad targets middle-aged parents.
2) A 16-17-year-old girl is about to open her GCSE results with her dad when a teacher approaches and tells them about the benefits of Ringwood school. This 30-second ad targets teens and their parents.
Both ads propose recording in a studio for around £500 and mention targeting aspirational families seeking academic success through the schools.
The document proposes an advertising campaign for Ringwood School to attract new students. It aims to promote the school academically through radio ads targeting both parents and students in years 6 and 11. The ads will use rhetorical questions, statistics, and persuasive or emotive language to appeal to each audience. The campaign will advertise on local radio stations during morning and evening commutes. It will target families in Hampshire and Dorset living near feeder schools. The legal and ethical considerations for the campaign include avoiding misleading, violent, or inappropriate content, following copyright laws, and complying with the UK Advertising Standards Authority code.
This document provides a production schedule for recording two advertisements for Ringwood School's open days. The first advert features a student discussing their day with their mother in a car. The second features a student receiving their GCSE results and discussing Ringwood School's sixth form with a teacher. Both ads will be recorded on June 10th at Ringwood School and in a car, with voice actors, sound engineers, and equipment listed. Safety precautions are outlined to prevent injuries from equipment or hazards during recording. The schedule details setting up, recording, breaks, and mixing the final tracks from 2-3pm.
The document discusses a proposed advertising campaign for Ringwood School. The campaign would use TV and print ads to target teenagers and parents of younger children entering secondary school. The TV ads would feature a happy interaction between a mother and son after a day at Ringwood Lower School, and a student realizing Ringwood Sixth Form is the best option after receiving her GCSE results. Print ads placed on billboards and bus stops would depict these same scenarios. The goal is to attract audiences to Ringwood's open events and increase enrollment by portraying desirable parent-child and student experiences.
The RSR studio at Ringwood school can be used for recording outside of the 12:55-1:40 pm time slot each weekday, but permission must first be obtained from the RSR and school heads. Small risks in the studio include dehydration, liquid spills on equipment, and tripping over wires or boxes. Recording in a car presents hazards such as the risk of being hit by other vehicles while parked on the road, unknown mechanical faults in the car that could cause a fire, and getting body parts stuck in closing doors.
03. unit 1 student guidebook and checklistGrevattJ
This document provides information and tasks for learners completing an assignment on analysing media products and audiences. It includes:
- A scenario where learners will produce an online educational resource on a media company and its films. Learners will focus on Disney and the film The Force Awakens.
- 5 tasks involving researching Disney Studios, analyzing a trailer for The Force Awakens, profiling the target audience, creating a timeline of the film's production/distribution/advertising, and exploring the legal/ethical issues and representation in the film.
- Guidance on formatting, sources, and level of analysis required for each task. The tasks will assess the learner's understanding of media institutions, products
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
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Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
1. Jacob Grevatt
OTS= Overthe shoulder
Shot
Number
Shot Description Audio/Dialogue
1. Fade intoclose up of Vinnie eyes,hisface issweaty,He then
closeshiseyes
Music plays
2. Slowpanover Vinniesbedwhile creditsstartrolling.Medium
shot.Credit– Directoretc.
“”
3. Close uppan of hisroom. Shelf –photodeodorant,gunetc.
Creditsstill rollinginbottomrightandleft.Cast – James
Morris as …….
“”
4. Close uppan overfloorthere isdirtyclothesonthe floor
creditsstill rolling.
“”
5. SuddeninterruptionThe Donenters the room.Mediumshot
of donenteringthe room
“Come on Get off yourass a come help
deliverthispackage”
6. Vinnie getsupfromhisbedlooksexhaustedMediumshotof
Vinnie anddonapart
“Seriouslyrightnow .cant it wait,I’min
the middle of something”
7. Mediumclosup of dons face “I aintasking”
8 Mediumotsof Vinnie beingpulledupbythe don Diegetic
9. Close upof Vinnie pullinguptrousersfromthe backof ankle “”
10. Close upof Vinnie doinghisshirtup “”
11. Close upof Vinnie straighteninghistie “”
12 Close upof vinnie puttingonandadjustinghiswatch “”
13. Close upof Vinnie doingupbeltandtuckinginshirt “”
2. Jacob Grevatt
14. Highangle shotof Vinnie puttingguninthe back of his
trousersandVinnie runningoutof room
“”
15. Mediumshotof Vinnie runningdownstairs “”
16. Scene 2 – mediumshotof vinnie closinghisfrontdoorthe
shotfollowsvinnie catchupto don
Diegetic
“So whosthispackage for anyway”
17 Mediumshotof Vinnie followingbehindThe Don “Same as Usual”
18 Still followingpanof medium/longshotof Vinniefollowing
the don.Don stopsand turns and proceedstowalk
“Your not supposedtoask,trust me kid
itsfor the better.”
19 Medium/Longshotof themwalkingside byside andthe
camera follows themturnintoacorner
“Come on Don whydon’tyoutrust me
your makingME deliverthemIdeserve
to know whotheirfor”
20 Medium/Close upof The two walking “No Kidandthat’s final Iam not telling
you.All yougotta do istake the
package and deliverittotinge.He can
handle everythingfromthere”
21 Extreme close upof vinnieslips “Fine okaybut I swearto godif I see
that back stabbing,nogood,rat Tony
Mas-”
22 Close upof The Dons Face “If yousee the PRIVLEGED,WELL
ESTEEMED Tony Masmurattoes you
will be formal andkindanddo what he
says.Ya understand”
23 Mediumclose upof donsface “I aintasking”
24 Mediumshotof the twoof themfromside “Yes,yeahI get itDon”
25 Medium/ longshotof the twocontinue towalk “Look trustme the Masmurattoesare a
familyyoudon’twantto messwith.Not
to mentionJohnny”
26. Medium/longshotfromotherdirection “JohnnyWho?”
27. Long shotof two “Just forgetIsaidanything”
3. Jacob Grevatt
28 Close upof vinniesface Diegetic
29. Scene-3medium/longshotof the twoenteringthe caravan “”
30. Highangle shotof Vinnie anddonastheyenterthe room but
alsoencapsulatingthe twomenatthe table
“So thenI saidit wasn’ta porkerithas a
painter”
31. Mediumshotof twomenacross the table “laughing”
32 Mediumshotof donand twomen “Were here for the package”
33 Mediumshotof twomensfaces “They stop laughing”
34 Mediumshotof the twomenlookingfothe box underthe
table
Diegetic
35 Close upof box beingslided overthe table box is2x5 cm in
lengthandwidth
“”
36 Mediumshotof Vinnie anddonfromthe side “Wow all thisfussoversomethingthis
small.really”
37 Mediumshotof vinnie anddon “Look the size doesn’tmatterall you
have to worryabout isdeliveringthisto
the masmurattoes”
38 VMediumshotof vinnie abouttoobject “Diegetic”
39 Mediumshotof don “I know,I know.Don’tevenstartto
complainbutif any harm I meanany
harm comesto thispackage.Theres
goingto be some seriousproblemswith
the masmurrattoes.Thisissome high
steakstuff kidsodon’t messitup”
40 Close upof vinniesface Diegetic
41 Highangle shotof vinnie leaving “”
42. Mediumshotof the donand two men “Whatchu lookin atgetback to work”
4. Jacob Grevatt
43 Scene 4 – Mediumshotof vinnie panashe followsacorner “”
44 The mediumshotturnsintoots vinnie hearsdialogue then
turns around
“Vinnie.Hey”
45. Still the otsof vinnie “Hey tonyHow are ya”
46. Mediumshotof the two “Wel its beengreattonyreallyhasbut
ive gotto get goinggot thispackage”
47. Mediumshotof twoopposedeachother “Uh uhuh vinnie come oon
I didn’tevengettosay a
wordletshave a chat come
on.” More dialogue “Look
Tony byno meansany
disrespectbut your
bustinmyballsoverhere I
gotta deliverthispackage
and yourkindof inmy way
it wouldbe greatif you
couldleave me alone and
letme do my business. “
48. OTS ofvinnie lookingattonyand goons Diegetic
“(Laughing) nodisrespect(laughing) No
disrespecthuhyouknow whoI am Im
tonygod damn”
49 Back to mediumshotof the two opposed “Masmurrattoesyeahive heardit
before”
50 Closershotof the two “Okay pinhimdownboys.”
“What come on Tony you
can’t be serious”
“Oh I’m dead serious
come on boys get I’m”
51 Close upof Vinniesface “NO nono not thistime notagain I
cant…”
52 Mediumshotof the twoand goonscharging at himbut stop
whenvinnie pullshisgunout
“No Kidandthat’s final Iam not telling
you.All yougotta do istake the
package and deliverittotinge.He can
handle everythingfromthere”
53 Extreme close upof the gun trigger “Woah, woahlookvinnie noneedfor
guns”
5. Jacob Grevatt
54 Back to mediumshotused earlier “What didyou justsay jerk Ill kill you”
55 Aftergunshot cuts to silence andbirdchirping andcutsto
longshotof vinnie fromthe backLong shotfollowsthem
aroundthe corner
“Music – ubercapitalistdeathtrade -
cabbage”
56 Mediumshotof the vinnie runningtowardsandpastcamera
and twogoons
“”
57 Mediumshotfollowingvinnie running awayfromgoonsintoa
corner
“”
58. Medium/longshot of vinnie andgoonschasing “”
59. Mediumshotof twogoonsrunningto a bridge stoping
apanningdowntocheck underthe bridge the – camera pans
down – they dontfindanythingandkeepgoing
“”
60 Mediumshotof Vinnie comingoutof bushesandrunningin
the otherdirection.
“”
61. Scene 5 – Vinnie enteringbackintohishouse – distressed
mediumshot
Diegetic
62. Close upof vinnie closingdoorandslumpingdown “”
63. Mediumshotvinnie gettinguprunningupstairsandpacking
up hisclothesinsuitcase
“”
64 Close upof vinnie puttingclothesintosuitcase “”
65 Close upof vinnie zippingitup “”
66 Mediumshotof vinnie leavinghouse andgettinghitinthe
head
“”
67 Scene 6 – Povof darknessandbag beingliftedoverhead “”
68 Mediumshotof donand vinnie opposed “Look donthersgotta be a
misunderstandinghere Iaintdone
nothingwrong”
6. Jacob Grevatt
69 Close upof donslips “Shut itson youreallydon’tknowwhat
you’ve done……youthinkI’mthat
stupid”
70 OTS of vinnie lookingatthe Don “No donof course notim sorry I didn’t
meanto kill him hell Ididn’tevenmean
to shoothim.Please donimsorrylet
me go”
71 OTS pan fromthe dons directionlookingatvinnie “Masmurrattoes,one thing I saidwas
not to messwiththe massmurattoes
and yougo and breakit”
“ Okay imsorry I reallyamnowplease
donLet me go”
72 Close uppan overthe donsface. “You understand, Do you
have any clue what you’ve
done here, I can’t help you.
(Sigh) looktheysentJohnny
Flick eyes after you….. You
don’t know who he is do
you. “
“Well ive heard of him I
think isn’t he the guy with
the really big moustac..”
73 Seriesof shotoverdonspeech “ No youidiotthisguysa
ruthlesskiller.Wantme to
tell youwhathe doeswith
hisvictims,huh he hangs
emon meathooksthen
whentheyawake he flicks
theireyeseverydayfor5
hoursuntil youcouldbarely
see outof emthenhe waits
until theyheal thenhe does
it all overagain.You aint
gonnastarve or die of thirst
he’sgotcha hookedupto
emmachineswhenhe
wantsyou to starve he’s
gonnastarve ya whenhe
wantsya to wake he’s
gonnawake ya he’san
unstoppable force.”
74. SHOT A - a close uppan from lefttorightoverJohnnyflick
eyessmile.
“”
7. Jacob Grevatt
75. SHOT B – mediumshotwithfisheye lensof Johnnyflickeyes
pan up
“”
76 SHOT C – Slowpanclose up of Johnnyflickeyes,EYES “”
77. SHOT D – SlowPanfrom Johnnyflickeyesfromhisfeettohis
smile.
“”
78. Fade intoclose up of Vinnie face “Wwel whatcan i”
“NuthinandI cant helpyouat all(sigh)”
79. Mediumshotof donuntiyingVinnie “What what are you doing.Keepme
here”
80. Mediumshotof the two “I toldyou I cant helpyou”
81 Close upof Donsface over Vinnie “Okay now go go onget out go”
82 Mediumgot of vinnie gettingchuckedoutandwalkingtoward
the camera out the gate andon the stree everynow and
againwe get glimpsesinthe background scene 7
“Its notreal vinnie come onItsnotreal”
83 Mediumshotof vinnie underastreetlight “Oh imreal vinnie”
84 “” takesa hesitatedstep Diegetic
85 Close upof vinnie realingthenturningaroundonlytoget
knockedout
“”
86 Pansup to lookat Johnnyflickeyeslookingatthe camera “Why don’tI take ya out back”
87 Scene 8 – Fisheye povshot handingbodys toleftand right
darknesssurroundsthemJohnnycome uptothe cameraand
looksdirectlyatthe camera andraiseshisfingers
“Ya gottalearnkid”
88 Creditsroll tothe soundof vinniestouture