This document provides details on shots planned for a film about a group of friends who decide to commit robberies. It includes 65 numbered shots describing camera angles, character movements and dialogue. The shots document a group discussing plans to rob houses, carrying out their first robbery, deciding to quit but doing one final big job, and carrying out the final job over several houses.
The document is a screenplay that follows a group of friends who decide to start robbing houses for money. In the beginning, they carefully plan and execute their first robbery of multiple houses, taking only small amounts from each. They have success with their plan. Over the next few months, they continue robbing houses. Eventually, two of the friends want to quit, so they plan one final large job robbing six houses each to go out with a lot of money.
This document appears to be a script for a film or show about a group of friends who decide to commit burglaries in order to earn money. In the beginning, one of the friends, Jamie, suggests robbing houses as an easier way to make money than robbing a bank. Over time, they plan and execute multiple burglaries, becoming more ambitious. Eventually, two of the friends want to quit, so the group agrees to do one final, large job together before ending their criminal activities.
This document appears to be a script for a film or show about a group of friends who decide to rob houses to earn money. In the first scene, the friends discuss their plan in a parked car. In subsequent scenes, they further discuss the idea, make plans to rob multiple houses in one night taking only small amounts from each. On the night of the robberies, the friends carry out their plan, with some being more successful at finding money than others. They reconvene after 15 minutes to share what they found before driving away.
1) James and Samuel go on their last robbery together, hitting multiple houses and taking cash and valuables.
2) During the final job, James plans to steal all the money from the group and drive off on his own.
3) Samuel confronts James at the getaway car. A fight ensues and James drives off, leaving Samuel behind in the street.
1) The document is a shot list for a film project titled "From Outside In" detailing various shots needed to tell the story. It includes 45 numbered shots with descriptions of camera placements, characters and actions, estimated shot lengths, and required sound effects.
2) The story follows a character named Sam and seems to depict her daily routine and struggles with mental health issues. Many shots show her going through repetitive morning and school routines to convey her being "stuck".
3) As the days progress, Sam's costumes get darker, her voice is heard in a voiceover, and she has her first therapy session, showing her seeking help for her mental health issues that she tries to hide from others.
This document provides a shot list for a film depicting a week in the life of a character named Sam who struggles with mental health issues. It includes 51 numbered scenes with descriptions of the camera shots and angles to depict Sam's daily routine and increasing anxiety and depression throughout the week. The shots are meant to show Sam's normal outward appearance while hinting at her inner mental state. Costume choices for each day of the week are also listed to reflect Sam's progression and state of mind.
Emily goes through the five stages of grief after breaking up with her boyfriend Sam: denial, anger, bargaining, depression, and acceptance. In denial, Emily acts like they are still together when visiting Sam. In anger, Emily gets rid of all items reminding her of Sam. In bargaining, Emily offers Sam all her money to take her back. During depression, Emily isolates herself in her room for two days. Finally, in acceptance, Emily tells Sam she has moved on when he begs for her to return.
The document is a shot list for a film that follows a group of boys on a camping trip. It describes 38 shots ranging from establishing shots, close-ups, and longer shots showing interactions between the boys. Their trip is interrupted by an argument between two of the boys, Jason and Harvey, which escalates when Jason storms off into the woods angry. The next day the others find Jason's body lying dead in an abandoned cabin, shot by his own gun.
The document is a screenplay that follows a group of friends who decide to start robbing houses for money. In the beginning, they carefully plan and execute their first robbery of multiple houses, taking only small amounts from each. They have success with their plan. Over the next few months, they continue robbing houses. Eventually, two of the friends want to quit, so they plan one final large job robbing six houses each to go out with a lot of money.
This document appears to be a script for a film or show about a group of friends who decide to commit burglaries in order to earn money. In the beginning, one of the friends, Jamie, suggests robbing houses as an easier way to make money than robbing a bank. Over time, they plan and execute multiple burglaries, becoming more ambitious. Eventually, two of the friends want to quit, so the group agrees to do one final, large job together before ending their criminal activities.
This document appears to be a script for a film or show about a group of friends who decide to rob houses to earn money. In the first scene, the friends discuss their plan in a parked car. In subsequent scenes, they further discuss the idea, make plans to rob multiple houses in one night taking only small amounts from each. On the night of the robberies, the friends carry out their plan, with some being more successful at finding money than others. They reconvene after 15 minutes to share what they found before driving away.
1) James and Samuel go on their last robbery together, hitting multiple houses and taking cash and valuables.
2) During the final job, James plans to steal all the money from the group and drive off on his own.
3) Samuel confronts James at the getaway car. A fight ensues and James drives off, leaving Samuel behind in the street.
1) The document is a shot list for a film project titled "From Outside In" detailing various shots needed to tell the story. It includes 45 numbered shots with descriptions of camera placements, characters and actions, estimated shot lengths, and required sound effects.
2) The story follows a character named Sam and seems to depict her daily routine and struggles with mental health issues. Many shots show her going through repetitive morning and school routines to convey her being "stuck".
3) As the days progress, Sam's costumes get darker, her voice is heard in a voiceover, and she has her first therapy session, showing her seeking help for her mental health issues that she tries to hide from others.
This document provides a shot list for a film depicting a week in the life of a character named Sam who struggles with mental health issues. It includes 51 numbered scenes with descriptions of the camera shots and angles to depict Sam's daily routine and increasing anxiety and depression throughout the week. The shots are meant to show Sam's normal outward appearance while hinting at her inner mental state. Costume choices for each day of the week are also listed to reflect Sam's progression and state of mind.
Emily goes through the five stages of grief after breaking up with her boyfriend Sam: denial, anger, bargaining, depression, and acceptance. In denial, Emily acts like they are still together when visiting Sam. In anger, Emily gets rid of all items reminding her of Sam. In bargaining, Emily offers Sam all her money to take her back. During depression, Emily isolates herself in her room for two days. Finally, in acceptance, Emily tells Sam she has moved on when he begs for her to return.
The document is a shot list for a film that follows a group of boys on a camping trip. It describes 38 shots ranging from establishing shots, close-ups, and longer shots showing interactions between the boys. Their trip is interrupted by an argument between two of the boys, Jason and Harvey, which escalates when Jason storms off into the woods angry. The next day the others find Jason's body lying dead in an abandoned cabin, shot by his own gun.
The document is a screenplay describing scenes from a short film involving a group of friends. In the first scene, the friends go into a forest for an outing. They play a prank on one of the members by hiding from him in the forest. However, their prank takes a dark turn when one of the friends, Charlie, goes missing and screams are heard. The rest of the screenplay follows the friends' search for Charlie and increasing panic. It is revealed that Charlie's ex-girlfriend, dressed in black, has been stalking the group and attacks Charlie in the forest due to his infidelity. She holds him at gunpoint but then turns the gun on herself, committing suicide in front of a
1) The story is about a woman named Amanda who believes she is being stalked and followed by a masked man. She has a number of strange encounters where she sees the man but he disappears.
2) Amanda becomes increasingly paranoid and stressed. She starts having what appear to be hallucinations and moments of confusion.
3) In a climax, Amanda mistakes her returning husband for the stalker and attacks him with a knife, leaving him bleeding on the floor. When she turns around, the masked man is suddenly standing behind her.
The document is a screenplay that follows Amanda over the course of a few days as strange events occur. She begins losing things and receiving mysterious phone calls. She sees a masked man watching her on two occasions. Amanda becomes increasingly paranoid and stressed. Her mental state deteriorates further until she attacks her husband Simon upon his return, mistaking him for the masked man. The screenplay ends with Amanda turning to see the real masked man behind her.
This music video follows a camera that is continuously moving to the right through different rooms. In each room, it shows the band performing or people interacting. Some rooms show a couple, parties, or crime investigators. The video ends by returning to the first room, implying it is a continuous loop moving through people's recent activities to the song. The simple style of just following the camera through plain white walls and rooms helps drive the storytelling.
1. The document outlines the script for a short film inspired by Simon Pegg comedies. It follows a typical morning routine for sisters Sam and Hayley, who are getting ready for their day.
2. As the day progresses, Sam notices strange things happening where people seem to be disappearing. When she returns home, Hayley is no longer there.
3. At the end, Sam realizes she is now alone and seems to grasp that something unusual is happening, leaving the storyline open-ended.
Emily devises a plan to get over her breakup with Sam by following the five stages of grief: denial, anger, bargaining, depression, and acceptance. She acts out each stage, first denying the breakup by showing up at Sam's house pretending they are still together. In anger, she throws all of Sam's things at him. During bargaining, she offers Sam her money and credit cards to take her back. Emily becomes depressed, eating ice cream in the dark. Finally, she tells Sam she has accepted their breakup is over when he pleads for her to return. Emily finds the five stages helpful in moving on from the relationship.
This document appears to be the beginning of a story about a group of friends who decide to rob houses for money. They carefully plan their scheme, scouting houses and creating a detailed plan. On the night of the robberies, they drive to their target neighborhood, park in a dark area, and put on disguises before splitting up to rob multiple houses, planning to take only small amounts from each to avoid notice. They set a meeting point and timeframe to reunite and flee the area.
The scene opens with establishing shots of Frankie, Billie, and Jamie talking at a party. Close-ups are used to show Jamie apologizing to Frankie for talking about her, but tensions rise as Frankie argues back that Jamie did embarrass her. The argument escalates until Frankie throws water on Jamie, and the scene ends with an establishing shot of the girls walking away while Jamie tries to throw a punch bowl at them.
The document provides a shot-by-shot description of the music video for Lady Gaga's "Poker Face". It outlines 129 shots showing Lady Gaga getting ready, interacting with men who express interest in her, attending a concert with her band, kissing a man who was talking to another woman, and ultimately being assaulted by a group of girls at the end. The shots cut between Lady Gaga and the lead singer to depict the song and storyline.
1) Sangwoo has a flashback to accidentally pushing his daughter off a balcony. He later encounters faceless entities in an abandoned house that claim he can only see himself by looking at them.
2) Sangwoo has a vision of his daughter on a roof who angrily confronts him about killing her. She tries to get him to look at her distorted face.
3) Sangwoo slips and falls from the roof. His daughter realizes he was one of the faceless entities all along. His body at the bottom smiles up at her in a distorted way.
The document is a screenplay that follows Amanda, a woman experiencing paranoid delusions. She believes a masked man is following her everywhere. Her delusions escalate to the point where she attacks her husband Simon with a knife, mistaking him for the masked man. The screenplay ends with Amanda turning around in fear to see the masked man actually standing behind her, suggesting her delusions may be real or have dangerous consequences.
The Cabin in the Woods trailer uses a linear narrative structure, clearly establishing the beginning of the group's trip to the cabin. Strange events then begin to occur, and it's revealed they are being watched. Towards the end, the characters appear dirty and tired, suggesting many have been killed. The trailer ends on a cliffhanger with a character screaming. The Scream trailer jumps quickly into action and uses jump cuts throughout, though it may reveal too much. Wrong Turn also starts with a clear beginning of a car crash and builds tension through faster editing, though the ending is unclear with many quick cuts.
This document provides details on shooting locations for a film being made at Chloe Crocker's house. It describes various shots that will be taken both inside and outside the house to build tension and give audiences a false sense of security, including an over-the-shoulder shot of Danny from the front window, shots looking through windows into the house, and shots of Danny walking through different areas of the house like the downstairs, stairs, halls and a bedroom where lighting will be used to create spooky effects.
Brad script after first meeting with clientbradleyvgmedia
1) Amanda is experiencing strange occurrences like finding masked men watching her house and receiving mysterious phone calls with no one on the line, leaving her feeling stressed and paranoid.
2) On her way to work one morning, Amanda sees the same masked man again and thinks she sees him a third time, greatly increasing her fear and panic.
3) Amanda arrives home driving recklessly due to her stressed state and mistakenly yells at the occupant of a car she believes is following her, though the car is empty. Overcome by paranoia, she barricades herself in her home.
This short film called "What's in the Box?" is a sci-fi action film told from the point of view of the main character. It begins with an emergency alert and shows the character escaping from their office into the streets. They are then chased by mysterious people in white overalls. There are no scenes of dialogue, but tension and excitement are built through the musical score. The film ends on a cliffhanger, with the box being taken and an unidentified flying object appearing in the sky, leaving the audience to wonder what was truly inside the box.
This document provides a scene-by-scene summary of a SWAT team raid on a house to catch a suspect. It describes the SWAT team arriving at the house and cautiously entering through windows. Upon searching the house, one officer finds a suspicious red button. A close-up then reveals it is a bomb detonator. The SWAT team realizes they are trapped as the house explodes, killing the officers inside. Neighboring houses are shown to emphasize the tragedy in a normal neighborhood. In the end, the suspect calls the lead officer and mocks him, showing the killer has gained the upper hand.
1) Thomas Manning, a 58-year-old teacher and part-time wedding videographer, has Monica show up unexpectedly to view her wedding video. 2) Thomas admits he has no actual video footage of Monica's wedding. 3) To cover, Thomas introduces his "innovatographer" student Toby, who has created a video using rotoscoping techniques that places Monica and her husband's cut-out faces onto other people's bodies from stock wedding footage. 4) Monica is stunned and moved to tears by the beautiful and romantic video Toby has created, though disappointed her husband couldn't be there to view it with her.
This visual essay analyzes still shots and elements from the movie Memento to infer the genre and themes. The opening scene uses editing techniques like fading letters to draw the audience in. The sounds and music create an intense atmosphere of uncertainty. A close-up shot shows details like distress in a character's eyes, indicating dark themes. The remote warehouse setting provides an edgy location for thrills. Characters introduced are a killer and victim, though more are hinted at. A low camera angle suggests an advantage or impending harm. Reverse editing in the trailer plays mind games with the audience. The crime and violence depicted identify it as a crime genre film.
SAM is alone in their house one evening when they begin hearing three quick knocks at the front door. Looking through the peephole, no one is there. The knocking continues at the back door and then upstairs. SAM searches the entire house but finds nothing. The knocking grows louder and does not stop. SAM curls up terrified as the knocking moves to the bathroom. With shaking hands, SAM opens the bathroom cabinet and screams. The camera pans past SAM's corpse covered in blood with a message in blood on the bath that reads "I Did Knock."
This document outlines a crime drama film treatment involving four teenage boys who rob houses to make money. The group is led by Jamie, and also includes the reckless Bradley, responsible Samuel, and skilled thief Joshua. The 7-15 minute film would follow their typical robbery process, until Jamie's girlfriend discovers his illegal activities and he plots to steal money from the others. Tensions rise as Jamie breaks into their homes, only to be confronted by Joshua in a fight. Meanwhile, the others raid Jamie's house with help from his girlfriend. The film explores themes of friendship, risk-taking, and consequences.
1) Jamie and four friends plan to rob multiple houses in one night, taking small amounts of valuables from each to avoid suspicion.
2) James proposes the plan, suggesting they hit 10 houses quickly and meet up afterwards.
3) They drive to the neighborhood and park, reviewing the plan. Jamie assigns each person a house to rob.
4) The group gets out of the car dressed in dark clothes, ready to carry out the robberies.
The document is a screenplay describing scenes from a short film involving a group of friends. In the first scene, the friends go into a forest for an outing. They play a prank on one of the members by hiding from him in the forest. However, their prank takes a dark turn when one of the friends, Charlie, goes missing and screams are heard. The rest of the screenplay follows the friends' search for Charlie and increasing panic. It is revealed that Charlie's ex-girlfriend, dressed in black, has been stalking the group and attacks Charlie in the forest due to his infidelity. She holds him at gunpoint but then turns the gun on herself, committing suicide in front of a
1) The story is about a woman named Amanda who believes she is being stalked and followed by a masked man. She has a number of strange encounters where she sees the man but he disappears.
2) Amanda becomes increasingly paranoid and stressed. She starts having what appear to be hallucinations and moments of confusion.
3) In a climax, Amanda mistakes her returning husband for the stalker and attacks him with a knife, leaving him bleeding on the floor. When she turns around, the masked man is suddenly standing behind her.
The document is a screenplay that follows Amanda over the course of a few days as strange events occur. She begins losing things and receiving mysterious phone calls. She sees a masked man watching her on two occasions. Amanda becomes increasingly paranoid and stressed. Her mental state deteriorates further until she attacks her husband Simon upon his return, mistaking him for the masked man. The screenplay ends with Amanda turning to see the real masked man behind her.
This music video follows a camera that is continuously moving to the right through different rooms. In each room, it shows the band performing or people interacting. Some rooms show a couple, parties, or crime investigators. The video ends by returning to the first room, implying it is a continuous loop moving through people's recent activities to the song. The simple style of just following the camera through plain white walls and rooms helps drive the storytelling.
1. The document outlines the script for a short film inspired by Simon Pegg comedies. It follows a typical morning routine for sisters Sam and Hayley, who are getting ready for their day.
2. As the day progresses, Sam notices strange things happening where people seem to be disappearing. When she returns home, Hayley is no longer there.
3. At the end, Sam realizes she is now alone and seems to grasp that something unusual is happening, leaving the storyline open-ended.
Emily devises a plan to get over her breakup with Sam by following the five stages of grief: denial, anger, bargaining, depression, and acceptance. She acts out each stage, first denying the breakup by showing up at Sam's house pretending they are still together. In anger, she throws all of Sam's things at him. During bargaining, she offers Sam her money and credit cards to take her back. Emily becomes depressed, eating ice cream in the dark. Finally, she tells Sam she has accepted their breakup is over when he pleads for her to return. Emily finds the five stages helpful in moving on from the relationship.
This document appears to be the beginning of a story about a group of friends who decide to rob houses for money. They carefully plan their scheme, scouting houses and creating a detailed plan. On the night of the robberies, they drive to their target neighborhood, park in a dark area, and put on disguises before splitting up to rob multiple houses, planning to take only small amounts from each to avoid notice. They set a meeting point and timeframe to reunite and flee the area.
The scene opens with establishing shots of Frankie, Billie, and Jamie talking at a party. Close-ups are used to show Jamie apologizing to Frankie for talking about her, but tensions rise as Frankie argues back that Jamie did embarrass her. The argument escalates until Frankie throws water on Jamie, and the scene ends with an establishing shot of the girls walking away while Jamie tries to throw a punch bowl at them.
The document provides a shot-by-shot description of the music video for Lady Gaga's "Poker Face". It outlines 129 shots showing Lady Gaga getting ready, interacting with men who express interest in her, attending a concert with her band, kissing a man who was talking to another woman, and ultimately being assaulted by a group of girls at the end. The shots cut between Lady Gaga and the lead singer to depict the song and storyline.
1) Sangwoo has a flashback to accidentally pushing his daughter off a balcony. He later encounters faceless entities in an abandoned house that claim he can only see himself by looking at them.
2) Sangwoo has a vision of his daughter on a roof who angrily confronts him about killing her. She tries to get him to look at her distorted face.
3) Sangwoo slips and falls from the roof. His daughter realizes he was one of the faceless entities all along. His body at the bottom smiles up at her in a distorted way.
The document is a screenplay that follows Amanda, a woman experiencing paranoid delusions. She believes a masked man is following her everywhere. Her delusions escalate to the point where she attacks her husband Simon with a knife, mistaking him for the masked man. The screenplay ends with Amanda turning around in fear to see the masked man actually standing behind her, suggesting her delusions may be real or have dangerous consequences.
The Cabin in the Woods trailer uses a linear narrative structure, clearly establishing the beginning of the group's trip to the cabin. Strange events then begin to occur, and it's revealed they are being watched. Towards the end, the characters appear dirty and tired, suggesting many have been killed. The trailer ends on a cliffhanger with a character screaming. The Scream trailer jumps quickly into action and uses jump cuts throughout, though it may reveal too much. Wrong Turn also starts with a clear beginning of a car crash and builds tension through faster editing, though the ending is unclear with many quick cuts.
This document provides details on shooting locations for a film being made at Chloe Crocker's house. It describes various shots that will be taken both inside and outside the house to build tension and give audiences a false sense of security, including an over-the-shoulder shot of Danny from the front window, shots looking through windows into the house, and shots of Danny walking through different areas of the house like the downstairs, stairs, halls and a bedroom where lighting will be used to create spooky effects.
Brad script after first meeting with clientbradleyvgmedia
1) Amanda is experiencing strange occurrences like finding masked men watching her house and receiving mysterious phone calls with no one on the line, leaving her feeling stressed and paranoid.
2) On her way to work one morning, Amanda sees the same masked man again and thinks she sees him a third time, greatly increasing her fear and panic.
3) Amanda arrives home driving recklessly due to her stressed state and mistakenly yells at the occupant of a car she believes is following her, though the car is empty. Overcome by paranoia, she barricades herself in her home.
This short film called "What's in the Box?" is a sci-fi action film told from the point of view of the main character. It begins with an emergency alert and shows the character escaping from their office into the streets. They are then chased by mysterious people in white overalls. There are no scenes of dialogue, but tension and excitement are built through the musical score. The film ends on a cliffhanger, with the box being taken and an unidentified flying object appearing in the sky, leaving the audience to wonder what was truly inside the box.
This document provides a scene-by-scene summary of a SWAT team raid on a house to catch a suspect. It describes the SWAT team arriving at the house and cautiously entering through windows. Upon searching the house, one officer finds a suspicious red button. A close-up then reveals it is a bomb detonator. The SWAT team realizes they are trapped as the house explodes, killing the officers inside. Neighboring houses are shown to emphasize the tragedy in a normal neighborhood. In the end, the suspect calls the lead officer and mocks him, showing the killer has gained the upper hand.
1) Thomas Manning, a 58-year-old teacher and part-time wedding videographer, has Monica show up unexpectedly to view her wedding video. 2) Thomas admits he has no actual video footage of Monica's wedding. 3) To cover, Thomas introduces his "innovatographer" student Toby, who has created a video using rotoscoping techniques that places Monica and her husband's cut-out faces onto other people's bodies from stock wedding footage. 4) Monica is stunned and moved to tears by the beautiful and romantic video Toby has created, though disappointed her husband couldn't be there to view it with her.
This visual essay analyzes still shots and elements from the movie Memento to infer the genre and themes. The opening scene uses editing techniques like fading letters to draw the audience in. The sounds and music create an intense atmosphere of uncertainty. A close-up shot shows details like distress in a character's eyes, indicating dark themes. The remote warehouse setting provides an edgy location for thrills. Characters introduced are a killer and victim, though more are hinted at. A low camera angle suggests an advantage or impending harm. Reverse editing in the trailer plays mind games with the audience. The crime and violence depicted identify it as a crime genre film.
SAM is alone in their house one evening when they begin hearing three quick knocks at the front door. Looking through the peephole, no one is there. The knocking continues at the back door and then upstairs. SAM searches the entire house but finds nothing. The knocking grows louder and does not stop. SAM curls up terrified as the knocking moves to the bathroom. With shaking hands, SAM opens the bathroom cabinet and screams. The camera pans past SAM's corpse covered in blood with a message in blood on the bath that reads "I Did Knock."
This document outlines a crime drama film treatment involving four teenage boys who rob houses to make money. The group is led by Jamie, and also includes the reckless Bradley, responsible Samuel, and skilled thief Joshua. The 7-15 minute film would follow their typical robbery process, until Jamie's girlfriend discovers his illegal activities and he plots to steal money from the others. Tensions rise as Jamie breaks into their homes, only to be confronted by Joshua in a fight. Meanwhile, the others raid Jamie's house with help from his girlfriend. The film explores themes of friendship, risk-taking, and consequences.
1) Jamie and four friends plan to rob multiple houses in one night, taking small amounts of valuables from each to avoid suspicion.
2) James proposes the plan, suggesting they hit 10 houses quickly and meet up afterwards.
3) They drive to the neighborhood and park, reviewing the plan. Jamie assigns each person a house to rob.
4) The group gets out of the car dressed in dark clothes, ready to carry out the robberies.
This document outlines a crime drama film treatment involving four teenage boys who rob houses to get money. It provides descriptions of the main characters and their roles in the group. It also gives details on the target teenage/young adult audience, the film's style which aims to look professional, and its potential distribution on YouTube. The treatment then outlines a three-act plot where the group plans and carries out some house robberies, but later one of them betrays the others.
This document outlines a crime drama film treatment involving four friends who rob houses to earn money. The group is led by Jamie, and also includes the reckless Bradley, responsible Samuel, and skilled thief Joshua. The film would follow their typical process of robbing multiple houses each night and meeting back at the car within 20 minutes. However, tensions rise when Jamie's girlfriend discovers his illegal activities and he plots to steal the money from his friends. This leads to a confrontation where Joshua attacks Jamie for breaking into his home. Meanwhile, Bradley and Samuel rob Jamie's house, taking all of his savings on the instruction of Jamie's girlfriend who betrayed his plan. The film explores the friendship and fallout from their criminal activities.
This document outlines a crime drama film treatment involving four friends who rob houses to earn money. The film would follow the group as they carry out robberies, but tensions rise when one member wants to quit. In the climax, the group's leader Jamie plans to steal all the money they've earned, but his plan is foiled and his own house is robbed instead. The document provides details on the characters, target audience, filming style, and basic three-act plot structure.
This document outlines a crime drama film treatment involving four friends who rob houses to earn money. The group is led by Jamie, and also includes the reckless Bradley, skilled Samuel, and thief Joshua. The film would follow their typical process of robbing multiple houses each night and meeting up afterwards. However, tensions rise when Jamie's girlfriend discovers his illegal activities and he plots to steal the money his friends have earned. This leads to a confrontation where Jamie tries to rob his friends' houses but is caught by Joshua, while the others ransack Jamie's home in retaliation after being tipped off by his girlfriend. The film explores the dynamics between the four thieves and the consequences of their criminal plans.
This shooting script is for a film titled "Shady Movements" and contains scenes showing tension between friends. In the opening scene, Adam and Ben are playing video games and arguing. Later, Adam grows suspicious of Chloe after she acts strangely on a call. A fight breaks out when Adam unexpectedly finds Ben at Chloe's house, believing they have been unfaithful. The fight escalates until Ben accidentally punches Chloe instead of Adam, leaving her injured on the floor.
The Blake family lives in North London. Mr. and Mrs. Blake dote on their son Jeremy and try to give him everything he wants. One day, they have to leave Jeremy home alone for a few hours to attend a work meeting. While they are gone, Jeremy lures a pizza delivery man into the house with an order. He then traps and imprisons the delivery man in the basement with other delivery men he has captured. When Mr. and Mrs. Blake return, Jeremy acts normally and they are unaware of what he has done while they were gone. At the end, it is revealed that Jeremy has multiple pizza delivery men imprisoned in the basement.
The Blake family lives in North London. Mr. and Mrs. Blake must leave their spoiled son Jeremy alone for a few hours to attend a work meeting. Jeremy orders a pizza and tricks the delivery man into the house, where he traps him in the basement with previously captured delivery men. When the parents return, Jeremy lies about having ordered Indian food instead. The film ends with Jeremy smirking as the camera pans to the basement, revealing the captured delivery men tied up.
1) The document outlines the shot sequence and descriptions for a film about a missing child investigation. It includes 37 shots ranging from establishing shots of locations to close-ups of characters.
2) Key shots include an inspector questioning a teenage boy about the missing child while searching the house and garden for clues, and a mysterious pair of hands hiding a box with a knife in a wardrobe.
3) The shot sequence builds suspense around the missing child case and hints at possible secretive behavior from some characters involved in the investigation.
The document discusses various legal and intellectual property considerations for a short film project. It addresses who owns the filmed footage, actors' permissions, use of logos and additional video footage. Sound effects were taken from a royalty-free website so no additional permission is needed. The film would likely receive a 15 rating due to some swearing, minimal violence and small acts of crime. As long as the content does not cross into heavy inappropriate language, strong violence or other restricted material, it should adhere to standards for its rating. All necessary rights and releases would need to be secured to submit the film to an online film festival.
The document provides casting details for a student film. It lists several friends of the director who have acting experience through school plays and previous films. Fraser Dart is chosen to play the lead role of James as he has starred in several school plays and understands the filmmaking process. Craig Newton, Dylan Reynolds, Max Cheshire and James Head are also selected for roles due to their experience with drama and theater productions through school and an acting company. Their experience will be beneficial for the film.
This document provides marketing strategies for promoting the musical "Anything Goes" and targeting audiences. It discusses that the musical is set on a cruise ship in 1930s America, following a character trying to win over his love who is engaged to another. It notes the musical's unique aspects like being set on a boat and including iconic songs. The target audience is described as casual theatergoers aged 18-40, families and friends of students in the show, and older audiences who can relate to the time period. Suggested publicity methods include a website, social media promotion, posters, trailers, and documentaries. Placement of ads could include television, radio, billboards, and buses to reach local and mass audiences.
This document contains a risk assessment for filming scenes at various locations around St Ives, including the document author's house. Hazards identified include tripping, walking into objects, getting run over by cars, falling out of a moving vehicle, and vehicle collisions. Risks are rated on a scale of 1 to 5. Control measures proposed include assessing areas before filming, ensuring lighting is adequate, filming late at night to reduce traffic, securing camera operators in moving vehicles, and leaving enough distance between vehicles. One scene will be filmed at a cast member's house involving an actor walking to the front door.
The document discusses costumes and props for a film. It notes that characters committing crimes will wear dark clothing to be difficult to see, while characters in house scenes will wear different, lighter clothes. Characters not involved in crimes will wear lighter clothes to distinguish them as not bad. Key props include a torch, money, phone, car, stick, keys, and pen/paper. The costumes section describes specific outfits for characters James and Samuel at different points to show James becoming the bad guy and Samuel and James as the real criminals compared to others.
This document summarizes the ownership and permissions for various elements of a short film. It notes that the filmmaker owns the copyright to the original filmed footage and logo. Sound effects were obtained royalty-free from freesound.org so no additional permission is needed. The film would likely receive a 15 age rating due to some violence, crime, and rude language, but nothing is directed at anyone and does not include extreme or graphic details. The film will be uploaded to YouTube and submitted to a short film festival, so all necessary rights and releases have been secured.
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Shooting script
1. Shot
Number
Page
Number
ShotType Description Dialogue/Reference Shot
length
1 1 EstablishingShot The shot will fade inandthere will be acar parkedin
the road about 30 metersaway.Cameraslowlymoves
incloserto the car until 4 people become visible.
10 sec
2 1 MediumShot The camera comesthroughthe windowintothe car 5 sec
3 1 Close up Close upon Jamesas he starts talking,he isthe main
character and therefore shouldbe the firstone tobe
seen.
Dialogue playsthrough
JAMES
Right okay, this is the meeting point
SAMUEL
How far?
5 sec
4 1 MediumShot Gets everyone intoone shotwhile conversationtakes
place
JAMIE
Just round the corner, not that far
JOSHUA
Good because I'm not running again
BRADLEY
Don't try steal someone's phone then
JAMIE
Just remember this place alright?
8 sec
5 1 Long shot Camerastay inplace as the car drivesoff (Firstthree
shotsare 1 continuousshot)
9 sec
6 2 MediumShot Little bitof dialogue JOSHUA
That is a nice house
JAMIE
That's why we aren't going there
JAMES
They're all around here
5 sec
2. 7 2 Close up In car dialogue,LookingatJames’face withBradley
asleepinthe background.
JAMES
Are you taking the piss?
SAMUEL
What?
JAMIE
He's fallen asleep again
SAMUEL
Wake him up then
BRADLEY
Huh?
JAMIE
Do you remember the meeting point?
BRADLEY
Oh, are we already here?
SAMUEL
Someone needs to keep an eye on him
at all times
15 sec
8 2 Long shot Shotpositionedacrossthe roadpossiblyusingatripod 5 sec
9 2 Overthe
shouldershot
Conversationoutside the car JAMIE
10 minutes
JOSHUA
Same as always
5 sec
10 2/3 Master shot Coveringthe whole livingroom,all fourpeople are
visible
JAMIE
What’s the problem then?
SAMUEL
I just don’t have the money
JOSHUA
Wait, sorry what don’t you have the
money for?
SAMUEL
A car
JOSHUA
I think we all need money really
BRADLEY
Yeah my job barley even pays me
JAMIE
Let’s just rob a bank then
SAMUEL
30 sec
3. (Sarcastic)
Laugh Yea that’s not a bad idea
JAMES
Yeah, like we could rob a bank
JAMIE
Can’t be that hard, people do it all
the time
JOSHUA
People also go to prison for it
BRADLEY
Just don’t rob a bank then
JAMIE
What do you mean?
SAMUEL
Bradley mate, we are joking you know
BRADLEY
I’m just saying rob something smaller
and you’ll probably get away with it
11 3/4 Overthe
shouldershot
AimedtowardsJamie,thenpanstoSamuel whenhe
says“Or a house?”andthento Bradleywhenhe says
“Yea a house I guess”
JOSHUA
You’ve watched way too many films
JAMIE
When you say something smaller what
do you mean like a shop or something?
SAMUEL
Or a house?
BRADLEY
Yea a house I guess
10 sec
12 4 MediumShot FollowingbothJamesandJamie astheywalkdownthe
hallway
JAMES
This probably won’t end well
JAMIE
It should be fine
JAMES
I mean it’s not a good idea though
JAMIE
It’s a good way to get money
JAMES
Yea but not if we get caught
JAMIE
We won’t
10 sec
4. 13 4 Long shot Panningintothe roomfrom the lastshot,(a fewdays
later).JamesandBradleyare bothsat down.Jamie,
Samuel,andJoshuaall walkin.
JAMIE
Right let’s get to it
JOSHUA
How bad of a crime is this?
SAMUEL
We're robbing people, so pretty bad
JAMES
Okay, so we are actually doing this?
8 sec
14 4 Mediumshot All charactersin conversation free shot,moveslittleand
not often
JAMIE
Well hopefully with your plan it will
work out
JOSHUA
Alright, let’s hear it
SAMUEL
Yea, we need to know what we're doing
JOSHUA
We really don’t want to get caught
BRADLEY
What’s your plan then?
15 sec
15 5 Close up All charactersin conversation CloseuponJames JAMES
Okay so we rob multiple houses in a
night but only take a little form
each house.
JOSHUA
So high risk low reward?
JAMES
Yes
5 sec
16 5/6 MediumShot All charactersin conversationfree shot,moveslittleand
not often
JOSHUA
What’s the point, we might as well go
all out.
JAMES
If we think it through enough and
make sure nothing can go wrong it
will work out better
JAMIE
But why only take a little?
JAMES
Well are you planning on getting
caught?
20 sec
5. JAMIE
Obviously not
JAMES
Exactly, that means that we can take
a little so that it’s not obvious
theft, everyone loses money
SAMUEL
So it basically doesn’t look like
anyone was ever there
JAMES
Yeah
SAMUEL
That could work
JAMIE
I mean yea but it’s not gunna get us
a lot of money
JAMES
That’s why we do them fast and
through the night, get like 10 houses
a night
JAMIE
Right well that’s not gunna be easy
SAMUEL
It’s the best idea we’ve got so write
it down
17 6 TrackingShot The shot starts comingthroughthe door way JAMIE
Everyone ready?
10 sec
18 6 Long shot Camera’ssat inthe doorwaylookingupat all the
characters.
BRADLEY
We off then?
10 sec
19 7 Mediumshot Lookingat the three inthe back BRADLEY
So which house are we going to
first?
JAMIE
We looked around here the other
week and it looks like a lot of
people leave there back doors
20 sec
6. open, we could be wrong but it’s
worth a try
SAMUEL
How many houses are we getting
tonight?
JAMES
Well we might as well start off
small then as we get better we
can do more
20 8 Long shot Cameraacross the streetfromthe car. (fronton angle) They drive the car to a different
part of the neighbourhood
5 sec
21 8 Mediumshot Inside car trackingthe speaker JAMIE
Okay get your stuff together
BRADLEY
So which house am I going to?
JAMES
Number 14a
JAMIE
It says on the plan which house
you go to
15 sec
21 8 Close up Close upon people whentheytalk JAMIE
Okay get your stuff together
BRADLEY
So which house am I going to?
JAMES
Number 14a
JAMIE
It says on the plan which house
you go to
5 sec
23 8 Long shot Same as shot no.20 JAMES
15 minutes be back in the car, if
anything goes wrong with your
house go to the meeting point
JAMIE
10 sec
7. Alright everyone know what’s
going on
JOSHUA
Yeah
SAMUEL
(Mumbles)
Yea
BRADLEY
Mmmhmm
JAMES
Let’s go
24 9 Long shot Stationaryshotlookingatall characters Everyone is geared up and they
all tap the roof of the car and
spread out.
5 sec
25 9 Trackingshot Camerafollows JAMIE JAMIE walks up to a house, looks
around for some time then moves in
10 sec
26 9 Trackingshot Camerastarts in frontof JAMES, thenhe walksto the
leftof shotand camera turnsto followhim
JAMES stands across the street from a
house looking over at it, he looks
left then right and crosses the road
towards the house
10 sec
27 9 Establishingshot Shotsmoveslefttoright(wall onleft) toreveal SAMUEL
stoodin garden
SAMUEL is in someone’s back garden 5 sec
28 9 Long shot Shotsstationaryas Joshuawalkstowardscamera JOSHUA walks down the side of a house 5 sec
29 9 Trackingshot FollowsBradleythengoesoverhisshouldertosee him
openthe door andwalkin.Camera stayin the same
position.
BRADLEY walks up to a door and turns
the handle, it opens and he takes a
step in.
8 sec
30 9 Trackingshot Shotwill followJamiearound JAMIE goes to the backdoor and sees a
key on the other side of the door
10 sec
31 9 Mediumshot Stationaryshotfrominside the house,see Jamieuse
the stickto get the key
He finds a stick in the garden and
gets the key through a cat flap.
10 sec
32 9 MediumShot FollowSamuelseyes(lookwhere he islooking) SAMUEL goes inside an unlocked
garage, looks around for a while and
doesn’t find anything.
7 sec
8. 33 9 Trackinglong
shot
ShotfollowsJoshuafromadistance,thenwhenhe
opensthe doorthe shotcatchesup withhim.Withwill
turn the shotintoa mediumshot
JOSHUA walks around the house and
tries to open the back door, it’s
locked, he walks to the front and
tries it and it opens. He listens out
for a second then starts to walk into
the house.
10 sec
34 9 Long shot Shotfrom across the room. BRADLEY walks into a kitchen picks up
a wallet and takes some money. He
then turns around and walks out
quietly.
10 sec
35 9 Trackingshot Shotfollows Jamie JAMIE leaves the door unlocked behind
him and creeps into the house he gets
down low and looks through another
cat flap on the inner door.
8 sec
36 10 Master shot Jamesfallsontosofaina darkishroom JAMES falls into the house through
the window, gets up and creeps about
trying to find money,
7 sec
37 10 Trackingshot Walksacross a hallwayandtakesmoneyfromundera
tray
He finds a little tray with money
hidden underneath it, he takes most
but leaves £5. He then heads over to
the back door.
10 sec
38 10 Mediumshot Shotslookingatthe doorwayintothe garage SAMUEL walks out of the garage
looking angry with alcohol in his
hands. He starts to walk back to the
car.
15 sec
39 10 Long shot Shotother side of house (feelslike someone else is
watching)
JOSHUA walks through the front of the
house sees a tray with wallet and
keys he tries to pick up the wallet
and the keys fall off the wallet and
make a clatter on the tray
10 sec
40 10 Trackingshot FollowJoshuaoutof the house He quickly takes some money from the
wallet and hurries out of the house.
5 sec
41 10 Trackingshot Whenhe jumpsoverthe porch, move shotoverthe
edge to lookdownonJoshua
As he closes the door a car starts to
pull up onto the drive way. He hides
in the porch of the house and as the
car moves up the driveway he jumps
off the porch into a garden patch
15 sec
9. 42 10 Mediumshot ShotcoversJoshua,thenswipestothe side tosee the
personwalkingtowardsthe frontdoor
He backs into the corner and hopes
they don’t spot him. The car door
shuts and someone walks towards him,
they walk up to the front door and
walk in. JOSHUA waits a second then
runs of the property.
15 sec
43 10 Trackingshot FollowJamie throughthe house JAMIE approaches the handbag, he
looks through it for a second then
lifts a purse out. He takes some
money out and puts the purse back,
then he turns around and heads out
the way he came.
15 sec
44 10 Mediumshot ShotseesJamie lockthe door When he gets to the back door he
takes the key and locks it from the
outside then puts the key through the
cat flap.
10 sec
45 10 Mediumshot Looksthroughthe cat flapto see the keythrownto the
otherside of the door
When he gets to the back door he
takes the key and locks it from the
outside then puts the key through the
cat flap.
10 sec
46 11 Master Shot Shotcoversall actors inscene JOSHUA
How d’you do?
JAMIE
Not bad
JAMIE shows everyone the money he got
SAMUEL
I couldn’t actually get any money,
I’ve got this though
25 sec
47 11 Long shot Whenan actor is runningthroughdialogue theywill be
inshot
JOSHUA
The front door was unlocked and when
I left a car pulled up
SAMUEL
Good job on not getting caught
BRADLEY walks around the corner
towards the car
BRADLEY
Hey guys
JAMIE
10. Hey, we need to go now
48 12 Mediumshot Track the speaker JOSHUA
We did it
JAMIE
Wasn’t so bad
JAMES
What next?
SAMUEL
What do you mean?
49 12 Master shot All actors inshot 5 months later
50 13 Close up Close upon Samuel SAMUEL
Look I just don’t want to do it
JAMIE
Why now though?
SAMUEL
If not now than when? There’s no good
time to do this
BRADLEY
If you stop than I’ll go too
51 13 Mediumshot Trackingthe speaker JAMIE
You’re joking?
BRADLEY
Makes it easier if we leave together
JAMES
Wait, just do one more
SAMUEL
What’s the point?
JAMES
If you two are leaving then it seems
to be a perfect time for us all to
quit.
JOSHUA
Yea quit while we’re ahead
JAMIE
Why bother with one more?
11. 52 13 Close up Close upon James JAMES
Let’s go bigger than before, try and
get a load of money to send us all
off
JOSHUA
I’ll do it
JAMIE
Sure
SAMUEL
Fine
JAMES
Brad?
BRADLEY
Yea might as well
JAMES
Okay, I’ll plan it out
53 14 Long shot Both actors inshot fromthe side onto the computer JAMES and JAMIE are sat in the
bedroom
54 14 Mediumshot Closershotof the conversation JAMIE
How much money we talking for this
JAMES
Not too sure, if we get like £200-300
and some expensive crap per house, we
can take like 5 houses each maybe
JAMIE
So a lot
JAMES
Hopefully, *pause* actually we’ll do
6 houses each
JAMIE
Uhh okay
55 14 Mediumshot The three in the back andin shotwiththe camera
placementinthe centre
SCENE 9:INT. INSIDE CAR – NIGHT
Everyone is back in the car for the
last job. JAMIE and JAMES are in the
front seats with everyone else in the
back.
56 14 Close up WhenJamie talks,close uponhim JAMIE
We all good?
12. 57 14 Close up WhenJamestalks,close upon him JAMES
So remember we're taking more than
usual
JAMES
I guess if there's something
expensive then go for it
58 15 Long Shot Shotfrom highangle? Lookingatthe car The car pulls up in the road next to
a park.
59 15 Close up Shotthrough the windowlookinginatthe characters JAMES
This is the meeting point
JAMIE
It's close to all the houses
The car pulls away and drives off
JAMES
This is the street, everyone remember
your house?
BRADLEY
Yeah
60 15 Mediumshot ShotbehindJamie,ashe tapsthe roof,have James
lookingatJamie fromacross the car.
They all get out of the car in their
gear, they tap the roof and part ways
61 15 Trackingshot Same trackingshot on all characterstryingto get intoa
house
Everyone walks towards their houses
62 15 Mediumshot See all charactersinside the houses Everyone walks towards their houses
63 15 Mediumshot All charactersleavingthe houses Everyone walks towards their houses
64 15 Long shot Shotsit otherside of the car as characters arrive JAMES
One down
They then do the same thing for the
next 4 houses
65 15 Close up Close upon Jamie as he fallsintothe car seatwith
everyone else
JAMIE
Okay only one more left
JAMES
Yea so take your time, don't get
caught
66 15 Trackingshot FollowJoshuaashe dumpssome moneyintothe boot,
closesthe boot,walkstowardsthe car door, closesthe
JOSHUA
That's shit tone of money
13. door withcamerastill outside,ashe windsdown the
windowhe runshisdialogue
JOSHUA
That's shit tone of money
BRADLEY
How much have we got?
SAMUEL
Enough I suppose
67 15 Long shot Car setsoff and drivesaroundthe corner
68 15 Long shot Car stops The car comes to a stop and everyone
is sat in silence for a few seconds.
69 15 Mediumshot Shotmovesintoto Jamie lookingconfused.
70 16 Close up Close upon bothJamie andJames JAMIE
Aren't we a bit far away?
JAMES
It's not too far
71 16 Mediumshot Shotfrom outside the car,capture Jamie looking
confused
JAMIE looks confused and gets out the
car. They all get out the car
72 16 Mediumshot Capture dialogue JAMIE
This is the last time we're doin'
this
BRADLEY
It's been fun
73 16 Panningshot Pan aroundto see Samuel andJoshuanodthenpan
aroundto see everyone tapthe roof,thensee everyone
part ways
SAMUEL and JOSHUA agree with BRADLEY
with a nod, they then all tap the
roof of the car and walk off.
74 16 Long tracking
shot
Watch themwalktowardsthe car and unlockit. Everyone leaves the area but a little
while later someone starts walking
towards the car. They unlock the car
and open the boot,
75 16 Trackingshot Followhimaroundthe car All the money they've made is there.
The boot closes and the driver’s door
opens
76 16 Mediumshot Frame shot soJamie isonlyseenat the lastsecond
whenhe grabs James
JAMES gets into the car and a few
seconds later before he shuts the
door JAMIE pulls him out of the car.
14. 77 16 Mediumshot Jamesison the floorand Jamie islookingdownathim JAMIE
What the fuck you doing?
JAMES
I, I *pause* What do you want me to
say?
JAMIE
So you were planning to just steal
everything?
78 16 Close up Close upon James JAMES
Look I didn't want to, trust me, not
to you guys
79 16 Panningshot Veryslowlypanningaroundthe two JAMIE
But you've done it anyway, so what
changed?
JAMES
You all wanted to leave me, one
person mentions leaving and you all
ditched
80 17 Close up Close upon Jamie JAMIE
It's not personal, it's just about
time we stop
81 17 Mediumshot (will be done inmultiplyshotsasnoreal violence will be
used)
JAMES
Maybe not for you
JAMES head butts JAMIE and runs for
the car again but as he gets up JAMIE
grabs his leg and he falls over.
82 17 FIGHT FIGHT FIGHT
83 17 FIGHT FIGHT FIGHT
84 17 FIGHT FIGHT FIGHT
85 17 Close up Close upon Jamie JAMIE
I'm not just gunna let you do this
86 17 Mediumtracking
shot
(will be done inmultiplyshotsasnoreal violence will be
used)
JAMES gets up again and JAMIE pushes
him against the car and punches him
in the stomach and throws him to the
15. floor, JAMES stands up and runs for
the front seat, he gets in and JAMIE
comes up beside him. He reaches in
for JAMES but he kicks him onto the
ground closes and locks the doors.
87 17 FIGHT FIGHT FIGHT
88 17 FIGHT FIGHT FIGHT
89 17 FIGHT FIGHT FIGHT
90 17 FIGHT FIGHT FIGHT
91 17 Close up Close upthroughwindow, Muffledsound(insidecar) JAMES
Sorry
92 17 Long shot Car drivestowardsthe camerathenpast the shot until
all we can see is Jamie inthe road.
Before JAMIE can say anything JAMES
drives off. And leaves JAMIE in the
middle of the road.
As the car leaves the shot we see
JAMIE in the background stood in the
same place.