Shooting schedule overview bss day2
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The document outlines a 5 day shooting schedule for a film project called BlueSkyStudios. Day 1 will involve filming establishing shots and exterior shots of a high school in Ruislip with a crew of 4 people. Day 2 will have exterior shots of a park with Dan filming and Tara directing using a camera and tripod. After each filming session, any adjustments needed for the next session are noted, such as introducing protagonist characters for the thriller opening sequence in the next session.
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Shooting Schedule day 4 BlueSkyStudios
This document outlines the 5-day shooting schedule for the film BlueSkyStudios. Day 1 and 3 will involve filming establishing shots of the outside of Ruislip High School. Day 2 will capture exterior shots of a park to be used in the opening credits. Day 4 continues filming scenes in the park of the main characters that will directly follow what was shot on previous days. Actors and a core film crew will be required each day, and cameras and tripods will be the necessary equipment. Adjustments between days include introducing main actors and filming additional scenes to complete the opening sequence.
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The shooting schedule overview outlines plans to film establishing shots and exterior scenes of a high school on Monday with a camera, tripod, and crew of 4 people. It notes the next scenes to be filmed will involve the central protagonist and victim characters and will tell the story of the thriller's opening sequence. Any adjustments to future filming sessions would be determined after completion of each day's work.
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This document provides an overview of a 5-day film shooting schedule, including the date, location, people, and equipment required for each day of filming. It also includes notes after each filming session on any adjustments needed for subsequent sessions, such as ensuring fully charged batteries, using a properly functioning tripod, and deciding on lighting conditions. The last day of filming incorporated photos taken on an earlier day to include in a later scene.
Shooting schedule-location (BlueSkyStudios day 1)
The document provides a shooting schedule for establishing shots outside of Ruislip High School on Monday, January 18th from 11am to 3pm. The shots will show the exterior of the school with students leaving to establish timing and location for the opening of a film project. The schedule lists that a camera, tripod, and a team of 4 including Dan, John, Catherine and Tara will be needed.
Shooting schedule-location day 2 BSS
We will be filming exterior shots at the park on Wednesday January 20th at 8:50am to use in the opening sequence and help introduce the film's location. The park has a bridge, grassland, and trees. Dan will film the shots with a camera and tripod while Tara directs.
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Shooting Schedule day 4 BlueSkyStudios
This document outlines the 5-day shooting schedule for the film BlueSkyStudios. Day 1 and 3 will involve filming establishing shots of the outside of Ruislip High School. Day 2 will capture exterior shots of a park to be used in the opening credits. Day 4 continues filming scenes in the park of the main characters that will directly follow what was shot on previous days. Actors and a core film crew will be required each day, and cameras and tripods will be the necessary equipment. Adjustments between days include introducing main actors and filming additional scenes to complete the opening sequence.
Shooting schedule overview BlueSkyStudios day 1
The shooting schedule overview outlines plans to film establishing shots and exterior scenes of a high school on Monday with a camera, tripod, and crew of 4 people. It notes the next scenes to be filmed will involve the central protagonist and victim characters and will tell the story of the thriller's opening sequence. Any adjustments to future filming sessions would be determined after completion of each day's work.
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This document provides an overview of a 5-day film shooting schedule, including the date, location, people, and equipment required for each day of filming. It also includes notes after each filming session on any adjustments needed for subsequent sessions, such as ensuring fully charged batteries, using a properly functioning tripod, and deciding on lighting conditions. The last day of filming incorporated photos taken on an earlier day to include in a later scene.
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The document provides a shooting schedule for establishing shots outside of Ruislip High School on Monday, January 18th from 11am to 3pm. The shots will show the exterior of the school with students leaving to establish timing and location for the opening of a film project. The schedule lists that a camera, tripod, and a team of 4 including Dan, John, Catherine and Tara will be needed.
Shooting schedule-location day 2 BSS
We will be filming exterior shots at the park on Wednesday January 20th at 8:50am to use in the opening sequence and help introduce the film's location. The park has a bridge, grassland, and trees. Dan will film the shots with a camera and tripod while Tara directs.
Health and Safety - Recce1
The health and safety document outlines the planned shoot at a private home in Ruislip. It lists the date of the shoot, required equipment including a camera, tripod, and glide track. All crew members will be present and props like fake blood, a picture, teddy bear, and letter are needed. Potential hazards are the bathtub and stairs, and a small scene may use the bathtub. Equipment will be safely stored out of the way during shooting and in bags overnight. The document is signed by four crew members.
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This document provides a pre-production plan for a skateboarding video and interview project. It will feature 4 skaters - Tyler, Oli, James, and Ethan. Filming will take place at various skateparks and locations in Harrogate over 6 weeks. The video is aimed at 15-17 year old skaters and will be shared on YouTube and Instagram. A production schedule is included, outlining the filming and editing tasks to be completed each week. Safety protocols and contingency plans are also addressed.
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The production call sheet provides contact information for Grundy Productions, director Carla Appleby, producer Jessica Grundy, and camera person Jessica Grundy. It will film scenes at two locations in Worsley of children aged 4-10 dressed as their future job roles, using equipment such as a camera, tripod, and costumes. It also lists risks such as actors getting hit by a car or injured during performances, and actions to be taken like filming in visible areas and on soft surfaces away from pedestrians.
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Call sheet,
This call sheet provides information for filming a music video over several days and locations in March. It lists the production company, director, producer, camera operators, and needed actors. Six shooting locations are described, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, and possible lighting. The props/costume list includes an empty alcohol bottle, rucksack, something to clean a smashed bottle, and tic tacs as a drug substitute.
Call sheet, risk assessment and shooting schedule
This call sheet provides information for filming a music video over several days and locations in March. It lists the production company, director, producer, camera operators, and needed actors. Six shooting locations are described, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, and possible lighting. The props/costume list includes an empty alcohol bottle, rucksack, something to clean a smashed bottle, and tic tacs as a drug substitute.
Production schedule
The production schedule outlines 5 weeks of work on a documentary called "Dream Of A Baller". Week 1 includes a field trip, film analyses of Green Street and Coach Carter, and research on London football clubs. Week 2 focuses on creating a Pecha Kucha presentation with audio. Week 3 covers pre-production tasks like storyboarding, securing costumes/props, and location scouting. Weeks 4 and 5 are dedicated to filming and editing the documentary.
Risk Assessment - The Street Scenes
Filming late at night poses risks that need to be addressed. The actor will need to dress warmly for outdoor night shoots near the coast to avoid illness from the cold. Safety measures like using a torch and checking the camera operator's path will minimize fall risks during backwards tracking shots. Rescheduling is planned if an actor becomes unavailable to prevent delays, though alternative scenes may still be shot.
Production schedule
The production schedule outlines five filming days from December 28th to January 9th. On the 28th and 29th, scenes will be filmed at Brian's house and childhood locations featuring Stanley and Albert Gulliford. On January 3rd and 4th, interrogation scenes will be filmed at Anthony's house with Stanley, Jake Witherington, and Rosie Patton. The final day on January 9th will film scenes of Brian's driveway and him cycling down the road. An 1100D camera and tripod are needed for all shoots.
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The shooting schedule outlines the planned filming locations and times for an independent film shooting over one day. Filming will take place from 6am to 7pm across various outdoor locations including woods, fields, and urban areas. Scenes include a car driving scene, outdoor shots in the woods, indoor and outdoor shots of a destroyed house, and urban scenes by a fence, power station and train tracks. The schedule notes the availability of actors and crew, transportation details, and potential weather issues of cloudy and wet conditions. Safety precautions are mentioned for trip hazards and risks in the woodland and urban areas.
Call sheet, risk assessment and shooting schedule
This call sheet provides information for the first day of filming a music video. It lists the director, producer, camera operators, and needed actors. It also identifies the nearest hospital and includes details on 6 shooting locations, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, possible lighting, and props like an alcohol bottle, rucksack, smashed bottle cleaner, and tic tacs as a drug substitute.
Risk assessment
This document contains a risk assessment for a film production. It identifies potential hazards like tripping in the forest location, dangerous objects in the kitchen, tripods obstructing movement, and traffic during outdoor shooting. For each hazard, it outlines what is already being done to control the risk, such as choosing safe filming locations and storing sharp objects safely. Additional actions are identified like making actors aware of their surroundings and any dangers. The document names the person responsible for actions and includes completion dates.
Shooting schedule
The document outlines a filming schedule for several days in December. On Sunday the 1st, solo shots of an abandoned asylum will be captured using a camera and tripod. From the 2nd to the 4th, indoor flashback and awakening scenes will be filmed requiring a group and props like a tripod, dolly, and red ribbon. Outdoor woodland scenes on the 4th only need a flashlight. The same shots from the 7th to the 8th will be refilmed during the day requiring the same group, equipment and props.
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The documentary will follow a school dropout pursuing his ambition of becoming a UFC fighter. It will have a comedic style influenced by Karl Pilkington, with a sarcastic presenter interviewing the fighter, his trainer, and former teacher. The documentary aims to appeal to male teenagers by exploring relevant topics like muscle dysmorphia with humor and serious exploration.
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Lily will be filming scenes at a school on Friday for her psychopath protagonist character. The scenes show Lily with a photo of the victim Charles and then both characters leaving school with Lily following Charles. Lily will wear a white dress to stand out while Charles wears typical school clothes. They will need school bags and a ripped photo prop. The camera, tripod, and crew including the director, producer, and actors are required for the shoot.
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This document provides details for the concept, casting, locations, and health and safety considerations for a music video by Captain Horizon. The concept involves a scarecrow that comes to life and dances along to the music. Filming would take place in a field and on top of hills at sunset. Safety measures are outlined to protect equipment, actors, and ensure permission to film on the selected properties. References are also provided to existing videos that influenced the concept's use of shots that include the landscape and convey a sense of loneliness.
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This call sheet provides details for filming a music video on October 27th at 43 Glentower Close in Seaton Carew. It lists the song and length, call times from 11am to 3pm, and crew including two camera men and six cast members. The filming will capture the narrative's first shots of the main character waking up and discovering the remnants of the previous night's party downstairs in the first house location.
Filming update
The film crew experienced issues filming scenes on their first three scheduled days. On the first day, one bedroom scene needed to be re-shot due to lacking necessary content. Bad weather prevented the outdoor picnic scenes from being filmed on the second and third days, so those were rescheduled. The fourth filming day successfully captured the girls' bedroom scene that was previously unable to be completed.
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The document outlines the shooting schedule for the first day of filming "Retundum". It includes establishing shots in the dawn light to introduce the main characters Kameron and Ellias. Interior barn scenes will show their introduction and initial interactions. Later scenes will involve hostages, antagonizing the hostages, and the killing of one hostage, which will cut to black. The locations and props needed are also listed, including guns, cigarettes, and bags to be used in the hostage scenes.
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The production schedule outlines the filming and post-production tasks for a short film over 3 weeks in December and January. It includes the dates, locations, crew needed, and equipment required for the risk assessment, two days of filming scenes at different locations, recording voiceovers, and multiple editing sessions to complete the project.
Call Sheet, Risk Assessment & Shooting Schedule
The production call sheet provides contact information for Grundy Productions, director Carla Appleby, producer Jessica Grundy, and camera person Jessica Grundy. It will film scenes at two locations in Worsley of children aged 4-10 dressed as their future job roles, using equipment such as a camera, tripod, and costumes. It also lists risks such as actors getting hit by a car or injured during performances, and actions to be taken like filming in visible areas and on soft surfaces away from pedestrians.
Call sheet, risk assessment and shooting schedule
The production call sheet provides contact information for Grundy Productions, director Carla Appleby, producer Jessica Grundy, and camera person Jessica Grundy. It will film scenes at two locations in Worsley of children aged 4-10 dressed as their future job roles, using equipment such as a camera, tripod, and costumes. It also lists risks such as actors getting hit by a car or injured during performances, and actions to be taken like filming in visible areas and on soft surfaces away from pedestrians.
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The document provides details for a photo shoot, including location, cast, props, wardrobe requirements, schedule, and crew. It lists three models - Lydia Balmforth, Ezra Sarimento, and Sophie Grime - who will be photographed in various poses holding props like baseball bats, against a white background. The shoot is scheduled for October 21st at Brinkburn Sixth Form College, with makeup incorporating black and red eyeshadow and lipstick. Ashlyn O'Donnell will serve as both producer and director.
Call sheet,
This call sheet provides information for filming a music video over several days and locations in March. It lists the production company, director, producer, camera operators, and needed actors. Six shooting locations are described, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, and possible lighting. The props/costume list includes an empty alcohol bottle, rucksack, something to clean a smashed bottle, and tic tacs as a drug substitute.
Call sheet, risk assessment and shooting schedule
This call sheet provides information for filming a music video over several days and locations in March. It lists the production company, director, producer, camera operators, and needed actors. Six shooting locations are described, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, and possible lighting. The props/costume list includes an empty alcohol bottle, rucksack, something to clean a smashed bottle, and tic tacs as a drug substitute.
Production schedule
The production schedule outlines 5 weeks of work on a documentary called "Dream Of A Baller". Week 1 includes a field trip, film analyses of Green Street and Coach Carter, and research on London football clubs. Week 2 focuses on creating a Pecha Kucha presentation with audio. Week 3 covers pre-production tasks like storyboarding, securing costumes/props, and location scouting. Weeks 4 and 5 are dedicated to filming and editing the documentary.
Risk Assessment - The Street Scenes
Filming late at night poses risks that need to be addressed. The actor will need to dress warmly for outdoor night shoots near the coast to avoid illness from the cold. Safety measures like using a torch and checking the camera operator's path will minimize fall risks during backwards tracking shots. Rescheduling is planned if an actor becomes unavailable to prevent delays, though alternative scenes may still be shot.
Production schedule
The production schedule outlines five filming days from December 28th to January 9th. On the 28th and 29th, scenes will be filmed at Brian's house and childhood locations featuring Stanley and Albert Gulliford. On January 3rd and 4th, interrogation scenes will be filmed at Anthony's house with Stanley, Jake Witherington, and Rosie Patton. The final day on January 9th will film scenes of Brian's driveway and him cycling down the road. An 1100D camera and tripod are needed for all shoots.
Production scheduele finished version
This production schedule outlines 22 scenes to be filmed over various dates and locations featuring Charlie Ingham and Unkush Chopra. The majority of scenes will be filmed in forests, rivers, and streets using camera, camera stand, and lighting equipment. Post-production tasks include editing initial and final drafts, researching and designing a website, and producing first and final drafts of the website.
Shooting schedule
The shooting schedule outlines the planned filming locations and times for an independent film shooting over one day. Filming will take place from 6am to 7pm across various outdoor locations including woods, fields, and urban areas. Scenes include a car driving scene, outdoor shots in the woods, indoor and outdoor shots of a destroyed house, and urban scenes by a fence, power station and train tracks. The schedule notes the availability of actors and crew, transportation details, and potential weather issues of cloudy and wet conditions. Safety precautions are mentioned for trip hazards and risks in the woodland and urban areas.
Call sheet, risk assessment and shooting schedule
This call sheet provides information for the first day of filming a music video. It lists the director, producer, camera operators, and needed actors. It also identifies the nearest hospital and includes details on 6 shooting locations, including a bridge, bedroom, field, path, girl's house, and tree within a field. The equipment list specifies cameras, tripod, memory cards, possible lighting, and props like an alcohol bottle, rucksack, smashed bottle cleaner, and tic tacs as a drug substitute.
Risk assessment
This document contains a risk assessment for a film production. It identifies potential hazards like tripping in the forest location, dangerous objects in the kitchen, tripods obstructing movement, and traffic during outdoor shooting. For each hazard, it outlines what is already being done to control the risk, such as choosing safe filming locations and storing sharp objects safely. Additional actions are identified like making actors aware of their surroundings and any dangers. The document names the person responsible for actions and includes completion dates.
Shooting schedule
The document outlines a filming schedule for several days in December. On Sunday the 1st, solo shots of an abandoned asylum will be captured using a camera and tripod. From the 2nd to the 4th, indoor flashback and awakening scenes will be filmed requiring a group and props like a tripod, dolly, and red ribbon. Outdoor woodland scenes on the 4th only need a flashlight. The same shots from the 7th to the 8th will be refilmed during the day requiring the same group, equipment and props.
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The documentary will follow a school dropout pursuing his ambition of becoming a UFC fighter. It will have a comedic style influenced by Karl Pilkington, with a sarcastic presenter interviewing the fighter, his trainer, and former teacher. The documentary aims to appeal to male teenagers by exploring relevant topics like muscle dysmorphia with humor and serious exploration.
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Shooting overview day 2
The document outlines a 5 day shooting schedule for a film project called BlueSkyStudios. Day 1 will involve filming performance shots and photos in the woods with Dan, John, and the artist. Day 2 will take place at Tara's house and on the street to film instrumental scenes using a camera, tripod, and guitar. Days 3-5 locations and equipment needs are not specified but will involve additional actors and scenes. Adjustments to the schedule will be noted after each filming day is complete.
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The document outlines a shooting schedule for a film project called BlueSkyStudios over 5 days. On day 1, filming will take place in the woods and will involve performance shots and photos for ancillary tasks, requiring Dan, John, and an artist. A camera, tripod, and guitar will be needed. After each filming session, any adjustments for the next session will be reviewed, with days 2-5 involving scenes of an elderly man in his home and walking to his family home.
Research and planning
The document discusses research and planning for the opening sequence of the film "Missing Slice." It outlines that the sequence will take place at the Hurtwood House location and involve 3 main locations - the car park, lobby, and one of the girl's rooms. Details are provided about lighting, colors, angles, and props that will be used. Specifically, it is planned to have low lighting in the car park to create suspense. Props will include a luggage bag, earrings, a pizza box with one slice removed, phones, and two similar cars. The goal is for the opening sequence to be 1 minute 20 seconds to 2 minutes long and set the suspenseful tone for the film.
Filming checklist day 2
This checklist outlines the equipment and items needed for the second day of filming. It includes cameras, batteries, microphones, a GoPro, lights, tripods, a jib, weights for the jib, storyboards, scripts, and costumes. The team will be filming scenes on the moors and inside a car, so they need cameras that can capture footage from different angles, including a GoPro mounted inside the car. They also plan to use a jib for a transition shot following characters in a van. The checklist ensures the team remembers to bring all necessary gear, charge batteries, download apps, and pack food for the shoot.
Filming Checklist - Day 2
This checklist outlines equipment and items needed for the second day of filming a short film. It includes two cameras, batteries, microphones, a GoPro camera, lights, tripods, a jib, weights for the jib, light stands, storyboards, scripts, lunch, and costumes. The filming will take place on the moors to capture the opening scene and involve shooting from different perspectives. A variety of cameras and equipment will be used including GoPro and a jib to achieve different shots and angles. Preparations like downloading the GoPro app and charging batteries are noted to ensure a smooth filming day.
Planning New
This document proposes an opening sequence for a slasher horror film. It discusses three initial ideas before settling on the slasher genre. The proposed opening sequence would show three friends riding their bikes into a local forest. Strange sounds would spook them and the camera would secretly record them, implying they are being watched. One friend would receive a mysterious phone call without a contact name. The sequence would end with a silhouetted shot of the caller saying cryptic words, leaving the audience confused and curious. Locations, roles, costumes, props, soundtracks and cinematography are discussed to bring the sequence to life in a scary yet low-budget way.
Planning
The document proposes an opening sequence for a slasher horror film. The sequence would follow three friends riding their bikes into a local forest. As it gets darker, strange events would begin to occur, with the friends feeling like they are being watched from a distance. Shots would show a mysterious man stalking them with a weapon. The sequence would end with one friend receiving a creepy phone call from an unknown number, then panning to reveal the man standing behind them. The group proposes shooting the sequence in a local forest, using inexpensive props like a plastic knife to create an unsettling tone that leaves viewers curious to learn more.
Planning all togther (2)
The document proposes ideas for a horror film opening sequence. The group chose idea 1, which involves three friends riding their bikes into a forest. As it gets darker, strange things will begin to happen. They plan to use lighting, music, and camera techniques to build suspense and scare the audience. Key shots include secretly filming the friends from behind trees to show they are being stalked, and showing a mysterious man watching them from a distance. The sequence will end with one friend receiving a mysterious phone call from an unknown person. The group discusses costumes, props, locations, and roles for the film. They also provide examples of shots and techniques they want to use, such as silhouetted shots of the antagonist to add
Production day diary two
The group met to film outdoor scenes for their horror trailer. They were concerned about interference from fireworks but were determined to complete the filming. The documenter applied theatrical makeup for blood effects and helped prepare. They then filmed scenes in a park from 3:10pm, using phone lights due to the dark setting. They captured character reactions and movements before packing up to film at a school later in the week. The day was successful and they obtained the desired footage, though a backup torch is recommended for future shoots.
Question 7!
From the preliminary task to the final production of Abandoned Camp, the author learned the importance of thorough written planning including multiple scripts and storyboards. For Abandoned Camp, 4 scripts were created and edited, and research was done on film conventions. Filming progressed from minimal planning on the preliminary task to the use of tripods and continuity shots on Abandoned Camp. Feedback on the preliminary task showed room for improvement, while Abandoned Camp received praise for its location, props, and titling. The author felt more organized with Abandoned Camp but learned they could improve filming techniques and use of sound editing software.
Day 3 shooting
This document outlines the shooting schedule for a film project called BlueSkyStudios over 5 days. Day 1 will involve filming performance shots and photos in the woods. Day 2 will take place at Tara's house and on the street to film instrumental scenes. Day 3 returns to the woods and Ruislip Lido to re-film performances and retake photos, and add flashback scenes of the couple when young. People and equipment needed are listed for each day. After each filming session, any adjustments for the next session are noted, such as adding or changing locations and scenes.
Planning, all togther
Freddie Major - 07712345678
Director: Arif Uddin - 07712345679
Crew Call Time: 3:30pm
Shooting Times: 4:00pm - 6:30pm
Scene Description: The boys are exploring the forest when they hear strange noises and begin to get chased.
Cast Call Sheet:
Leon - Pedro 4:00pm
Arif - Hamza 4:00pm
Freddie - Max 4:00pm
Crew Call Sheet:
Freddie Major - Camera Operator/Sound 4:00pm
Arif Uddin - Director 4:00pm
Equipment Needed:
- Camera
Shooting schedule overview
The document outlines a 5 day shooting schedule, including the locations and people required for each day of filming, as well as the necessary equipment. Day 1 will take place in a classroom and require a main actor and other students. Day 2 will be in a park and only require the main actor. Day 3 moves to a drama studio and needs the main actor and a record label owner. Day 4 will be shot in a car with just the main actor. Each day lists the equipment needed and includes an area to note any adjustments needed for the next filming session.
Shooting schedule-overview (2)
The document outlines a 14 day shooting schedule with the following information for each day: the location, people required, equipment needed, and a note to record any adjustments needed for the next filming session. Over the 14 days, filming will take place at locations like Ruislip Highschool, a park, and alley, with a core group of Charlotte, Sabrina and Daryl involved most days and other occasional participants. A camera is the primary equipment needed, along with a tripod on some days. No adjustments are recorded after any of the filming sessions.
7
The document discusses the planning and production process for a student film opening sequence. It describes researching horror conventions, analyzing other film openings, planning shots and storyboards. Location scouting, risk assessments, call sheets and a shooting schedule were made. Footage was edited into a rough cut, and feedback was gathered. Titles, sounds and a final cut were completed. The opening sequence utilized a range of shots and horror elements successfully to create tension and engage audiences.
Question 7
The document compares the filmmaker's preliminary task film to their final production of "Abandoned Camp." They learned several important lessons. For the final film, they created multiple scripts and storyboards, researched conventions of the horror genre, and planned schedules and risk assessments. Their filming and use of equipment improved, utilizing tripods and planning shots. They incorporated more non-diegetic sound in post-production. Overall, the filmmaker felt more organized in their approach and saw progression in various stages of production from the preliminary task.
Macketly Entertainment - Treatment
The opening sequence will begin with an establishing shot of Bangkok before cutting to the stalker attending her camera equipment. It will then be revealed that she is spying and taking photos of a man through her lens. She will then pack up her equipment and begin walking through the city while a narration plays, tracked by drone shots. She will enter a dark room and turn on a light, revealing a large pinboard covered in photos of the man, cueing the title sequence.
5. fmp pre production
This document outlines the pre-production planning for a student film project titled "Kidnapped". It includes details on props, locations, contingency planning, health and safety, and a 8-day production schedule. Storyboards and scripts will be completed by Day 1. Locations will be scouted on Day 2. A call sheet and filming plan will be made by Day 3. Principal photography will take place over Days 4-5. Editing and poster design will occur between Days 6-7. The project will be finalized and submitted by Day 8. Contingency plans address potential issues like delays, unavailable cast/crew, equipment failures, and weather. Health and safety focuses on safe location changes, child supervision
Checklist for second day of filming
This document is a checklist for equipment and items needed for the second day of filming. It outlines cameras, batteries, microphones, a GoPro, lights, tripods, and other gear that will be used. Specific details are provided on using two Sony cameras to film from different perspectives, and a GoPro mounted in a car. The filming will take place on the moors and will require costumes, scripts, storyboards, and packed lunches. Setting up equipment like the jib is also discussed to get various camera angles and shots for the scene.
Pre production portfilo assignment
This work is related to my short film which I will be filming and editing over the summer. It is missing some work but I will upload it when it has be completed.
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The album cover has a gritty, desaturated look with limited colors to give a serious tone. The main image is a sci-fi gun reflecting the rock genre. The band's name is printed in a minimalist, clean font. Details like fake scuffs and a neglected look portray the band as underdogs in the music world. The album and band have the same name, giving a confident air that the name is recognizable.
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Jaymes - Pitch To Group
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Jaymes - Ancillary Research
The document discusses the marketing campaigns for several music albums and tours:
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Ancillary Rough Draft- Olivia
The poster will promote an artist's new album using similar colors and style as the music video and album to make the work recognizable. It will include tour dates to promote the album and social media links to look realistic. A blurred photo of the anonymous artist will also appear to maintain the brand of being unknown to the audience.
Og pictures used for digipak
This one sentence document appears to be referring to original tree pictures that are intended for some ancillary or secondary task. No other context is provided about the pictures, task, or purpose.
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Digipack research
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Shooting schedule overview bss day2
- 1. Shooting Schedule Overview - BlueSkyStudios Day 1: Monday 18th January2016 Day 2: Wednesday20th January2016 Day 3: Day 4: Day 5: Where? Outside ruisliphighschool in orderto filmourestablishing shotsand exteriorshotsof the school. Where? Exteriorshotsof the park we will be usinginourthriller films.We decidedthatwe wantedtocapture some shots of the park inorderto use in our creditsforour opening sequence. Where? Where? Where? People Required? Catherine,Dan,Tara andJohn – to filmanddirectthe shots People Required? Dan to filmthe shotsandTara to directthe shots. People Required? People Required? People Required? EquipmentRequired? Cameraand tripod EquipmentRequired? Cameraand tripod EquipmentRequired? EquipmentRequired? EquipmentRequired? COMPLETE AFTER FILMING: Any adjustmentsto next filmingsession? The nextsceneswe will filmwill involve ourprotagonistand victimcharacterswhowill be the central characters. The sceneswill tellthe storyof our thrilleropeningsequence. COMPLETE AFTER FILMING: Any adjustmentsto next filmingsession? In the nextfilmingsessionwe will have ourmainactressand we will begintofilmthe main storyof our piece.We now have all the exterior,artyshots we need. COMPLETE AFTER FILMING: Any adjustmentsto next filmingsession? COMPLETE AFTER FILMING: Any adjustmentsto next filmingsession? COMPLETE AFTER FILMING: Any adjustmentsto next filmingsession?