Bridget O'Leary, video production unit manager, The Salvation Army
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
5. Structure of TSA Video Unit
Manager Creative Director Producer Assistant Producer
Managerial
responsibility
Creative lead, creative
overview
Data wrangler, kit
maintenance
Production skills
(direct, produce and
sound)
Production skills (direct
and produce)
Production skills
(direct, produce, sound
and camera)
Production skills
(direct, produce, sound
and camera)
Edit Edit Edit
6. Team
Film makers and story tellers
Production background
Use freelancers
8. Equipment
Work with the skills of the team
What are your expectations
Try before you buy
Think about scenarios and locations
9. Equipment
Camera, lenses and tripod
Monitor
Lights
Appropriate microphones and headphones
Autocue
10. Edit suite
Separate space
Sound insulated
Think about lighting
Space for viewings
Software and hardware
11. Data storage
Don’t under estimate the amount of space you’ll need
You will need dedicated data storage
You may need local data storage
You will need UPS
Think about the future
12. Time to discuss
What are the pros and cons of a video team with their
own budget
What is the criteria for having a film made
14. To conclude
Decide the output first
Experienced and skilled film makers will take it to the
next level
Try before you buy
Don’t under estimate storage requirements
Have a rigorous commissioning process and criteria
Don’t get bogged down in one style
Remember your priority is the people you help
An in-house team are invaluable. Go for it!
16. Visit the CharityComms website to view
slides from past events, see what events
we have coming up and to check out
what else we do:
www.charitycomms.org.uk