Sem 2 paper-7 Literary Theory & Criticism
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This document contains information about a student named Lalji G. Baraiya, including their course details, enrollment number, and contact information. It also provides an overview of Rasas or aesthetic flavors in Indian classical drama as described in the ancient Indian text Natya Shastra. Specifically, it lists the nine primary Rasas - love, laughter, wonder, heroism, relaxation, tragedy, terror, disgust, and anger. For each Rasa, it provides a brief description and examples from literature. It concludes by inviting feedback to the provided email address.
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Paper 7 Literary Criticism "Rasa Theory "
Bharatamuni is considered the father of Indian theater and wrote the ancient Indian text Natya Shastra between 200 BCE and 200 CE. The Natya Shastra is an encyclopedic treatise on performance arts that was influenced by dance, music, and theatrical traditions. It has 36 chapters containing 6000 verses and is notable for discussing the aesthetic concept of rasa.
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2. It defines Rasa as the aesthetic experience or flavor extracted from a work of art through a combination of determinants, consequents, and transitory states that trigger emotions.
3. The document lists the nine primary Rasas or aesthetic flavors as Shringara, Hasya, Raudra, Karuna, Bibhatsya, Bhayanaka, Veera, Adbhuta, and Shanta.
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The document discusses the concept of rasa, which originated in the Natyashastra and refers to the emotional effect of human experiences on the mind and heart. It is a fundamental aspect of many Indian art forms. There are nine main rasas - shringara, hasya, adbhuta, veera, shanta, karuna, bhayanaka, bibhatsa, and raudra - which represent emotions such as love, laughter, wonder, courage, peace, tragedy, terror, disgust, and anger. The document provides examples and descriptions of each rasa from Indian literature and performance arts to illustrate how they differ based on style and region.
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Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
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Mughal painting
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Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
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The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
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. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
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Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
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From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
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Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
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Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
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Course no. 14 the african literature
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This poem discusses how the speaker used to feel welcomed by others but now feels their interactions are disingenuous and empty. It describes how people now only laugh with their mouths while their eyes search behind the speaker's back, and how they say "feel at home" and "come again" but the speaker knows if they return again, the door will be shut to them. The speaker has learned from this experience.
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This document provides information about the Harry Potter book Harry Potter and the Deathly Hallows. It includes a summary of the book's plot, lists the main characters, and discusses some of the major themes. Specifically:
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Sem 2 paper-7 Literary Theory & Criticism
- 1. Welcome Name:- Lalji. G. Baraiya. Course.:- M.A.-1 , Sem-2. Year:- 2019-’20. Roll no.:- 21. Enrollment no.:-2069108420190001. G-mail Id.:- laljibaraiya789@gmail.com. Paper no.:- 7(Literary Theory & Criticism). Topic:- “ Rasa Theory” Submitted to:- Smt. S.B.Gardi.Dep.of Engllish Maharaja Krishnakumarsinhji Bhavnagar University
- 2. Bharatmuni Ancient Indian theatrologist and musicologist Wrote the Natya Shastra Especially Sanskrit theatre Father of Indian theatrical art forms Between 200 BCE and 200 CE
- 3. Natyashastra
- 4. Relation between Rasa & Bhava • Rasa theory is built around the concept of Bhava which is sub-divided into : i. Vibhava ii. Sthayibhava iii. Sancaribhava iv. Anubhava v. Satvikabhava
- 7. 1.) Love (Rati) • Represents love & beauty, attractiveness & devotion. • Emotions appeals to human mind • Ex. (Abhigya./ Vishnu, Ophelia) • Colour : Light green
- 8. 2.) Laughter (Hasa) Represents joy & mirth Used depict simple joy, riotous laughter Ex. Ravan ( Atthasya), Malaprop Color : White
- 9. 3.) Marvellous ( Vishmaya) Represents wonder, mystery and curiosity Across something divine & supernatural Ex. Character of Rama & Brahma Color : Yellow
- 10. 4.) Heroic ( Utsaha) Represents courage, pride, bravery and self confidence Color: Pale Orange
- 11. 5.) Relaxation ( Santa) • Represent peace and serenity • State of calmness • Ex. Rama, Gandhi • Color : White
- 12. 6.) Tragedy (Shoka) • Represents Sadness, Pity ,grief and Compassion • Feeling of unspeakable tragedy & despite • Utter hopeless and heart break • Color: Grey
- 13. 7.) Terrible ( Bhaya) Represent horror or terror, fear and anxiety Ex. Rakshasha, monster, Frankestein Color: Black
- 14. 8.) Odious ( Jugupsa) • Represents disgust & hate and aversion • Emotion evoked by anything that nauseates us that revolts or sickness us. • Color: Blue
- 15. 9.) Furious ( Krodh) • Represents anger & fury • Ex. Shiva • Colour : Red
- 17. Feedback If you have any questions related to this presentation then you can ask me and please give your feedback on this G-mail Id:- laljibaraiya789@gmail.com