The document discusses key elements of an effective screenplay, including developing complex characters with inner and outer motivations. The inner motivation involves a character flaw or need that is resolved, often relating to past trauma or relationships. The outer motivation is the character's tangible goal that propels the story forward through action. An effective screenplay also incorporates conflict on both the inner and outer story levels, keeping audiences engaged as the protagonist struggles to overcome obstacles to achieve their goals.

1. AS MEDIA STUDIES FOUNDATION
PORTOFOLIO SCREENWRITING
Mila Habek Y12

2.  The screenplay tells a story using characters
and action. The most common pitfall is writing
the screenplay is making it on one-dimensional.
The best stories avoid this by developing
clearly defined action and realistic, complex
characters. Both of these ingredient are
essential to a screenplay’s entertainment and
thematic value.

3.  The inner motivation is about the
protagonist’s inner need or characters flaw.
The inner motivation can be guilt, ambition
or selfishness. It is resolved when the
protagonist recognize and overcomes it.
 It is usually caused by a traumatic
experience in the protagonist’s past. The
inner motivation is usually about
relationships, so it is how character and
theme are explored
 The inner motivation gives depth to the story

4.  The outer motivation is about the
protagonist’s outward goal or desire. The
goal must be tangible and manifests itself in
physical action. The action need not to be
high energy, but it must be clear to the
audience. Slow moving and depends heavily
upon the outer motivation to hook the
audience with exiting action. For this reason,
the outer motivation is called the spine of
the script.

5.  Conflict is opposition between characters. Conflict
can be in form of a dispute, challenge, deficiency,
decision, threat or an obstacle. It creates tension in
the audience and curiosity about the outcome. This
makes for a quick moving, interesting story.
 Conflict therefore, is a single most effective story
element for keeping the audience involved. But the
inner and outer stories must contain conflict.
 The outer story contain conflict whit an opponent
who prevents the protagonist from achieving his goal.
 The inner story contain conflict with an ally. The
inner story deals with personal struggle so it gives the
protagonist depth and realism.