An introduction presentation for screenwriters.

1. By Varun Prabhu

2. 1. Screenwriting
2. Differences between Scripts and Novels
3. Story Building
4. Character Arcs
5. Dramatic Structures
6. Movie Screenplays
7. Teleplays
8. The Three Act Structure
9. The Four Act Structure
10. The Five Act Structure

3.  The Six Act Structure
 The General Rule of Thumb
 Adaptations
 Novelization
 Elements of a Screenplay
 Writing a Synopsis
 Creating a Logline
 Writing a Pitch
 Ways of Pitching
 Competitions
 The Stage 32 Website

4.  Screenwriting is a method of writing and storytelling
by using screenplays or scripts (both are different
though..we will come to this later. For now, we can use
them interchangeably)
 Screenplays are written like theatre plays but are more
visual than using props. More focus on action and
dialogue.
 It is quite in vogue these days considering this medium
is hitting a new high. Still, competition is difficult.
 Novelists can be screenwriters too. But they must
understand the differences.

5.  Screenplays usually do not exceed 150 pages. Novels
can be more as required.
 Screenplays focus more on action and dialogue. Novels
focus on every aspect of the setting.
 Screenplays are always written in third person. Novels
can have multiple points of view.
 Screenplays are always written in present tense. Novels
can be written in present or past tense.
 Novels can explore a story in detail than a movie or a
television show. However, a TV show can explore in
much more detail than a movie.

6.  This applies to both novels and screenplays.
 You can either use outlining or pantsing.
 However, do know the beginning, the middle, and the end
of your story. They are very important.
 Stories are generated from ideas. Ideas are for the most part
inspired.
 Start generating stories that work around clichés.
 For the movies, write as if you are building an entertainer,
unless you are doing an art film or something meaningful.
 For a television show, write with the TRP in mind. That
requires drama, story, and twists and turns. To pitch a show
concept, make sure that you have at least 5 seasons worth
of story, even if all you are doing is writing a pilot episode.

7.  Most important of storytelling.
 There must be turning points in the story to show how
characters evolve and develop.
 Don’t try and write stock characters. They must be
done away with.
 Just because a type of character worked in a certain
movie doesn’t mean you build the same one for yours.
 You can still use black and white characters.
 Gray ones are preferable.

8.  Every story needs a structure.
 Many professionals need you to tell a story via The
Acts.
 There are many structures available for use like the 3-
Act, 4-Act, 5-Act, 6-Act.
 6-Act Structure is the latest dramatic structure.
 Movies these days use the 4-Act Structure.
 TV Shows these days use the 5-Act Structure.

9.  Uses the 4-Act Structure.
 Story is important but so is the commercial value.
 Studios are open to any kind of screenplays these days
from all over the world.

10.  Teleplays are screenplays designed for television series.
 Each episode in a television show follows the 5-Act
Structure or the 6-Act Structure.
 Each season of a television show follows the 5-Act or
the 6-Act Structure.

11.  It is a model used in screenwriting that divides a story
into three parts:
 SETUP: Used for Exposition.
 CONFRONTATION: Also referred to as Rising Action.
Depicts the protagonist’s attempts to resolve conflicts.
 RESOLUTION: Contains the story’s climax.
 Stories used to follow this structure earlier. Nowadays,
they have evolved.

12.  More commonly used in movie screenplays.
 Uses four acts:
 Set Up: For Exposition
 Build: For building action towards turning point.
 Rising Action: Character evolves from turning point and
attempts to resolve conflict.
 Resolution: Final push towards end of conflict.

13.  Teleplays mostly use this structure.
 Five Acts are:
 Exposition: Introduces important background information to the
audience. Ex: Settings, events before main plot, characters’ back
stories etc. Can be conveyed using flashbacks, dialogues, character
thoughts, etc.
 Rising Action: Series of events leading towards a point of interest.
 Climax: Turning point which changes fate of the protagonist.
 Falling Action: Conflict between protagonist and antagonist
unravels.
 Resolution: Conflicts are resolved, creating normality for the
characters. In a comedy, the resolution ends with a denouement.
Here protagonist is in a better state than the beginning. In a tragedy,
the resolution ends with a catastrophe. Here the protagonist is in a
worse state than the beginning.

14.  It uses the same template as the Five Act Structure,
except that a teaser is added just before the First Act
(Exposition).
 A teaser is something that engages the audience and is
the central event that ensues the following acts. Many
supernatural and procedural shows use this teaser.
 Personally, I use this structure to write my screenplays.
I use Five Act for Movies.
 You can use either of these structures for novels also.

15.  Movies are usually 1.5 hour long. Take a general rule of one page
= one minute. So a screenplay should be at least 90-120 pages
long. More than that is not advisable. However, if the story so
requires, it might exceed 120. But keep it below 150.
 Bollywood movies are 2.5 hours – 3 hours long. Keep the
screenplay to 150-180 pages. 150 is optimum.
 An hour long TV pilot usually has 45-60 pages. Anything more
than is not recommended.
 A half-hour comedy TV pilot should be 25-35 pages long.
 Final Draft and Movie Magic Screenwriter are the recommended
software for developing screenplays.
 A TV show with 6-8 episodes is usually called a mini-series.
 A TV Show generally has 8-24 episodes per season.

16.  Adaptations are creative works that are based on a
novel.
 You don’t have to take every thing from the novel.
 Use only important scenes which move the story
forward.
 Sometimes it becomes necessary to change the story or
certain events. Do it if it is absolutely essential even
though there will be complaints regarding how
screenplays do not stick true to the novels.
 What works for the literary form may not necessarily
work for the visual media.

17.  Novelization is the process of converting a screenplay
to a novel.
 TV shows are being written in novel form these days.
 Usually given to a famous writer/ghostwriter.

18.  Acts
 Scene Headings
 Action
 Dialogue
 Transition
 Parentheticals

19.  The second hardest part.
 Keep it to 2-3 pages.
 Define goals of story.
 Define protagonist/s and antagonist/s.
 Describe conflict and events leading to it.
 Describe how conflict is resolved.
 Useful to writers only.

20.  A log line is a 1-2 sentence summary of your story.
 Producers and studios look for this one to get hooked
to your story.
 Log line is the first thing they look at.
 Make sure your log line doesn’t exceed 3 sentences.
 Your log line should be 60-90 words. 60 is optimum.
 Log lines should define protagonist, antagonist,
conflict, and what protagonist does to overcome
conflict.

21.  A Pitch is usually 1 page. Maximum 2 pages.
 A pitch should define protagonist, antagonist, conflict,
and its resolution properly.
 It should hook the producer/studio.
 Pitches usually also contain log lines.
 Should be free of grammatical and spelling errors.
Hence, they must be carefully proofread and edited.

22.  There are different ways of pitching your scripts:
 Networking in film festivals.
 Networking parties.
 Online Websites that allow pitching for a price. (Please
research these sites. Many are scam artists)
 Enlisting in The Blacklist, The Young List, and The
Blood List (for horror genre)

23.  There are many screenwriting competitions available.
 Very low chance of success.
 Prominent ones are Academy Nicholls, Page
International, Script Pipeline, BlueCat, Austin Film
Festival, Final Draft Big Break, Slamdance, Sundance
Film Festival, Scriptapalooza, etc. (Please check the
sites again)

24.  An interesting website to network socially over the Internet
for film, TV, and theatre professionals.
 Quite good if you know how to interact.
 Has all sorts of forums and groups for you to know every
aspect of filmmaking including screenwriting and novel
writing.
 It is free to register.
 Founded by Richard RB Botto.
 The Happy Writers Program conducts classes, webinars,
pitch sessions, online pitchfests, and contests. Has been
pretty instrumental in landing writers in the industry. This
program is PAID.
 There is also a jobs section.