SlideShare a Scribd company logo
1 of 7
Unit 17: Preparing material for editing
Rushes Log
Name of editor Max Cheshire
Title of production Shady Movements
Date 03/04/2019
Shot Number File Type File Name Duration Possibilities and limitations of shots Where stored
1 VIDEO FILE
(MOV)
MVI_7923 00;00;07 Handheld shot, shallow depth of field in the
foreground
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
2 VIDEO FILE
(MOV)
MVI_7295 00;00;05 Focus pulled from foreground to background,
shallow depth of field
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
3 VIDEO FILE
(MOV)
MVI_7300 00;00;16 Handheld shot, moving from over the shoulder to
reveal more of the scene and allow dialogue
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
4 VIDEO FILE
(MOV)
MVI_7303 00;00;20 Wide shot, shows the two characters as well as the
landscape and surrounding environment.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
5 VIDEO FILE
(MOV)
MVI_7306 00;00;11 This shot is allowing a transition into clips from my
phone. This is because the camera goes behind
the headrest of the car
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
6 VIDEO FILE
(MOV)
MVI_7308 00;00;07 A fill in shot of the previous, allows diversity of the
shot
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
7 VIDEO FILE
(MOV)
MVI_7312 00;00;17 Medium tracking shot, niece lighting due to bright
walls, could potentially be shaking
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
8 VIDEO FILE
(MOV)
MVI_7316 00;00;06 Medium tracking shot, niece lighting due to bright
walls, could potentially be shaking
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
9 VIDEO FILE
(MOV)
MVI_7317 00;00;04 Medium tracking shot of bottom half, dark lighting
as the walls were not projecting light to the bottom
half
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
10 VIDEO FILE
(MOV)
MVI_7318 00;00;08 shot of bottom half, dark lighting as the walls were
not projecting light to the bottom half.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
11 VIDEO FILE
(MOV)
MVI_7319 00;00;04 This shot moves backwards as the camera is
focused on the phone, the low angle suggests it is
an important message on the phone.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
12 VIDEO FILE
(MOV)
MVI_7322 00;00;34 Medium tracking shot, quite over exposed so need
to fix in post
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
13 VIDEO FILE
(MOV)
MVI_7324 00;00;21 Tracking shot, moving from wide to medium ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
14 VIDEO FILE
(MOV)
MVI_7326 00;00;17 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
15 VIDEO FILE
(MOV)
MVI_7331 00;00;07 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
16 VIDEO FILE
(MOV)
MVI_7333 00;00;16 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
17 VIDEO FILE
(MOV)
MVI_7334 00;00;08 Medium tracking shot, well lit and exposed due to
natural light.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
18 VIDEO FILE
(MOV)
MVI_7336 00;00;30 Tracking shot, medium shot. Hard to expose
correctly as I am showing both outside and inside
in one shot.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
19 VIDEO FILE
(MOV)
MVI_7337 00;00;24 A bit shaky but well framed, good mise en scene. ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
20 VIDEO FILE
(MOV)
MVI_7339 00;00;13 Tracking shot, very shaky so will need to fix in post
with warp stabilizer plug in
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
21 VIDEO FILE
(MOV)
MVI_7341 00;00;13 Tracking shot, medium shot. Hard to expose
correctly as I am showing both outside and inside
in one shot.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
22 VIDEO FILE
(MOV)
MVI_7342 00;00;14 Tracking shot, very shaky so will need to fix in post
with warp stabilizer plug in
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
23 VIDEO FILE
(MOV)
MVI_7345 00;00;04 Well framed, makes it obvious where we are, could
be used to cut in from wide shot
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
24 VIDEO FILE
(MOV)
MVI_7351 00;00;04 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
25 VIDEO FILE
(MOV)
MVI_7355 00;00;10 Hand held down the stairs, very shaky, need to fix
the colour grading as the white balance of the
camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
26 VIDEO FILE
(MOV)
MVI_7361 00;00;05 Hand held down the stairs, very shaky, need to fix
the colour grading as the white balance of the
camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
27 VIDEO FILE
(MOV)
MVI_7366 00;00;06 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
28 VIDEO FILE
(MOV)
MVI_7367 00;00;22 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
29 VIDEO FILE
(MOV)
MVI_8681 00;00;04 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
30 VIDEO FILE
(MOV)
MVI_8682 00;00;09 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
31 VIDEO FILE
(MOV)
MVI_8685 00;00;03 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
32 VIDEO FILE
(MOV)
MVI_8687 00;00;10 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
33 VIDEO FILE
(MOV)
MVI_8690 00;00;08 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
34 VIDEO FILE
(MOV)
MVI_8694 00;00;06 Hand held, very shaky. Shake is added for effect of
the fight.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
35 VIDEO FILE
(MOV)
MVI_8700 00;00;22 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
36 VIDEO FILE
(MOV)
MVI_8702 00;00;04 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
37 VIDEO FILE
(MOV)
MVI_8703 00;00;09 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
Walks past the camera this can be used as a
transition
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
38 VIDEO FILE
(MOV)
MVI_8704 00;00;03 Stationary on a tripod, need to fix the colour
grading as the white balance of the camera is off
Walks past the camera this can be used as a
transition
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
39 VIDEO FILE
(MOV)
MVI_8705 00;00;10 THIS CLIP IS STRICTLY USED FOR AUDIO
PURPOSES
DID NOT HAVE AN EXTERNAL MIC ON SET
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
40 VIDEO FILE
(MOV)
MVI_8706 00;00;08 THIS CLIP IS STRICTLY USED FOR AUDIO
PURPOSES
DID NOT HAVE AN EXTERNAL MIC ON SET
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
41 VIDEO FILE
(MOV)
MVI_8707 00;00;08 Wide shot, character framed in the centre. ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
42 VIDEO FILE
(MOV)
MVI_8708 00;00;06 This shot allows me to cut in over the top of the
original wide shot
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
43 VIDEO FILE
(MOV)
MVI_8709 00;00;06 Wide shot, character framed in the centre.
Elevated more than the original wide
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
44 VIDEO FILE
(MOV)
MVI_8710 00;00;10 Medium shot, allows me to crop in, character walks
past the camera, this allows smooth transition.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
45 VIDEO FILE
(MOV)
MVI_8711 00;00;08 Medium shot, allows me to crop in, ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
46 VIDEO FILE
(MOV)
MVI_8712 00;00;14 Medium shot facing character bang central ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
Unit 17: Preparing material for editing
47 VIDEO FILE
(MOV)
MVI_8713 00;00;08 Wide, tracking from left to right. Needs to be colour
graded white balance in camera is off.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
48 VIDEO FILE
(MOV)
MVI_8714 00;00;09 Purposely out of focus to create suspense ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
49 VIDEO FILE
(MOV)
MVI_8715 00;00;04 Medium shot, little audio. Colour grading needs to
be fixed, unwanted yellows are showing up
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
50 VIDEO FILE
(MOV)
MVI_8716 00;00;04 Extreme close up, little audio. Colour grading
needs to be fixed, unwanted yellows are showing
up
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
51 VIDEO FILE
(MOV)
MVI_8717 00;00;07 Extreme close up, little audio. Colour grading
needs to be fixed, unwanted yellows are showing
up
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE
52 VIDEO FILE
(MOV)
MVI_8718 00;00;40 Wide shot, little audio. Colour grading needs to be
fixed, unwanted yellows are showing up.
ON A HARDIVE
BTEC DRIVE >
MEDIA FILM >
FOOTAGE

More Related Content

What's hot

Codes and conventions of music videos
Codes and conventions of music videosCodes and conventions of music videos
Codes and conventions of music videosElliezambakides
 
Radio Script and Storyboards
Radio Script and StoryboardsRadio Script and Storyboards
Radio Script and StoryboardsVirtu Institute
 
04. shooting script blank yr13
04. shooting script blank yr1304. shooting script blank yr13
04. shooting script blank yr13KittyKatGeek4
 
Introduction to film editing
Introduction to film editingIntroduction to film editing
Introduction to film editinglaneford
 
Indie Genre Conventions
Indie Genre ConventionsIndie Genre Conventions
Indie Genre Conventionslindax9
 
ITFT-MEDIA Radio production
ITFT-MEDIA Radio productionITFT-MEDIA Radio production
ITFT-MEDIA Radio productionSurbhi Rishi
 
Studio and control room
Studio and control roomStudio and control room
Studio and control roomjeromiewhalen
 
Andrew Goodwin - Music Video Theory
Andrew Goodwin - Music Video TheoryAndrew Goodwin - Music Video Theory
Andrew Goodwin - Music Video TheoryCoreyGB
 
Codes and conventions of pop music videos
Codes and conventions of pop music videosCodes and conventions of pop music videos
Codes and conventions of pop music videosMsJMcLeod
 
Unit 4 pre-production portfolio
Unit 4  pre-production portfolio Unit 4  pre-production portfolio
Unit 4 pre-production portfolio stephburdess
 
Montagem e edição no cinema
Montagem e edição no cinemaMontagem e edição no cinema
Montagem e edição no cinemaBianca Pasetto
 
The History Of The Cinema
The History Of The CinemaThe History Of The Cinema
The History Of The Cinemajuditetah
 
Conventions Of A Hip Hop Music Video.
Conventions Of A Hip Hop Music Video.Conventions Of A Hip Hop Music Video.
Conventions Of A Hip Hop Music Video.Sarah Byard
 
The Dark Knight – Marketing Campaign
The Dark Knight – Marketing CampaignThe Dark Knight – Marketing Campaign
The Dark Knight – Marketing CampaignLuke Harris
 
Movie making process
Movie making processMovie making process
Movie making processdyogakrishna
 
9.location recce template
9.location recce template9.location recce template
9.location recce templatectkmedia
 
Composition skills in Film Making
Composition skills in Film MakingComposition skills in Film Making
Composition skills in Film MakingAditya Rao
 

What's hot (20)

Codes and conventions of music videos
Codes and conventions of music videosCodes and conventions of music videos
Codes and conventions of music videos
 
Radio Script and Storyboards
Radio Script and StoryboardsRadio Script and Storyboards
Radio Script and Storyboards
 
Clueless
CluelessClueless
Clueless
 
Film sound
Film soundFilm sound
Film sound
 
04. shooting script blank yr13
04. shooting script blank yr1304. shooting script blank yr13
04. shooting script blank yr13
 
Introduction to film editing
Introduction to film editingIntroduction to film editing
Introduction to film editing
 
Indie Genre Conventions
Indie Genre ConventionsIndie Genre Conventions
Indie Genre Conventions
 
ITFT-MEDIA Radio production
ITFT-MEDIA Radio productionITFT-MEDIA Radio production
ITFT-MEDIA Radio production
 
Studio and control room
Studio and control roomStudio and control room
Studio and control room
 
Andrew Goodwin - Music Video Theory
Andrew Goodwin - Music Video TheoryAndrew Goodwin - Music Video Theory
Andrew Goodwin - Music Video Theory
 
Codes and conventions of pop music videos
Codes and conventions of pop music videosCodes and conventions of pop music videos
Codes and conventions of pop music videos
 
Unit 4 pre-production portfolio
Unit 4  pre-production portfolio Unit 4  pre-production portfolio
Unit 4 pre-production portfolio
 
Movie marketing glossary
Movie marketing glossaryMovie marketing glossary
Movie marketing glossary
 
Montagem e edição no cinema
Montagem e edição no cinemaMontagem e edição no cinema
Montagem e edição no cinema
 
The History Of The Cinema
The History Of The CinemaThe History Of The Cinema
The History Of The Cinema
 
Conventions Of A Hip Hop Music Video.
Conventions Of A Hip Hop Music Video.Conventions Of A Hip Hop Music Video.
Conventions Of A Hip Hop Music Video.
 
The Dark Knight – Marketing Campaign
The Dark Knight – Marketing CampaignThe Dark Knight – Marketing Campaign
The Dark Knight – Marketing Campaign
 
Movie making process
Movie making processMovie making process
Movie making process
 
9.location recce template
9.location recce template9.location recce template
9.location recce template
 
Composition skills in Film Making
Composition skills in Film MakingComposition skills in Film Making
Composition skills in Film Making
 

Similar to RUSHES LOG

Rushes log 2
Rushes log 2Rushes log 2
Rushes log 2ZoeBMedia
 
Three dimensions television
Three dimensions televisionThree dimensions television
Three dimensions televisionDavid Metge
 
Mio MiVue 388 GPS enabled in car DVR
Mio MiVue 388 GPS enabled in car DVRMio MiVue 388 GPS enabled in car DVR
Mio MiVue 388 GPS enabled in car DVREugene Taylor
 
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250Tenmars Việt Nam
 
Hướng dẫn sử dụng USB không dây Extech BRD10
Hướng dẫn sử dụng USB không dây Extech BRD10Hướng dẫn sử dụng USB không dây Extech BRD10
Hướng dẫn sử dụng USB không dây Extech BRD10Tenmars Việt Nam
 
3D PRINTING VIDEO Storyboard v2_FINAL.pdf
3D PRINTING VIDEO Storyboard v2_FINAL.pdf3D PRINTING VIDEO Storyboard v2_FINAL.pdf
3D PRINTING VIDEO Storyboard v2_FINAL.pdfDuaneLoose1
 
3 d printing video storyboard v2 final
3 d printing video storyboard v2 final3 d printing video storyboard v2 final
3 d printing video storyboard v2 finalDuane Loose
 

Similar to RUSHES LOG (15)

Rushes log
Rushes logRushes log
Rushes log
 
Rushes log 2
Rushes log 2Rushes log 2
Rushes log 2
 
Rushes log
Rushes logRushes log
Rushes log
 
Rushes log pdf
Rushes log pdfRushes log pdf
Rushes log pdf
 
Three dimensions television
Three dimensions televisionThree dimensions television
Three dimensions television
 
Rushes report
Rushes reportRushes report
Rushes report
 
Mio MiVue 388 GPS enabled in car DVR
Mio MiVue 388 GPS enabled in car DVRMio MiVue 388 GPS enabled in car DVR
Mio MiVue 388 GPS enabled in car DVR
 
Roland VR-50HD: Multi-Format AV Mixer
Roland VR-50HD: Multi-Format AV MixerRoland VR-50HD: Multi-Format AV Mixer
Roland VR-50HD: Multi-Format AV Mixer
 
Rushes log
Rushes logRushes log
Rushes log
 
Rushes log
Rushes logRushes log
Rushes log
 
Chapter9
Chapter9Chapter9
Chapter9
 
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250
Hướng dẫn sử dụng máy nội soi công nghiệp tích hợp wireless BR - 250
 
Hướng dẫn sử dụng USB không dây Extech BRD10
Hướng dẫn sử dụng USB không dây Extech BRD10Hướng dẫn sử dụng USB không dây Extech BRD10
Hướng dẫn sử dụng USB không dây Extech BRD10
 
3D PRINTING VIDEO Storyboard v2_FINAL.pdf
3D PRINTING VIDEO Storyboard v2_FINAL.pdf3D PRINTING VIDEO Storyboard v2_FINAL.pdf
3D PRINTING VIDEO Storyboard v2_FINAL.pdf
 
3 d printing video storyboard v2 final
3 d printing video storyboard v2 final3 d printing video storyboard v2 final
3 d printing video storyboard v2 final
 

More from MaxCheshire

CLIENT FEEDBACK REDO
CLIENT FEEDBACK REDO CLIENT FEEDBACK REDO
CLIENT FEEDBACK REDO MaxCheshire
 
CREW AND CAST REDO
CREW AND CAST REDOCREW AND CAST REDO
CREW AND CAST REDOMaxCheshire
 
CONTINGENCY REDO
CONTINGENCY REDO CONTINGENCY REDO
CONTINGENCY REDO MaxCheshire
 
TREATMENT 2 REDO
TREATMENT 2 REDOTREATMENT 2 REDO
TREATMENT 2 REDOMaxCheshire
 
TREATMENT 1 REDO
TREATMENT 1 REDOTREATMENT 1 REDO
TREATMENT 1 REDOMaxCheshire
 
MAX PAYNE GAME SCRIPT
MAX PAYNE GAME SCRIPTMAX PAYNE GAME SCRIPT
MAX PAYNE GAME SCRIPTMaxCheshire
 
RADIO SCRIPT - THE GOLDEN BOWL
RADIO SCRIPT - THE GOLDEN BOWLRADIO SCRIPT - THE GOLDEN BOWL
RADIO SCRIPT - THE GOLDEN BOWLMaxCheshire
 
EVALUATION OF THE SCRIPT
EVALUATION OF THE SCRIPT EVALUATION OF THE SCRIPT
EVALUATION OF THE SCRIPT MaxCheshire
 
CLIENT FEEDBACK LOG
CLIENT FEEDBACK LOG CLIENT FEEDBACK LOG
CLIENT FEEDBACK LOG MaxCheshire
 

More from MaxCheshire (20)

RISK ASSESSMENT
RISK ASSESSMENTRISK ASSESSMENT
RISK ASSESSMENT
 
RISK ASSESSMENT
RISK ASSESSMENTRISK ASSESSMENT
RISK ASSESSMENT
 
CLIENT FEEDBACK REDO
CLIENT FEEDBACK REDO CLIENT FEEDBACK REDO
CLIENT FEEDBACK REDO
 
BUDGET REDO
BUDGET REDOBUDGET REDO
BUDGET REDO
 
CREW AND CAST REDO
CREW AND CAST REDOCREW AND CAST REDO
CREW AND CAST REDO
 
CONTINGENCY REDO
CONTINGENCY REDO CONTINGENCY REDO
CONTINGENCY REDO
 
TREATMENT 2 REDO
TREATMENT 2 REDOTREATMENT 2 REDO
TREATMENT 2 REDO
 
TREATMENT 1 REDO
TREATMENT 1 REDOTREATMENT 1 REDO
TREATMENT 1 REDO
 
MAX PAYNE GAME SCRIPT
MAX PAYNE GAME SCRIPTMAX PAYNE GAME SCRIPT
MAX PAYNE GAME SCRIPT
 
FILM SCRIPT
FILM SCRIPTFILM SCRIPT
FILM SCRIPT
 
RADIO SCRIPT - THE GOLDEN BOWL
RADIO SCRIPT - THE GOLDEN BOWLRADIO SCRIPT - THE GOLDEN BOWL
RADIO SCRIPT - THE GOLDEN BOWL
 
FINISHED SCRIPT
FINISHED SCRIPTFINISHED SCRIPT
FINISHED SCRIPT
 
EVALUATION OF THE SCRIPT
EVALUATION OF THE SCRIPT EVALUATION OF THE SCRIPT
EVALUATION OF THE SCRIPT
 
CLIENT FEEDBACK LOG
CLIENT FEEDBACK LOG CLIENT FEEDBACK LOG
CLIENT FEEDBACK LOG
 
SHOOTING SCRIPT
SHOOTING SCRIPTSHOOTING SCRIPT
SHOOTING SCRIPT
 
DRAFT SCRIPT 3
DRAFT SCRIPT 3 DRAFT SCRIPT 3
DRAFT SCRIPT 3
 
DRAFT SCRIPT 2
DRAFT SCRIPT 2DRAFT SCRIPT 2
DRAFT SCRIPT 2
 
DRAFT SCRIPT 1
DRAFT SCRIPT 1 DRAFT SCRIPT 1
DRAFT SCRIPT 1
 
CREW AND CAST
CREW AND CASTCREW AND CAST
CREW AND CAST
 
BUDGET
BUDGETBUDGET
BUDGET
 

Recently uploaded

Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docxPoojaSen20
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application ) Sakshi Ghasle
 
Concept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfConcept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfUmakantAnnand
 
How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17Celine George
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsKarinaGenton
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfakmcokerachita
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting DataJhengPantaleon
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...M56BOOKSTORE PRODUCT/SERVICE
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxOH TEIK BIN
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxContemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxRoyAbrique
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 

Recently uploaded (20)

Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docx
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application )
 
Concept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfConcept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.Compdf
 
How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17How to Configure Email Server in Odoo 17
How to Configure Email Server in Odoo 17
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its Characteristics
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdf
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptx
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptxContemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
Contemporary philippine arts from the regions_PPT_Module_12 [Autosaved] (1).pptx
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 

RUSHES LOG

  • 1. Unit 17: Preparing material for editing Rushes Log Name of editor Max Cheshire Title of production Shady Movements Date 03/04/2019 Shot Number File Type File Name Duration Possibilities and limitations of shots Where stored 1 VIDEO FILE (MOV) MVI_7923 00;00;07 Handheld shot, shallow depth of field in the foreground ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 2 VIDEO FILE (MOV) MVI_7295 00;00;05 Focus pulled from foreground to background, shallow depth of field ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 3 VIDEO FILE (MOV) MVI_7300 00;00;16 Handheld shot, moving from over the shoulder to reveal more of the scene and allow dialogue ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 4 VIDEO FILE (MOV) MVI_7303 00;00;20 Wide shot, shows the two characters as well as the landscape and surrounding environment. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 5 VIDEO FILE (MOV) MVI_7306 00;00;11 This shot is allowing a transition into clips from my phone. This is because the camera goes behind the headrest of the car ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 6 VIDEO FILE (MOV) MVI_7308 00;00;07 A fill in shot of the previous, allows diversity of the shot ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 2. Unit 17: Preparing material for editing 7 VIDEO FILE (MOV) MVI_7312 00;00;17 Medium tracking shot, niece lighting due to bright walls, could potentially be shaking ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 8 VIDEO FILE (MOV) MVI_7316 00;00;06 Medium tracking shot, niece lighting due to bright walls, could potentially be shaking ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 9 VIDEO FILE (MOV) MVI_7317 00;00;04 Medium tracking shot of bottom half, dark lighting as the walls were not projecting light to the bottom half ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 10 VIDEO FILE (MOV) MVI_7318 00;00;08 shot of bottom half, dark lighting as the walls were not projecting light to the bottom half. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 11 VIDEO FILE (MOV) MVI_7319 00;00;04 This shot moves backwards as the camera is focused on the phone, the low angle suggests it is an important message on the phone. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 12 VIDEO FILE (MOV) MVI_7322 00;00;34 Medium tracking shot, quite over exposed so need to fix in post ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 13 VIDEO FILE (MOV) MVI_7324 00;00;21 Tracking shot, moving from wide to medium ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 14 VIDEO FILE (MOV) MVI_7326 00;00;17 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 3. Unit 17: Preparing material for editing 15 VIDEO FILE (MOV) MVI_7331 00;00;07 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 16 VIDEO FILE (MOV) MVI_7333 00;00;16 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 17 VIDEO FILE (MOV) MVI_7334 00;00;08 Medium tracking shot, well lit and exposed due to natural light. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 18 VIDEO FILE (MOV) MVI_7336 00;00;30 Tracking shot, medium shot. Hard to expose correctly as I am showing both outside and inside in one shot. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 19 VIDEO FILE (MOV) MVI_7337 00;00;24 A bit shaky but well framed, good mise en scene. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 20 VIDEO FILE (MOV) MVI_7339 00;00;13 Tracking shot, very shaky so will need to fix in post with warp stabilizer plug in ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 21 VIDEO FILE (MOV) MVI_7341 00;00;13 Tracking shot, medium shot. Hard to expose correctly as I am showing both outside and inside in one shot. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 22 VIDEO FILE (MOV) MVI_7342 00;00;14 Tracking shot, very shaky so will need to fix in post with warp stabilizer plug in ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 4. Unit 17: Preparing material for editing 23 VIDEO FILE (MOV) MVI_7345 00;00;04 Well framed, makes it obvious where we are, could be used to cut in from wide shot ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 24 VIDEO FILE (MOV) MVI_7351 00;00;04 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 25 VIDEO FILE (MOV) MVI_7355 00;00;10 Hand held down the stairs, very shaky, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 26 VIDEO FILE (MOV) MVI_7361 00;00;05 Hand held down the stairs, very shaky, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 27 VIDEO FILE (MOV) MVI_7366 00;00;06 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 28 VIDEO FILE (MOV) MVI_7367 00;00;22 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 29 VIDEO FILE (MOV) MVI_8681 00;00;04 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 30 VIDEO FILE (MOV) MVI_8682 00;00;09 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 5. Unit 17: Preparing material for editing 31 VIDEO FILE (MOV) MVI_8685 00;00;03 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 32 VIDEO FILE (MOV) MVI_8687 00;00;10 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 33 VIDEO FILE (MOV) MVI_8690 00;00;08 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 34 VIDEO FILE (MOV) MVI_8694 00;00;06 Hand held, very shaky. Shake is added for effect of the fight. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 35 VIDEO FILE (MOV) MVI_8700 00;00;22 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 36 VIDEO FILE (MOV) MVI_8702 00;00;04 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 37 VIDEO FILE (MOV) MVI_8703 00;00;09 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off Walks past the camera this can be used as a transition ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 38 VIDEO FILE (MOV) MVI_8704 00;00;03 Stationary on a tripod, need to fix the colour grading as the white balance of the camera is off Walks past the camera this can be used as a transition ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 6. Unit 17: Preparing material for editing 39 VIDEO FILE (MOV) MVI_8705 00;00;10 THIS CLIP IS STRICTLY USED FOR AUDIO PURPOSES DID NOT HAVE AN EXTERNAL MIC ON SET ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 40 VIDEO FILE (MOV) MVI_8706 00;00;08 THIS CLIP IS STRICTLY USED FOR AUDIO PURPOSES DID NOT HAVE AN EXTERNAL MIC ON SET ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 41 VIDEO FILE (MOV) MVI_8707 00;00;08 Wide shot, character framed in the centre. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 42 VIDEO FILE (MOV) MVI_8708 00;00;06 This shot allows me to cut in over the top of the original wide shot ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 43 VIDEO FILE (MOV) MVI_8709 00;00;06 Wide shot, character framed in the centre. Elevated more than the original wide ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 44 VIDEO FILE (MOV) MVI_8710 00;00;10 Medium shot, allows me to crop in, character walks past the camera, this allows smooth transition. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 45 VIDEO FILE (MOV) MVI_8711 00;00;08 Medium shot, allows me to crop in, ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 46 VIDEO FILE (MOV) MVI_8712 00;00;14 Medium shot facing character bang central ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE
  • 7. Unit 17: Preparing material for editing 47 VIDEO FILE (MOV) MVI_8713 00;00;08 Wide, tracking from left to right. Needs to be colour graded white balance in camera is off. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 48 VIDEO FILE (MOV) MVI_8714 00;00;09 Purposely out of focus to create suspense ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 49 VIDEO FILE (MOV) MVI_8715 00;00;04 Medium shot, little audio. Colour grading needs to be fixed, unwanted yellows are showing up ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 50 VIDEO FILE (MOV) MVI_8716 00;00;04 Extreme close up, little audio. Colour grading needs to be fixed, unwanted yellows are showing up ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 51 VIDEO FILE (MOV) MVI_8717 00;00;07 Extreme close up, little audio. Colour grading needs to be fixed, unwanted yellows are showing up ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE 52 VIDEO FILE (MOV) MVI_8718 00;00;40 Wide shot, little audio. Colour grading needs to be fixed, unwanted yellows are showing up. ON A HARDIVE BTEC DRIVE > MEDIA FILM > FOOTAGE