The document provides instructions for several tasks related to editing moving image material for a promotional college video. The tasks include creating a rushes log to select suitable clips, annotating a script, creating an edit decision list, clarifying the purpose with the client, and preparing to edit by importing clips and setting up the timeline, bins, and file structure. Over 100 raw video clips were logged with descriptions of the camera shots and decisions on whether to include them in the final video. The document outlines the level of detail and organization required to meet professional standards for each task.
The document outlines tasks for a unit on film and video editing techniques, including preparing a rushes log to select footage, annotating a script, creating an edit decision list, clarifying the project with a client, preparing to edit, and maintaining a production diary. The tasks provide evidence of skills like importing clips, organizing media, editing footage, adding transitions, and getting feedback to improve the promotional video being created for a college.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students producing a music video. It provides scenarios where students work in production roles to shoot footage for the video. It then tasks students with editing the footage into a rough cut and final edit of the music video. Students are also asked to evaluate their final edit, discussing the editing techniques used. The assignment is assessed based on criteria from Units 22, 29, and 1, which relate to single camera techniques, music video production, and pre-production.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to: [1] shoot footage and record sound for a music video based on pre-production materials; [2] maintain a weekly production log detailing contributions and issues; [3] complete rough and final edits of the music video individually; and [4] evaluate their final edit. The assignment aims to develop students' single camera techniques, music video production skills, and ability to work professionally in a collaborative team.
This document provides the details of an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to produce a music video, including shooting footage, producing a production diary, and creating rough and final edits of the video. It outlines the tasks, grading criteria, and scenario for the assignment, which is focused on developing single camera techniques and music video production skills through a collaborative project.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to: [1] shoot footage and record sound for a music video based on pre-production materials; [2] maintain a weekly production log detailing contributions and issues; [3] complete rough and final edits of the music video individually; and [4] evaluate their final edit. The assignment aims to develop students' single camera techniques, music video production skills, and ability to work professionally in a collaborative team.
_ig1 film opening title sequence assignment 2014 to 2015DeclanTyldsley
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015Sadie Bailey
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut. Students must document their production process and work as a team to complete the project by the deadline.
IG1 film opening title sequence assignment 2014 to 2015Phoebe Budgen
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
The document outlines tasks for a unit on film and video editing techniques, including preparing a rushes log to select footage, annotating a script, creating an edit decision list, clarifying the project with a client, preparing to edit, and maintaining a production diary. The tasks provide evidence of skills like importing clips, organizing media, editing footage, adding transitions, and getting feedback to improve the promotional video being created for a college.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students producing a music video. It provides scenarios where students work in production roles to shoot footage for the video. It then tasks students with editing the footage into a rough cut and final edit of the music video. Students are also asked to evaluate their final edit, discussing the editing techniques used. The assignment is assessed based on criteria from Units 22, 29, and 1, which relate to single camera techniques, music video production, and pre-production.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to: [1] shoot footage and record sound for a music video based on pre-production materials; [2] maintain a weekly production log detailing contributions and issues; [3] complete rough and final edits of the music video individually; and [4] evaluate their final edit. The assignment aims to develop students' single camera techniques, music video production skills, and ability to work professionally in a collaborative team.
This document provides the details of an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to produce a music video, including shooting footage, producing a production diary, and creating rough and final edits of the video. It outlines the tasks, grading criteria, and scenario for the assignment, which is focused on developing single camera techniques and music video production skills through a collaborative project.
This document outlines an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to: [1] shoot footage and record sound for a music video based on pre-production materials; [2] maintain a weekly production log detailing contributions and issues; [3] complete rough and final edits of the music video individually; and [4] evaluate their final edit. The assignment aims to develop students' single camera techniques, music video production skills, and ability to work professionally in a collaborative team.
_ig1 film opening title sequence assignment 2014 to 2015DeclanTyldsley
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015Sadie Bailey
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut. Students must document their production process and work as a team to complete the project by the deadline.
IG1 film opening title sequence assignment 2014 to 2015Phoebe Budgen
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015Adam Grundy
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
IG1 Film Opening Title Sequence Assignment 2014 to 2015 (1)Carla Appleby
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
IG1 film opening title sequence assignment 2014 to 2015jessicagrundy98
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015 (1) 2reecemechan
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015 (1)Georgie Austin
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
This document outlines the tasks for an assignment on the technological development of film editing. Students are asked to:
1. Work in pairs to create a video guide profiling film editing pioneers and the evolution of editing technology from 1896 to 2015. They must discuss pioneers' films, editing styles, and purposes as well as technological developments.
2. Create a video portfolio demonstrating common editing techniques through found footage annotated with definitions and purposes. Techniques include match cuts, eyeline matches, and transitions.
3. Conclude by justifying how the purposes of editing have remained consistent over time despite technological changes.
4. The final task is an individual editing assignment splicing together a continuity sequence due by a specified
This document provides information and examples for using editing techniques to manipulate time, space, and rhythm in film. It describes mainstream continuity techniques like cross cutting, the 180 degree rule, and motivated cuts. It also discusses alternative techniques pioneered by early filmmakers like slow motion, jump cuts, and cutting to music. Examples are provided from films like The Karate Kid, Fight Club, Star Wars, and Avengers to illustrate how editing techniques can shorten or lengthen the perception of time, manipulate spatial relationships, and influence the film's rhythm. The purpose is to analyze how editing techniques are used and have evolved from early cinema to contemporary examples.
Gary Noe is an owner and electrical engineer at BandFive Enterprises, LLC. He has over 30 years of experience leading engineering teams and has held leadership roles on projects involving printers, video game consoles, and other electronics. Some of his past roles include leading development of Lexmark's first photo printer and network adapter. He holds several patents related to handheld printing technologies.
The document provides instructions for students to get started using MindTap, an online learning platform, within their Blackboard course site. It outlines a 5-step process for students to register for and access MindTap: 1) access Blackboard, 2) access the course, 3) login or create a Cengage account, 4) choose an access option by paying, entering an access code, or starting a free trial, and 5) accept the license agreement. It also provides information on technical support and encourages students to explore the e-book and mobile apps available through MindTap.
This document summarizes and reviews several British TV dramas:
- And Then There Were None is a 3-part miniseries based on the Agatha Christie novel that received positive reviews.
- Cyberbully is a single drama film about a teenage girl accused of cyberbullying that received mixed reviews.
- This Is England '90 is a miniseries spin-off from a 2006 film that uses a linear narrative structure to focus on social elements in 1990.
- See No Evil: The Moors Murders is a two-part drama about the real-life Moors murders that used suspense and shock to engage audiences.
- The Missing is an 8-part thriller series that
Racha Samiel-Rakaybi is an Egyptian national born in 1975. She has over 20 years of experience in human resources and organizational development, working as an HR & Organizational Development Manager and Assessment & Certification Manager. She is highly skilled in areas like training, performance management, and assessment. Currently she works as an HR & Organizational Development Manager at WestGate Consultants in Cairo, Egypt.
Mark Courcier is seeking an information systems position utilizing his 25 years of experience in systems administration. He has extensive experience supporting airline reservation systems at Hewlett-Packard, EDS, and Sabre Holdings on various operating systems including Linux, AIX, Solaris, and mainframes. His experience includes connectivity support, system monitoring, database administration, disaster recovery planning, and shift work.
The Story Arc for the King in the North StorylineMulkacE147
1. Robb Stark rebels against the Lannisters after his father Ned Stark is executed. He is declared King in the North by his bannermen.
2. Robb defeats Jaime Lannister's army at the Whispering Wood and takes Jaime prisoner. He then destroys another Lannister army besieging Riverrun.
3. Theon Greyjoy betrays the Starks by seizing Winterfell while most of its guards are away. Robb continues winning battles against the Lannisters at places like the Yellow Fork.
El documento describe las tablas y formularios de una base de datos de una empresa. Incluye tablas de clientes, empleados, facturas y servicios, así como formularios para agregar o editar registros en cada una de estas tablas. La base de datos parece ser para un negocio que ofrece servicios y factura a clientes.
This curriculum vitae is for Varghese Arockiya Johnson, an Indian citizen seeking the position of Master or Chief Officer on offshore vessels or tankers. He has over 20 years of experience in various marine roles and holds numerous certifications including his Master's license. His most recent positions include serving as Master on tugs from April to May 2015 and January to February 2015.
_ig1 film opening title sequence assignment 2014 to 2015Adam Grundy
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
IG1 Film Opening Title Sequence Assignment 2014 to 2015 (1)Carla Appleby
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
IG1 film opening title sequence assignment 2014 to 2015jessicagrundy98
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015 (1) 2reecemechan
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015 (1)Georgie Austin
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
This document outlines the tasks for an assignment on the technological development of film editing. Students are asked to:
1. Work in pairs to create a video guide profiling film editing pioneers and the evolution of editing technology from 1896 to 2015. They must discuss pioneers' films, editing styles, and purposes as well as technological developments.
2. Create a video portfolio demonstrating common editing techniques through found footage annotated with definitions and purposes. Techniques include match cuts, eyeline matches, and transitions.
3. Conclude by justifying how the purposes of editing have remained consistent over time despite technological changes.
4. The final task is an individual editing assignment splicing together a continuity sequence due by a specified
This document provides information and examples for using editing techniques to manipulate time, space, and rhythm in film. It describes mainstream continuity techniques like cross cutting, the 180 degree rule, and motivated cuts. It also discusses alternative techniques pioneered by early filmmakers like slow motion, jump cuts, and cutting to music. Examples are provided from films like The Karate Kid, Fight Club, Star Wars, and Avengers to illustrate how editing techniques can shorten or lengthen the perception of time, manipulate spatial relationships, and influence the film's rhythm. The purpose is to analyze how editing techniques are used and have evolved from early cinema to contemporary examples.
Gary Noe is an owner and electrical engineer at BandFive Enterprises, LLC. He has over 30 years of experience leading engineering teams and has held leadership roles on projects involving printers, video game consoles, and other electronics. Some of his past roles include leading development of Lexmark's first photo printer and network adapter. He holds several patents related to handheld printing technologies.
The document provides instructions for students to get started using MindTap, an online learning platform, within their Blackboard course site. It outlines a 5-step process for students to register for and access MindTap: 1) access Blackboard, 2) access the course, 3) login or create a Cengage account, 4) choose an access option by paying, entering an access code, or starting a free trial, and 5) accept the license agreement. It also provides information on technical support and encourages students to explore the e-book and mobile apps available through MindTap.
This document summarizes and reviews several British TV dramas:
- And Then There Were None is a 3-part miniseries based on the Agatha Christie novel that received positive reviews.
- Cyberbully is a single drama film about a teenage girl accused of cyberbullying that received mixed reviews.
- This Is England '90 is a miniseries spin-off from a 2006 film that uses a linear narrative structure to focus on social elements in 1990.
- See No Evil: The Moors Murders is a two-part drama about the real-life Moors murders that used suspense and shock to engage audiences.
- The Missing is an 8-part thriller series that
Racha Samiel-Rakaybi is an Egyptian national born in 1975. She has over 20 years of experience in human resources and organizational development, working as an HR & Organizational Development Manager and Assessment & Certification Manager. She is highly skilled in areas like training, performance management, and assessment. Currently she works as an HR & Organizational Development Manager at WestGate Consultants in Cairo, Egypt.
Mark Courcier is seeking an information systems position utilizing his 25 years of experience in systems administration. He has extensive experience supporting airline reservation systems at Hewlett-Packard, EDS, and Sabre Holdings on various operating systems including Linux, AIX, Solaris, and mainframes. His experience includes connectivity support, system monitoring, database administration, disaster recovery planning, and shift work.
The Story Arc for the King in the North StorylineMulkacE147
1. Robb Stark rebels against the Lannisters after his father Ned Stark is executed. He is declared King in the North by his bannermen.
2. Robb defeats Jaime Lannister's army at the Whispering Wood and takes Jaime prisoner. He then destroys another Lannister army besieging Riverrun.
3. Theon Greyjoy betrays the Starks by seizing Winterfell while most of its guards are away. Robb continues winning battles against the Lannisters at places like the Yellow Fork.
El documento describe las tablas y formularios de una base de datos de una empresa. Incluye tablas de clientes, empleados, facturas y servicios, así como formularios para agregar o editar registros en cada una de estas tablas. La base de datos parece ser para un negocio que ofrece servicios y factura a clientes.
This curriculum vitae is for Varghese Arockiya Johnson, an Indian citizen seeking the position of Master or Chief Officer on offshore vessels or tankers. He has over 20 years of experience in various marine roles and holds numerous certifications including his Master's license. His most recent positions include serving as Master on tugs from April to May 2015 and January to February 2015.
1) To summarize an academic document for the web, identify a specific audience and their goal in order to focus the content. Describe the audience as "X who want Y".
2) Articulate the key message or "nutshell" of the content in a simple way.
3) Break the content into logical chunks that take the audience from their current understanding to the position being presented.
The document provides guidance for students on tasks to complete an editing project for a promotional video for a college. It outlines 6 tasks for students to complete, including preparing a rushes log to select suitable footage, annotating a script, creating an edit decision list, clarifying the project purpose with a client, preparing to edit by importing clips and organizing timelines, and maintaining a production diary. The tasks are meant to help students plan and structure their editing in a professional manner, and provide evidence of their work through documentation and screenshots at various stages of the project.
The document provides guidance for students on tasks related to preparing and editing moving image material for a promotional video about a college. It includes instructions for completing a rushes log to evaluate video clips and decide which to use. A sample rushes log is provided with descriptions and decisions for over 100 clips. Additional tasks include marking up a script and creating an edit decision list. The final task provides questions and guidelines for clarifying the purpose and requirements of the promotional video with the client, including desired length, target market, and types of shots.
The document outlines the requirements for a promotional video for a college. It details that the target audience is students ages 14-16 and parents. The video should be 2-3 minutes long and focus on showing clips from all subject areas, facilities, and interviews with students discussing courses and extracurricular activities. The content should be fast-paced to showcase much information in a short time. Simple background music is preferred. College branding and colors should be included to identify the school. The video will have a voiceover providing details on courses and use text to highlight facilities and success stories. The theme should be modern.
This document provides a rushes log from film footage shot for a promotional college video. It describes 144 video clips in detail, noting the camera shot type for each and deciding whether to use the clip in the final video. Clips are evaluated based on shot quality, clarity in showing subject matter, and potential to attract different target audiences. The best clips showcase course content clearly without being shaky or having distracting elements.
The document provides instructions for 6 tasks as part of a unit on film and video editing techniques. The first task involves creating a rushes log to evaluate video clips and determine their suitability for a promotional college video. The second task requires annotating a script and considering sound effects and footage placement. The third task is to create an edit decision list to plan the video structure. The fourth task involves meeting with the client to clarify the purpose and goals of the video. The fifth task covers preparatory editing work like importing clips, creating bins and timelines, and file management. The sixth task is to maintain a production diary documenting progress.
The document provides instructions for two tasks related to preparing and editing moving image material for a promotional video about Hartlepool Sixth Form College. The first task involves completing a rushes log to select suitable video clips and the second task involves annotating a sample script to identify appropriate footage and sound effects.
_ig1 film opening title sequence assignment 2014 to 2015HemitDhanji
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
The document provides information about preparing and editing moving image material for a college promotional video. It includes a rushes log evaluating 144 video clips for potential inclusion. An edit decision list is presented outlining the selected shots and their placement. Instructions are given for annotating a script and clarifying purposes with the client, including desired content, style, and audience for the video. The goal is to produce a 2-3 minute promotional video for the college to attract new students and parents by showcasing the variety of subjects and activities.
_ig1 film opening title sequence assignment 2014 to 2015Sadie Bailey
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and managing challenges.
ig1 film opening title sequence assignment 2014 to 2015 (1)IsisClarke
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and managing challenges.
_ig1 film opening title sequence assignment 2014 to 2015 2DeclanTyldsley
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and communication.
This assignment brief outlines 5 tasks for students to complete a single camera film production project. Students will analyze existing film title sequences, generate ideas for their own sequence, create pre-production materials, shoot footage for their sequence, and edit a final post-production version with titles. The goals are for students to understand single camera techniques, plan a production, and apply those skills to create their own title sequence. They will collaborate in teams and demonstrate communication, problem solving, and creative skills throughout the process.
_ig1 film opening title sequence assignment 2014 to 2015Megan Hughes
This assignment brief outlines 5 tasks for students to complete a single camera film production project. Students will analyze existing film title sequences, generate ideas for their own sequence, create pre-production materials like storyboards and location reports, shoot footage for their sequence, and edit a final post-production version with title credits. The goal is for students to understand single camera techniques, plan a production, and apply their skills to create an original title sequence through collaborative teamwork that applies lessons from planning to the final product.
_ig1 film opening title sequence assignment 2014 to 2015 2DeclanTyldsley
This assignment brief outlines 5 tasks for students to complete a single camera film production project. Students will analyze existing film title sequences, generate ideas for their own sequence, create pre-production materials like storyboards and location reports, shoot footage for their sequence, and edit a final post-production version with title credits. The goal is for students to understand and apply single camera techniques while working collaboratively in various production roles to create an original film opening title sequence.
_ig1 film opening title sequence assignment 2014 to 2015Adam Grundy
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and managing challenges.
Ig1 film opening title sequence assignment 2014 to 2015 (1)Phoebe Budgen
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and communication.
_ig1 film opening title sequence assignment 2014 to 2015kendellburgess
This assignment brief outlines 5 tasks for students to complete a single camera film production project. Students will analyze existing film title sequences, generate ideas for their own sequence, create pre-production materials like storyboards and location reports, shoot footage for their sequence, and edit a final post-production version with title credits. The goal is for students to understand and apply single camera techniques while working collaboratively in various production roles to create an original film opening title sequence.
IG1 film opening title sequence assignment 2014 to 2015HemitDhanji
This assignment brief outlines 5 tasks for students to complete a single camera film production project. Students will analyze existing film title sequences, generate ideas for their own sequence, create pre-production materials like storyboards and location reports, shoot footage for their sequence, and edit a final post-production version with title credits. The goal is for students to understand single camera techniques, plan a production, and apply their skills to create an original title sequence through collaborative teamwork that demonstrates their knowledge, creativity, and ability to overcome challenges.
_ig1 film opening title sequence assignment 2014 to 2015reecemechan
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and communication.
_ig1 film opening title sequence assignment 2014 to 2015Nicole Melia
This assignment brief outlines 5 tasks for students to complete a single camera film production project. The tasks include: 1) analyzing 3 film opening sequences; 2) generating ideas for their own opening sequence; 3) creating pre-production materials like storyboards and location reports; 4) shooting their opening sequence and documenting the production process with photos; and 5) editing their final opening sequence with title credits. The brief explains the learning outcomes covering single camera production planning and techniques. It provides grading criteria mapping the tasks to learning levels and reminds students that film production requires teamwork and managing challenges.
The document describes the skills learned and challenges faced during the production of a film. The individual learned skills for working in a group, such as teamwork, planning, and leadership. Technical skills like operating cameras and editing software were also acquired. Challenges included a group member leaving, changing the film idea late, and dealing with weather issues during shooting. Lessons learned were that film production takes a long time, and better planning of schedules and ideas is needed for future projects.
The document provides a detailed overview of the early development and purposes of film editing from the late 19th century through the 20th century. It discusses pioneers like the Lumiere Brothers, Robert Paul, Georges Melies, and Edwin Porter and how they established foundational techniques like continuity, jump cuts, and the use of different shot types. The document also examines the work of Russian filmmakers like Lev Kuleshov and Sergei Eisenstein who developed techniques like montage. Finally, it analyzes conventions and techniques of modern editing like seamless cuts, parallel editing, transitions, cutaways, point-of-view shots, and editing rhythm.
This document provides an overview of film and video editing techniques. It begins with an introduction to the unit and learning outcomes. It then discusses the pioneers of filmmaking in the late 19th and early 20th centuries. Examples of early films are provided and analyzed to show pioneering developments in techniques like continuity, jump cuts, and close-ups. Key characteristics of early film production like shot types and movement are also outlined. Modern auteur filmmakers like Hitchcock, Scorsese, and Tarantino are discussed. The document concludes with explanations and examples of important editing conventions and techniques like seamless cuts, continuity, montages, and transitions.
This document provides summaries of several British TV dramas in 3 sentences or less per summary:
And Then There Were None - A 3-part miniseries based on the Agatha Christie novel that received good critic reviews. It has a continuing plot across episodes and mixes crime and period genres. The narrative structure is linear but uses flashbacks.
Cyberbully - A single drama about a teenage girl accused of cyberbullying that creates suspense. It has a linear narrative and is a thriller genre. The three acts introduce the character, increase action, and reveal the main character is also a cyberbully.
The Missing - An 8-part thriller series that switches between time periods non-
The document discusses various film editing techniques, providing definitions and examples for each. Seamless cuts match shots to action without noticing edits, exemplified in Birdman. Continuity editing moves the narrative seamlessly between scenes, as in The Hangover III. Motivated cuts transition between shots for logical reasons, shown in The Green Mile. A montage pieces separate film sections into a continuous whole, like in the Rocky films.
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1. UNIT 16: FILM AND
VIDEO EDITING
TECHNIQUES
Author: Sally Pickford 2015
LEARNING OUTCOMES
2. Be able to prepare movingimage material
for editing
3. Be able to editmovingimage material.
L3 BTEC Certificate
Creative MediaProduction[TV andFilm]
2. Unit 16: Film and Video Editing Techniques
Section 2 and 3 : Be able to prepare moving image material for
editing and be able to edit moving image material.
3. Unit 16: Film and Video Editing Techniques
Task 1: Rushes Log
This task will help you decide which clips will be most suitable to meet the clients
brief. Rushes logs will show a full appreciation of the possibilities and limitations of
shots. All paperwork will be clear and organised to a near-professional
standard.
You must check each rush and offer a description of the action in each clip. In your
description you MUST use camera specific terminology to describe the shot. You
must then decide whether this clip could be used in the final construction and give a
reason as to why you have made that decision.
Evidence will be the completed table.
CLIP DESCRIPTION DECISION REASON
00001.mp4 It isa longshotof two
rugbyteamsplayinga
game and a playerof
the yellowstripes
teamscoringa ‘try’.
Overall thiscliplasts
twelve seconds.
Yes The reasonwhy I’ll be
usingthisclipisbecause
I feel like itwillgetthe
pointacross of the
men’sphysical
education opinion
00002.mp4 Thisclipis a shallow
focus,which isa type
of camerashot
technique.The clip
itself onlylastseight
seconds
No The reasonwhy I think
thisisthat eventhough
it showsoff the food
available itisa bland
scene.
00007.mp4 Thisis a sevenseconds
clipof a mediumshot
of one of the science
department’s teacher
explainingachemical
equation.
Yes The reasonwhy I’ll be
usingthisclipisbecause
I feel like itshowsa
small explainof the a-
level science.
00008.mp4 13 secondsof a shot
zoomingfroma close
up and a longshot
No The reasonwhy is that
it doesn’tshow off an
qualitythatthe college
has
00009.MP4 Doesn’tshowoff any
techniquesandis
pointless
No It doesn’tshow off
anything
00032.mp4 Sevensecondsof Shot
reverse shot
Yes Showsof what youcan
doingon the
computers:mayneed
cutting
00033(1).mp4 Anotherseven
secondsof shot
reverse shot
No It istoo slimily toclip
00032.
00033(2).mp4 Mediumshotof A-
level students
standingarounda
Yes Anotherexplainof what
can be done inA-level
science
4. Unit 16: Film and Video Editing Techniques
model of the human
body
00033.mp4 Panningshotof the
seatingareaupstairs
Yes It showsof the seating
area,will use thisat the
beginning of the advert
00034.mp4 A male mediastudent
talkingaboutthe
supportthat the
teachersandother
membersof staff offer
No He isbeingtoldwhatto
say andit will be hardto
edit
00035.mp4 Anothermale media
studenttalkingabout
whathe has learntin
histime spent
No The same reasonwhy
i’mnot usingclip
00034.mp4
00036.mp4 A female media
studenttalkingabout
the same thingsas the
twomale students
No The same reasonwhy
I’mnot usingclips
00034.mp4 and
00035.mp4
00038.mp4 A longshotof one of
the computerarea in
the libraryfor 11
seconds
No Notreallyiscomingon
inthe shot
00053.mp4 The clipis of a female
football game
Yes Showswhatthe female
PE studentsatthe
college
00071.mp4 Footage of a men’s
rugbymatch where
bothteamsare in a
scrum
No I alreadyhave one clip
of the rugby match in
the advertalready
00078.mp4 Panningshotof the
college’sgym
Yes May neededitinginthe
final cut
00085.mp4 A mediumshotof
someone workingout
inthe gym
Yes Showsoff equipment
not showinginclip
000.78.mp4
00087.mp4 A zoomin shotof the
inside of the college
fromthe front
Yes May neededitinginthe
final cut
00088.mp4 A zoomout shotof
one of the gym
equipment
No Doesn’tshow anything
importto the college
00096.mp4 One of the teacher
watchinga male
studentworkingout
like atrainerof some
sought
Yes Showsthat the teachers
will helpstudentsby
beingpersonal trainers
00100.mp4 A zoomout shotof a
studentfiling
somethinginthe
productdesignroom
Yes Showsof the product
designexpectthatthe
college has
00103.mp3 A belowshotof the
filingthatishappening
No Same thingas clip
00100.mp4 but at a
5. Unit 16: Film and Video Editing Techniques
inclip00100.mp4 differentlevel
00104.mp4 A shotreverse shotof
the filing
No Same reasonas whyI’m
not using00103.mp4
00108.mp4 One secondof a
mediumshot
No It”s too short
00109.mp4 Mediumshotpointing
down
Yes Will be cut and edited
infinal product
00113.mp4 Long shotof a item
that wouldbe used
productdesign
Yes Showsof anotherpart
of productdesign
00114.mp4 A close upof the
machine at work
Yes Continuationof clip
00113.mp4
00117.mp4 A thirdclipof the
productdesign
machine at work
No Alreadyusingtwoclips
of the machine
00132.mp4 37 secondsof students
workingwith
chemicalsina science
room
Yes Wouldneedcuttingand
editingcause of the
length
00146.mp4 Mediumshotpanning
downon a another
productdesign
machine
No To similartoclips
00113.mp4 and
00114.mp4
00147.mp4 Similarcliptoclip
00104.mp4
No Same reasonwhyI’m
not usingclip
00146.mp4
00149.mp4 Similartoclipto clip
00109.mp4
No Same reasonwhyI’m
not usingclips
00146.mp4 and
00147.mp4
MVI_1034.MOV Studentsworkingon
the laptops
Yes May needcuttingand
editing
Art.mp4 A studentworkingin
the art department
Yes Showsoff the Art and
designpartof the
college
AwardsEvening
2015.mp4
Showssomethingthat
happensonthe night
Yes Is alreadyeditedsoit
will fitinwiththe other
clips
MVI_1035.MOV Showssome more
studentsworkingon
the laptops
No Nothingreallyhappens
inthisscene
Costa.mp4 Panningdownshotof
the costa coffee area
No Doesn’tshow off
anythingaboutthe
college
Costa2.mp4 Mediumshotof
studentmakingcoffee
at the costacoffee
area
no Same reasonas
costa.mp4
Lecture theatre.mp4 Panningshotof the
lecture theatre inthe
Yes Showsoff a part of the
college,howeverthe
6. Unit 16: Film and Video Editing Techniques
college footage will needtobe
speededup
Library5.mp4 Showsoff a part of the
college’slibrary
Yes Wouldneedspeeding
up
Library2.mp4 Two studentslooking
for booksabout
science
No The reasonwhy is
because thisisthe
worstout of a three
clip.
Library3.mp4 Anotherclipof two
studentslookingfor
booksaboutscience
Yes The footage will needto
be edited
Library4.mp4 A thirdclipof two
studentslookingfor
booksaboutscience
Yes Footage will needto
editedandspedup
Mvi_1036.mp4 Studentsworkingon
the laptops
No They’re alreadymultiple
clipsof students
workingonthe laptops
Mvi_1044 Anotherclipof
Studentsworkingon
the laptops
No The reason why is
nothingishappening
here.
Mvi_1045 Two studentseditinga
video
Yes Wouldneededitingvia
shortedinlength
Mvi_1046 A studenttalking
aboutthe skillshe has
learnt.
Yes Will editthisclipwith
the othertwo clips
Mvi_1047 Two female students
talkingaboutthe skills
theyhave learnt.
Yes Will editthisclipwith
the othertwo clips
Mvi_1048 Two male students
talkingaboutthe skills
theyhave learnt
Yes Will editthisclipwith
the othertwo clips
Task 2: Markingup a script
In this task you will provide evidence of you annotating a script. Your annotation
must include ideas of sounds or any sound effects which you may need to include.
You may also start to think about what footage is best placed to exemplify the
voiceover. All paperwork will be clear and organised to a near-professional
standard.
The evidence for this will be a scanned image of hand written
annotation ORyou may copy the scripthere and digitally annotate
and highlight.
Task 3: Edit decision list
In this task you will provide evidence of you incorporating your rushes into your final
promotional video. This is a document to help you plan the structure of your edit.
Your edit decision lists will provide a fully detailed blueprint for the final piece.
7. Unit 16: Film and Video Editing Techniques
You must include lots of detail to reach the distinction grades. All paperwork will be
clear and organised to a near-professional standard.
The evidence you mustshow is a table such as the one below
which detailing the clip number,the starttime and end time, the
type of shot, description and then detail any transitions or effects
[including text captions]you will use on this clip. You may also
wish to detailany editing techniques you are planning on using.
Task 4: Clarifying the purpose of the work with a client or director
In this task you will provide evidence of you meeting with the client to
clarify the purpose of the work.
You will meet with the client on Friday 20th
November. You must list
below the questions you plan to ask your clientand why. You must
make notes during the meeting to ensureyou have addressedthe
needs of your client. You may either type up or scan your
handwritten notes and place them here together with a summary of
actions you must complete to ensureyou meetthe client’s needs.
Example questions:
1. What is your company mission/objective?
2. What are the specific services or products you offer?
3. Who is your target market?
4. Who are your competitors, and how are you unique among them?
Task 5: Preparing to edit: importing clips; bins;timelines; storage
and folder management; online and offline editing; formats;
resolution
In this task you will provide evidence of all of the specificelements listed
above.
8. Unit 16: Film and Video Editing Techniques
The evidence you will provide will be screen shots ofeach of these
preparation techniques together with discussion of the technique
and analysis of how this feature will help the smooth production of
the completed promotionalvideo.
This is the audio bar, within it you can change the sound quality of the wavelength, sound
lengths goes from +12 to -100.
This is tool column, this is where all the tools are, these tools include the text box
which lets you add text to the video, the music button which adds music to the video
and the transitions button which is used to add things like cuts and fades to the work.
the minute count is also there as well, this is the box in the middle of final pro x and
shows you how long the video is.
10. Unit 16: Film and Video Editing Techniques
Task 6: PRODUCTIONDIARY
In this task you will update the progress of your edit EACH LESSON.As
well as discussionof progress,you should also include screenshots as
evidence to show how you have used preparationtechniques (as listed
above) to help construct your product.
Save regularroughcuts of your promotionalvideo and gather
further feedback from clientand targetaudience.
Date ProgressReview Areas to improve
3rd
of
December
Made the first 105 secondsof the
video and add music
Need to make
smoothercuts
4th
of
December
Made some more cuts and edited
audio. Also added more
screenshots of the process
Add some graphic
E.G fades to my cuts
7th
of
December
More advancements in clips and
sounds
There is background
music that needs to
the video edit
8th
of
December
Complete editing scene, now
editing background sound
Background music is
still needed to be
added and captions
need to be added
10th
of
December
On to the final bit of the video as I
have edited both background
sound and add captions
Finish off the writing
part of the unit
11th
of
December
I Have finished all tasked that
where set
They’re no more edits
I need too make.