Romero's Zombies

•Download as ODP, PDF•

3 likes•4,372 views

George Romero is known for revolutionizing the zombie genre with his Dead series of films beginning with Night of the Living Dead in 1968. In these films, zombies became representations of American culture and social issues, rather than exotic others. Romero portrayed zombies as metaphors for topics like racism, consumerism, containment during the Cold War, terrorism, and media panic. Other scholars have analyzed how Romero's zombies critique capitalist society and represent social processes and the disintegration of communal bonds.

Education

George Romero’s Zombies ,[object Object]

A History of Zombies ,[object Object],[object Object],[object Object]

Romero’s Dead series ,[object Object],[object Object],[object Object],[object Object],[object Object]

Zombies enter pop culture ,[object Object]

Romero’s return ,[object Object],[object Object],[object Object]

Night of the Living Dead ,[object Object],[object Object]

Dawn of the Dead ,[object Object],[object Object],[object Object]

Day of the Dead ,[object Object],[object Object]

Land of the Dead ,[object Object],[object Object],[object Object]

Diary of the Dead ,[object Object],[object Object]

What's hot

Dystopian Connections to History

donamore1

History of horror filmsbannemoulton

History of Horror Filmscharjoyce95

Marvel: in comic culture

Harshita Hajela

Genre research/conventions

ed1998

The History of the Horror Genre

hiagne

Feminist theory

Garret Raja

Gender, race and_media_representation_au[1]

New College Nottingham

History of Horror

Ellie Buchan

New Waves (1960's-1970's)

kirstiec24

History of media films

Ella Auchterlounie

WeAreCity: Black Futurism

Nettrice Gaskins, Ph.D.

New Waves (1960's-1970's)

kirstiec24

Representation theories

RafaelPerezOlivan

History of a genreelbadri96

The dystopian novel

lynsterk

History of horrorFarmarStefan

Overview of postmodern movies

marymedranag321

Media task 4 history of genre

vince40

The wolverine

126449

What's hot (20)

Dystopian Connections to History

History of horror films

History of Horror Films

Marvel: in comic culture

Genre research/conventions

The History of the Horror Genre

Feminist theory

Gender, race and_media_representation_au[1]

History of Horror

New Waves (1960's-1970's)

History of media films

WeAreCity: Black Futurism

New Waves (1960's-1970's)

Representation theories

History of a genre

The dystopian novel

History of horror

Overview of postmodern movies

Media task 4 history of genre

The wolverine

Viewers also liked

Zombies in Pop Culture

D Shazz

Zombies

Moralescatalina

Exploring ReggaetonRachel Fontus

What is reggaetonShamaine310

What is reggaetonJonathan

Studying zombie films

adamranson

Zombie presentation

Gage Brown

Viewers also liked (7)

Zombies in Pop Culture

Zombies

Exploring Reggaeton

What is reggaeton

Studying zombie films

Zombie presentation

Similar to Romero's Zombies

A Zombie Manifesto The Nonhuman Condition in the Era of Ad.docx

annetnash8266

A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism Sarah Juliet Lauro and Karen Embry The zombie has been one of the most prevalent monsters in films of the second half of the twentieth century, and as many have noted, it has experienced a further resurgence (or should we say, resurrection) in British and American film in the last five years.� Zombies are found everywhere, from video games and comic books� to the science textbook. The zombie We wish to thank the following persons for their invaluable input and support: Marc Blan- chard, Colin Milburn, Caleb Smith, Michael Ziser, Joshua Clover, Tiffany Gilmore, Maura Grady, Courtney Hopf, Shannon Riley, and Jack Martin. 1. Films such as Shaun of the Dead, directed by Edgar Wright (Big Talk Productions, 2004); 28 Days Later, directed by Danny Boyle (British Film Council, 2002); Dawn of the Dead, 2004 Remake, directed by Zack Snyder (Strike Entertainment, 2004); Land of the Dead, directed by George A. Romero (Atmosphere Entertainment, 2005); and the Resi- dent Evil series, directed by Paul W. S. Anderson (Constantin Film Produktion GmbH, 2002) and Alexander Witt (Constantin, 2004). See Peter Dendle’s book The Zombie Movie Encyclopedia (Jefferson, N.C.: McFarland, 2001); Jay Slater’s Eaten Alive! Italian Cannibal and Zombie Movies (London: Plexus, 2002); and Stephen Thrower’s Beyond Terror: The Films of Lucio Fulci (Guildford, UK: FAB Press, 1999). 2. For example, Bogus Dead, Zombie Commandos from Hell, Carnopolis, Containment, boundary 2 35:1 (2008) DOI 10.1215/01903659-2007-027 © 2008 by Duke University Press 86 boundary 2 / Spring 2008 has become a scientific concept by which we define cognitive processes and states of being, subverted animation, and dormant consciousness. In neuroscience, there are “zombie agents”;� in computer science there are “zombie functions.”� We even find “zombie dogs,” “zombie corporations,” and “zombie raves” in the news.� The ubiquity of the metaphor suggests the zombie’s continued cultural currency, and we will investigate why this specter has captured the American imagination for over a century. We want to take a deeper look at the zombie in order to suggest its usefulness as an ontic/hauntic� object that speaks to some of the most puzzling elements of our sociohistorical moment, wherein many are trying to ascertain what lies in store for humanity after global capitalism—if anything. Our fundamental assertion is that there is an irreconcilable tension and Biohazard. See All Things Zombie, http://www.allthingszombie.com/comics_reviews .php. 3. “Longtime collaborators Christof Koch and Francis Crick (of DNA helix fame) think that ‘zombie agents’—that is, routine behaviors that we perform constantly without even thinking—are so much a central facet of human consciousness that they deserve serious scientific attention” (“Zombie Behaviors Are Part of Everyday Life, According to Neurobi- ologists,” Febr.

Horror filmssboyadjieva

The idle proletariat dawn of the dead

Victoria Arthur

Film essay research

AdamLepard

Zombies in America!Amy LaZerte

Film essay research

AdamLepard

The Cultural Impact of Zombies: From Film to Fashion.pdf

Vograce

How do horror films reflect the fears of society

AdamLepard

Warm bodies presentation

LubnaSultana2

Horror in the 1960skjenkins16

The Horror Genre An Overview - visit my site www.subversive-horror-films.com

jontowlson

Surname 2 nameinstructorcoursedateevolution o

cherry686017

Research assignment a22StepLouis

History of horrorAnna Blackman

Surname 4 nameinstructorcoursedateevolution o

cherry686017

The Nature of Surrealism and True Reality” in Qu.docx

joyjonna282

The Nature of Surrealism and “True Reality” in Quentin Tarantino’s Films In one of the most penetrating scenes of Reservoir Dogs (1992), Mr. Blonde, played by Michael Madsen, turns on his favorite radio station and begins dancing around a warehouse room to the song Stuck in the Middle with You. With a clean suit on and a knife in hand, he approaches Marvin, a cop who has been bound and gagged, with a face already bloodied from a previous beating. The camera pans left to an empty doorway, and the sound of rustling can be heard between the song and the sound of Marvin’s muffled screams. Suddenly, Mr. Blonde enters the frame holding a bloody dismembered ear and a bloody knife. He holds the ear up to his mouth and jokingly says something into it. He laughs, and Marvin screams; he dances around, and Marvin writhes in pain. The juxtaposition of Mr. Blonde’s psychopathic cheerfulness and Marvin’s severe agony is a classic example of surrealism, which is a form of artistic expression in which the workings of the subconscious mind are privileged, and the emphasis is on a blending of fantasy and reality. Surrealism juxtaposes images and situations that are somewhere in between a sort of dream-like, subconscious state and reality. Surrealism – especially the kind we see in Quentin Tarantino’s films -- also reflects a postmodernist perspective on reality and the subconscious. Reservoir Dogs and Pulp Fiction (1994) are perhaps the most revealing films of Tarantino’s filmmaking style and postmodern philosophy. The outlandish and bizarre storylines, the witty dialogue, and the cartoonish aspects of his characters create a surreal effect. The intertwining of a fantasttic and cerebral experience with a hyperbolic visceral experience introduces us to a dreamlike, subconscious realm. A good example of this surrealism is the use of wardrobe homogeneity in both films. In Reservoir Dogs, the heist team members wear matching uniforms (black suits with white buttoned-up shirts and black ties); they are each stripped of their “Christian” names and given color-coded names, and they are forbidden to speak about their personal lives or to associate with one another in any way beyond the heist. In Pulp Fiction, there is a similar use of homogeneity amongst the gangsters, as they also wear matching black suit uniforms. This particular use of uniforms and sameness strips each character of his individuality, and, in effect, they merge together to become a separate entity in itself. There is no longer a sense of “real” people, rather a sense of separate surreal forces. In one scene of Reservoir Dogs, for example, Mr. Pink (played by Steve Buscemi) and Mr. White (Harvey Keitel) talk about the robbery that went sour. When Mr. Pink asks Mr. White if he has killed anyone, Mr. White responds, “A few cops,” to which Mr. Pink responds with the question, “No real people?” The dialogue illustrates that not only have the heist members ...

e u r o p e a n j o u r n a l o fArticleCorresponding .docx

jacksnathalie

e u r o p e a n j o u r n a l o f Article Corresponding author: Jon Stratton, School of Media, Culture and Creative Arts, Curtin University, GPO Box U1987, Perth 6845, Western Australia, Australia. Email: [email protected] European Journal of Cultural Studies 14(3) 265–281 © The Author(s) 2011 Reprints and permissions: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1367549411400103 ecs.sagepub.com Zombie trouble: Zombie texts, bare life and displaced people Jon Stratton Curtin University, Australia Abstract There has been a recent upsurge in texts featuring zombies. At the same time, members of western countries have become increasingly anxious about displaced peoples: asylum-seekers and other so-called illegal migrants who attempt to enter those countries. What displaced people, people without the protection of the state and zombies have in common is that both manifest the quality of what Giorgio Agamben calls ‘bare life’. Moreover, zombies have the qualities of workers or slaves driven to total exhaustion. The genre of the zombie apocalypse centres on laying siege to a place that is identified as a refuge for a group of humans. In these texts it is possible to read an equation of zombies with displaced people who are ‘threatening’ the state. Indeed, the rhetoric used to describe these people constructs them as similar to mythical zombies. This article includes analyses of a number of zombie films including Shaun of the Dead, Fido and Undead. Keywords asylum seekers, bare life, displaced people, Fido, Shaun of the Dead, zombies Introduction This article is about the relationship between zombies and displaced people, most obvi- ously refugees, asylum-seekers and illegal immigrants. It is founded on a realization that the underlying characteristics of zombies are similar to those attributed to displaced people: that is, people predominantly from non-western states striving for entry into western states. The article begins from the recognition that during the 2000s there has been a tre- mendous increase in the number of films released featuring zombies. At the same time, at CALIFORNIA ST UNIV NORTHRIDGE on March 1, 2015ecs.sagepub.comDownloaded from http://ecs.sagepub.com/ 266 European Journal of Cultural Studies 14(3) zombies have begun to appear in other media. A videogame series called Resident Evil, which includes biologically mutated flesh-eating undead, founded a genre now called ‘survival horror’. Released originally for Sony PlayStation in 1996, by 30 September 2004 the various forms of the game had sold more than 25 million units (CAPCOM, 2004), and in 2002 it spawned a film also called Resident Evil. The film became the four- teenth highest grossing ‘R’ rated film in the USA that year and the fiftieth highest grossing film globally (Box Office Mojo, 2002). There are now two sequels. In 2009, Quirk Books released Pride and Prejudice and Zombies, a ‘mash-up’ in which author Seth Grahame- S ...

Matrixsara

Screams of Revolution: Political Statements in American Horror Filmsrvrich24

Similar to Romero's Zombies (20)

A Zombie Manifesto The Nonhuman Condition in the Era of Ad.docx

Horror films

The idle proletariat dawn of the dead

Film essay research

Zombies in America!

Film essay research

The Cultural Impact of Zombies: From Film to Fashion.pdf

How do horror films reflect the fears of society

Warm bodies presentation

Horror in the 1960s

The Horror Genre An Overview - visit my site www.subversive-horror-films.com

Surname 2 nameinstructorcoursedateevolution o

Research assignment a2

History of horror

Surname 4 nameinstructorcoursedateevolution o

The Nature of Surrealism and True Reality” in Qu.docx

e u r o p e a n j o u r n a l o fArticleCorresponding .docx

Matrix

Screams of Revolution: Political Statements in American Horror Films

Recently uploaded

Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX

MIRIAMSALINAS13

Lapbook sobre os Regimes Totalitários.pdf

Jean Carlos Nunes Paixão

Thesis Statement for students diagnonsed withADHD.ppt

EverAndrsGuerraGuerr

Chapter 3 - Islamic Banking Products and Services.pptx

Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

MysoreMuleSoftMeetup

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46 Event Link:- https://meetups.mulesoft.com/events/details/mulesoft-mysore-presents-exploring-gemini-ai-and-integration-with-mulesoft/ Agenda ● Java 17 Upgrade Overview ● Why and by when do customers need to upgrade to Java 17? ● Is there any immediate impact to upgrading to Mule Runtime 4.6 and beyond? ● Which MuleSoft products are in scope? For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/ YouTube:- youtube.com/@mulesoftmysore Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N Speaker:- Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/ Priya Shaw - https://www.linkedin.com/in/priya-shaw Organizers:- Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/ Giridhar Meka - https://www.linkedin.com/in/giridharmeka Priya Shaw - https://www.linkedin.com/in/priya-shaw Shyam Raj Prasad- https://www.linkedin.com/in/shyam-raj-prasad/

Polish students' mobility in the Czech Republic

Anna Sz.

The French Revolution Class 9 Study Material pdf free download

Vivekanand Anglo Vedic Academy

The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe. For more information, visit-www.vavaclasses.com

Unit 8 - Information and Communication Technology (Paper I).pdf

Thiyagu K

Introduction to AI for Nonprofits with Tapp Network

TechSoup

CLASS 11 CBSE B.St Project AIDS TO TRADE - INSURANCE

BhavyaRajput3

TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...

EugeneSaldivar

Unit 2- Research Aptitude (UGC NET Paper I).pdf

Thiyagu K

678020731-Sumas-y-Restas-Para-Colorear.pdf

CarlosHernanMontoyab2

KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK

The basics of sentences session 5pptx.pptx

heathfieldcps1

Operation Blue Star - Saka Neela Tara

Balvir Singh

Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup. The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.

Overview on Edible Vaccine: Pros & Cons with Mechanism

DeeptiGupta154

Instructions for Submissions thorugh G- Classroom.pptx

Jheel Barad

"Protectable subject matters, Protection in biotechnology, Protection of othe...

SACHIN R KONDAGURI

Palestine last event orientationfvgnh .pptx

RaedMohamed3

The Accursed House by Émile Gaboriau.pptx

DhatriParmar

Recently uploaded (20)

Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX

Lapbook sobre os Regimes Totalitários.pdf

Thesis Statement for students diagnonsed withADHD.ppt

Chapter 3 - Islamic Banking Products and Services.pptx

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Polish students' mobility in the Czech Republic

The French Revolution Class 9 Study Material pdf free download

Unit 8 - Information and Communication Technology (Paper I).pdf

Introduction to AI for Nonprofits with Tapp Network

CLASS 11 CBSE B.St Project AIDS TO TRADE - INSURANCE

TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...

Unit 2- Research Aptitude (UGC NET Paper I).pdf

678020731-Sumas-y-Restas-Para-Colorear.pdf

The basics of sentences session 5pptx.pptx

Operation Blue Star - Saka Neela Tara

Overview on Edible Vaccine: Pros & Cons with Mechanism

Instructions for Submissions thorugh G- Classroom.pptx

"Protectable subject matters, Protection in biotechnology, Protection of othe...

Palestine last event orientationfvgnh .pptx

The Accursed House by Émile Gaboriau.pptx

Romero's Zombies

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20. Zombies go mainstream

21. Zombies go mainstream

22.

23.

24.

25.

26.

27.

28.

29.

30.

31.

32.

Romero's Zombies

Recommended

Recommended

More Related Content

What's hot

What's hot (20)

Viewers also liked

Viewers also liked (7)

Similar to Romero's Zombies

Similar to Romero's Zombies (20)

More from Steen Christiansen

More from Steen Christiansen (20)

Recently uploaded

Recently uploaded (20)

Romero's Zombies