THE
SUPER
HEROES
OF
IN
POPULAR
COMICS CULTURE
“Words and pictures are
yin and yang. Married, they
produce a progeny more
interesting than either
parent.”
- Dr Seuss
INTRODUCTION TO
BRIEF
ABOUT
STARTED AS TIMELY
PUBLICATIONS IN
1939 (IN 1950S AS
ATLAS COMICS) IS
NOW MARVEL
WORLDWIDE INC.
MARVELS IS A LEADING AMERICAN
PUBLISHER OF COMIC BOOKS AND
RELATED MEDIA.
THEY ARE CURRENTLY
ACQUIRED BY THE
WALT DISNEY
COMPANY
THE BRAND IS SYNONYMOUS
WITH ITS REVOLUTIONARY
APPROACH TOWARDS COMICS
AND ACCLAIMED FOR ITS
HEROIC THEMES
IDEATION AND
THEMES
The ideas and themes of the
Marvel comics are deeply
influenced by the cultural and
socio-political state of America
including Post World war
situations, Cold War effects
and dawn of Post Modernist
approach. The style is though
Pop in nature!
IDEATION AND
THEMES MOST OF MARVEL'S FICTIONAL CHARACTERS OPERATE
IN A SINGLE REALITY KNOWN AS THE MARVEL
UNIVERSE, WITH LOCATIONS THAT MIRROR REAL-
LIFE AMERICAN CITIES.
MARVEL SUPERHEROES SUCH AS SPIDER-MAN, THE X-
MEN, THE FANTASTIC FOUR AND THE AVENGERS
ARE FROM THIS UNIVERSE.
THE SUPERHERO
CHARECTERS MARVEL‘s SUPERHEROES
SEEM TO BE MORE THAN
JUST MORALISTIC
FIGURES.
SOME OF THEM CO-EXIST
WITH A HUMAN IMAGE
WHICH MAKES THEM A
PART OF THE GENERAL
PUBLIC
THE ROLES ARE INSPIRED
FROM POPULAR SUBJECTS
LIKE WAR-FRONT
MARSHALS, MUTATIONS,
MACHINE AGE,
ASSASSINS, RETURN OF
MYTHICAL HEROISM ETC.
THE SUPERHEROES REFLECT
THE SOCIO-POLITICAL
LIFESTYLE AND PROBLEMS.
THE
UNLIKELY
HEROES
WHILE MARVEL’S COUNTERPARTS WERE
FOCUSING ON LARGELY ACCETED
NOTIONS OF SUPER-HEROES MARVEL
INTRODUCED CHARECTERS LIKE HULK,
SHE-HULK, WOLVERINE, BEAST,
PROFESSOR X, THE THING ETC
THEY INTERGUED THE CONCEPT OF
NOT SO PERFECT SUPER HEROES
THE CONCEPT OF
VILLAINYMARVEL'S VILLAINS ARE, OFTEN
AS CLASSIC AND ICONIC AS THE
HEROES THEY OPPOSE, AND
MANY HAVE FAN FOLLOWINGS
IN THEIR OWN RIGHT.
POPULAR VILLAINS INCLUDE DR DOOM,
LOKI (HULK), MAGNETO (X-MEN), ULTRON
(AVENGERS) ETC.
VILLAIN TEAM:
BROTHERHOOD
OF EVIL
MUTANTS
THE GOOD –
BAD
IMAGE
MANY MARVEL HEROES HAVE
A MIXED IMAGE. IT IS NOT
SURPRISING TO SEE HEROES
TURNING EVIL AND EVIL
TURNING RESONABLE
THE MENTALITY BEHIND
THE CREATIONSTHE SUPER HEROES SERVE AS
GREAT INSPIRATIONS FOR
HUMANITARIAN APPROACH. BUT
IT IS NOT THE ONLY PURPOSE
THE HEROES PROJECT
THE FEAR OF WORLD’S END IS
REFLECTED IN SEVERAL MARVEL
SUPERHEROES SERIES
FIGHT FOR DOMINANCE AND
BREAKDOWN OF
CONSTITUTIONAL MACHINERY
ACCEPTING THE IMPERFECT
SUPER HERO
JUSTIFIED VILLAINY!!
EXAGGERATION
IMPACT ON
POPULAR
CULTURE
FREEDOM OF EXPRESSION
VENTING NEW CONCEPTS OF
STORYTELLING AND VISUAL
REPRESENTATION
CREATING A WORLD
OF VIRTUAL REALITY
WITH UNREALISTIC
POSSIBILITIES
ENHANCING THE CAPACITY OF
CONTEMPORARY LITERATURE.
THANKS TO CONTRIBUTION OF
MARVEL’S STORY-MAN STAN LEE
INCOURAGING
VIOLENCE
INCREASING PLAY OF WOMEN AS
SUPER HEROES
POPULARITY
COMPETITION
POPULARIT
YAND
ACCEPTANC
E
THE POPULARITY OF THE HEROES
SPAWNS FROM COMIC BOOKS TO
ANIMATED TV SERIES TO
BLOCKBUSTER MOVIES TO LIVE
SHOWS AND THEME PARKS
MARVEL HAS AN EFFECTIVE FAN
BASE WHICH ARE ALSO KNOWN
AS MARVELS’s TRUE BELIEVERS
MARVEL’S EXTENSIVE PROMOTIONAL PRODUCTS
FURTHUR HELP ITS POPULARITY
POPULARIT
YAND
ACCEPTANC
E
IN THE
SCENERIO OF
COMPETITION WITH ALMOST SIMILAR THEMES
AND SUPERHERO COUNTERPARTS
THERE IS ALWAYS TOUGH
COMPETITON BETWEEN MARVELS
AND DC COMICS IN COMICS
MARKET
MARVEL PULLED AHEAD OF DC
COMICS IN 1970S WITH ITS
CONTEMPORARY THEMES ONLY TO
LOOSE GROUND TO RIVAL DC IN
LATE 80s
BUT MARVEL HOLDS A MAJOR
GROUND WITH ITS DIVERSIFIED
VENTURE INTO MERCHANDISE
AND MEDIA WITH A HIGHER
TURNOVER IN ALL
CONCLUDING
BESIDES TOUGH COMPETITION
MARVEL’S STRATEGIC PLAN AND
UNIQUE SELLING CAPACITIES KEEP
ITS TRADITION ALIVE.
ITS SUPERHEROES SERIES AND
VIRTUALISTIC EXPERIENCES
BOUNDS ITS FANS INTREST AND
EXPECTATION
THANK YOU
BY HARSHITA HAJELA

Marvel: in comic culture

  • 1.
  • 2.
    “Words and picturesare yin and yang. Married, they produce a progeny more interesting than either parent.” - Dr Seuss
  • 3.
  • 4.
    BRIEF ABOUT STARTED AS TIMELY PUBLICATIONSIN 1939 (IN 1950S AS ATLAS COMICS) IS NOW MARVEL WORLDWIDE INC. MARVELS IS A LEADING AMERICAN PUBLISHER OF COMIC BOOKS AND RELATED MEDIA. THEY ARE CURRENTLY ACQUIRED BY THE WALT DISNEY COMPANY THE BRAND IS SYNONYMOUS WITH ITS REVOLUTIONARY APPROACH TOWARDS COMICS AND ACCLAIMED FOR ITS HEROIC THEMES
  • 5.
    IDEATION AND THEMES The ideasand themes of the Marvel comics are deeply influenced by the cultural and socio-political state of America including Post World war situations, Cold War effects and dawn of Post Modernist approach. The style is though Pop in nature!
  • 6.
    IDEATION AND THEMES MOSTOF MARVEL'S FICTIONAL CHARACTERS OPERATE IN A SINGLE REALITY KNOWN AS THE MARVEL UNIVERSE, WITH LOCATIONS THAT MIRROR REAL- LIFE AMERICAN CITIES. MARVEL SUPERHEROES SUCH AS SPIDER-MAN, THE X- MEN, THE FANTASTIC FOUR AND THE AVENGERS ARE FROM THIS UNIVERSE.
  • 8.
    THE SUPERHERO CHARECTERS MARVEL‘sSUPERHEROES SEEM TO BE MORE THAN JUST MORALISTIC FIGURES. SOME OF THEM CO-EXIST WITH A HUMAN IMAGE WHICH MAKES THEM A PART OF THE GENERAL PUBLIC THE ROLES ARE INSPIRED FROM POPULAR SUBJECTS LIKE WAR-FRONT MARSHALS, MUTATIONS, MACHINE AGE, ASSASSINS, RETURN OF MYTHICAL HEROISM ETC. THE SUPERHEROES REFLECT THE SOCIO-POLITICAL LIFESTYLE AND PROBLEMS.
  • 9.
    THE UNLIKELY HEROES WHILE MARVEL’S COUNTERPARTSWERE FOCUSING ON LARGELY ACCETED NOTIONS OF SUPER-HEROES MARVEL INTRODUCED CHARECTERS LIKE HULK, SHE-HULK, WOLVERINE, BEAST, PROFESSOR X, THE THING ETC THEY INTERGUED THE CONCEPT OF NOT SO PERFECT SUPER HEROES
  • 10.
    THE CONCEPT OF VILLAINYMARVEL'SVILLAINS ARE, OFTEN AS CLASSIC AND ICONIC AS THE HEROES THEY OPPOSE, AND MANY HAVE FAN FOLLOWINGS IN THEIR OWN RIGHT. POPULAR VILLAINS INCLUDE DR DOOM, LOKI (HULK), MAGNETO (X-MEN), ULTRON (AVENGERS) ETC. VILLAIN TEAM: BROTHERHOOD OF EVIL MUTANTS
  • 11.
    THE GOOD – BAD IMAGE MANYMARVEL HEROES HAVE A MIXED IMAGE. IT IS NOT SURPRISING TO SEE HEROES TURNING EVIL AND EVIL TURNING RESONABLE
  • 12.
    THE MENTALITY BEHIND THECREATIONSTHE SUPER HEROES SERVE AS GREAT INSPIRATIONS FOR HUMANITARIAN APPROACH. BUT IT IS NOT THE ONLY PURPOSE THE HEROES PROJECT THE FEAR OF WORLD’S END IS REFLECTED IN SEVERAL MARVEL SUPERHEROES SERIES FIGHT FOR DOMINANCE AND BREAKDOWN OF CONSTITUTIONAL MACHINERY ACCEPTING THE IMPERFECT SUPER HERO JUSTIFIED VILLAINY!! EXAGGERATION
  • 13.
    IMPACT ON POPULAR CULTURE FREEDOM OFEXPRESSION VENTING NEW CONCEPTS OF STORYTELLING AND VISUAL REPRESENTATION CREATING A WORLD OF VIRTUAL REALITY WITH UNREALISTIC POSSIBILITIES ENHANCING THE CAPACITY OF CONTEMPORARY LITERATURE. THANKS TO CONTRIBUTION OF MARVEL’S STORY-MAN STAN LEE INCOURAGING VIOLENCE INCREASING PLAY OF WOMEN AS SUPER HEROES
  • 14.
  • 15.
    POPULARIT YAND ACCEPTANC E THE POPULARITY OFTHE HEROES SPAWNS FROM COMIC BOOKS TO ANIMATED TV SERIES TO BLOCKBUSTER MOVIES TO LIVE SHOWS AND THEME PARKS MARVEL HAS AN EFFECTIVE FAN BASE WHICH ARE ALSO KNOWN AS MARVELS’s TRUE BELIEVERS
  • 16.
    MARVEL’S EXTENSIVE PROMOTIONALPRODUCTS FURTHUR HELP ITS POPULARITY POPULARIT YAND ACCEPTANC E
  • 17.
    IN THE SCENERIO OF COMPETITIONWITH ALMOST SIMILAR THEMES AND SUPERHERO COUNTERPARTS THERE IS ALWAYS TOUGH COMPETITON BETWEEN MARVELS AND DC COMICS IN COMICS MARKET MARVEL PULLED AHEAD OF DC COMICS IN 1970S WITH ITS CONTEMPORARY THEMES ONLY TO LOOSE GROUND TO RIVAL DC IN LATE 80s BUT MARVEL HOLDS A MAJOR GROUND WITH ITS DIVERSIFIED VENTURE INTO MERCHANDISE AND MEDIA WITH A HIGHER TURNOVER IN ALL
  • 19.
    CONCLUDING BESIDES TOUGH COMPETITION MARVEL’SSTRATEGIC PLAN AND UNIQUE SELLING CAPACITIES KEEP ITS TRADITION ALIVE. ITS SUPERHEROES SERIES AND VIRTUALISTIC EXPERIENCES BOUNDS ITS FANS INTREST AND EXPECTATION
  • 20.