Session Two
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This document contains 12 questions about William Shakespeare's play The Merchant of Venice. The questions analyze various scenes and characters, asking about genre, implications of characters' lines, parallels between storylines, and motivations and significances within the play. Key topics covered include Morocco's speech in 2.1, Lancelot's confusion of his father in 2.2, Jessica and Lancelot's meeting in 2.3, Jessica's loss of her father in 2.5, her disguise as a man in 2.6, the conflation of courtship and the caskets, Morocco's reasoning for his casket choice in 2.7, and exchanges between characters in 2.8.
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ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
NEWSPAPERS - QUESTION 1 - REVISION POWERPOINT.pptx
NEWSPAPERS - QUESTION 1 - REVISION POWERPOINT.pptx
Session Two
- 1. William Shakespeare and The Merchant of Venice
- 2. How does the genre of the play impact our understanding of it?
- 3. What is the implication of Morocco's "Mislike me not for my complexion" (2.1.1)?
- 4. Explain Lancelot's first line (2.2.1-24).
- 6. Considering the romantic comedy of the play, what do you think of Jessica and Lancelot's meeting (2.3)?
- 7. How does it parallel with the main love story of Portia and Bassanio?
- 8. Why must Lancelot be an intermediary between Lorenzo and Jessica?
- 9. What is the significance of 2.5?
- 10. What does Jessica mean that she has lost a father (2.5.55)?
- 11. Why must Jessica dress up as a man in 2.6?
- 12. Why the conflation of courtship and the caskets in 2.7 and later scenes?
- 13. Do you agree with Morocco's reasoning for choosing the gold casket (2.7.13-60)?
- 14. How must we understand Portia's line "Let all of his complexion choose me so" (2.7.79)?
- 15. Explain Solanio's lines 2.8.20-22 in the context of Salarino's 2.8.23-24.