This risk assessment evaluates the risks of filming a scene where a couple breaks up over dinner outdoors in South Bank. The main risk identified is pedestrians tripping over cables. Existing control measures include securely taping cables to the floor in a high-visibility color and placing signs to notify the public of filming. Further measures may include having crew carry a first aid kit and ensure all crew can call for emergency help. The assessment concludes by outlining plans to contact emergency services if an accident occurs.
1) The risk assessment identifies hazards such as walking into arcade games during filming at a location and evaluates the risks.
2) Preventative measures include informing cast about machinery, following floor plans, having a torch for low light, and checking for a first aid kit.
3) Further necessary measures in case of injury include having a first aider assess the injury, crew contacting cast members' parents, and emergency contact plans being in place.
This document summarizes a risk assessment for filming party scenes at a location. It identifies potential hazards such as bumping into people, damaging equipment, and slippery floors. It rates the risks on a scale from A to E. Preventative measures are noted such as finding a spacious area to film and avoiding stairs. The document also outlines steps to take in the event of an accident, such as contacting teachers or emergency services. The risk assessment was approved by L. Bryant in December 2011.
Risk assessment the loved up and vase scene finalDmeeThriller
This document summarizes the risks and preventative measures for a student film shoot. It identifies two key risks: the camera falling on cast members and a vase hitting crew or cast during a scene. For the camera, measures include ensuring safe distance, director awareness of placement, and crew checking placement. For the vase, measures are a practice run, using a light vase, and protective garments. The document provides definitions for assessing risk level and outlines what to include in an accident plan.
This document summarizes the risks and preventative measures for a music video and photo shoot. Locations include a studio, bus, and on the road. Potential hazards include tripping over equipment, getting hit by doors, overcrowding in the studio, tripping or falling on the bus, and getting hit by cars while filming on the road. Preventive measures include taping down wires, keeping equipment away from performance areas, having clear spaces, supervising areas, and finding low traffic areas for filming. Emergency measures include first aid kits and contacting local hospitals if accidents occur.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having emergency contacts and directions to medical facilities. The filming is scheduled to take place on November 30th, 2012 at various indoor and outdoor locations.
This risk assessment form evaluates the hazards for a film shoot involving shots along the Welsh coastline. It identifies activities like the camera man filming from a pier and esplanade, as well as from high ground. Hazards include slippery surfaces, tripping in low light, and falling over walls or into roads. Controls include checking for hazards before filming, using flashlights, and having someone accompany the camera man at all times to assist. The overall risk level of the activities is rated as low to medium after controls are implemented.
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies is also included to coordinate response for issues that may arise during production.
The document summarizes a risk assessment for a film opening being shot at De Aston school and Willingham woods train station on 5/12/12. It identifies potential hazards from boom microphone wires that could cause trips and from bright lighting that could damage eyesight. Measures taken to address the hazards include keeping loose wires wrapped and controlling lighting levels. Additional actions required include having one crew member operate lighting during filming. Responsibility for actions is assigned to camera, sound, and lighting operators.
1) The risk assessment identifies hazards such as walking into arcade games during filming at a location and evaluates the risks.
2) Preventative measures include informing cast about machinery, following floor plans, having a torch for low light, and checking for a first aid kit.
3) Further necessary measures in case of injury include having a first aider assess the injury, crew contacting cast members' parents, and emergency contact plans being in place.
This document summarizes a risk assessment for filming party scenes at a location. It identifies potential hazards such as bumping into people, damaging equipment, and slippery floors. It rates the risks on a scale from A to E. Preventative measures are noted such as finding a spacious area to film and avoiding stairs. The document also outlines steps to take in the event of an accident, such as contacting teachers or emergency services. The risk assessment was approved by L. Bryant in December 2011.
Risk assessment the loved up and vase scene finalDmeeThriller
This document summarizes the risks and preventative measures for a student film shoot. It identifies two key risks: the camera falling on cast members and a vase hitting crew or cast during a scene. For the camera, measures include ensuring safe distance, director awareness of placement, and crew checking placement. For the vase, measures are a practice run, using a light vase, and protective garments. The document provides definitions for assessing risk level and outlines what to include in an accident plan.
This document summarizes the risks and preventative measures for a music video and photo shoot. Locations include a studio, bus, and on the road. Potential hazards include tripping over equipment, getting hit by doors, overcrowding in the studio, tripping or falling on the bus, and getting hit by cars while filming on the road. Preventive measures include taping down wires, keeping equipment away from performance areas, having clear spaces, supervising areas, and finding low traffic areas for filming. Emergency measures include first aid kits and contacting local hospitals if accidents occur.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having emergency contacts and directions to medical facilities. The filming is scheduled to take place on November 30th, 2012 at various indoor and outdoor locations.
This risk assessment form evaluates the hazards for a film shoot involving shots along the Welsh coastline. It identifies activities like the camera man filming from a pier and esplanade, as well as from high ground. Hazards include slippery surfaces, tripping in low light, and falling over walls or into roads. Controls include checking for hazards before filming, using flashlights, and having someone accompany the camera man at all times to assist. The overall risk level of the activities is rated as low to medium after controls are implemented.
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies is also included to coordinate response for issues that may arise during production.
The document summarizes a risk assessment for a film opening being shot at De Aston school and Willingham woods train station on 5/12/12. It identifies potential hazards from boom microphone wires that could cause trips and from bright lighting that could damage eyesight. Measures taken to address the hazards include keeping loose wires wrapped and controlling lighting levels. Additional actions required include having one crew member operate lighting during filming. Responsibility for actions is assigned to camera, sound, and lighting operators.
This document summarizes the risks of filming a scene involving a car driving on the pavement near crew members. [1] The risk of the car hitting and injuring cast or crew is rated C+, as a fatal injury is possible but not frequent. [2] Preventive measures include filming in an area with a paved pavement, ensuring crew do not stand at the edge, and having stationary backup cars. [3] If an accident occurs, emergency services will be called immediately and first aid will be administered by a crew member carrying a first aid box.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having well-charged phones, first aid kits, and maps to the nearest medical facilities. Crew will be briefed on safety procedures to minimize risks.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having emergency contacts and directions to medical facilities. The filming is scheduled to take place on November 30th, 2012 at various indoor and outdoor locations.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip hazard signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having well-charged phones, first aid kits, and maps to the nearest medical facilities. Crew will be briefed on safety procedures to minimize risks.
This document provides a template for conducting a risk assessment for a film production. It explains that all potential hazards should be considered along with who may be harmed, property damage, and existing risk controls. For each hazard, the risk level is determined based on a table provided. Further actions are then identified depending on the risk level. An example risk assessment is given for three hazards: hot sand burning feet, an untrained dog's behavior, and burns from an uncontrolled campfire. Locations, existing controls, risk levels, and further actions are outlined for each example hazard.
The risk assessment record summarizes potential hazards, existing precautions, and risk levels for filming a house party scene. Trips, slips, falls and fire hazards were identified as moderate risks, while accidents and electrical issues were low risks. Additional controls may be needed for very high risks rated 6 or 9 on the risk level scale. The assessment aims to protect those involved from injury by outlining existing and required safety measures.
This document provides a risk assessment record for an accommodation with controls in place. It identifies potential hazards such as trips, slips and falls, fire hazards, accidents, and electrical issues. For each hazard, it lists precautions already implemented to reduce risk, such as keeping areas tidy, maintaining clear exits, and ensuring responsible alcohol and light/music use. It also provides a risk level analysis scale for likelihood, severity, and overall risk. Signatures are required from health and safety officers and management to approve the assessment and ensure annual reviews.
This document provides a template for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequences of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also notes that emergency contact details and reception should be considered. The full risk assessment for a sample production lists locations and hazards and assigns risk levels.
This document provides a template and guidance for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequence of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also prompts consideration of emergency contact and response. The template is then used to assess specific hazards for a sample production shooting in various outdoor locations.
This document provides a template and guidance for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequence of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also prompts consideration of emergency contact and response. The second half provides a sample risk assessment for a student film shoot, identifying locations and hazards such as being in woods at night and filming on a bridge.
The 5 Phases of a Project TurnAround - How to rescue troubled projectsTorsten Koerting
This document outlines the 5 phases of turning around a failing project: Recognize, Analyze, Stabilize, Transform, and Sustain. It discusses each phase in detail, providing tools and approaches for dealing with each stage of a project turnaround. Some key points include recognizing early warning signs, focusing on the root cause not just symptoms, establishing a core team, adjusting scope/schedule/quality, and sustaining the turnaround once achieved through lessons learned and establishing new processes. The overall message is that project turnarounds require engaging stakeholders, focusing on people, and consistent project management without excuses.
Brett Tinnion conducted a risk assessment for Orbit Studios' graduation production taking place from October 6th-20th. Several risks were identified including bottles being smashed and causing injury, loose wires posing tripping hazards, actors being hit by vehicles while filming outdoors, and collisions between people in crowded scenes. Controls like choreographing scenes, tying up loose wires, and wearing high-visibility clothing were already in place. Further actions proposed included rehearsing crowded scenes and having first aid supplies and emergency contact numbers on hand.
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies and essential personnel involved in the production is also to be documented.
The risk assessment identifies the following hazards: wires from cameras and microphones; traffic when filming exterior scenes; use of a crane; boiling water; and ice. Measures taken to prevent injury include securing wires, checking roads when filming externally, wearing harnesses with the crane, watching where water is boiled, and checking the ground before filming on ice. Additional actions such as equipment training, briefings on road safety, and ensuring first aid kits are available are required. The sound manager, director, driver, crane operator, and everyone are responsible for taking action.
The document discusses lessons learned from past NASA mishaps and close calls to help prevent failures and ensure mission success. It defines mishaps and close calls and how they are classified. Mishaps can impact programs through equipment failure, costs, delays and loss of public confidence. Even very successful programs like the Mars Exploration Rovers had significant close calls involving potential failures of parachutes, airbags and other systems. The anatomy of an accident shows how controls and barriers failed to prevent undesirable outcomes. Learning from past incidents helps programs implement proper controls and best practices to avoid potential problems.
Examples of recent industrial crises with stronf financial consequences are used to describe a general crisis development model, compare the risks with a general tolerability curve and finally show that it is in the latecy phases that the most results are obtained by rational approaches of risk and crisis management
The AHA summarizes the hazards and controls associated with scaffolding erection and use. Key hazards include falls, back strain, lacerations, equipment strikes, and electrical shock. Controls include fall protection, lifting assistance, PPE like gloves, inspecting scaffolding and equipment, and following manufacturer instructions. The overall risk assessment code is moderate due to fall and equipment hazards.
This risk assessment record documents potential hazards and control measures for an event at Swinton town hall. It identifies trips, slips and falls as a hazard and lists flooring, wiring, and debris controls. Theft and loss of equipment is also identified, with controls around visibility, transportation, and storage. Accidents are addressed with 24 first aiders on site, first aid boxes, and contacting reception with concerns. The assessment rates likelihood, severity, and overall risk of each hazard to prioritize additional control needs.
The document is a presentation about practical applications of risk management given to the ASQ Orange Empire section. It introduces basic concepts of risk analysis and management and applies them to examples of supplier/material risk. The presentation encourages participants to think about risks in their everyday lives and businesses, and provides ideas on how to assess risks and work with suppliers to reduce risks.
We received responses from the questionnaire sent to our target audience. The majority of respondents were between 25-35 years old and lived in urban areas. Most said they would be interested in a new product that was inexpensive and easy to use.
The font choice is important for a website to match the artist's genre, brand, and ensure readability. A graffiti style font was proposed that would relate to both the artist's music genre and scenes in their music videos. While a bold font could stand out, it may not be clear enough to read. A cartoon style font was suggested as it would match the artist's logo and be clearly readable for titles and text on the website.
This document summarizes the risks of filming a scene involving a car driving on the pavement near crew members. [1] The risk of the car hitting and injuring cast or crew is rated C+, as a fatal injury is possible but not frequent. [2] Preventive measures include filming in an area with a paved pavement, ensuring crew do not stand at the edge, and having stationary backup cars. [3] If an accident occurs, emergency services will be called immediately and first aid will be administered by a crew member carrying a first aid box.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having well-charged phones, first aid kits, and maps to the nearest medical facilities. Crew will be briefed on safety procedures to minimize risks.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having emergency contacts and directions to medical facilities. The filming is scheduled to take place on November 30th, 2012 at various indoor and outdoor locations.
This document provides a risk assessment for filming various scenes of a music video. It identifies potential hazards such as trip hazards from equipment cables, slip hazards from wet floors, and risks associated with filming in a moving vehicle. Preventative measures are outlined such as taping down cables, adding slip hazard signs, and ensuring the driver is licensed. Contingency plans in case of minor injuries include having well-charged phones, first aid kits, and maps to the nearest medical facilities. Crew will be briefed on safety procedures to minimize risks.
This document provides a template for conducting a risk assessment for a film production. It explains that all potential hazards should be considered along with who may be harmed, property damage, and existing risk controls. For each hazard, the risk level is determined based on a table provided. Further actions are then identified depending on the risk level. An example risk assessment is given for three hazards: hot sand burning feet, an untrained dog's behavior, and burns from an uncontrolled campfire. Locations, existing controls, risk levels, and further actions are outlined for each example hazard.
The risk assessment record summarizes potential hazards, existing precautions, and risk levels for filming a house party scene. Trips, slips, falls and fire hazards were identified as moderate risks, while accidents and electrical issues were low risks. Additional controls may be needed for very high risks rated 6 or 9 on the risk level scale. The assessment aims to protect those involved from injury by outlining existing and required safety measures.
This document provides a risk assessment record for an accommodation with controls in place. It identifies potential hazards such as trips, slips and falls, fire hazards, accidents, and electrical issues. For each hazard, it lists precautions already implemented to reduce risk, such as keeping areas tidy, maintaining clear exits, and ensuring responsible alcohol and light/music use. It also provides a risk level analysis scale for likelihood, severity, and overall risk. Signatures are required from health and safety officers and management to approve the assessment and ensure annual reviews.
This document provides a template for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequences of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also notes that emergency contact details and reception should be considered. The full risk assessment for a sample production lists locations and hazards and assigns risk levels.
This document provides a template and guidance for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequence of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also prompts consideration of emergency contact and response. The template is then used to assess specific hazards for a sample production shooting in various outdoor locations.
This document provides a template and guidance for conducting a risk assessment for a film production. It explains that all potential hazards should be considered, including who may be harmed and what property may be damaged. For each hazard, the existing risk controls and the level of risk should be recorded. The risk level is determined based on a table showing likelihood and consequence of an event. Examples of potential hazards for a beach shoot include hot sand and an on-set dog. The assessment also prompts consideration of emergency contact and response. The second half provides a sample risk assessment for a student film shoot, identifying locations and hazards such as being in woods at night and filming on a bridge.
The 5 Phases of a Project TurnAround - How to rescue troubled projectsTorsten Koerting
This document outlines the 5 phases of turning around a failing project: Recognize, Analyze, Stabilize, Transform, and Sustain. It discusses each phase in detail, providing tools and approaches for dealing with each stage of a project turnaround. Some key points include recognizing early warning signs, focusing on the root cause not just symptoms, establishing a core team, adjusting scope/schedule/quality, and sustaining the turnaround once achieved through lessons learned and establishing new processes. The overall message is that project turnarounds require engaging stakeholders, focusing on people, and consistent project management without excuses.
Brett Tinnion conducted a risk assessment for Orbit Studios' graduation production taking place from October 6th-20th. Several risks were identified including bottles being smashed and causing injury, loose wires posing tripping hazards, actors being hit by vehicles while filming outdoors, and collisions between people in crowded scenes. Controls like choreographing scenes, tying up loose wires, and wearing high-visibility clothing were already in place. Further actions proposed included rehearsing crowded scenes and having first aid supplies and emergency contact numbers on hand.
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies and essential personnel involved in the production is also to be documented.
The risk assessment identifies the following hazards: wires from cameras and microphones; traffic when filming exterior scenes; use of a crane; boiling water; and ice. Measures taken to prevent injury include securing wires, checking roads when filming externally, wearing harnesses with the crane, watching where water is boiled, and checking the ground before filming on ice. Additional actions such as equipment training, briefings on road safety, and ensuring first aid kits are available are required. The sound manager, director, driver, crane operator, and everyone are responsible for taking action.
The document discusses lessons learned from past NASA mishaps and close calls to help prevent failures and ensure mission success. It defines mishaps and close calls and how they are classified. Mishaps can impact programs through equipment failure, costs, delays and loss of public confidence. Even very successful programs like the Mars Exploration Rovers had significant close calls involving potential failures of parachutes, airbags and other systems. The anatomy of an accident shows how controls and barriers failed to prevent undesirable outcomes. Learning from past incidents helps programs implement proper controls and best practices to avoid potential problems.
Examples of recent industrial crises with stronf financial consequences are used to describe a general crisis development model, compare the risks with a general tolerability curve and finally show that it is in the latecy phases that the most results are obtained by rational approaches of risk and crisis management
The AHA summarizes the hazards and controls associated with scaffolding erection and use. Key hazards include falls, back strain, lacerations, equipment strikes, and electrical shock. Controls include fall protection, lifting assistance, PPE like gloves, inspecting scaffolding and equipment, and following manufacturer instructions. The overall risk assessment code is moderate due to fall and equipment hazards.
This risk assessment record documents potential hazards and control measures for an event at Swinton town hall. It identifies trips, slips and falls as a hazard and lists flooring, wiring, and debris controls. Theft and loss of equipment is also identified, with controls around visibility, transportation, and storage. Accidents are addressed with 24 first aiders on site, first aid boxes, and contacting reception with concerns. The assessment rates likelihood, severity, and overall risk of each hazard to prioritize additional control needs.
The document is a presentation about practical applications of risk management given to the ASQ Orange Empire section. It introduces basic concepts of risk analysis and management and applies them to examples of supplier/material risk. The presentation encourages participants to think about risks in their everyday lives and businesses, and provides ideas on how to assess risks and work with suppliers to reduce risks.
We received responses from the questionnaire sent to our target audience. The majority of respondents were between 25-35 years old and lived in urban areas. Most said they would be interested in a new product that was inexpensive and easy to use.
The font choice is important for a website to match the artist's genre, brand, and ensure readability. A graffiti style font was proposed that would relate to both the artist's music genre and scenes in their music videos. While a bold font could stand out, it may not be clear enough to read. A cartoon style font was suggested as it would match the artist's logo and be clearly readable for titles and text on the website.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
When choosing a font for an album cover, many factors must be considered, including the genre of music, album artwork, clarity for audiences, and how the font will stand out. The document discusses different font styles and their suitability for a hip hop album in a digipak format. A graffiti style font is determined to be the most appropriate as it is commonly associated with hip hop music and clearly conveys the genre, while still being legible, cohesively tying the font to scenes in the music video featuring graffiti.
This album cover summarizes the key characteristics of a successful hip hop album cover:
1) It attracts the target audience by including stereotypical elements like tattoos and do-rags.
2) The artist's expression and pose are typically masculine and "hard" to appeal to hip hop fans.
3) Simplicity and lack of distraction point audiences to focus on the raw music itself.
Digipaks are promotional packaging for albums that provide extra content beyond just the music. They typically include a CD along with additional materials like photos, lyrics, or DVDs in a folded cardboard design. Well-designed digipaks establish a consistent visual theme throughout and use imagery and symbols that relate to the artist's music or message, allowing fans a deeper connection to and understanding of the album. The author plans to create an original digipak with a cohesive theme to promote their own artist's music, video, and website.
This document outlines contingency plans for a music video filming project. It discusses potential backup location options if the primary locations cannot be used, such as substituting Brixton skating zone for the South Bank underpass. It also proposes illustrating the highs and lows of a relationship through dinner and argument scenes if a house setting cannot be secured. Finally, it states that without available characters, the video could be reworked as a simple performance piece using varied camera shots and editing.
We created floor plans for filming locations to prepare for setup, get the best shots, and prevent disruption. The floor plans allow us to organize equipment and actors, plan safely by preventing hazards, and guide the public with tape markings. Sample floor plans are included for Regent Street, Truckerdero, the South Bank, and a house.
We have created a series of floor plans for the locations in our music video to prepare for filming. The floor plans allow us to organize equipment and actors, plan shots, and prevent hazards and disruption to the public by marking taped areas to avoid. They will help ensure we get the best shots while filming safely and efficiently.
The document summarizes four potential film locations - D'mee's house, South Bank, Trocodero arcade, and Regent Street in London. For each location, it provides details on access, health and safety considerations, potential filming problems, and notes. The main challenges include ensuring adult supervision at the house location, avoiding busy areas, acquiring necessary permissions, dealing with noise and weather-related issues, and transporting equipment safely. Proper planning of timing, lighting, and props is also emphasized for the successful filming at each site.
Andrew Goodwin wrote a book called "Dancing in the Distraction Factory" about music television and cultural theory. In the book, he discusses six common elements found in music videos: 1) demonstrating genre characteristics, 2) relationships between lyrics and visuals, 3) relationships between music and visuals, 4) close ups of artists per record label demands, 5) notions of looking, and 6) intertextual references. Goodwin also developed the concept of "thought beats" to construct songs for music videos in a step-by-step process.
Andrew Goodwin is the author of the book "Dancing in the Distraction Factory" where he discusses music television and cultural theory. In the book, he analyzes media aesthetics, critical theory, and pop music. Specifically, he argues that each music video contains six elements: genre characteristics, relationships between lyrics/visuals and music/visuals, record label demands, visual motifs, references to looking, and intertextual references.
Pop stars are able to heavily influence their audiences through their constructed public images. Richard Dyer's star theory argues that a pop performer becomes a pop star when their management crafts an artificial image for them using promotional tactics. For example, Jessie J's managers exaggerated details about her sexuality to generate publicity and help her gain fans. While management wants audiences to see stars as "real", their images are still manipulated constructions meant to influence audiences. Whatever image a star portrays, their audiences want to emulate that, so pop stars can influence not just appearance but behaviors as well.
Michael Gondry is a French film director known for his playful and fun style in music videos. Some key aspects of his style include abstract concepts synchronized to the music, colorful costumes representing different music genres, and exaggerated performances creating a slapstick tone. This playful approach establishes Gondry as an "Auteur Theorist" who conveys his personal vision through technical elements. Examples like "Around the World" by Daft Punk, "Another One Bites the Dust" by Wyclef Jean, and "Everlong" by Foo Fighters showcase Gondry's comedic flair through unrealistic scenarios, cartoon-like props, and jumps cuts keeping the atmosphere lighthearted.
Drake's music video for "HYFR" was directed by Director X and features Drake celebrating his re-bar mitzvah, which turns into a lively party. The video shows Drake and featured artist Lil Wayne performing their parts of the song alongside other hip hop artists dancing and lip syncing. It uses techniques like fast cuts, slow motion, and wide shots to capture the atmosphere and synchronize with the beat of the song. The video targets hip hop fans and Drake/Lil Wayne fans by featuring the artists and following conventions of the hip hop music video genre.
Within the opening sequence and film, gender is represented in a stereotypical way through traits like clothing and speech. However, the roles are reversed from the stereotype with the female character being psychotic and the male being the victim. This role reversal could shock audiences and attract those outside the target demographic. The target audience is British teenagers and young adults due to relatable storylines around relationships and exaggerated real-life situations. Representing a range of ages, races, and classes makes the film more widely appealing while keeping the focus on teenage characters.
My opening sequence incorporates some generic conventions of real media products, such as using flashbacks to provide background story and hints about what is to come to intrigue the audience. However, it also challenges conventions through the frequent use of jump cuts between flashbacks, rather than a single long clip, to raise more questions and confuse expectations. Additionally, the subgenre of a love-based psychological thriller is indicated through scenes of jealousy and intimacy, though this is intended to mislead viewers from predicting an accurate plot. The sequence was influenced by the flashbacks and sepia-toned aesthetic of Kill Bill Volume 2's opening, though background noise was omitted to build suspense through the escalating music.
1. Harris Academy South Norwood MEDIA Risk Assessment Record
Director, camera operator, music artist, actor x2 South Bank
Production / Location of Shoot:
Person(s) involved:
Scene one – ‘the break up’. Location Contact No:
Activity or process: Couple breaking up over dinner
Date of Assessment:
Shoot Date(s): Director’s / Student(s)
Signature:
A: HAZARDS B: DEGREE OF RISK C: PREVENTIVE MEASURES D: IF ACCIDENT OCCURS?
(Refer to Risk Matrix)
Nature of hazard Person(s) at Severity Likelihood Risk Measures in place aimed at Further necessary measures,
risk Rating reducing risk to minimum level? involving whom and by when?
(See below)
• Pedestrians tripping Cas Major Possible C • All wires should be securely tapped • The First Aid Box will be
over the cables Cre to the floor to avoid anyone from the carried by a crew member
Pub tripping over them • All crew members should
• The tape should be a different have phone , so an
colour from the pavement emergency call can be
• Tell those who are skating in South made easily
Bank that we will be filming in this • The accident should be
area assessed first and if help is
• A sign can be placed where the needed then called
camera is to make people aware
filming is taking place
2. Persons at risk include: Cas – Cast Cre - Crew Fam - Family Pub- Public
Stu - Students Tut – Tutor(s) Vis - Visitors
The “Risk Matrix” or Table of Overall Risk
The Risk Matrix is a useful tool in the assessment of the severity of overall risk. It is intended to allow the relationship between the likelihood of
incident/injury occurring and the possible severity of outcome. By comparing these two factors against each other, a Risk Rating can be arrived at,
employing a scale between ‘A’ (highest risk) and ‘E’ (lowest risk).
Risk Likely Rating, on a scale of ‘A’ to ‘E’ (‘A’ being the highest)
Likely Risk Rating, on a scale of ‘A’ to ‘E’ (‘A’ being the highest)
severity of
outcome
Frequent Probable Possible Remote Unlikely
Fatal A B+ C+ D+ E+
Major B+ B C D E
Minor C+ C D D E
Non- Reportable D+ D D E E
Explanation of severity of outcome (For definitions and full list of inclusions, refer to the Reporting of Injuries, Diseases and Dangerous Occurrence
Regulations (RIDDOR) 1995):
Fatal - any fatal injuries to employees, or any other person, sustained in an accident connected with your business
Major - any injury that includes:
· Fracture of the skull, spine, pelvis, any bone in the arms or legs (but not in the hand or foot).
· Amputations of the hand or foot, or of a finger, thumb or toe where the bone or joint is severed.
· Loss of sight in an eye, or a penetrating injury, chemical / hot burn to the eye.
· Electric shock resulting in loss of consciousness and / or medical treatment.
· Acute illness or loss of consciousness resulting from absorption, inhalation or ingestion of a substance.
· Any other injury requiring hospitalisation for more than 24 hours.
Minor - any other injury to an individual that results in absence from work, or an inability to carry out their normal work, for more than 3 days.
3. Non-Reportable - any injury or discomfort that does not cause more than 3 days’ disablement, or permanent damage.
Note: “Ill Health”, i.e. loss of hearing, respiratory illness, dermatitis etc. should be rated on their likely severity.
For each section of the Risk Assessment Record form above,
it is recommended that the assessor(s) refer to the notes below for an outline of the main requirements of the questions:
• Activity or Process - Basically you are required to state the physical nature of the activity.
This can either be a generic activity such as “booking out kit”, or a more specific activity such as
“filming in a moving car” or other more specialised activities; so if necessary try to describe it as best as possible.
For example: “erection and use of lights in living room for fight scene”.
• Nature of Hazard? - Concentrate upon things that could cause harm, not trivial things like flaky paintwork!
Consult the people who use the area as they may have a different perspective to you.
Do not rely solely upon others however, as they have become “blinkered” to certain hazards through daily exposure to them.
• Who may be at risk? - Identify types / groups and numbers of people, and perhaps individuals.
It could be “crew” in general, or more specific groups such as cast or guest interviewees who are not familiar with the location.
• Degree of risk - Compare the likely outcome (worst case scenario if you like) against
the likelihood of it occurring (unlikely through to frequent). Award a rating from A (high) down to E (very low).
Refer to the Risk Matrix above for risk rating.
• Preventive (Existing Control Measures) - Identify the measures already in place and ask yourself
if they are sufficient to eliminate or reduce the risk to the lowest possible degree?
It is not always possible to entirely eliminate a hazard, as they are often intrinsic to a piece of equipment (such as a tungsten light)
or an activity (such as driving).
• Preventive (Further Measures Required) - Is there a possibility of circumstances arising that could lead to additional unforeseen risk?
If so, how could these be pre-empted and addressed before they cause harm? If change is planned, what associated hazards
could arise? Could adverse weather conditions or a sudden influx of people result in additional hazards?
• If Accident Occurs – it is essential that plans are in place if any accident occurs, whether it be fatal, major, minor, or even some non-reportable outcomes.
This would normally take the form of having a record of emergency numbers of cast and crew, contacting the college and the media department,
and calling the emergency services as required.
This Risk Assessment Document has been approved by Date
L. BRYANT Dec 2011