Filming log 2 presentation
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The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
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Font ideas
The font choice is important for a website to match the artist's genre, brand, and ensure readability. A graffiti style font was proposed that would relate to both the artist's music genre and scenes in their music videos. While a bold font could stand out, it may not be clear enough to read. A cartoon style font was suggested as it would match the artist's logo and be clearly readable for titles and text on the website.
Font ideas
When choosing a font for an album cover, many factors must be considered, including the genre of music, album artwork, clarity for audiences, and how the font will stand out. The document discusses different font styles and their suitability for a hip hop album in a digipak format. A graffiti style font is determined to be the most appropriate as it is commonly associated with hip hop music and clearly conveys the genre, while still being legible, cohesively tying the font to scenes in the music video featuring graffiti.
The survey monkey graphs
We received responses from the questionnaire sent to our target audience. The majority of respondents were between 25-35 years old and lived in urban areas. Most said they would be interested in a new product that was inexpensive and easy to use.
We found love andrew goodwin 2
Andrew Goodwin wrote a book called "Dancing in the Distraction Factory" about music television and cultural theory. In the book, he discusses six common elements found in music videos: 1) demonstrating genre characteristics, 2) relationships between lyrics and visuals, 3) relationships between music and visuals, 4) close ups of artists per record label demands, 5) notions of looking, and 6) intertextual references. Goodwin also developed the concept of "thought beats" to construct songs for music videos in a step-by-step process.
Extravagant Roman Bath Houses
Roman bath houses served as important social hubs where people could bathe, exercise, and meet to discuss politics, business and more. They had many amenities like hot baths, steam rooms, massage rooms and shops. The largest bath houses could be very complex with different rooms for various services. Rich Romans would often bring their own slaves to attend to them. Bath houses helped establish aqueduct infrastructure and were central places for young men to train for competitions. They provided relaxation and became popular locations.
Genre album cover analysis
This album cover summarizes the key characteristics of a successful hip hop album cover:
1) It attracts the target audience by including stereotypical elements like tattoos and do-rags.
2) The artist's expression and pose are typically masculine and "hard" to appeal to hip hop fans.
3) Simplicity and lack of distraction point audiences to focus on the raw music itself.
Digipack research
Digipaks are promotional packaging for albums that provide extra content beyond just the music. They typically include a CD along with additional materials like photos, lyrics, or DVDs in a folded cardboard design. Well-designed digipaks establish a consistent visual theme throughout and use imagery and symbols that relate to the artist's music or message, allowing fans a deeper connection to and understanding of the album. The author plans to create an original digipak with a cohesive theme to promote their own artist's music, video, and website.
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Font ideas
The font choice is important for a website to match the artist's genre, brand, and ensure readability. A graffiti style font was proposed that would relate to both the artist's music genre and scenes in their music videos. While a bold font could stand out, it may not be clear enough to read. A cartoon style font was suggested as it would match the artist's logo and be clearly readable for titles and text on the website.
Font ideas
When choosing a font for an album cover, many factors must be considered, including the genre of music, album artwork, clarity for audiences, and how the font will stand out. The document discusses different font styles and their suitability for a hip hop album in a digipak format. A graffiti style font is determined to be the most appropriate as it is commonly associated with hip hop music and clearly conveys the genre, while still being legible, cohesively tying the font to scenes in the music video featuring graffiti.
The survey monkey graphs
We received responses from the questionnaire sent to our target audience. The majority of respondents were between 25-35 years old and lived in urban areas. Most said they would be interested in a new product that was inexpensive and easy to use.
We found love andrew goodwin 2
Andrew Goodwin wrote a book called "Dancing in the Distraction Factory" about music television and cultural theory. In the book, he discusses six common elements found in music videos: 1) demonstrating genre characteristics, 2) relationships between lyrics and visuals, 3) relationships between music and visuals, 4) close ups of artists per record label demands, 5) notions of looking, and 6) intertextual references. Goodwin also developed the concept of "thought beats" to construct songs for music videos in a step-by-step process.
Extravagant Roman Bath Houses
Roman bath houses served as important social hubs where people could bathe, exercise, and meet to discuss politics, business and more. They had many amenities like hot baths, steam rooms, massage rooms and shops. The largest bath houses could be very complex with different rooms for various services. Rich Romans would often bring their own slaves to attend to them. Bath houses helped establish aqueduct infrastructure and were central places for young men to train for competitions. They provided relaxation and became popular locations.
Genre album cover analysis
This album cover summarizes the key characteristics of a successful hip hop album cover:
1) It attracts the target audience by including stereotypical elements like tattoos and do-rags.
2) The artist's expression and pose are typically masculine and "hard" to appeal to hip hop fans.
3) Simplicity and lack of distraction point audiences to focus on the raw music itself.
Digipack research
Digipaks are promotional packaging for albums that provide extra content beyond just the music. They typically include a CD along with additional materials like photos, lyrics, or DVDs in a folded cardboard design. Well-designed digipaks establish a consistent visual theme throughout and use imagery and symbols that relate to the artist's music or message, allowing fans a deeper connection to and understanding of the album. The author plans to create an original digipak with a cohesive theme to promote their own artist's music, video, and website.
Contingency plan
This document outlines contingency plans for a music video filming project. It discusses potential backup location options if the primary locations cannot be used, such as substituting Brixton skating zone for the South Bank underpass. It also proposes illustrating the highs and lows of a relationship through dinner and argument scenes if a house setting cannot be secured. Finally, it states that without available characters, the video could be reworked as a simple performance piece using varied camera shots and editing.
Floor plan
We created floor plans for filming locations to prepare for setup, get the best shots, and prevent disruption. The floor plans allow us to organize equipment and actors, plan safely by preventing hazards, and guide the public with tape markings. Sample floor plans are included for Regent Street, Truckerdero, the South Bank, and a house.
Floor plan
We have created a series of floor plans for the locations in our music video to prepare for filming. The floor plans allow us to organize equipment and actors, plan shots, and prevent hazards and disruption to the public by marking taped areas to avoid. They will help ensure we get the best shots while filming safely and efficiently.
Risk assessment the loved up and vase scene final
This document summarizes the risks and preventative measures for a student film shoot. It identifies two key risks: the camera falling on cast members and a vase hitting crew or cast during a scene. For the camera, measures include ensuring safe distance, director awareness of placement, and crew checking placement. For the vase, measures are a practice run, using a light vase, and protective garments. The document provides definitions for assessing risk level and outlines what to include in an accident plan.
Risk assessment south bank
This risk assessment evaluates the risks of filming a scene where a couple breaks up over dinner outdoors in South Bank. The main risk identified is pedestrians tripping over cables. Existing control measures include securely taping cables to the floor in a high-visibility color and placing signs to notify the public of filming. Further measures may include having crew carry a first aid kit and ensure all crew can call for emergency help. The assessment concludes by outlining plans to contact emergency services if an accident occurs.
Risk assessment regent street final
This document summarizes the risks of filming a scene involving a car driving on the pavement near crew members. [1] The risk of the car hitting and injuring cast or crew is rated C+, as a fatal injury is possible but not frequent. [2] Preventive measures include filming in an area with a paved pavement, ensuring crew do not stand at the edge, and having stationary backup cars. [3] If an accident occurs, emergency services will be called immediately and first aid will be administered by a crew member carrying a first aid box.
Risk assessment troc
1) The risk assessment identifies hazards such as walking into arcade games during filming at a location and evaluates the risks.
2) Preventative measures include informing cast about machinery, following floor plans, having a torch for low light, and checking for a first aid kit.
3) Further necessary measures in case of injury include having a first aider assess the injury, crew contacting cast members' parents, and emergency contact plans being in place.
Location recce (all)
The document summarizes four potential film locations - D'mee's house, South Bank, Trocodero arcade, and Regent Street in London. For each location, it provides details on access, health and safety considerations, potential filming problems, and notes. The main challenges include ensuring adult supervision at the house location, avoiding busy areas, acquiring necessary permissions, dealing with noise and weather-related issues, and transporting equipment safely. Proper planning of timing, lighting, and props is also emphasized for the successful filming at each site.
We found love andrew goodwin
Andrew Goodwin is the author of the book "Dancing in the Distraction Factory" where he discusses music television and cultural theory. In the book, he analyzes media aesthetics, critical theory, and pop music. Specifically, he argues that each music video contains six elements: genre characteristics, relationships between lyrics/visuals and music/visuals, record label demands, visual motifs, references to looking, and intertextual references.
Star theory
Pop stars are able to heavily influence their audiences through their constructed public images. Richard Dyer's star theory argues that a pop performer becomes a pop star when their management crafts an artificial image for them using promotional tactics. For example, Jessie J's managers exaggerated details about her sexuality to generate publicity and help her gain fans. While management wants audiences to see stars as "real", their images are still manipulated constructions meant to influence audiences. Whatever image a star portrays, their audiences want to emulate that, so pop stars can influence not just appearance but behaviors as well.
Michael gondry
Michael Gondry is a French film director known for his playful and fun style in music videos. Some key aspects of his style include abstract concepts synchronized to the music, colorful costumes representing different music genres, and exaggerated performances creating a slapstick tone. This playful approach establishes Gondry as an "Auteur Theorist" who conveys his personal vision through technical elements. Examples like "Around the World" by Daft Punk, "Another One Bites the Dust" by Wyclef Jean, and "Everlong" by Foo Fighters showcase Gondry's comedic flair through unrealistic scenarios, cartoon-like props, and jumps cuts keeping the atmosphere lighthearted.
Video analysis
Drake's music video for "HYFR" was directed by Director X and features Drake celebrating his re-bar mitzvah, which turns into a lively party. The video shows Drake and featured artist Lil Wayne performing their parts of the song alongside other hip hop artists dancing and lip syncing. It uses techniques like fast cuts, slow motion, and wide shots to capture the atmosphere and synchronize with the beat of the song. The video targets hip hop fans and Drake/Lil Wayne fans by featuring the artists and following conventions of the hip hop music video genre.
Evaluation question 2
Within the opening sequence and film, gender is represented in a stereotypical way through traits like clothing and speech. However, the roles are reversed from the stereotype with the female character being psychotic and the male being the victim. This role reversal could shock audiences and attract those outside the target demographic. The target audience is British teenagers and young adults due to relatable storylines around relationships and exaggerated real-life situations. Representing a range of ages, races, and classes makes the film more widely appealing while keeping the focus on teenage characters.
Question 1 evaluation
My opening sequence incorporates some generic conventions of real media products, such as using flashbacks to provide background story and hints about what is to come to intrigue the audience. However, it also challenges conventions through the frequent use of jump cuts between flashbacks, rather than a single long clip, to raise more questions and confuse expectations. Additionally, the subgenre of a love-based psychological thriller is indicated through scenes of jealousy and intimacy, though this is intended to mislead viewers from predicting an accurate plot. The sequence was influenced by the flashbacks and sepia-toned aesthetic of Kill Bill Volume 2's opening, though background noise was omitted to build suspense through the escalating music.
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Contingency plan
This document outlines contingency plans for a music video filming project. It discusses potential backup location options if the primary locations cannot be used, such as substituting Brixton skating zone for the South Bank underpass. It also proposes illustrating the highs and lows of a relationship through dinner and argument scenes if a house setting cannot be secured. Finally, it states that without available characters, the video could be reworked as a simple performance piece using varied camera shots and editing.
Floor plan
We created floor plans for filming locations to prepare for setup, get the best shots, and prevent disruption. The floor plans allow us to organize equipment and actors, plan safely by preventing hazards, and guide the public with tape markings. Sample floor plans are included for Regent Street, Truckerdero, the South Bank, and a house.
Floor plan
We have created a series of floor plans for the locations in our music video to prepare for filming. The floor plans allow us to organize equipment and actors, plan shots, and prevent hazards and disruption to the public by marking taped areas to avoid. They will help ensure we get the best shots while filming safely and efficiently.
Risk assessment the loved up and vase scene final
This document summarizes the risks and preventative measures for a student film shoot. It identifies two key risks: the camera falling on cast members and a vase hitting crew or cast during a scene. For the camera, measures include ensuring safe distance, director awareness of placement, and crew checking placement. For the vase, measures are a practice run, using a light vase, and protective garments. The document provides definitions for assessing risk level and outlines what to include in an accident plan.
Risk assessment south bank
This risk assessment evaluates the risks of filming a scene where a couple breaks up over dinner outdoors in South Bank. The main risk identified is pedestrians tripping over cables. Existing control measures include securely taping cables to the floor in a high-visibility color and placing signs to notify the public of filming. Further measures may include having crew carry a first aid kit and ensure all crew can call for emergency help. The assessment concludes by outlining plans to contact emergency services if an accident occurs.
Risk assessment regent street final
This document summarizes the risks of filming a scene involving a car driving on the pavement near crew members. [1] The risk of the car hitting and injuring cast or crew is rated C+, as a fatal injury is possible but not frequent. [2] Preventive measures include filming in an area with a paved pavement, ensuring crew do not stand at the edge, and having stationary backup cars. [3] If an accident occurs, emergency services will be called immediately and first aid will be administered by a crew member carrying a first aid box.
Risk assessment troc
1) The risk assessment identifies hazards such as walking into arcade games during filming at a location and evaluates the risks.
2) Preventative measures include informing cast about machinery, following floor plans, having a torch for low light, and checking for a first aid kit.
3) Further necessary measures in case of injury include having a first aider assess the injury, crew contacting cast members' parents, and emergency contact plans being in place.
Location recce (all)
The document summarizes four potential film locations - D'mee's house, South Bank, Trocodero arcade, and Regent Street in London. For each location, it provides details on access, health and safety considerations, potential filming problems, and notes. The main challenges include ensuring adult supervision at the house location, avoiding busy areas, acquiring necessary permissions, dealing with noise and weather-related issues, and transporting equipment safely. Proper planning of timing, lighting, and props is also emphasized for the successful filming at each site.
We found love andrew goodwin
Andrew Goodwin is the author of the book "Dancing in the Distraction Factory" where he discusses music television and cultural theory. In the book, he analyzes media aesthetics, critical theory, and pop music. Specifically, he argues that each music video contains six elements: genre characteristics, relationships between lyrics/visuals and music/visuals, record label demands, visual motifs, references to looking, and intertextual references.
Star theory
Pop stars are able to heavily influence their audiences through their constructed public images. Richard Dyer's star theory argues that a pop performer becomes a pop star when their management crafts an artificial image for them using promotional tactics. For example, Jessie J's managers exaggerated details about her sexuality to generate publicity and help her gain fans. While management wants audiences to see stars as "real", their images are still manipulated constructions meant to influence audiences. Whatever image a star portrays, their audiences want to emulate that, so pop stars can influence not just appearance but behaviors as well.
Michael gondry
Michael Gondry is a French film director known for his playful and fun style in music videos. Some key aspects of his style include abstract concepts synchronized to the music, colorful costumes representing different music genres, and exaggerated performances creating a slapstick tone. This playful approach establishes Gondry as an "Auteur Theorist" who conveys his personal vision through technical elements. Examples like "Around the World" by Daft Punk, "Another One Bites the Dust" by Wyclef Jean, and "Everlong" by Foo Fighters showcase Gondry's comedic flair through unrealistic scenarios, cartoon-like props, and jumps cuts keeping the atmosphere lighthearted.
Video analysis
Drake's music video for "HYFR" was directed by Director X and features Drake celebrating his re-bar mitzvah, which turns into a lively party. The video shows Drake and featured artist Lil Wayne performing their parts of the song alongside other hip hop artists dancing and lip syncing. It uses techniques like fast cuts, slow motion, and wide shots to capture the atmosphere and synchronize with the beat of the song. The video targets hip hop fans and Drake/Lil Wayne fans by featuring the artists and following conventions of the hip hop music video genre.
Evaluation question 2
Within the opening sequence and film, gender is represented in a stereotypical way through traits like clothing and speech. However, the roles are reversed from the stereotype with the female character being psychotic and the male being the victim. This role reversal could shock audiences and attract those outside the target demographic. The target audience is British teenagers and young adults due to relatable storylines around relationships and exaggerated real-life situations. Representing a range of ages, races, and classes makes the film more widely appealing while keeping the focus on teenage characters.
Question 1 evaluation
My opening sequence incorporates some generic conventions of real media products, such as using flashbacks to provide background story and hints about what is to come to intrigue the audience. However, it also challenges conventions through the frequent use of jump cuts between flashbacks, rather than a single long clip, to raise more questions and confuse expectations. Additionally, the subgenre of a love-based psychological thriller is indicated through scenes of jealousy and intimacy, though this is intended to mislead viewers from predicting an accurate plot. The sequence was influenced by the flashbacks and sepia-toned aesthetic of Kill Bill Volume 2's opening, though background noise was omitted to build suspense through the escalating music.