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This document discusses the challenges that laws face in regulating user-generated content and peer production on the internet. It notes that laws often lag behind changing technology and cultural norms. Specifically, it examines issues around copyright and remix culture, defamation in the age of online publishing, privacy in a world where personal information is widely shared, and how to determine liability for user content on platforms provided by internet intermediaries. The document argues that laws need to adapt to better promote creativity, not criminalize ordinary uses or stifle innovation, in order to match the new cultural paradigm enabled by Web 2.0 technologies and services.
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Five years ago the actual implementation of an accessible worldwide digital library or archive existed in the land of fairytales. With the rise of Free and Open culture, decreased hardware costs, and cheap Internet access in some countries of the world, the ability to actualize these myths on a grand scale on the Internet became possible. Still however, the legal hurdles randomly scattered by copyright in jurisdictions around the world erected a major barricade for accessing knowledge. Copyright law generally has increased confusion around how creative works may be used. With the introduction of Creative Commons in 2003, these issues were addressed with clearly explained copyright licenses, a clear public domain dedication, and a brilliant international community consisting of 46+ International jurisdictions supporting the commons.
This presentation surveys the major digital archiving initiatives,
museums, and digital libraries around the world which use Creative Commons licenses. It also presents Creative Commons involvement with the Open Library (http://demo.openlibrary.org) to create a site where books and other media are edited collaboratively wiki-style by people around the world to help determine the copyright status of these works. The myths of lore are to be debunked.
Utah Trendlines for March/April 2009
Creative Commons provides free licenses for sharing and reusing creative content online. While traditionally seen as only for non-profit and small scale use, Creative Commons licensing can also be used commercially. The CC+ framework builds on the existing Creative Commons licenses to bridge sharing and commercial economies by making it easier for content to be shared freely while also allowing commercial uses through additional permissions or revenue sharing agreements. Platforms and applications can integrate CC+ metadata to lower transaction costs and empower more sharing and commerce around creative works.
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Digital life live
Watch video: http://livestream.com/accounts/13352850/events/4911166/videos/115893744
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Here is my presentation from this event and panel called ‘Protecting intellectual property - future rules of the game', focusing on why the paradigm expansion from Copyright to Access / Usage Rights is needed, and how the rising tide of PERMISSION and new flat rate licenses will float all boats; and what that could mean for the IPR discussion in Russia....
Web2.0.2012 - lesson 9 - social networks
The document discusses social networks and their value and importance. It covers topics like how social networks derive value from user participation, how they promote cooperation and shared content creation. It also discusses key concepts like Metcalfe's Law and Reed's Law, which explain how the value of networks increases exponentially with the number of users. Examples of popular social networks like Facebook, YouTube and Wikipedia are provided throughout.
Build Your Own World
This document discusses user generated content, virtual worlds like Second Life, and Creative Commons licensing. It provides definitions for concepts like Web 2.0, user generated content, virtual worlds and metaverses. Creative Commons licenses allow creators to choose how their content can be used, such as allowing derivatives or sharing alike. Virtual worlds have different types like MMOs, metaverses and playgrounds. They distinguish between clients, which connect users, and content, which makes up the virtual world. Legal issues around virtual worlds include jurisdiction and classification of content. Second Life's EULA discusses ownership and licensing of user-created content. Game content usage rules may allow noncommercial personal use under license. A legal case around Second Life involved a user exploiting
Open by Default
Open Data is the idea that "certain data should be freely available to everyone to use and republish as they wish, without restrictions from copyright, patents or other mechanisms of control”. Open Data follows similar “open” concepts that have proven to be valuable in the information economy such as Open Standards, Open Source Software, Open Content and has been followed more recently by variations on the theme such as Open Science and Open Government.
Open Data allows information of common value to be reused without needing to be recreated. The economic benefits of Open Data include cost reduction, organizational efficiencies and the facilitation of commonly held understanding. The costs of implementing Open Data deployment strategies tend to be iterative on top of existing information infrastructure.
This presentation will describe Open Data and its place in the ecosystem of economic and governmental discourse.
Open by Default
Open Data is the idea that "certain data should be freely available to everyone to use and republish as they wish, without restrictions from copyright, patents or other mechanisms of control”. Open Data follows similar “open” concepts that have proven to be valuable in the information economy such as Open Standards, Open Source Software, Open Content and has been followed more recently by variations on the theme such as Open Science and Open Government.
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This presentation will describe Open Data and its place in the ecosystem of economic and governmental discourse.
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eval("freedom_stack.push(culture)"); // The Creative Commons Solution?
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RIM Conference
- 1. peter black [email_address] http://www.freedomtodiffer.com/
- 2. law 2.0 the challenge of user-generated and peer-produced networks, content and culture
- 34. web 2.0: the machine is us/ing us by michael wesch licensed under a creative commons attribution-noncommercial-share alike 3.0 license http://www.youtube.com/watch?v=NLlGopyXT_g
- 63. the grey album
- 64. the grey video downloaded from youtube http://www.youtube.com/watch?v=3zJqihkLcGc
- 66. dean gay presents american edit
- 74. jibjab ’ s ‘ this land ’ downloaded from youtube http://www.youtube.com/watch?v=z8Q-sRdV7SY
- 77. piracy ad downloaded from youtube http://www.youtube.com/watch?v=Fr-vvKOB0lk
- 149. peter black [email_address] http://www.freedomtodiffer.com/