Repertoire of Elements Media Theory
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The document discusses the repertoire of elements, which are key elements that are consistently repeated throughout film genres to define them. It identifies seven categories of elements: iconography, props, style, settings, narrative, characters, and themes. As an example using the horror genre, it lists common iconography, props, styles, settings, narratives, characters, and themes found in horror films.
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Conventions of a psychological thriller
Psychological thrillers commonly use certain conventions in their mise-en-scene, sound, and camera work/editing to build tension and suspense. Settings are often in cities or confined indoor spaces like houses or offices to limit characters. Costuming typically features the antagonist in dark, smart clothes while the protagonist wears brighter colors. Low lighting, mirrors as props, and non-diegetic high tension music or silence are employed. Quick editing, mid shots and close ups are used to show characters' emotions and relate tension. Flashbacks provide backstory while fast pacing keeps audiences on edge.
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This document analyzes the genre elements that define the action thriller genre according to Nick Lacey's framework. It then applies these elements to summarize a trailer for the film "Walk Among the Tombstones." The key genre elements of setting, characters, narrative, iconography, and style are all discussed as seen in the trailer. Examples are provided for each element that follow typical conventions of the action thriller genre.
Conventions of crime films
Crime films typically involve plots around illegal activities like robbery, weapons, and substance abuse. They often show a failed attempt by police to catch the criminals. Common settings include banks, shops, and gang hideouts. These films use cinematography techniques like low-key lighting, angle changes, and different shot types to add mystery and tension. Background music and sounds are also usually present throughout the movie. Examples given are The Untouchables, Now You See Me, and Ocean's Eleven.
Codes and conventions of horror movies
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Horror films powerpoint
Horror films employ several key conventions in their mise-en-scène, camera work, editing, sound, and characters. Mise-en-scène often features isolated, abandoned places with dark colors and props symbolizing horror. Camera work uses low angles, closeups, and point-of-view shots to create fear and isolate characters. Editing employs quick cuts and jumps to startle audiences and link frightening objects or events. Sound contrasts silence with loud diegetic sounds like footsteps or heartbeats to increase tension. Character archetypes include the hero protagonist and villain who usually dies.
Codes and conventions of the thriller genre
A thriller follows a protagonist battling an antagonist to restore order after equilibrium is disrupted. Conventions include quick cuts, shadows, tense music, and changing shot angles. The protagonist is often brave while the antagonist seeks revenge. Cinematography uses close-ups of the protagonist and quick, hidden shots of the antagonist. Editing uses jump cuts and cross-cutting to build suspense. Music and sound add tension. Mise-en-scene establishes the theme through location, low-key lighting, costumes, and composition.
Repertoire of elements
Genre theorists now refer to a "repertoire of elements" that can be used to construct generic descriptions. This repertoire includes iconography, style, setting, narrative, characters, themes, audience response, and target audience. Iconography refers to the visual and auditory conventions associated with a genre. Style describes how elements are presented through techniques like camera work and editing. Setting and narrative are also important elements, with genres typically having recognizable locations and story structures. Characters generally fall into familiar roles that drive the narrative. Themes explore common concepts through binary oppositions. Audience response and target audience complete the repertoire, with genres aiming to elicit specific emotional impacts from intended demographics.
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Codes and conventions of thriller films
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Repertoire of elements
Genre theorists now refer to a "repertoire of elements" that can be used to construct generic descriptions. This repertoire includes iconography, style, setting, narrative, characters, themes, audience response, and target audience. Iconography refers to the visual and auditory conventions associated with a genre. Style describes how elements are presented through techniques like camera work and editing. Setting and narrative are also important elements, with genres typically having recognizable locations and story structures. Characters generally fall into familiar roles that drive the narrative. Themes explore common concepts through binary oppositions. Audience response and target audience complete the repertoire, with genres aiming to elicit specific emotional impacts from intended demographics.
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Iconography of the thriller genre
Knives, shadows, confined spaces, woods, and cities are common iconography in thriller genre films. Knives symbolize violence and death and are used to increase tension. Shadows and silhouettes build mystery and suspense by implying someone is being watched. Being trapped in confined spaces causes characters to feel anxious and struggle to escape. Woods isolate characters and make them feel lost and vulnerable. Cities ground psychological thrillers in reality and bring the drama closer to home for audiences.
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- Props like alcohol, drugs, guns and knives are frequently featured.
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- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
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2) Captain Fantastic's happy ending sequence uses bright colors and active characters to invoke feelings of happiness in viewers, relating to theories of escapism.
3) Both films include ambiguous scenes that leave interpretations open to viewers rather than imposing a single meaning, demonstrating how audiences can form their own understandings.
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The document discusses conventions and elements of police/crime thriller films including narrative, characters, settings, iconography, style, themes, and target audience. It notes that while these films typically revolve around solving a complicated case, include a tough protagonist and challenging antagonist, and are focused on crime and mixing of public/private life, the described film aims to both follow and subvert some conventions - having a female protagonist and boss, keeping the antagonist visible throughout, and attempting to appeal to a broader audience than the typical male 20-50 demographic.
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The document discusses narrative conventions and structures that are common in horror genres. It explains that horror narratives typically follow a three-act structure of an onset phase where a disorder is introduced, a discovery phase where characters learn of the disorder, and a disruption phase where characters work to restore order by defeating the source of the disorder. The document also summarizes some key narrative theories that are relevant for analyzing horror films, such as those proposed by Todorov, Propp, Barthes, and Levi-Strauss.
Iconography of the thriller genre
Knives, shadows, confined spaces, woods, and cities are common iconography in thriller genre films. Knives symbolize violence and death and are used to increase tension. Shadows and silhouettes build mystery and suspense by implying someone is being watched. Being trapped in confined spaces causes characters to feel anxious and struggle to escape. Woods isolate characters and make them feel lost and vulnerable. Cities ground psychological thrillers in reality and bring the drama closer to home for audiences.
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Conventions of action films
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Codes and conventions in the horror genre
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
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Camera shots and angles for a horror and thriller film
This document discusses various camera shot techniques used in horror and thriller films to build suspense and tension. It describes how high angle shots make characters seem powerless, while close-ups show emotion and detail. Tracking shots establish movement and build suspense as the audience doesn't know what will be shown next. Tilt shots can simplify supernatural elements or portray the camera as a victim. Low angle shots emphasize how intimidating villains are, while point-of-view shots make the audience feel emotionally invested. Zooming and shots involving mirrors and reflections also heighten tension.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
Film Language: Mise-En-Scene explanation and examples.
A long and detailed look at what mise-en-scene is and how it can be looked at in different aspects of film language. The presentation is split into the areas of Setting & Props; Costume, Hair and Make-up; Lighting and Colour; Positioning of Objects and People; Facial expression and Body
Language. Each section contains a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Codes and conventions of a teen drama film
Common themes in teen drama films include rebellion, sexuality, sex, drugs, and mental health as they reflect issues that teenagers often grapple with. Popular music genres used include dance/pop, rap/trap/grime, indie/acoustic, and rock to portray different moods and scenes. Character archetypes seen frequently are the love interest, best friend, antagonist, and wise adult mentor figure. Examples discussed include films like The Breakfast Club, Get Real, American Pie, and The Perks of Being a Wallflower.
Film Genre conventions
This document provides brief summaries of common film genres, including action, comedy, coming of age, dystopian, horror, romance, adventure, detective, thriller, western, sci-fi, animated, period/historical, and musical films. For each genre, it lists some typical elements like settings, characters, themes, cinematography techniques, and storylines. For example, action films often feature chase scenes, villains, fights, explosions, and fast-paced music. Comedy films commonly take place in schools or homes and use physical humor, props, and contrasting intelligent and average characters. Coming of age films focus on teenagers and their experiences in high school and growing up.
Captain Fantastic and La La Land Spectatorship notes (A Level Film)
The document discusses theories of spectatorship in relation to the films La La Land and Captain Fantastic. It analyzes several scenes from both films:
1) The ending of La La Land manipulates viewers' emotions through lighting and cinematography but also allows audiences to interpret two possible endings.
2) Captain Fantastic's happy ending sequence uses bright colors and active characters to invoke feelings of happiness in viewers, relating to theories of escapism.
3) Both films include ambiguous scenes that leave interpretations open to viewers rather than imposing a single meaning, demonstrating how audiences can form their own understandings.
Film Opening Sequence Codes & Conventions
The document discusses various codes and conventions that are commonly used in film opening sequences. It begins by explaining the purpose of an opening sequence is to introduce the genre, setting, mood, and other elements. It then lists and describes different compositional and graphical elements that may be included, such as studio logos, titles, establishing the genre, character introductions, narration, sounds, credits, flashbacks, establishing shots, action scenes, and animation. Specific film examples are provided to illustrate several of these elements.
Thriller codes and conventions
Thrillers aim to provide thrills and keep audiences engaged through tension and anticipation. They involve characters facing dangers like mysteries, missions, or escapes. Common technical elements include quick cuts, low lighting, and tense music to build suspense. Thrillers often evolve around double emotions and switch audiences between anxiety for characters and enjoyment of the film. Common subgenres include action, crime, disaster, and psychological thrillers involving threats like crimes, disasters, or conspiracies that characters must work to defeat.
Reflective analysis of my screenplay
Brett Egan analyzed his screenplay "One Man Road" which was influenced by genres like drama, thriller, neo-noir and surrealism. Films such as "Se7en" and "In the Name of the Father" inspired certain elements in his screenplay like themes of loneliness and questioning society. Christopher Nolan's directing style also served as an influence. Locations were carefully chosen to complement the conventions of neo-noir and encode meaning for audiences. The main character John McGrady was inspired by characters from other films and was developed with the goal of creating an emotional response. The narrative structure drew from films like "Inception" with elements like dream sequences and transitions between reality and dreams. Peer
Codes & Conventions Of The Thriller Genre
The document discusses the conventions and elements that define the thriller genre. It outlines that thrillers typically involve a protagonist battling an antagonist to restore order after equilibrium is disrupted, building tension. Key conventions include the antagonist hiding their identity, characters feeling trapped, and music/sound being used to add suspense. Shot types like close-ups and Dutch angles make the audience feel uneasy, while editing techniques like flashbacks and quick cuts heighten tension.
Codes and conventions of a psychological thriller
Shadows, low lighting, mirrors, and urban settings are commonly used in psychological thrillers through mise-en-scene and location to add tension. Eerie music, quick camera movements, and obtrusive editing are employed to build suspense through sound, camerawork, and editing. Flashbacks are also typically used to provide insight into a character's past.
Attack the block - opening scene analysis
The opening scene of Attack the Block establishes the characters and setting. It introduces Moses and his gang of teenage boys in South London through their intimidating mugging of Sam. Low-key lighting and hoodies create a sense of mystery and tension. The scene takes a turn with the crash landing of an alien, which Moses decides to hunt down, foreshadowing his character development from small-time criminal to hero.
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Film Language: Editing explanation examples and worksheets.
Film Language: Editing explanation examples and worksheets.
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Camera shots and angles for a horror and thriller film
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Film Language: Mise-En-Scene explanation and examples.
Captain Fantastic and La La Land Spectatorship notes (A Level Film)
Captain Fantastic and La La Land Spectatorship notes (A Level Film)
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The document discusses conventions and elements of police/crime thriller films including narrative, characters, settings, iconography, style, themes, and target audience. It notes that while these films typically revolve around solving a complicated case, include a tough protagonist and challenging antagonist, and are focused on crime and mixing of public/private life, the described film aims to both follow and subvert some conventions - having a female protagonist and boss, keeping the antagonist visible throughout, and attempting to appeal to a broader audience than the typical male 20-50 demographic.
Genre subgenre hybrid
This document provides information about film genres, subgenres, and hybrids. It begins by defining genre as a category or kind used to classify films. Thirteen basic genres are listed such as drama, comedy, action/adventure, and horror. Subgenres are defined as combinations of two genres, like romantic comedy or disaster films. Hybrids combine three or more genres or subgenres, for example science fiction/action westerns. Students are assigned a homework task to create a diagram exploring a genre in more detail, including its purpose, conventions, examples, subgenres, and a hybrid. Examples of good and poor diagrams are provided to demonstrate the level of detail and organization expected.
Laceys repertoire of elements new
This document analyzes the genre elements of a film using Nick Lacey's framework, which includes setting, characters, narrative, iconography, and style. The analysis finds the setting is a black and white New York bar where a shooting occurs. The main character, played by Liam Nelson, is a private detective and former police officer. The narrative starts with a flashback storytelling structure. Iconography like Liam Nelson's previous detective roles and images of a little girl signal the kidnapping plot. The film uses techniques like black and white, close-ups, and wide shots to portray the action and build suspense. All of these genre elements indicate the film is an action or action thriller genre targeted at audiences aged
Genre overview
This document provides an overview of genre theory and its academic uses in media studies. Genre theory allows films to be grouped and compared based on similarities, which provides insights into meanings, cultural influences, and how audiences respond. Genres are not fixed categories and can blend elements. A film's genre is informed by stylistic elements, settings, narratives, characters, themes, and target audiences. Genre also influences industrial filmmaking practices aimed at maximizing profits.
Genre theorists
Lacey considers five elements - setting, character, narrative, iconography, and style - that can be used in combination to identify the genre or genres of a media text. He does not see genres as fixed but as dynamic and changing over time. Lacey provides a framework to analyze genres by breaking down a text and identifying the elements in each of the five areas.
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Repertoire of elements
This document analyzes elements used in music videos and album artwork, such as framing, image manipulation, themes, and expectations. It examines specific examples, including a digipak cover portraying a woman in a way that presents the band as unique and likeable. Elements like the album title and the woman's clothing are discussed in terms of conveying the band's image and themes like individuality. A music video by Young the Giant is also analyzed for its narrative, themes, music, camera techniques, editing, and portrayal of the band's star image.
The repertoire of elements
The document discusses different elements that contribute to film genres, including iconography, style, setting, narrative, characters, themes, and audience response. Iconography refers to common visual or sound images within a genre, like machine guns in gangster films. Style is how elements are presented, such as the muted tones in Ken Loach films. Setting and characters are also defining elements, like the Old West setting in westerns or gangster bosses in gangster films. Genres often explore universal themes that interest wide audiences, such as opposing values in westerns. Audiences also group films based on the immediate emotional responses and sensations they provide.
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Genre lesson slides 2012
Here are some potential issues that could be discussed:
- Genres are not fixed or clearly defined which makes categorization difficult
- Works can combine or mix genres making them hard to classify
- As film styles evolve over time, genres change and blur together
- Audience interpretation of genres may differ from academic/critical views
- Focusing only on surface elements ignores deeper thematic/cultural aspects
- Categorizing by genre risks oversimplifying complex works or creative processes
The genre approach is a useful tool for analysis but has limitations. An open discussion could debate these issues and how genres remain an imperfect but still valuable concept. Different perspectives should be considered.
Typical Characters In Thrillers
The document discusses different subgenres of thriller films, including psychological thrillers. It provides examples of films from the psychological thriller, conspiracy thriller, and crime thriller subgenres. It then defines psychological thrillers as incorporating elements of mystery and drama genres in addition to typical thriller traits. Common character types in psychological thrillers include criminals, stalkers, assassins, victims, inmates, and individuals with dark pasts or psychosis.
Genre and Target Audience The Walking Dead
The document discusses the genre, themes, target audience, and key aspects of the television series The Walking Dead. It notes that the show is based on a graphic novel series and follows police officer Rick Grimes after he wakes from a coma in a zombie apocalypse. The genre is described as horror, thriller, suspense and drama. The target audience is identified as teens, young adults and adults due to its graphic and mature content.
Horror Hybrids And Sub Genres
The document discusses horror subgenres and hybrid genres. It defines a subgenre as a category of works within a larger genre characterized by a particular style or content. Some common horror subgenres mentioned are comedy horror, slasher films, supernatural horror, and psychological horror. The document also defines a hybrid genre as a mix of two different genres, such as the combination of western and horror in "Deadlands", or the sci-fi/horror blend of "Alien". Horror comedy combines horrific elements with comedy. Slasher films involve a psychopathic killer stalking victims with a weapon. Supernatural horror depicts impossible events like demons. Psychological horror builds tension through character fears and emotions.
Indie Pop Genre and its Codes and Conventions
Indie pop originated in the UK in the mid-1980s from Scottish post-punk bands. It is more melodic and less abrasive than indie rock. Indie pop grew popular through small fanzines and record labels. The genre was further defined by the NME cassette compilations C81 and C86, which showcased diverse post-punk groups and marked the birth of "indie" in the UK.
Scripted reality TV
The document discusses the structured reality TV show "The Only Way is Essex" and analyzes its genre and postmodern qualities. It is described as a hybrid genre that borrows from drama, reality, and comedy. It is considered postmodern because it is self-reflective of the TV production process, with characters acknowledging their constructed roles. It also blurs reality and fiction through hyper-real and exaggerated interactions. Other similar constructed reality shows mentioned include "Desperate Scousewives" and "The Trip."
Shot types and positions
The document discusses different types of shots used in filmmaking including mid shots, long shots, close ups, extreme close ups, wide shots, zoom shots, pan shots, tilt shots, tracking shots, crane shots, aerial shots, handheld shots, high angle shots, low angle shots, point of view shots, over the shoulder shots, two shots, and the rule of thirds. Each shot type is chosen for a specific effect on the audience to convey meaning about characters, themes, and the story.
Auteur theory
The document discusses the Auteur Theory in film and music videos. It provides background on the theory, noting it was introduced in the 1950s and focuses on the director's creative vision and style. An auteur is a director who brings a personal style to their work and maintains creative control. The document then analyzes several music video directors as potential auteurs, including Chris Cunningham and Samuel Bayer. It examines some of their music videos in detail, identifying signature techniques like fast editing, horror influences, and unusual imagery, locations, and characters.
Generic conventions of horror
Mise-en-scene in horror films establishes isolation and ominous settings through techniques like pathetic fallacy, sinister props, and dark colors like red and black. Lighting is used to create mood, cast shadows, and suggest split personalities. Costumes distinguish stereotypical character types like the "blonde" and "athlete". Sound design with exaggerated diegetic sound and loud non-diegetic music builds tension and makes audiences feel scared. Common props symbolizing religion or the devil include bibles, crucifixes, and candles. Horror films typically feature stock character archetypes like "the blonde [who] usually dies first".
Realism
While media aims to represent reality, it inherently involves selection and construction that shapes audience perceptions. Audiences expect some connection to real life but recognize mediation. Assessing a text's realism considers surface details, emotional realism, plot plausibility, and technical codes used. Knowing audiences are aware of mediation and may suspend disbelief for genres like fiction. Reality shows construct narratives through editing, interviews, and conventions to infer a sense of reality.
Vladimir propp
Vladimir Propp was a literary scholar who developed a theory of narrative structure and character types. He proposed that all stories contain eight character archetypes, including the villain, dispatcher, helper, princess/prize, donor, and hero. Propp's theory influenced storytelling and filmmaking by providing a framework for crafting narratives with recognizable characters fulfilling specific functions that drive the plot forward.
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GENRE CONVENTIONS
This document discusses genre conventions in film, specifically for psychological horror movies. It provides details on common elements found in horror films, including iconography (masks, blood), props (weapons, candles), settings (isolated areas), narratives (being trapped), characters (serial killers, victims), and themes (death, fear). These conventions help audiences identify the genre and convey the intended mood. The document also notes that horror film audiences typically include men and young adults seeking the thrill of exploring the unknown.
The codes and conventions of horror films
The document discusses the common codes and conventions of horror films. It outlines character types like the hero, villain, and victim that are often present. It also describes common iconography such as dark lighting, Gothic settings, and symbols of evil. Themes typically portrayed include the supernatural, insanity, and the battle between good and evil. Settings tend to be isolated, dark places like woods, houses, and basements. Narratives usually follow a pattern of equilibrium being disrupted by a threat that is eventually defeated or contained.
Conventions of horror films
Horror films commonly use certain conventions including dark colors, low lighting, isolated settings, exaggerated sounds, and specific props associated with villains. The characters are usually placed alone in isolated small towns or abandoned places with a dark history. Common character types include the main protagonist or victim/hero, a villain such as a monster or serial killer known for their killing method, and stereotypical teenagers who are killed. Camera techniques like handheld shots and close-ups create a sense of realism and observe emotions. Themes often involve good vs. evil, revenge, madness, nightmares, or the supernatural.
Genre theory
This document provides an overview of genre theory in film. It discusses how genres have common elements and conventions that allow films to be categorized. Some key points made include:
- Genres have existed since the early days of cinema and also have roots in ancient Greek theatre.
- Genres are defined by common themes, settings, styles, and plots across multiple films.
- Several examples of genres are given like sci-fi, horror, musical, and examples of conventions for each are listed.
- The document analyzes the genre and conventions of the film "Leon" and categorizes it as an action thriller.
Genre of my Preliminary Task
A presentation on my analysing the horror genre and how my short film will adhere and challenge the genre conventions.
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the typical narrative structures, characters, settings, costumes, props, colors, and sounds employed to unsettle audiences and create suspense. Narratives usually follow a pattern of equilibrium, disruption, recognition, attempted repair, and potential return to equilibrium. Settings are often isolated or abandoned locations that heighten tension. Lighting, colors, and sounds are used to generate ominous and frightening atmospheres. Character archetypes include protagonists, antagonists, victims, and unlikely heroes. Together, these elements form the iconography of the horror genre.
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the key narrative structures, characters, settings, costumes, props, colors, and sounds that define the genre. Narratives typically follow a pattern of equilibrium, disruption, recognition, attempt to repair, and return to equilibrium. Common characters include the protagonist, antagonist, sex appeal victim, and unlikely hero. Settings are often isolated or abandoned locations. Lighting, colors, costumes, and sounds are used to create an eerie atmosphere and build suspense and tension.
Researching genre
This document summarizes the author's research into conventions of the horror genre for their opening titles project. It discusses common horror elements like stock characters (nerds, jocks), plots (killer stalking victims), locations (forests, asylums), props (axes, cars), sounds (distorted music), and narrative structures (hero on a quest). The author provides examples like the plot of the film Mirrors and explains how genre conventions establish settings, camera work, editing, iconography, and other technical aspects to create fear and suspense for the audience.
Convention
Conventions of the horror genre include technical codes like lighting and camera work that aim to frighten and cause dread in audiences. Common settings are isolated or abandoned places that connote fear, like farms, hotels, or forests. Iconography also helps identify the genre, using dark colors, weapons, and monsters. Narrative structures typically involve a protagonist on a mission to defeat a villain, like a serial killer, while following conventions like immoral teenagers being killed.
Genre Research
Sound, lighting, camera work, isolated settings, iconography, and character types are key aspects of the horror genre that help generate suspense and fear. Sound establishes tension through notes and lack of sound. Low-key lighting and shadows create an ominous atmosphere. Camera techniques like POV shots place the viewer in harm's way. Isolated rural or abandoned settings imply vulnerability. Recurring iconography like weapons signal danger. Stock character roles like protagonists and antagonists provide predictable yet thrilling narratives.
Researching genre
The document discusses researching the horror genre in order to create opening titles. It summarizes that the author will research stock characters, plots, locations, props, music and sounds, and conventions of the horror genre. It provides examples of commonly used stock characters, plots involving killers stalking and killing victims, and locations like forests and abandoned buildings. It also lists examples of typical props like axes and signs like storms. Musical elements like violins and distorted sounds aim to create discomfort. Technical conventions include shaky camera work and lighting to generate fear.
D.I.S.T.I.N.C.T.
The document discusses key elements of horror film narratives and character types. It describes common horror film settings as abandoned or remote locations with dark pasts, often at night to create tension. It lists common character types including the protagonist who usually survives, the sexual character who is often first killed, the irritating character paired with sex appeal who is also often first killed using point-of-view shots. It also mentions the comeuppance character who does anything to survive but is usually last killed, the unlikely hero who is suspected to die first but saves the day, and the bad guy whose backstory and motives are unknown but who does horrible things.
H orror films codes and conventions
Horror films commonly use certain conventions and codes to create fear and suspense. Some conventions include isolating characters in secluded locations with no help, portraying a battle of good versus evil, and showing female victims. Common codes are unnatural camera work, point-of-view shots from the killer's perspective, handheld shots that are disorienting, disturbing soundtracks, and depicting female or child victims as vulnerable. These conventions and codes help set the tone and drive the narrative of typical horror movies.
Genre
Genre refers to a style or category of media product. It is developed through the use of consistent elements like protagonists, stock characters, predictable plot situations, icons, backgrounds, and themes. These elements create expectations in audiences and allow genres to be targeted toward specific groups. Both repetition and variation of elements are important for a genre's success, as too little of either can disappoint or bore audiences.
Theory Meaning
The document discusses various concepts related to film analysis including:
1) It provides definitions for key terms like denotation, connotation, narrative, and linear and non-linear narratives. Denotation refers to the literal or dictionary meaning, while connotation refers to implied or cultural meanings.
2) Examples are given to illustrate linear narratives, like Dazed and Confused, which follows a beginning, middle, end structure, and non-linear narratives, like Scott Pilgrim VS The World, which jumps around in time.
3) Iconography for common film genres like Western, Science Fiction, and Fantasy are summarized, highlighting traits like settings, characters, vehicles, and creatures typically seen in those genres
Horror Genre "distinct"
The document discusses key elements of the horror genre including common settings, technical aspects, iconography, narrative structures, character types, and themes. Typical horror settings include isolated areas at night with a hidden past like graveyards, which create a scary atmosphere. Technically, horrors use dim lighting, odd camera angles, and close-ups to establish an uneasy feeling. Iconographically, horrors feature weapons, blood, dark costumes, and a blue filter to add creepiness. Narratively, horrors have mysteries, cliffhangers, and incomplete plots leaving the audience wondering and allowing for sequels. In terms of characters, horrors feature stereotypical roles like "the hot blonde" and "the black guy." Common horror themes center
Slasher power point
The document discusses the killer subgenre of horror films. It describes the typical characteristics of the killer, who is usually a middle-aged white male with a traumatic past seeking revenge through torturing vulnerable victims like children. It also outlines common mise-en-scene elements like the killer using weapons in dark, isolated locations under gloomy lighting to create suspense. Examples of famous killer films are provided that depict true stories and psychological thrillers about serial killers.
Semantic & syntactic
Genres have conventions that audiences expect, allowing them to predict the narrative. These conventions include iconography, semantic elements like characters and props, and syntactic structures like common plotlines. For horror films specifically, semantic conventions include isolated locations, dark costumes, weapons and blood as props. Syntactically, common horror plots involve innocent people threatened in isolated places by villains like murderers or the possessed, with a series of events prolonging the threat. To intrigue audiences for trailers, films need to use recognizable genre conventions that clearly communicate the narrative.
Genre Research
Horror films use certain themes, props, settings, and character archetypes to invoke fear and thrill audiences. Common themes include hauntings, religion, good vs. evil, and monsters. Props like knives and masks are often used to denote the genre. Settings tend to be graveyards, abandoned buildings, cabins, and haunted houses at night to create tension. Character archetypes include the final girl protagonist, the unlikely hero, the antagonist villain, and the sex appeal character who is often the first to die.
THRILLER GENRE CONVENTIONS
This document discusses genre conventions for psychological thriller films. It outlines key elements like settings that isolate characters, themes of death and fear, and character archetypes such as serial killers and victims. Iconography in thrillers often involves weapons and blood. Cinematography like close-ups, silhouettes, and low-key lighting build tension. Narratives commonly involve characters being stalked or trapped by the antagonist. Famous examples that employ these conventions help capture audiences interested in solving mysteries.
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Repertoire of Elements Media Theory
- 1. THE REPERTOIRE OF ELEMENTS Joe Land
- 2. WHAT ARE THEY? The repertoire of elements are key elements of a film that are consistently repeated throughout a genre. Each genre has its own repertoire of elements which defines it as that genre. They fall under these 7 categories: Iconography Props Style Settings Narrative Characters Themes
- 3. EXAMPLES USING HORROR AS A GENRE ICONOGRAPHY Iconography: Masks, blood, silhouettes, shadows, etc.
- 4. PROPS Props: Guns, daggers, blood, candles, cloaks, etc.
- 5. STYLE Style: Dark, shadowy, low key lighting, eerie music etc.
- 6. SETTINGS Settings: Haunted house, castle, forest, anywhere dark, etc.
- 7. NARRATIVE Narrative: Being trapped, being chased, supernatural, etc.
- 8. CHARACTERS Characters: Killers, monsters, demons, devils, etc.
- 9. THEMES Themes: Death, fear, gore, traps, isolation, etc.