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The repertoire of elements

By James Ayres

Source: Film genres - an introduction - published by bfi education (2001)
Iconography
Iconography derives from art history and refers to a
classification of paintings based on common images or
icons.
Films contain both visual images and ‘sound images’.

A central iconic image in the classic Hollywood
gangster film was the machine gun, fired by men in
suits from the back of cars, making a staccato noise.
Iconography can refer to objects or sounds.
Style
Distinguishing between style and iconography can be
challenging.
Is a dark room filled with shadows an icon of horror
or part of the style of the film? Style is how elements
such as those are presented.
An example of style would be how, in a Ken Loach film
the muted, realist tones suggest a social realist drama.
Setting
Some genres have specific locations such as the
westerns being set in the old west of America
Narrative
A narrative refers to both the story that a film uses and
the narrative devices or elements used within it (such
as chases and gun-fights).
Narrative has also been detailed in several posts on my
blog.
Characters
Narrative is usually developed through characters; the
antagonist causes the narrative problem that the
protagonist must resolve.
Genres sometimes have specific heroes linked to them
such as the ‘gangster boss’ and ‘federal agents’ in
gangster films.
Themes
An attraction of genre films is that they often include
themes that interest a wide range of people.
For example Jim Kitses in his book ‘horizons west’ (1969)
uses the work of Claude Lèvi Strauss to create a list of
opposing values and ideas within westerns such as;
East vs. West
Garden vs. Wilderness
Industrialism vs. Agrarianism
Audience response
As said before, some genres are identified through very
specific elements (settings, locations etc.)
however, there is a much more immediate way in which
audiences group films. Audiences often go to the
cinema in search of sensations, immediate emotional
responses.

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The repertoire of elements

  • 1. The repertoire of elements By James Ayres Source: Film genres - an introduction - published by bfi education (2001)
  • 2. Iconography Iconography derives from art history and refers to a classification of paintings based on common images or icons. Films contain both visual images and ‘sound images’. A central iconic image in the classic Hollywood gangster film was the machine gun, fired by men in suits from the back of cars, making a staccato noise. Iconography can refer to objects or sounds.
  • 3. Style Distinguishing between style and iconography can be challenging. Is a dark room filled with shadows an icon of horror or part of the style of the film? Style is how elements such as those are presented. An example of style would be how, in a Ken Loach film the muted, realist tones suggest a social realist drama.
  • 4. Setting Some genres have specific locations such as the westerns being set in the old west of America
  • 5. Narrative A narrative refers to both the story that a film uses and the narrative devices or elements used within it (such as chases and gun-fights). Narrative has also been detailed in several posts on my blog.
  • 6. Characters Narrative is usually developed through characters; the antagonist causes the narrative problem that the protagonist must resolve. Genres sometimes have specific heroes linked to them such as the ‘gangster boss’ and ‘federal agents’ in gangster films.
  • 7. Themes An attraction of genre films is that they often include themes that interest a wide range of people. For example Jim Kitses in his book ‘horizons west’ (1969) uses the work of Claude Lèvi Strauss to create a list of opposing values and ideas within westerns such as; East vs. West Garden vs. Wilderness Industrialism vs. Agrarianism
  • 8. Audience response As said before, some genres are identified through very specific elements (settings, locations etc.) however, there is a much more immediate way in which audiences group films. Audiences often go to the cinema in search of sensations, immediate emotional responses.