Renaissance literature
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This document analyzes T.S. Eliot's criticism of John Milton in his essay "The Metaphysical Poets". Specifically, it discusses Eliot's claim that Milton was "a master of diction but disregards the soul". The document provides context on Eliot's concept of the "Dissociation of Sensibility" between thought and feeling in later poets. It also questions Eliot's criticism of Milton, pointing out that Paradise Lost incorporates both thinking and feeling in its humanist perspective on the Fall of man.
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This document summarizes a student paper analyzing the use of language and literary devices in John Milton's epic poem Paradise Lost. The student examines Milton's elevated style, including his use of similes, imagery, and allusions. Through analyzing passages from Book 1, the student finds that Milton employs a learned, allusive style and expands similes into complete pictures. The student concludes that Paradise Lost fulfills the requirements of an epic and justifies the ways of God through a remarkable work of literature that has enriched the epic tradition.
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Presentation is designed to help students for better understanding of T.S. Eliot's article "Metaphysical Poetry". Eliot defines the "metaphysical" poets as the poets who had a unified sensibility, which allowed them to fuse together thought and feeling into a new poetic experience that the poets who followed them did not or could not imitate. Eliot sees the "metaphysical" poets as fully developed poets who advanced English poetry with their work.
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This presentations attempts to explore the autobiographical elements in 'The Waste Land' - the poem by T.S. Eliot - the high priest of the theory of depersonalization.
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This document provides an overview of metaphysical poetry, with a focus on John Donne as the foremost metaphysical poet in English. It defines metaphysical poetry as poetry from the 17th century that uses intellectual concepts and goes "beyond physical nature". John Donne wrote poetry on religion, sexuality, love and death that utilized far-fetched images, conceits, dramatic qualities, and paradoxes. Some of Donne's most famous metaphysical poems that demonstrate these characteristics are "The Flea", "The Ecstasy", and "A Valediction: Forbidding Mourning".
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Depersonalization is the action of detaching the personal self from something. In the context of “Tradition and the Individual Talent,” depersonalization is the process the traditional poet goes through to make their poetry less personal and more in keeping with Eliot’s Impersonal Theory instead. The poet depersonalizes their poetry by working up complex arrangements of common emotions instead of their personal emotions. The poet further depersonalizes their work by not using it to express their own feelings and by remaining neutral in the entire writing process. In depersonalizing their poetry, they become more traditional, because they are conscious not of themselves but of the whole history of poetry.
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This document summarizes a student paper analyzing the use of language and literary devices in John Milton's epic poem Paradise Lost. The student examines Milton's elevated style, including his use of similes, imagery, and allusions. Through analyzing passages from Book 1, the student finds that Milton employs a learned, allusive style and expands similes into complete pictures. The student concludes that Paradise Lost fulfills the requirements of an epic and justifies the ways of God through a remarkable work of literature that has enriched the epic tradition.
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Presentation is designed to help students for better understanding of T.S. Eliot's article "Metaphysical Poetry". Eliot defines the "metaphysical" poets as the poets who had a unified sensibility, which allowed them to fuse together thought and feeling into a new poetic experience that the poets who followed them did not or could not imitate. Eliot sees the "metaphysical" poets as fully developed poets who advanced English poetry with their work.
This presentation is not a mere creation of the author, as it is based on various sources and purely designed to assist students in their examination. Quality of this presentation cannot be compared with original text and genuine resources. Students are advised to prefer the authentic texts and resources for better results.
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Modernism from 1914-1940 was an international movement that broke with tradition in literature, art, design, and culture. It rejected absolute truths and emphasized individual meaning-making. Modernist works featured instability, pessimism, chaos, disillusionment, and a collapse of morality in response to World War I, mass communication, and rapid social changes. Modernist literature used techniques like stream of consciousness, fragmentation, and multiple perspectives. Famous modernist authors and works included T.S. Eliot's The Waste Land, James Joyce's Ulysses, Virginia Woolf's Mrs. Dalloway, and Franz Kafka's Metamorphosis. Modern poetry experimented with form and syntax while exploring themes of alien
Doc 20191013-wa0033
This document provides an overview of metaphysical poetry, with a focus on John Donne as the foremost metaphysical poet in English. It defines metaphysical poetry as poetry from the 17th century that uses intellectual concepts and goes "beyond physical nature". John Donne wrote poetry on religion, sexuality, love and death that utilized far-fetched images, conceits, dramatic qualities, and paradoxes. Some of Donne's most famous metaphysical poems that demonstrate these characteristics are "The Flea", "The Ecstasy", and "A Valediction: Forbidding Mourning".
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Depersonalization is the action of detaching the personal self from something. In the context of “Tradition and the Individual Talent,” depersonalization is the process the traditional poet goes through to make their poetry less personal and more in keeping with Eliot’s Impersonal Theory instead. The poet depersonalizes their poetry by working up complex arrangements of common emotions instead of their personal emotions. The poet further depersonalizes their work by not using it to express their own feelings and by remaining neutral in the entire writing process. In depersonalizing their poetry, they become more traditional, because they are conscious not of themselves but of the whole history of poetry.
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T.S. Eliot's poem The Waste Land explores the spiritual and moral confusion of the modern world. It uses fragments from various sources without narrative to portray a "waste land" society fragmented by war. Some key aspects include its use of the Grail legend as a framework to discuss themes of fertility and rebirth. It also employs the "objective correlative" technique of using imagery to represent emotions. The poem had a profound influence on modernist literature through its revolutionary structure and style.
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Milton is regarded as one of the greatest English poets, second only to Shakespeare. He was highly educated at Cambridge and wrote many poems and three major works, including Paradise Lost. Paradise Lost is an epic poem about the fall of man through disobedience to God, written in beautiful blank verse over 12 books. It shows Milton's deep religious faith and poetic skill. Milton also wrote Paradise Regained and Samson Agonistes, a tragedy about the biblical figure Samson.
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