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Rem Koolhaas
“The wall suggested that architecture’s beauty
was directly proportional to its horror.”
Essential stratagems of architecture
Division
Enclosure (imprisonment)
Exclusion
Le Corbusier
NYC|Ew, this city is utterly devoid of
harmony
Solution: Towers in the park
koolhaas
NYC|“Manhattanism” fluid, dynamic and productive disorder
Fantasy and pragmatism
Solution: “A maximum of program and a minimum of
architecture,” intensify culture of congestion, break the
shackles of theory, forget representation
Automonument
“Beyond a certain critical mass each structure becomes a monument [..] even if [it] does not deserve a
monumental expression.” [Delirius NY 100]
Automonument
“nature is now resurrected inside the Skyscraper as merely one of its infinite layers, a technical service
that sustained and refreshes the Metropolitanites in their exhausting existence.” [157]
“Eating oysters with boxing gloves, naked, on the nth floor--such is the ‘plot’ of the ninth story, or, the
20th century in action.” [Delirius NY 155]
“Its meaning changed almost daily, sometimes by the hour.” [Field Trip 227]
“It was a warning that--in architecture--absence would always win in a contest with presence.” [Field Trip 228]
Void
Decay|Neglect as value
Decay|Neglect as value
Decay|Neglect as value
Decay|Neglect as value
Decay
Decay
Decay
Decay
Decay
Decay
“The wall had generated a catalog of possible mutations; sometimes [...] not always identifiable.” [Field Trip 228]
Der Himmel uber Berlin
“This will be an architecture that generates its own successors, miraculously curing architects of their masochism and self-hatred.”
Giulia Bertola’s Synthetic interpretive collage of Koolhaas’ competition entry for IBA 84 Giulia Bertola’s Analytic interpretive collage
Rem Koolhaas
Design Approach: Image
Aldo Rossi
Design Approach: Drawing
Aldo Rossi
Design Approach: Drawing
Aldo Rossi
Design Approach: Drawing
Peter Eisenman
Design Approach: Language
Peter Eisenman
Design Approach: Language
Peter Eisenman
Design Approach: Language
Peter Eisenman
Design Approach: Language
Max Reinhardt Haus Project, 1993
¥€$ Man
And
Junkspace
“We were making sandcastles, and now we are swimming in the sea that swept them away.”
References
Ellen Dunham-Jones, “The Irrational Exuberance of Rem Koolhaas,” Places Journal, April 2013. Accessed 08 Apr
2019.https://doi.org/10.22269/130402
Koolhaas, Rem, Mau, Bruce, Sigler, Jennifer, and Werlemann, Hans. (1997). S, M, L, XL: Small, Medium, Large, Extra
Large. New York, NY: The Monacelli Press.
Koolhaas, Rem. (1978). Delirious NY. London: Thames and Hudson.
Neumeyer, F., & Rogier, F. (1990). OMA's Berlin: The Polemic Island in the City. Assemblage, (11), 37-53.
doi:10.2307/3171134
Spallone, Roberta, & Bertola, Giulia. (2017). “Drawing Image Language. Three Authors for IBA 84.” Proceedings.

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Rem Koolhaas