Question 4 contents page
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The document evaluates how the contents page addresses its audience. It discusses how the thin, pretty females portrayed may contradict Naomi Wolf's theory by not showing diversity. It also analyzes the facial expressions of the models according to Marjorie Ferguson and Trevor Millum's theories. Ferguson focuses on female expressions like smiles of different intensities. Millum examines male expressions like serious, solemn, carefree and comic looks. The contents page features a variety of smiles and serious looks analyzed through these two theorists' lenses.
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Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Question 1
The media product uses and develops several forms and conventions of real thriller films. It uses four main locations - an alleyway, driveway, house interior, and cupboard - to develop a sense of claustrophobia, particularly in the cupboard scene. The characters of Bryony and Victor are inspired by familiar thriller tropes, with Bryony representing the "femme fatale" and Victor appearing as a normal businessman to make him more unsettling. Lighting techniques like chiaroscuro create mystery and fear around Victor. Sound effects and a soundtrack build suspense. Shots like tilt shots and close-ups are used to develop confusion and lock focus, inspired by films like "The Third Man" and "
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
G321 evaluation question 1
The media product uses and develops several forms and conventions of real thriller films. It uses four main locations - an alleyway, driveway, house interior, and cupboard - to develop a sense of claustrophobia, particularly in the cupboard scene. Character appearances and costumes were inspired by films like Psycho, Once Upon a Time in America, American Psycho, and Reservoir Dogs. Cinematography techniques like chiaroscuro lighting, tilt shots, and close-ups emulate films like The Third Man and Psycho. Sound design with non-diegetic music and diegetic effects builds suspense. Quick cuts and fades between shots keep tension high.
Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
Still analysis
Still 1 shows the main character walking in a high school hallway in a long shot, drawing attention due to her bright clothing among darker dressed extras. Still 2 uses low key lighting and a close-up on the main character's face to emphasize her importance and hint at a darker side. Still 3 again uses low key lighting in a close-up on the main character's face as she changes, suggesting something bad will happen.
Mise en-scene
The positioning and lighting in the scene establishes a power dynamic between the man and woman, with the woman bowing down to the man. The dark lighting on the man's face and hands adds an air of mystery to his character and what he is doing. When the woman hands him an unknown object, the man's expression is stern yet casual, revealing little emotion but asserting his authority. Flash of a match at the beginning grabs the audience's attention and excitement for the opening scene.
Still analysis
The document analyzes several still images from a film. Still 1 shows the main character in a hallway surrounded by other students, with her bright clothing drawing attention. Still 2 uses low-key lighting and a close-up on the main character's face to emphasize her importance and hint at a darker side. Still 3 again uses low-key lighting and a close-up, this time on the main character changing into her "monster" alter ego. The lighting, location, and expressions in Stills 4-6 suggest danger, violence, and mystery will occur. Still 7 uses a close-up and props to suggest a large amount of violence typical of the horror genre.
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Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
Question 1
The media product uses and develops several forms and conventions of real thriller films. It uses four main locations - an alleyway, driveway, house interior, and cupboard - to develop a sense of claustrophobia, particularly in the cupboard scene. The characters of Bryony and Victor are inspired by familiar thriller tropes, with Bryony representing the "femme fatale" and Victor appearing as a normal businessman to make him more unsettling. Lighting techniques like chiaroscuro create mystery and fear around Victor. Sound effects and a soundtrack build suspense. Shots like tilt shots and close-ups are used to develop confusion and lock focus, inspired by films like "The Third Man" and "
Front cover question 4
The front cover of the magazine exploits Naomi Wolf's theory from her book The Beauty Myth by photographing two thin, tall females who could be seen in a sexual way depending on the audience. The male model stands between and in front of the females, appearing more dominant to represent Wolf's idea that males have more authority than females. The facial expressions of the models on the cover take influence from Marjorie Ferguson's categories of "romantic" and Trevor Millum's category of "seductive," as the models look into the camera with small smiles or parted lips and straight faces.
G321 evaluation question 1
The media product uses and develops several forms and conventions of real thriller films. It uses four main locations - an alleyway, driveway, house interior, and cupboard - to develop a sense of claustrophobia, particularly in the cupboard scene. Character appearances and costumes were inspired by films like Psycho, Once Upon a Time in America, American Psycho, and Reservoir Dogs. Cinematography techniques like chiaroscuro lighting, tilt shots, and close-ups emulate films like The Third Man and Psycho. Sound design with non-diegetic music and diegetic effects builds suspense. Quick cuts and fades between shots keep tension high.
Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
Still analysis
Still 1 shows the main character walking in a high school hallway in a long shot, drawing attention due to her bright clothing among darker dressed extras. Still 2 uses low key lighting and a close-up on the main character's face to emphasize her importance and hint at a darker side. Still 3 again uses low key lighting in a close-up on the main character's face as she changes, suggesting something bad will happen.
Mise en-scene
The positioning and lighting in the scene establishes a power dynamic between the man and woman, with the woman bowing down to the man. The dark lighting on the man's face and hands adds an air of mystery to his character and what he is doing. When the woman hands him an unknown object, the man's expression is stern yet casual, revealing little emotion but asserting his authority. Flash of a match at the beginning grabs the audience's attention and excitement for the opening scene.
Still analysis
The document analyzes several still images from a film. Still 1 shows the main character in a hallway surrounded by other students, with her bright clothing drawing attention. Still 2 uses low-key lighting and a close-up on the main character's face to emphasize her importance and hint at a darker side. Still 3 again uses low-key lighting and a close-up, this time on the main character changing into her "monster" alter ego. The lighting, location, and expressions in Stills 4-6 suggest danger, violence, and mystery will occur. Still 7 uses a close-up and props to suggest a large amount of violence typical of the horror genre.
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The document analyzes still images from a film to understand the techniques used and what they convey to the audience. Still 1 uses a long shot to show students surrounding the main character, whose bright clothing draws attention. Still 2 uses close-up and low key lighting on the main character's face to emphasize importance and suggest mystery. Still 3 shows the main character changing in low key lighting, suggesting something bad will occur. Still 4 shows a character being dragged in low key lighting and eye-level angle to place the audience in his perspective as he is murdered. Still 5 uses fire and a mid shot to question who is responsible for the fire and show the main character's scared expression. Still 6 shows leaves and trees in low key lighting
Story boards
The document outlines a film shoot that will tell a romantic story. It begins with the main actor alone in his basement, which has a model train set. The story then moves to a grand room with the actor in bed with a woman. Candles will be lit to set a romantic atmosphere. There will be extreme close-ups of the actors as the woman blows out the candles and climbs out a window. The couple is then shown running through a wood. A variety of shots from different angles are planned to keep the audience engaged as the story unfolds.
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The document discusses different photo shoots for a magazine aimed at attracting the male gaze. It states that the model needs to pose in flirtatious ways to seek attention. It recommends poses where the model's head is lowered while looking into the camera to make the eyes seem bigger and expose the neck, giving an effect of vulnerability to attract views. It then describes 6 different photo shoots with the model dressed casually and making eye contact or exposing her neck and shoulders to appear flirty, rebellious or carefree in line with attracting the male gaze.
Kill bill opening scene mise en scene
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Story boards
The document outlines a film shoot that will tell a romantic story. It begins with the main actor alone in his basement, which has a model train set. The story then moves to a grand room with the actor in bed with a woman. Candles will be lit to set a romantic atmosphere. There will be extreme close-ups of the actors as the woman blows out the candles and climbs out a window. The couple is then shown running through a wood. A variety of shots from different angles are planned to keep the audience engaged as the story unfolds.
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Mise en-scene
Mise-en-scene refers to all the visual elements of a film or scene, including color, costume, props, location, blocking/performance, and lighting. Color, costume, and lighting are used to convey meaning and themes. Costumes can suggest something about a character's social class. Props should be chosen and used in a way that advances the story. Blocking positions actors in relation to each other and the camera. Lighting is manipulated to set a particular mood. Together, these elements of mise-en-scene help tell the story on screen.
Treatment sheet
The document is about a music video that uses imagery of a misty field and a horse to represent a girl chasing after lost love. She chases her lover around a figure 8 pattern, representing an endless chase as time stands still from the intensity of her loss. Scenes cut between the girl in the field and in a smoky studio as she expresses her emotions through movement and singing. Fog and smoke are used to portray the broken relationship and love disappearing as the promise of forever is broken.
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The document analyzes how different shots in the opening sequence of Mad Men season 1 episode 1 represent gender. It discusses how an over-the-shoulder shot establishes Don Draper as the main character and shows his masculinity through his suit and whiskey. A two shot then shows one waiter towering over the other, possibly representing discrimination. When Don visits a woman's flat, shallow focus highlights her dominance as she wears masculine clothes unlike other women. In the office, a track shot shows women separated in one area from men, and the camera pans to men when they enter, representing their dominance.
Analysis Of A Thriller Opening Munich
The opening scene of the thriller film Munich is in black and white to set the time period. Quick editing shots build tension by showing the panic and destruction of attacks. The soundtrack and lighting create a dark, mysterious atmosphere. Costumes show the local people's lifestyle and living environment are not upper class. Camera movements, like slow motion, emphasize the intensity of scenes. Connecting the tragic soundtrack to shots of a crying family grabbing the audience emotionally and intriguing them to watch more.
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The document is a storyboard for a flashback sequence in a film. It provides descriptions of shots that will be used to visualize the protagonist Hayle having a restless night and experiencing disturbing visions. The storyboard outlines shots that will show Hayle trying to sleep, hearing noises outside, and then seeing shadowy figures emerge and approach her bed, conveying her rising fear and paralysis. The shots become increasingly close and intense, emphasizing the threatening nature of the figures and Hayle's terror and inability to escape.
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The document analyzes several shots from The Bourne Ultimatum and discusses the cinematography techniques used. It describes a low-angled shot of a distraught man on the floor near a passing train, focusing shallowly on him with gloomy artificial lighting. It also discusses a police car leaving the scene of the incident using depth of field to blur objects further away. Finally, it examines a close-up shot of a man stealing medicine from a hidden stash, using mise-en-scene to establish the placement of cupboards and drawers.
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The document analyzes several shots from The Bourne Ultimatum and discusses the cinematography techniques used. It describes a low-angled shot of a distraught man on the floor near a passing train, focusing shallowly on him with gloomy artificial lighting. It also discusses a police car leaving the scene of the incident using depth of field to blur objects further away. Finally, it examines a close-up shot of a man stealing medicine from a hidden stash, using mise-en-scene to establish the placement of cupboards and drawers.
Original photography
The document discusses different photo shoots for a magazine aimed at attracting the male gaze. It states that models should pose in flirtatious ways to seek attention by lowering their heads and looking directly into the camera to make their eyes seem bigger and expose their necks, giving the impression of vulnerability. It then describes 6 different photo shoots with variations in location, clothing, makeup and poses to portray the model as rebellious, casual, wild, and careless while drawing attention to her face and bringing recognition through flirty gestures and exposure of the neck.
Original photography
The document discusses different photo shoots for a magazine aimed at attracting the male gaze. It states that the model needs to pose in flirtatious ways to seek attention. It recommends poses where the model's head is lowered while looking into the camera to make the eyes seem bigger and expose the neck, giving an effect of vulnerability to attract views. It then describes 6 different photo shoots with the model dressed casually and making eye contact or exposing her neck and shoulders to appear flirty, rebellious or carefree in line with attracting the male gaze.
Kill bill opening scene mise en scene
The opening scene of Kill Bill uses contrasting black and white colors and off-center framing to immerse the audience. A distressed bride lies on the floor in her white dress surrounded by black blood, foreshadowing the dark story of revenge. A man's hand wipes her face, revealing the word "bill" on a napkin and hinting at the plot. When she is shot, her blood appears black, portraying her as either dead inside or a heartless character. The title sequence uses a bold font and black/white colors to intrigue audiences about the darkness of the film. The final shot silhouettes the dead woman in black against a white background, symbolizing her death.
Mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can provide contextual information to the viewer. There are six key elements of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting are used to convey meanings like innocence, evil, class, and mood. Props provide context for scenes and influence how actors should perform. Blocking/performance covers actor positioning and movement. Location can be purpose-built or real places.
Gender representation sherlock
1) The scene depicts Sherlock confronting Irene Adler, the only female character, in a polite and calm manner that challenges stereotypes of aggressive masculinity.
2) Irene is portrayed as confident and intelligent through her unhesitating speech, challenging stereotypes of desperate or fussy femininity.
3) Different lighting is used to characterize the characters - high-key lighting on Irene implies she is positive, while low-key lighting on the men implies they have experienced difficulties, reflecting stereotypes of hardworking masculinity.
Kill Bill Vol.1 Opening Sequence Analysis
The opening sequence of Kill Bill features a bloody bride breathing heavily while her face is obscured. A man, implied to be Bill, wipes her face and calms her before loading a gun. When the bride reveals she is pregnant, Bill shoots her. The single title card that follows is simple and in black and white to not distract from the shocking violence. This gripping opening immediately engages viewers through disturbing imagery and sound.
Shot List For Media Production
The shot list summarizes the key camera shots planned for the short horror film "Bloody Mary". It includes a variety of shots like long shots, establishing shots, and close-ups to set the atmosphere, introduce characters, and convey emotions. Close-ups will focus on characters' reactions to learning the legend of Bloody Mary and their expressions of fear. The film will end with a black out after the victim is grabbed by Bloody Mary, leaving the audience unsure of their fate.
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This document discusses the creative choices made in producing a music video. It describes shooting a student character in Newcastle, England to establish the setting. Stereotypical shots of New York City were used to contrast with Newcastle and depict the lyrics about America. Close-ups of the character on his phone looking at New York photos conveyed homesickness. Transitions between buildings in the two cities built anticipation for the final scene of the character walking away as a plane takes off at night.
Music Video Analysis
The One Direction music video for "Perfect" was influenced by including a range of shots showing off the scenery of New York City through different camera techniques. These included panning and tilting shots to showcase the height of buildings, as well as long shots and time lapses to establish the location and passage of time. Positioning the sun behind the artists was also considered an important visual feature for the shots.
About me
The document contains a list of names without any other context or information provided. It is difficult to determine any high level ideas or essential information from this list alone.
Presentation1
The document lists various names of individuals and topics including Joseph, America, Washington, brother, dogs, music genres like dubstep, hobbies like drawing and movie making, food, football, camping. It concludes with "The End!" and additional text.
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Similar to Question 4 contents page
front cover
The front cover of Sarah Dick's magazine features attractive females surrounding a male in the center to illustrate Naomi Wolf's theory of a male-dominated world. The females have inviting facial expressions that create mystery and intrigue audiences to read more without revealing too much. The male model has a serious, direct look categorized as a practical facial expression by Trevor Millum.
1how did my contents page attract:address the audience
My contents page uses attractive female models and serious male models to attract my target audiences. The female models portray the beauty myth described by Naomi Wolf to appeal to younger women interested in their looks. Most female models are smiling to convey happiness and welcome viewers as suggested by Marjorie Ferguson. The male models have practical catalogue expressions looking directly at the camera described by Trevor Millum to catch the attention of the audience.
1how did my contents page attract:address the audience
My contents page uses attractive female models and serious male models to attract my target audiences. The female models portray the beauty myth described by Naomi Wolf to appeal to younger women interested in their looks. Most female models are smiling to convey happiness and welcome viewers per Marjorie Ferguson's theories. The male models have practical catalogue expressions looking directly at the camera to catch the eyes of audiences as described by Trevor Millum.
How did my contents page attract:address the audience
My contents page used attractive female models and serious male models to attract my target audiences. The female models portrayed attractive looks based on Naomi Wolf's theory of how the media portrays females. Most of the female models smiled with teeth or closed mouths to portray happiness. The male models had serious expressions looking directly at the camera to catch the eyes of the audience. The page aimed to attract younger female audiences who care about looks with the attractive female models and draw in the audience with the serious male models.
Qfive eval contents 2
The document discusses how the contents page of a magazine attracts its target audience. It references theories by Naomi Wolf and Marjorie Ferguson on using attractive models and facial expressions to promote a magazine. The contents page features images of models with serious, non-smiling expressions looking away from the camera to appear edgy and punk-inspired. The stories included on the page are aimed at the target audience and feature popular musicians to attract readers.
Qfive eval contents
The document discusses how the contents page of a magazine attracts its target audience. It references theories by Naomi Wolf and Marjorie Ferguson on using attractive models and facial expressions to promote a magazine. The contents page features images of models with serious, non-smiling expressions looking away from the camera to appear edgy and mysterious, fitting with the magazine's punk style. It also includes popular musicians and stories researched to match the audience's preferences to attract readers.
Representation
This document discusses the representation of women and social issues in an opening scene. Women are presented in both confident and "bitchy" ways, portraying the importance of looks but also engaging in bullying. Bullying is highlighted as an important issue, with examples like name-calling. While the mean girls hold power over the vulnerable student, women are not always dominant - in one scene, the two girls find their friend hanging and become vulnerable themselves. A common representation is of the lonely, isolated girl who allows herself to be picked on, appearing weak.
Feminist theories within the media
Laura Mulvey developed the male gaze theory to highlight the imbalance in gender representation in media. The theory suggests that media is viewed through a male perspective and often objectifies or sexualizes women. For example, the camera may linger on a woman's body or present events in a woman's life through a man's reaction. Mulvey describes the male gaze as looking at women for visual pleasure and portraying women as passive images for men to observe. Marjorie Ferguson also developed theories about common ways women are portrayed in media, such as the "chocolate box" look with a slight smile and minimal teeth showing. Trevor Millum similarly identified common male looks in media such as seductive, carefree, practical,
Male Gaze
The document discusses Laura Mulvey's theory of the "male gaze" and how it relates to the portrayal of women in film. Mulvey proposed that women are often objectified and viewed as sexual objects in cinema because it is typically controlled by heterosexual men. The theory is divided into how men look at women, how women see themselves, and how women view other women. Examples from the films "Twilight" and "Jennifer's Body" are provided to illustrate the presence of both the male and female gaze.
Representation Investigation
Representation can be defined as how something or someone is portrayed to present a particular meaning. Media texts create representations of various social groups through the perceptions of their creators to target specific audiences. Scholars have developed several theories of representation.
Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters from the perspective of a heterosexual male. Paul Willis stated in 1990 that pop stars shape young women's understanding of themselves. Branston and Stafford's theory described characteristics of stereotyping groups through often negative evaluations. Merrin argued in 2005 that the media produce, not reflect, social reality through simulation.
These representation theories relate to the horror genre, where Mulvey's theory explains the use of beautiful
Q5 eval front cover
The front cover uses an attractive female model to appeal to its target audience of 60% males based on questionnaire results. The model's direct gaze and inviting facial expression are intended to intrigue readers and make them want to learn more without revealing too much, according to theories that attractive images of females sell products to women and interest men in magazines. The cover aims to capitalize on pressures that push women to emulate skinny models of beauty.
Rhianna Francis Question 2
The document discusses how the media product represents teenage girls. It focuses on representing them as vulnerable through various film techniques. Specifically, it uses close-ups of the protagonist's face to show her as helpless. Medium close-ups of the antagonist aim to portray them as intimidating. The sound design uses angelic children's singing to emphasize the protagonist's innocence. Mise-en-scene with realistic school setting and lighting aims to depict teenage girls as innocent and vulnerable. Overall, the document examines how cinematography, sound, and mise-en-scene can reinforce stereotypes of teenage girls in horror films.
Representation of women in horror essay
This document discusses the representation of women in horror films from the 1950s to present day. It analyzes several key theories on this topic. The male gaze theory from the 1970s suggests that films are told from the perspective of a heterosexual male viewer and portray women as objects. Analyzing films from the 1970s supports this theory. The 1980s saw women often depicted as submissive and domestic. Jeremy Tunstall's 1983 theory found women portrayed as consumers and mothers. While Poltergeist from 1985 reflects some aspects of this, the main female fights back, challenging the theory. Carol Clover's 1992 "final girl" theory proposed the audience identifies with the last surviving female, challenging male gaze. Her theory is reflected in
Laura mulvey- Male gaze
Laura Mulvey argues that traditional media representations are dominated by the male gaze, with men in active roles and women in passive, objectified roles. Women are typically shown as sexual objects for male gratification or in stereotypical roles like wives and mothers. However, the Alien franchise challenges these norms with the strong, self-reliant heroine Ellen Ripley. Over time, as women's real-world roles changed, media began to feature more career-driven and empowered female characters, though they still tended to conform to stereotypes or be objectified. Misogyny refers to the contempt or hatred of women and girls.
Evaluation q2
The document discusses representations of social groups in a psychological thriller film. It represents gender by portraying a woman alone in a forest who is being followed but eventually outwits her killer, going against typical weak female portrayals. It also applies Carol Clover's "Final Girl" theory of a woman initially appearing weak but outwitting her male threat. For age representation, the film uses a vulnerable teenage girl being followed by the camera, perpetuating stereotypical media views of women and girls as weak.
Representation investigation
Representation refers to how media texts portray people, groups, or concepts through signs and symbols. All media is a constructed representation rather than a true reflection of reality. Laura Mulvey was an influential representation theorist who coined the term "male gaze" to describe how most films are viewed from the perspective of a heterosexual male, which often relegates women to the status of objects. Her theory is particularly relevant to analyzing representations of gender in the horror genre, where women are commonly portrayed as beautiful yet weak objects for the male gaze.
Facial Expressions- Millum And Ferguson
Marjorie Ferguson identified four types of facial expressions commonly seen in British women's magazines in 1980: chocolate box, invitational, super-smiler, and romantic or sexual. Chocolate box expressions use half smiles and eye contact to engage readers. Invitational expressions use smiling eyes and smirks to intrigue readers. Super-smiler expressions depict models mid-laugh to seem natural and convey a youthful, free message. Romantic or sexual expressions attract both male and female readers by appealing to desires to be with or be the model. Trevor Millum later categorized male expressions in advertisements as carefree, practical, seductive, comic, or catalogue.
Mulvey
The document analyzes how women are represented in the horror movie trailer "Filth To Ashes Flesh To Dust" according to Laura Mulvey's "male gaze" theory. It finds that most shots adhere to stereotypical representations of women as objects of desire, and as vulnerable and subordinate to men. However, a few shots challenge these stereotypes by showing women as powerful and dominant. Overall, while the trailer mostly reinforces Mulvey's theory, it also provides some counter-examples, suggesting attitudes may be changing for 21st century audiences.
The theory of male gaze
The document discusses the concept of the male gaze in film theory. It describes Laura Mulvey's influential 1975 work which argued that women are presented in film as objects of male visual pleasure. Mulvey proposed that films are viewed from the perspective of a heterosexual male gaze and that women are sexualized for male pleasure. The document also reviews other theorists who have expanded on or critiqued Mulvey's ideas, and discusses whether these theories still apply to modern films.
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In what ways does your media product use, develop or challenge forms and conv...
This document discusses how the media product, a music video for the song "The First Shot in the Chorus" by Sarah Dick, uses and is influenced by conventions from other real media products. Specifically, it uses typical shots of New York City to contrast with Newcastle and shots inspired by music videos from One Direction, Jake Bugg, Ben Howard, The 1975, Ed Sheeran. It incorporates transitions between locations and day/night to build excitement as the video progresses, ending with a plane taking off at night.
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Sarah Dick used several media technologies in the construction and evaluation of her music video and ancillary tasks. For the music video, she shot footage using a Canon 1200d DSLR camera and edited in iMovie. Photographs for the music poster and digital package were also taken with the Canon 1200d. Adobe Photoshop was used to edit the photographs together and ensure the correct file size for the digital package.
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Mumford and sons digipak
The DigiPak for Mumford and Sons album features a large image of the band standing in a shop window on the front cover in pastel greens. The band name and album title use the same fonts as other band merchandise. The back cover continues the pastel green background and centers the shop window, with the track list in the same black font. The inside folds out to show a large image of the band in the windows, with complementary colors between the image background and slip background.
Imagine dragon digipak
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This document contains the results of a music video questionnaire that asked respondents about their age, gender, employment status, music preferences, how and how often they watch music videos, and how they find out about new music. The questionnaire collected data on topics like the most popular ways people watch music videos, their favorite music genres, and which websites and TV channels they use to access music videos.
Music video theories
The document discusses several music video theories and analyzes how they apply to the music videos for "Tonight You're Perfect" by New Politics and "Only Love" by Ben Howard. It examines the relationships between the lyrics, music, and visuals in the videos, as well as themes of gender, performance, and voyeurism. Overall, the analyses find that the videos have no clear links between their lyrics, music, and imagery, and do not feature typical music video conventions like lip-syncing or playing instruments.
Blumer and katz
Blumer and Katz's theory proposes that media use serves four functions: diversion from everyday life, fulfilling personal relationships, establishing personal identity, and surveillance of one's environment. The document discusses how a hypothetical music magazine aligns with these four categories by allowing readers to relax and learn about celebrity lives for diversion, connect with others online over shared interests for relationships, attract subscribers interested in indie music for identity, and provide updates on celebrities and music news for surveillance.
Bulmler and katz
Bulmer and Katz's theory proposes four categories for understanding media usage: diversion, personal relationships, personal identity, and surveillance. Diversion refers to using media to escape everyday life. Personal relationships involve using media for companionship and forming connections with others. Personal identity explores how media can help people learn about themselves. Surveillance means using media to learn about one's surrounding environment.
Bulmer and katz
Bulmer and Katz theory proposes four categories for understanding media consumption: diversion, personal relationships, personal identity, and surveillance. Diversion refers to using media to escape everyday life. Personal relationships involve using media for companionship and connecting with others who share interests. Personal identity explores how media reflects aspects of oneself. Surveillance means using media to learn about events happening around you.
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In this respectful and life-affirming service—erm, session—join Ryan Brock (Chief Solution Officer at DemandJump and author of Pillar-Based Marketing: A Data-Driven Methodology for SEO and Content that Actually Works) and leave with:
• Clear and compelling evidence that most legacy SEO metrics and tactics have slim to no impact on SEO outcomes
• A major mindset shift that eliminates most of the metrics and tactics associated with SEO in favor of a single metric that defines and drives organic ranking success
• Practical, step-by-step methodology for choosing SEO pillar topics and publishing content quickly that ranks fastAmazing and On Point - Ramon Ray, USA TODAY
Amazing and On Point - Ramon Ray, USA TODAYDigiMarCon - Digital Marketing, Media and Advertising Conferences & Exhibitions
janani Digital Marketer|Digital Marketing consultant|Marketing Promotion|Coim...
Myself Janani Digital marketing consultant located in coimbatore I offer all kinds of digital marketing services for your business requirements such as SEO SMO SMM SMO CAMPAIGNS content writing web design for all your business needs with affordable cost
Digital Marketing Services | Techvolt Software :
Digital Marketing is a latest method of Marketing techniques widely used across the Globe. Digital Marketing is an online marketing technique and methods used for all products and services through Search Engine and Social media advertisements. Previously the marketing techniques were used without using the internet via direct and indirect marketing strategies such as advertising through Telemarketing,Newspapers,Televisions,Posters etc.
List of Services offered in Digital Marketing |Techvolt Software :
Techvolt Software offers best Digital Marketing services for promoting your products and services through online platform on the below methods of Digital marketing
1. Search Engine Optimization (SEO)
2. Search Engine Marketing (SEM)
3. Social Media Optimization (SMO)
4. Social Media Marketing (SMM)
5. Campaigns
Importance | Need of Digital Marketing (Online Promotions) :
1. Quick Promotions through Online
2. Generation of More leads and Business Enquiries via Search Engine and Social Media Platform
3. Latest Technology development vs Business promotions
4. Creation of Social Branding
5. Promotion with less investment
Benefits Digital Marketing Services at Techvolt software :
1. Services offered with Affordable cost
2. Free Content writing
3. Free Dynamic Website design*
4. Best combo offers on website Hosting,design along with digital marketing services
5. Assured Lead Generation through Search Engine and Social Media
6. Online Maintenance Support
Free Website + Digital Marketing Services
Techvolt Software offers Free website design for all customer and clients who is availing the digital marketing services for a minimum period of 6 months.
With Regards
Janani Digital Marketer
Coimbatore,Tamilnadu.
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Question 4 contents page
- 1. Evaluation: How did my contents page attract/address the audience? Sarah Dick
- 3. Naomi Wolf • Naomi Wolf wrote the novel, The Beauty Myth, which refers to the way in which females are portrayed through images set by the media. On my contents page, I think I contradict Wolf’s theory as the females that are used in the photo are seen thin and pretty whereas Wolf’s thinks all kinds of women should be shown on the front cover to not discriminate against people.
- 4. Marjorie Ferguson and Trevor Millum • Marjorie Ferguson focuses on female facial expressions whereas Trevor Millum focuses on male expressions. The second image from the top shows a male and female, the female is seen with a smile on her face known as the super smile and the male is seen with a serious and solemn face reffered to as a practical or seductive facial expression. The next image down shows a female with a smile and her hands rested on her head which has influence of Millums theory of carefree but also the super smiler.
- 5. Marjorie Ferguson and Trevor Millum • The third and fourth image down shows a female with a slight smile which Marjorie Ferguson would classify it under a chocolate box inferring that there is a slight smile with lips closed. The next image shows a medium shot of a male looking into the distance laughing which could be a mixture of a comic and carefree expression. The image third from the bottom is another super smile as you are able to see her teeth. The two male images at the bottom are shown to be catalogue and practical due to the serious facial expressions of both models.