Evaluation q2
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The document discusses representations of social groups in a psychological thriller film. It represents gender by portraying a woman alone in a forest who is being followed but eventually outwits her killer, going against typical weak female portrayals. It also applies Carol Clover's "Final Girl" theory of a woman initially appearing weak but outwitting her male threat. For age representation, the film uses a vulnerable teenage girl being followed by the camera, perpetuating stereotypical media views of women and girls as weak.
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2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Representation of Characters
In psychological thrillers, characters are often vulnerable individuals who have lost something important, like their family, making them susceptible to manipulation. Main characters are usually males who are taken to their lowest point to engage the audience. Females sometimes take main roles but more often play supporting roles as vulnerable people the main character relies on, such as a mother or daughter. Other common representations include characters who are psychotic or of lower-middle class.
Narrative conventions
The document discusses conventions of narratives in thriller films. It describes how thriller films often use stream of consciousness narrative style to reveal characters' thoughts and emotions, allowing audiences to understand the characters on a deeper level. It also notes that thriller narratives, especially psychological thrillers, tend to include complex backstories for protagonists and antagonists that are unravelled throughout the film, intriguing audiences and showing what shaped the characters.
Evaluation 2
This document discusses how a media product represents various social groups through its characters. It analyzes how the characters may portray stereotypes related to class, race, age, gender, and sexuality. For the female character, it discusses how she initially subverts stereotypes as an empowered career woman but ultimately reinforces traditional ideas of femininity and mental instability. The document also examines how the media product challenges ideologies around institutions like the police and presents alternative representations of gender through theories like empowered femininity and gender performance.
Psychological thrillers
Psychological thrillers emphasize abnormal psychology and focus on characters' disturbed mental states. Examples include The Shining, Gone Girl, and Black Swan. The Sixth Sense tells the story of a troubled boy who can see and talk to the dead, and his child psychologist trying to help him. Psychological thrillers mainly attract female audiences ages 18 to 35 who enjoy unraveling the mysteries of the stories and their disturbing psychological elements.
Question 2
The media product represents white, middle-class teenagers and a white female ghost as the main social groups. While teenagers typically play protagonists in horror, the ones depicted engage in criminal acts. Additionally, the female ghost breaks conventions by being the antagonist despite her higher social class. However, her backstory reveals she was previously a victim, leading to her haunting actions. Throughout the film, point-of-view shots are used to make the audience feel the unease and fear the teenage protagonists experience in the haunted manor.
Laura Mulvey's Female Gaze Theory
Laura Mulvey introduced the concept of the "male gaze" in her influential essay "Visual Pleasure and Narrative Cinema." She argued that in most films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This denies women their humanity and reduces them to objects for the male gaze. Mulvey suggested that mainstream films typically portray women in passive roles that exist only in relation to male characters and provide visual pleasure or inspiration for men's actions.
Laura Mulvey - The Male Gaze Theory Essay
The document discusses Laura Mulvey's Male Gaze theory from 1975. The theory proposes that most films and media are viewed from the perspective of a heterosexual male gaze, as men largely control cameras. This results in the objectification and sexualization of women for the male viewer's pleasure. Examples discussed include focusing only on a woman's body in films and using revealingly dressed women in music videos to appeal to male viewers. Some criticize that the theory ignores instances where women seek attention or the gaze is between members of the same sex.
Recommended
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Representation of Characters
In psychological thrillers, characters are often vulnerable individuals who have lost something important, like their family, making them susceptible to manipulation. Main characters are usually males who are taken to their lowest point to engage the audience. Females sometimes take main roles but more often play supporting roles as vulnerable people the main character relies on, such as a mother or daughter. Other common representations include characters who are psychotic or of lower-middle class.
Narrative conventions
The document discusses conventions of narratives in thriller films. It describes how thriller films often use stream of consciousness narrative style to reveal characters' thoughts and emotions, allowing audiences to understand the characters on a deeper level. It also notes that thriller narratives, especially psychological thrillers, tend to include complex backstories for protagonists and antagonists that are unravelled throughout the film, intriguing audiences and showing what shaped the characters.
Evaluation 2
This document discusses how a media product represents various social groups through its characters. It analyzes how the characters may portray stereotypes related to class, race, age, gender, and sexuality. For the female character, it discusses how she initially subverts stereotypes as an empowered career woman but ultimately reinforces traditional ideas of femininity and mental instability. The document also examines how the media product challenges ideologies around institutions like the police and presents alternative representations of gender through theories like empowered femininity and gender performance.
Psychological thrillers
Psychological thrillers emphasize abnormal psychology and focus on characters' disturbed mental states. Examples include The Shining, Gone Girl, and Black Swan. The Sixth Sense tells the story of a troubled boy who can see and talk to the dead, and his child psychologist trying to help him. Psychological thrillers mainly attract female audiences ages 18 to 35 who enjoy unraveling the mysteries of the stories and their disturbing psychological elements.
Question 2
The media product represents white, middle-class teenagers and a white female ghost as the main social groups. While teenagers typically play protagonists in horror, the ones depicted engage in criminal acts. Additionally, the female ghost breaks conventions by being the antagonist despite her higher social class. However, her backstory reveals she was previously a victim, leading to her haunting actions. Throughout the film, point-of-view shots are used to make the audience feel the unease and fear the teenage protagonists experience in the haunted manor.
Laura Mulvey's Female Gaze Theory
Laura Mulvey introduced the concept of the "male gaze" in her influential essay "Visual Pleasure and Narrative Cinema." She argued that in most films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This denies women their humanity and reduces them to objects for the male gaze. Mulvey suggested that mainstream films typically portray women in passive roles that exist only in relation to male characters and provide visual pleasure or inspiration for men's actions.
Laura Mulvey - The Male Gaze Theory Essay
The document discusses Laura Mulvey's Male Gaze theory from 1975. The theory proposes that most films and media are viewed from the perspective of a heterosexual male gaze, as men largely control cameras. This results in the objectification and sexualization of women for the male viewer's pleasure. Examples discussed include focusing only on a woman's body in films and using revealingly dressed women in music videos to appeal to male viewers. Some criticize that the theory ignores instances where women seek attention or the gaze is between members of the same sex.
The male gaze theory
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and media are typically constructed from the perspective of the heterosexual male viewer. This results in the objectification and sexualization of women on screen for the pleasure and empowerment of male audiences. According to Mulvey, women are portrayed as objects to be looked at rather than active subjects. This reinforces the traditional patriarchal idea that men are active viewers while women are passive objects to be looked at. Examples of the male gaze include the framing of women's bodies and emphasis on their sexuality in many films.
Laura Mulvey Theory
Laura Mulvey is a British feminist film theorist who developed the theory of the "male gaze" in 1975. The male gaze suggests that films are typically shot from the perspective of the heterosexual male viewer, with female characters portrayed in a way that is sexually appealing to men. This positions women as objects to be looked at rather than subjects with their own agency. The male gaze can negatively impact how women see themselves and each other due to unrealistic portrayals in media that are designed to appeal to the heterosexual male viewer. When creating film productions, the theory of the male gaze should be considered to avoid objectifying or sexualizing female characters in a way that simply appeals to the male viewer's gaze rather than portraying women
Evaluation q2
The document discusses various gender and age stereotypes present in the media product. It notes that the murdered victim conforms to stereotypes of females being vulnerable and the focus of male characters. Both the detective and roommate are male, reinforcing stereotypes of males being dominant and in control. However, the roommate subverts some stereotypes by being independent. The older, intimidating detective maintains power over the younger roommate during interrogation, reinforcing stereotypes of age and authority.
The theory of male gaze
The document discusses the concept of the male gaze in film theory. It describes Laura Mulvey's influential 1975 work which argued that women are presented in film as objects of male visual pleasure. Mulvey proposed that films are viewed from the perspective of a heterosexual male gaze and that women are sexualized for male pleasure. The document also reviews other theorists who have expanded on or critiqued Mulvey's ideas, and discusses whether these theories still apply to modern films.
The Male Gaze Laura Mulvey
This document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that the Male Gaze refers to how women are viewed from the perspective of a heterosexual male in films. Specifically, the camera will linger on a woman's body and events involving women are presented in the context of a man's reaction. This relegates women to the status of objects for the male gaze rather than active subjects. The document also discusses how the Male Gaze concept has been applied to areas like music videos and advertising.
The male gaze powerpoint
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
The Male Gaze Theory
Laura Mulvey developed the concept of the "male gaze" in 1975, which refers to the perspective through which most films are viewed and portrayed, through the eyes of a heterosexual man. Some key features of the male gaze include focusing on and sexualizing women's bodies even when irrelevant, and portraying women as objects for men to look at. While controversial, the male gaze theory suggests that the camera and audience view women through a lens of male power and superiority. Criticisms argue that some women enjoy being looked at and the gaze can be directed at same gender individuals for non-sexual reasons as well.
Representation investigation
The document discusses various theorists' views on representation in media. Laura Mulvey argued that media typically presents a masculine point of view and objectifies women for the male gaze. John Berger believed that women are represented as existing to benefit men and are always aware of being looked at by men. Branston and Stafford outlined characteristics of stereotypical representations, including categorization and emphasis on easily recognized features to draw conclusions about the group. Representation of women in horror films traditionally portrayed them as weak but more recent films challenge this by showing women overcoming threats or being the villain.
Gender gaze
Laura Mulvey coined the term "male gaze" in 1975 to describe how films typically depict women from the perspective of a heterosexual male viewer. According to Mulvey, the male gaze objectifies and denies women their humanity by portraying them as passive objects valued only for their physical appearance and how they make men feel. While influential, Mulvey's theory has also received criticism for not considering other factors like ethnicity, class, and age, and for suggesting women cannot be strong protagonists or take pleasure in being viewed. Debate continues over whether a "female gaze" exists and if it reinforces or challenges traditional gender roles and power dynamics.
Genre Research
Slasher films typically feature a psychopathic killer who murders a group of people, often young adults engaging in illicit activities. The victims are usually stalked and killed violently in graphic scenes. Slasher films take place in isolated locations like forests or abandoned buildings that hinder the victims' ability to get help. Common characteristics of slasher films explored in the document include the remote settings of the killings, traits of the young victim characters, and how lighting, costumes, and the unidentified killer contribute to the suspense and horror of the genre.
Unmasking Jason Holliday’s persona in his titular film
Made for Dr. Jo Davis-McElligatt's course, LGBTQ Literature, at The University of Louisiana at Lafayette for the Spring 2018 semester
Men women and chainsaws reading
Clover discusses the concept of the "female victim-hero" in horror films. She explains that female characters are often initially portrayed as victims, eliciting sympathy from audiences, before fighting back and becoming heroes themselves. Clover also notes that male audiences often identify with the "final girl" character in slasher films, even though they are female, because they are battling male monsters. Additionally, Clover suggests that research on horror film audiences is problematic due to horror films typically being independently produced with less focus on audience data. She identifies common horror film audience groups as young males alone or in groups, and young male-female couples.
Laura mulvey the malegaze theory
Laura Mulvey's Male Gaze theory argues that in film and media, the camera lens represents the perspective of the heterosexual male viewer who objectifies female characters. This denies women their subjectivity and reduces them to objects for the male gaze. Mulvey suggests this reinforcement of patriarchal ideals through media can influence societal norms by making female objectification seem normal or desired. The theory is exemplified through common techniques used in films like James Bond to highlight women's physical features from the male perspective.
Laura mulvey the male gaze
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Genre research
Slasher films typically feature a psychopathic killer who murders a group of people, often teenagers, in a graphic and violent manner. They usually take place in isolated rural locations that make it difficult for victims to escape or find help. The victims frequently engage in illicit activities like drug use and sex. Common tropes include masked or unknown killers, dark lighting and iconic weapons. Slasher films often have low budgets but find significant commercial success, especially with younger audiences. Point-of-view camera shots are frequently used to generate fear and tension by putting the viewer in the killer's perspective.
Representation Investigation
Representation can be defined as how something or someone is portrayed to present a particular meaning. Media texts create representations of various social groups through the perceptions of their creators to target specific audiences. Scholars have developed several theories of representation.
Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters from the perspective of a heterosexual male. Paul Willis stated in 1990 that pop stars shape young women's understanding of themselves. Branston and Stafford's theory described characteristics of stereotyping groups through often negative evaluations. Merrin argued in 2005 that the media produce, not reflect, social reality through simulation.
These representation theories relate to the horror genre, where Mulvey's theory explains the use of beautiful
Representation investigation
Media representations are codified symbols that re-present reality to audiences. Representations often focus on social groups like women, minorities, and subcultures in ways that can lead to stereotyping, such as portraying black people as criminals. Representations categorize and evaluate groups through emphasized features that audiences easily recognize to draw conclusions about them, with evaluations often being negative. For example, horror films frequently represent women as vulnerable targets through the "male gaze," though some allow stereotypical views of women to be challenged as characters grow stronger.
The gaze
Male and female gaze, objectification, facial expressions, lovingly pinched from various internet sources
Male gaze theory 2016
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
Laura mulvey Media theories
Laura Mulvey was a British feminist film theorist known for her essay "Visual Pleasure and Narrative Cinema" which introduced the concept of the "male gaze". She argued that in classical Hollywood cinema, the camera presents women as objects of male pleasure through shots that emphasize their physical attractiveness. Mulvey believed this objectification reinforces the idea that women are inferior to men and forces female viewers to identify with the male perspective. Her theories provide insight into mainstream music video conventions and how they can be subverted or applied in creating one's own video.
Title sequence
A young girl witnesses a murder and becomes the target of the murderer. In act 2, the murderer follows and confronts the girl, but she manages to manipulate him and lead him into a trap. In act 3, the girl escapes and provides evidence that gets the murderer sentenced to life in prison. The proposed title sequence would show the peaceful setting disrupted by the girl running, with quiet music and her thoughts voiced over, as the camera seemingly chases her, cutting to films of the murderer's daily activities.
What kind of media institution might distribute your
Fox Searchlight Pictures would be the best distribution company for the student's film project. As a company that specializes in horror and drama genres with low budgets, Fox Searchlight Pictures has had success distributing films like Slumdog Millionaire and 12 Years a Slave, which made significantly more than their budgets. They focus on films driven by strong storylines over large budgets. For these reasons, Fox Searchlight Pictures would have the right audience and facilities to successfully distribute the student's low-budget horror or drama film.
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The male gaze theory
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and media are typically constructed from the perspective of the heterosexual male viewer. This results in the objectification and sexualization of women on screen for the pleasure and empowerment of male audiences. According to Mulvey, women are portrayed as objects to be looked at rather than active subjects. This reinforces the traditional patriarchal idea that men are active viewers while women are passive objects to be looked at. Examples of the male gaze include the framing of women's bodies and emphasis on their sexuality in many films.
Laura Mulvey Theory
Laura Mulvey is a British feminist film theorist who developed the theory of the "male gaze" in 1975. The male gaze suggests that films are typically shot from the perspective of the heterosexual male viewer, with female characters portrayed in a way that is sexually appealing to men. This positions women as objects to be looked at rather than subjects with their own agency. The male gaze can negatively impact how women see themselves and each other due to unrealistic portrayals in media that are designed to appeal to the heterosexual male viewer. When creating film productions, the theory of the male gaze should be considered to avoid objectifying or sexualizing female characters in a way that simply appeals to the male viewer's gaze rather than portraying women
Evaluation q2
The document discusses various gender and age stereotypes present in the media product. It notes that the murdered victim conforms to stereotypes of females being vulnerable and the focus of male characters. Both the detective and roommate are male, reinforcing stereotypes of males being dominant and in control. However, the roommate subverts some stereotypes by being independent. The older, intimidating detective maintains power over the younger roommate during interrogation, reinforcing stereotypes of age and authority.
The theory of male gaze
The document discusses the concept of the male gaze in film theory. It describes Laura Mulvey's influential 1975 work which argued that women are presented in film as objects of male visual pleasure. Mulvey proposed that films are viewed from the perspective of a heterosexual male gaze and that women are sexualized for male pleasure. The document also reviews other theorists who have expanded on or critiqued Mulvey's ideas, and discusses whether these theories still apply to modern films.
The Male Gaze Laura Mulvey
This document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that the Male Gaze refers to how women are viewed from the perspective of a heterosexual male in films. Specifically, the camera will linger on a woman's body and events involving women are presented in the context of a man's reaction. This relegates women to the status of objects for the male gaze rather than active subjects. The document also discusses how the Male Gaze concept has been applied to areas like music videos and advertising.
The male gaze powerpoint
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
The Male Gaze Theory
Laura Mulvey developed the concept of the "male gaze" in 1975, which refers to the perspective through which most films are viewed and portrayed, through the eyes of a heterosexual man. Some key features of the male gaze include focusing on and sexualizing women's bodies even when irrelevant, and portraying women as objects for men to look at. While controversial, the male gaze theory suggests that the camera and audience view women through a lens of male power and superiority. Criticisms argue that some women enjoy being looked at and the gaze can be directed at same gender individuals for non-sexual reasons as well.
Representation investigation
The document discusses various theorists' views on representation in media. Laura Mulvey argued that media typically presents a masculine point of view and objectifies women for the male gaze. John Berger believed that women are represented as existing to benefit men and are always aware of being looked at by men. Branston and Stafford outlined characteristics of stereotypical representations, including categorization and emphasis on easily recognized features to draw conclusions about the group. Representation of women in horror films traditionally portrayed them as weak but more recent films challenge this by showing women overcoming threats or being the villain.
Gender gaze
Laura Mulvey coined the term "male gaze" in 1975 to describe how films typically depict women from the perspective of a heterosexual male viewer. According to Mulvey, the male gaze objectifies and denies women their humanity by portraying them as passive objects valued only for their physical appearance and how they make men feel. While influential, Mulvey's theory has also received criticism for not considering other factors like ethnicity, class, and age, and for suggesting women cannot be strong protagonists or take pleasure in being viewed. Debate continues over whether a "female gaze" exists and if it reinforces or challenges traditional gender roles and power dynamics.
Genre Research
Slasher films typically feature a psychopathic killer who murders a group of people, often young adults engaging in illicit activities. The victims are usually stalked and killed violently in graphic scenes. Slasher films take place in isolated locations like forests or abandoned buildings that hinder the victims' ability to get help. Common characteristics of slasher films explored in the document include the remote settings of the killings, traits of the young victim characters, and how lighting, costumes, and the unidentified killer contribute to the suspense and horror of the genre.
Unmasking Jason Holliday’s persona in his titular film
Made for Dr. Jo Davis-McElligatt's course, LGBTQ Literature, at The University of Louisiana at Lafayette for the Spring 2018 semester
Men women and chainsaws reading
Clover discusses the concept of the "female victim-hero" in horror films. She explains that female characters are often initially portrayed as victims, eliciting sympathy from audiences, before fighting back and becoming heroes themselves. Clover also notes that male audiences often identify with the "final girl" character in slasher films, even though they are female, because they are battling male monsters. Additionally, Clover suggests that research on horror film audiences is problematic due to horror films typically being independently produced with less focus on audience data. She identifies common horror film audience groups as young males alone or in groups, and young male-female couples.
Laura mulvey the malegaze theory
Laura Mulvey's Male Gaze theory argues that in film and media, the camera lens represents the perspective of the heterosexual male viewer who objectifies female characters. This denies women their subjectivity and reduces them to objects for the male gaze. Mulvey suggests this reinforcement of patriarchal ideals through media can influence societal norms by making female objectification seem normal or desired. The theory is exemplified through common techniques used in films like James Bond to highlight women's physical features from the male perspective.
Laura mulvey the male gaze
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Genre research
Slasher films typically feature a psychopathic killer who murders a group of people, often teenagers, in a graphic and violent manner. They usually take place in isolated rural locations that make it difficult for victims to escape or find help. The victims frequently engage in illicit activities like drug use and sex. Common tropes include masked or unknown killers, dark lighting and iconic weapons. Slasher films often have low budgets but find significant commercial success, especially with younger audiences. Point-of-view camera shots are frequently used to generate fear and tension by putting the viewer in the killer's perspective.
Representation Investigation
Representation can be defined as how something or someone is portrayed to present a particular meaning. Media texts create representations of various social groups through the perceptions of their creators to target specific audiences. Scholars have developed several theories of representation.
Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters from the perspective of a heterosexual male. Paul Willis stated in 1990 that pop stars shape young women's understanding of themselves. Branston and Stafford's theory described characteristics of stereotyping groups through often negative evaluations. Merrin argued in 2005 that the media produce, not reflect, social reality through simulation.
These representation theories relate to the horror genre, where Mulvey's theory explains the use of beautiful
Representation investigation
Media representations are codified symbols that re-present reality to audiences. Representations often focus on social groups like women, minorities, and subcultures in ways that can lead to stereotyping, such as portraying black people as criminals. Representations categorize and evaluate groups through emphasized features that audiences easily recognize to draw conclusions about them, with evaluations often being negative. For example, horror films frequently represent women as vulnerable targets through the "male gaze," though some allow stereotypical views of women to be challenged as characters grow stronger.
The gaze
Male and female gaze, objectification, facial expressions, lovingly pinched from various internet sources
Male gaze theory 2016
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
Laura mulvey Media theories
Laura Mulvey was a British feminist film theorist known for her essay "Visual Pleasure and Narrative Cinema" which introduced the concept of the "male gaze". She argued that in classical Hollywood cinema, the camera presents women as objects of male pleasure through shots that emphasize their physical attractiveness. Mulvey believed this objectification reinforces the idea that women are inferior to men and forces female viewers to identify with the male perspective. Her theories provide insight into mainstream music video conventions and how they can be subverted or applied in creating one's own video.
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Unmasking Jason Holliday’s persona in his titular film
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Title sequence
A young girl witnesses a murder and becomes the target of the murderer. In act 2, the murderer follows and confronts the girl, but she manages to manipulate him and lead him into a trap. In act 3, the girl escapes and provides evidence that gets the murderer sentenced to life in prison. The proposed title sequence would show the peaceful setting disrupted by the girl running, with quiet music and her thoughts voiced over, as the camera seemingly chases her, cutting to films of the murderer's daily activities.
What kind of media institution might distribute your
Fox Searchlight Pictures would be the best distribution company for the student's film project. As a company that specializes in horror and drama genres with low budgets, Fox Searchlight Pictures has had success distributing films like Slumdog Millionaire and 12 Years a Slave, which made significantly more than their budgets. They focus on films driven by strong storylines over large budgets. For these reasons, Fox Searchlight Pictures would have the right audience and facilities to successfully distribute the student's low-budget horror or drama film.
Title sequence
A young girl witnesses a murder and becomes the target of the murderer. In act 1, the murderer knows the girl saw what happened. In act 2, the girl is being followed by the murderer as he waits to attack. The girl manages to manipulate the murderer into following her into a trap. In act 3, the girl escapes and provides evidence that gets the murderer sentenced to life in prison, though initially she seemed like an innocent victim. The proposed title sequence would show the peaceful setting disrupted by the girl running while being watched or chased, with a monologue of her thoughts.
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Model pemrograman linier digunakan untuk mengalokasikan sumber daya terbatas agar mencapai tujuan maksimum atau minimum. Contoh soal membahas perusahaan yang memproduksi dua produk dengan keterbatasan sumber daya dan tujuan memaksimalkan keuntungan. Formulasi modelnya meliputi variabel keputusan, fungsi tujuan, dan sistem kendala sumber daya dan permintaan.
Metode transportasi
Metode transportasi merupakan metode untuk memilih jalur distribusi barang dari lokasi sumber ke lokasi permintaan dengan biaya minimum. Terdapat beberapa metode penyelesaian seperti North West Corner, Least Cost, dan Vogel Approximation Method yang melibatkan penentuan matriks sumber dan tujuan serta pembagian barang berdasarkan kapasitas dan biaya terendah.
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8th Grade, Jazz & Wind Ensemble Holiday Concert Info
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Similar to Evaluation q2
Question 2
The media product represents teenage girls in two ways - as vulnerable and as powerful. One girl is portrayed as vulnerable as she is picked on by a group of more powerful girls, representing a common stereotype. Another group of three girls are shown as powerful and intimidating to weaker characters, similar to portrayals like the Powerpuff Girls or Charlie's Angels. These representations of vulnerability and power among teenage girls were chosen to highlight social issues like bullying.
Question 2
The document discusses how the media product represents social groups through its characters. It represents:
- Gender: The male is powerful/dominant while the female is vulnerable/distressed.
- Age: The youth are shown as lazy/rude while the old are wise/lonely.
The thriller opening shows the female character as stereotypically vulnerable by having her run away frightened from the male. Her emotions also align with stereotypes. The youthfulness of both characters is represented by their clothing and activities like playing. The storyline was chosen to raise awareness of serious crimes like kidnapping that disproportionately impact certain social groups.
Question 2
The document discusses how the media product represents various social groups. It represents young people of all races through the main characters used. Specifically, it portrays working and middle class individuals and their interests like socializing, movies, and sports. The female protagonist represents modern teenagers through her clothes. However, she also fits stereotypes of vulnerable women in thrillers who are stalked and need rescuing by men. Her character faces abuse, fear, and weakness when attacked.
Evaluation Two Media
The document summarizes how a media opening sequence portrays social groups through its characters. The sequence involves a 17-year-old blonde girl named Emily who is kidnapped by an older male antagonist. It compares this portrayal to other films and real cases. Stereotypes of age, gender, disability and social class are represented through characteristics of the characters and their interactions. Shots are framed to depict the male as powerful and the female as vulnerable. The sequence aims to draw on audience expectations of common stereotypes in thriller films.
question 2 : How does your media product represent particular social groups?
- The protagonist in the film subverts typical representations of females in horror by portraying a strong, sporty teenage girl rather than the usual weak and feminine targets.
- The character also represents black women from London, differing from the typical American setting and characters.
- While challenging some conventions, the protagonist also fits others like being a teenager and ending up isolated with the killer, to still engage the target audience.
- The antagonist resembles typical horror villains through his masked appearance and determination to kill, but is also portrayed as a troubled teenage boy to provide psychological motivation for his actions.
Question 2
The document discusses how the media product represents various social groups. It represents young males and females of all races through the characters used in the thriller opening. The social groups represented are working and middle class people through themes that would be understandable and relatable to both classes. The female character represents teenagers and young people while also representing a variety of races, though more specifically Caribbean young females. The female character faces vulnerability and danger in a way that is similar to the female character in the film "When a Stranger Calls".
Question 2
The document discusses how different social groups are represented in the media producer's thriller film opening. The male protagonist is presented as weak and victimized by the female antagonist, challenging gender stereotypes. The female character is portrayed as powerful and confident, fitting a common thriller trope of using a frightening little girl. All characters are white British, allowing stereotypes around Britishness to be both challenged and portrayed. The ages of the characters, ranging from 13 to 30 years old, are dressed and presented in ways that fit both their age groups and the professional roles of two adult characters. However, the 13-year-old female character subverts expectations by having more power and confidence than the male protagonist.
Question two
Katie Jackson and Michael Shelton are portrayed as stereotypical characters for the thriller genre through their use of stereotypes, costumes, makeup, and props. Katie, the female protagonist, is portrayed as vulnerable and weak through her blonde hair, minimal makeup, and use of a dog prop. Michael, the male antagonist, is portrayed as mysterious and strange through his use of a hat and dark clothing. Overall, the characters conform to stereotypes about gender roles expected in the thriller genre.
Media evaluation question 2
The document discusses the representation of social groups in a thriller media product. It focuses on the two main characters: a teenage girl and a supernatural creature. The girl is portrayed as weak, vulnerable, and crying to establish her as the victim, reflecting common stereotypes of teenage girls in thriller genres. She wears a prom dress to suggest she has a problem and highlight her femininity. The creature is portrayed as creepy, scary, and the antagonist through its music, movements, and black clothing. Overall, the document examines how gender is represented in a somewhat stereotypical way through the characters and conventions of the thriller genre.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are portrayed as either heroes or villains, with the villain in this case representing stereotypes like physical strength and lack of emotion. The two female protagonists are portrayed as weaker and in need of rescue, adhering to common thriller tropes. All characters are white to follow conventions of the thriller genre, though including more diversity could have portrayed modern society. The young adult target audience is reflected in the main characters' same age group to facilitate identification and relation.
Question 2
The document discusses how the media product represents social groups in terms of gender and age.
For gender, the male character is portrayed as powerful and dominant while the female character is portrayed as weak, vulnerable, and scared. The female is shown running away from the male character, establishing his dominance.
For age, the main female character is portrayed as a timid youth through her actions like playing hopscotch, while the male character's clothing stereotypically represents young males. The target audience of young females was chosen based on feedback that this group prefers thriller movies more than young males. In 3 sentences or less, the document discusses representations of gender and age stereotypes in the media product.
Evaluation q2
The document discusses how social groups are represented in the media product. It represents women and racial minorities in stereotypical ways, following conventions of other thrillers where women are vulnerable victims and racial minorities are more likely to die. However, it subverts some stereotypes by having the killer be a girl, showing women can be strong. It also positively portrays young girls through their costumes and caring nature, rather than ignoring stereotypes of promiscuity. So while some stereotypes are followed, the media product also challenges conventions and represents social groups in a more positive light at times.
Conventions of a ‘slasher’ film
The document summarizes key conventions of slasher films. It discusses common character archetypes like the final girl, killer, and friends. It also outlines typical elements like the weapon (often a blade), isolated settings familiar to audiences, and low-key lighting that creates shadows and mystery. Narrative theories like Vladimir Propp's character types and Claude Levi-Strauss's binary oppositions are also relevant to slasher film structures and themes involving innocence versus experience.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are typically portrayed as either heroes or villains, with the villain in this case portrayed as physically strong but emotionally detached to justify his crimes. The two female leads are presented as weaker and in need of rescue. All characters are young white British individuals to fit thriller film conventions. Ages are also used to stereotypical ends, with teenagers depicted as mischievous and the older villain as stronger.
Evaluation question 2
The media product represents young female social groups as victims in horror films. It uses the common trope of the innocent young female victim, as seen in films like Scream, where the main character is a young girl murdered without reason. This stems from the misconception of females as weaker and fits audience expectations of the "damsel in distress" role. The killer is left mysterious, like in Saw and Halloween, shown only as an anonymous adult male portrayed as more menacing to viewers. While conforming to typical horror conventions, the creator feels the opening sequence crosses somewhat into thriller territory as well.
Evaluation part 2 final
This document discusses how gender and age are represented in the media product. It notes that common stereotypes show men as strong heroes and women as weak damsels in need of rescue. Similarly, young children are often portrayed as innocent and vulnerable victims. The media product reinforces these stereotypes by featuring a young female character. Her vulnerability is emphasized through visual elements like a high camera angle that makes her look small, and symbolic items like a hair bow that convey her youth and innocence. These representations are intended to generate audience empathy and align with viewer expectations of familiar horror tropes.
Question 2
The document discusses how the writer represents various social groups in the opening scene of their thriller film. For the female role, the character is portrayed as a stereotypical victim - a young, blonde woman meant to elicit an instant reaction from the audience. For the male role, the antagonist stalks a young girl and is intentionally portrayed as dangerous through his dark clothing and large physique. Both main characters are white to play on stereotypes. The target age range is teenagers to increase relatability, with the female protagonist at 17 and male villain older to fit common thriller tropes.
Representing Social Groups in my Thriller
This document analyzes how various film techniques are used to represent social groups and conform to stereotypes. It discusses how the female protagonist is presented through lighting, camera angles, costumes and editing to portray her as vulnerable and weak, conforming to gender stereotypes. The male antagonist is similarly analyzed as being portrayed as dark, powerful and threatening through techniques like lighting and camera angles, conforming to stereotypes of masculinity. The document examines these representations of gender, as well as how class stereotypes are both conformed to and challenged in the portrayal of the working-class protagonist.
Evaluation 2
The document discusses how the media product represents various social groups through its portrayal of zombies, teenage males, and teenage females. It represents zombies both conventionally as unintelligent and dirty, but also challenges stereotypes by depicting an attractive, intelligent female zombie. The teenage male is represented unconventionally as innocent, weak, and scared rather than the typical stereotype of being strong and courageous. Meanwhile, the teenage female is portrayed as both conforming to stereotypes of being vulnerable but also challenging them by showing intelligence, confidence, and control in her interactions with the male. Overall, the document examines how the media product both reinforces and subverts common stereotypes of these social groups.
Similar to Evaluation q2 (20)
question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups?
Evaluation q2
- 2. The evaluation question How does your media product represent particular social groups? Social groups I will look at: - gender - age
- 3. Gender representation My film is a psychological thriller which starts with a woman alone in a forest. We get a feeling that she is being followed and that she is trying to escape from something. From my synopsis; it establishes that the woman is going to outwit a killer. This suggests that women are smarter than they are given credit for and goes against the way that they are usually portrayed as they are usually portrayed as weak.
- 4. Gender continued… Carol Clover’s theory of the Final Girl can be applied to my title sequence and my female representation. This is because the woman is being followed by the man and will eventually be threatened by him to show us her weakness. However; the woman will eventually outwit him.
- 5. Age representation Due to me using a teenager who is a relatively young person; it can show us how vulnerable the girl is as she is being followed by the camera. This view of the girl is how girls and women are stereotypically viewed and looked at in the media; as weak, vulnerable and feeble.