SlideShare a Scribd company logo
1 of 15
QUESTION 2 – EVALUATIONQUESTION 2 – EVALUATION
HOW DOES YOUR MEDIAHOW DOES YOUR MEDIA
PRODUCT REPRESENTPRODUCT REPRESENT
PARTICULAR SOCIALPARTICULAR SOCIAL
GROUPS?GROUPS?
AA social groupsocial group has been defined as two orhas been defined as two or
more people who interact with one another,more people who interact with one another,
share similar characteristics, andshare similar characteristics, and
collectively have a sense of unitycollectively have a sense of unity.. - GoogleGoogle
DefinitionsDefinitions
RepresentationRepresentation is the descriptionis the description
or portrayal of someone oror portrayal of someone or
something in a particular way.something in a particular way. ––
Google DefinitionsGoogle Definitions
During the production process of The Missing, I have explored a rangeDuring the production process of The Missing, I have explored a range
of different social groups and exploited their ways in todays society. Iof different social groups and exploited their ways in todays society. I
felt it was important to do this as it allows the audience in knowingfelt it was important to do this as it allows the audience in knowing
how they are viewed in civilization.how they are viewed in civilization.
In this presentation I will be speaking about the following socialIn this presentation I will be speaking about the following social
groups:groups:
•MalesMales
•FemalesFemales
•AgeAge
•Social ClassSocial Class
GENDERGENDER
Male Social GroupMale Social Group
My male protagonist wasMy male protagonist was
portrayed as an abductorportrayed as an abductor
throughout ‘The Missing’.throughout ‘The Missing’.
For this to beFor this to be
successful I knew Isuccessful I knew I
had to research similarhad to research similar
films in order to get afilms in order to get a
better understandingbetter understanding
of this type of personof this type of person..
I wanted to base my antagonistI wanted to base my antagonist
around a character from Thearound a character from The
Lovely Bones, however alsoLovely Bones, however also
make him my own as I hadmake him my own as I had
some ideas and this wouldsome ideas and this would
show how it differs.show how it differs.
I dressed my unknown maleI dressed my unknown male
in dark, uncoordinatedin dark, uncoordinated
clothing to enhance hisclothing to enhance his
suspicious characteristics.suspicious characteristics.
This idea was aThis idea was a
stereotypical conventionstereotypical convention
from other films of thisfrom other films of this
genre who also featuredgenre who also featured
characters like this.characters like this.
However, I cameHowever, I came
up with the idea ofup with the idea of
him wearing a caphim wearing a cap
as a prop, I felt thisas a prop, I felt this
challenged thechallenged the
conventions of aconventions of a
stalker yet also fitstalker yet also fit
I also opted toI also opted to
choose a youngerchoose a younger
person to playperson to play
this type ofthis type of
character as Icharacter as I
hadn’t seen ithadn’t seen it
been done beforebeen done before
so I felt it heldso I felt it held
I think that havingI think that having
someone of this age tosomeone of this age to
play such a darkplay such a dark
character helped tocharacter helped to
portray the real lifeportray the real life
dangers of todaysdangers of todays
societysociety..
 My stalker was dressed in dark colours,My stalker was dressed in dark colours,
uncoordinated clothes too, similar to otheruncoordinated clothes too, similar to other
characters with this type of persona in othercharacters with this type of persona in other
films. Such as the abductor in The Lovely Bones.films. Such as the abductor in The Lovely Bones.
 I wanted him to be in dark clothing as black hasI wanted him to be in dark clothing as black has
deep connotations of death, power and evil, thatdeep connotations of death, power and evil, that
fulfil the conventions of a thriller genre. Howeverfulfil the conventions of a thriller genre. However
the white shirt contrasts with connotations ofthe white shirt contrasts with connotations of
purity and innocence, I felt this kept thepurity and innocence, I felt this kept the
mysterious sense within.mysterious sense within.
 The use of a cap helped to keep his identityThe use of a cap helped to keep his identity
anonymous which is something I aimed for, I feltanonymous which is something I aimed for, I felt
that keeping his true self a mystery helped tothat keeping his true self a mystery helped to
heighten the suspension within, to keep theheighten the suspension within, to keep the
audience on edge.audience on edge.
 I also opted for my stalker to be in withI also opted for my stalker to be in with
todays societies fashion. With the use oftodays societies fashion. With the use of
big designer brands such as Conversebig designer brands such as Converse
and Nike, I was able to illustrate to myand Nike, I was able to illustrate to my
audience the realism of the ongoingaudience the realism of the ongoing
events. As well as challenge the typicalevents. As well as challenge the typical
codes of a thriller film by exploiting thecodes of a thriller film by exploiting the
younger generation of males.younger generation of males.
 Within each shot I wanted the audienceWithin each shot I wanted the audience
to perceive him of a young age,to perceive him of a young age,
FEMALE SOCIAL GROUPFEMALE SOCIAL GROUP
I researched a lot aboutI researched a lot about
thrillers and theirthrillers and their
characters, and I foundcharacters, and I found
that there is always athat there is always a
damsel in distress.damsel in distress.
StereotypicallyStereotypically
they were blondethey were blonde
so I decided toso I decided to
follow thisfollow this
commoncommon
convention byconvention by
incorporating aincorporating a
blonde actress toblonde actress to
play the victim.play the victim.
I also decided to useI also decided to use
Mulvey’s Male Gaze Theory.Mulvey’s Male Gaze Theory.
I feel I achieved this byI feel I achieved this by
having an attractive victim,having an attractive victim,
this aided me in knowingthis aided me in knowing
that my male viewers wouldthat my male viewers would
To ensure my opening hadTo ensure my opening had
realistic elements, I dressedrealistic elements, I dressed
‘Rose’ in todays fashion‘Rose’ in todays fashion
items, e.g. leather jacketsitems, e.g. leather jackets
etc. I felt the more normaletc. I felt the more normal
concepts were the moreconcepts were the more
Similar to theSimilar to the
male character, Imale character, I
was influencedwas influenced
to portray Roseto portray Rose
in this particularin this particular
way from Susieway from Susie
in The Lovelyin The Lovely
Bones. HerBones. Her
innocent andinnocent and
vulnerablevulnerable
mannerismsmannerisms
were key towere key to
incorporateincorporate
when filming.when filming.
The female protagonistThe female protagonist
from Spectre also played afrom Spectre also played a
part in knowing how Rosepart in knowing how Rose
should be perceived by anshould be perceived by an
audience. The actor wasaudience. The actor was
distressed throughout anddistressed throughout and
this is something I wantedthis is something I wanted
to achieve myself.to achieve myself.
 My damsel had blonde hair, which is aMy damsel had blonde hair, which is a
stereotypical element of being ‘dumb’. Istereotypical element of being ‘dumb’. I
wanted my audience to underestimate herwanted my audience to underestimate her
to heighten the suspension in the film.to heighten the suspension in the film.
 I ensured she was wearing makeup thatI ensured she was wearing makeup that
had worn off and made her lookhad worn off and made her look
distressed. This would demonstrate thedistressed. This would demonstrate the
realism to the audience as well as seemrealism to the audience as well as seem
relatable to others.relatable to others.
 Her clothing was dark in some places yetHer clothing was dark in some places yet
light and bright in others, this was to showlight and bright in others, this was to show
her inner connotations. The bright coloursher inner connotations. The bright colours
reflected her youth and how her age hasreflected her youth and how her age has
been exploited. However the dark coloursbeen exploited. However the dark colours
explore her power to escape yet theexplore her power to escape yet the
dangers in her kidnapping.dangers in her kidnapping.
 I always made sure that Rose was on her own, I feltI always made sure that Rose was on her own, I felt
by doing this the audience would feel moreby doing this the audience would feel more
anticipation towards the entire opening. Heranticipation towards the entire opening. Her
loneliness exposes her weakness, nobody suspects aloneliness exposes her weakness, nobody suspects a
girl of her age to make it through as the whole femalegirl of her age to make it through as the whole female
species are objectified as the weaker sex. Withspecies are objectified as the weaker sex. With
nobody but herself to protect her from the stalker,nobody but herself to protect her from the stalker,
the tension builds further.the tension builds further.
 I used this stereotype to build an opinion up from theI used this stereotype to build an opinion up from the
audience, the different shot types are ways to discoveraudience, the different shot types are ways to discover
her weaknesses.her weaknesses.
REPRESENATIONSREPRESENATIONSFEMALEFEMALE
Rose was continuously portrayed asRose was continuously portrayed as
the weaker and more vulnerable sex.the weaker and more vulnerable sex.
Which fits with the stereotypicalWhich fits with the stereotypical
views on women in todays society.views on women in todays society.
Women are belittled in the way inWomen are belittled in the way in
which they try to demonstrate power,which they try to demonstrate power,
I wanted to challenge this and showI wanted to challenge this and show
her power through her escape fromher power through her escape from
the abductor.the abductor.
The representation of Rose isThe representation of Rose is
negative, she is victimised and this isnegative, she is victimised and this is
illustrated throughout. Because ofillustrated throughout. Because of
the harsh opinions women evoke Ithe harsh opinions women evoke I
wanted to stay within these andwanted to stay within these and
exploit her age and feebleness.exploit her age and feebleness.
I gave Rose more air time because myI gave Rose more air time because my
MALEMALE
Men have always been known as theMen have always been known as the
more powerful sex, which is why Imore powerful sex, which is why I
incorporated these elements in myincorporated these elements in my
opening.opening.
Although my male antagonist was in theAlthough my male antagonist was in the
wrong, he was still holding all the powerwrong, he was still holding all the power
over his fallen victim. Whilst she wasover his fallen victim. Whilst she was
running, he was following her, whilst herunning, he was following her, whilst he
held her captive, he abused her and whilstheld her captive, he abused her and whilst
she thought she was safe, he knew hisshe thought she was safe, he knew his
plan all along. Thus meaning he is moreplan all along. Thus meaning he is more
intelligent than Rose, anotherintelligent than Rose, another
stereotypical concept on males.stereotypical concept on males.
I followed the stereotypical view on menI followed the stereotypical view on men
and wanted him to overpower the girl asand wanted him to overpower the girl as
this enhanced the anticipation within.this enhanced the anticipation within.
SOCIAL GROUPS
Rose is featured in a high angle shot,Rose is featured in a high angle shot,
this demonstrates her vulnerabilitythis demonstrates her vulnerability
and intrigues the audience inand intrigues the audience in
knowing what it is that’s controllingknowing what it is that’s controlling
her. This shot makes the stalkerher. This shot makes the stalker
seem even more intimidating evenseem even more intimidating even
though he’s not visual on ourthough he’s not visual on our
screens. Displaying him ranked in ascreens. Displaying him ranked in a
higher social class as he engages allhigher social class as he engages all
the power over the female, histhe power over the female, his
dominance overtakes all of hers. Thisdominance overtakes all of hers. This
shot also emphasises how littleshot also emphasises how little
power Rose has in this and otherpower Rose has in this and other
situations, this may be an indicationsituations, this may be an indication
to her lower social status. Thisto her lower social status. This
AGEAGE
FEMALE AGEFEMALE AGE
I wanted my female victimI wanted my female victim
to be the age she was into be the age she was in
real life, 17. I wanted toreal life, 17. I wanted to
do this as a way to makedo this as a way to make
my film show realism, Imy film show realism, I
felt that by my actorfelt that by my actor
playing a girl of her ageplaying a girl of her age
she was able to relateshe was able to relate
more to her role andmore to her role and
therefore play a moretherefore play a more
engaging character thatengaging character that
my audience could relatemy audience could relate
with.with.
I think that these agesI think that these ages
worked well with eachworked well with each
other, I was able toother, I was able to
entertain my viewersentertain my viewers
I also made Rose a 17I also made Rose a 17
year old girl as in otheryear old girl as in other
film with similarfilm with similar
narrative I have nevernarrative I have never
seen a girl of this age,seen a girl of this age,
they have always beenthey have always been
slightly younger.slightly younger.
Therefore this age wasTherefore this age was
something new for mesomething new for me
and this genre, I wantedand this genre, I wanted
to challenge the differingto challenge the differing
between a young girl andbetween a young girl and
a maturing girl.a maturing girl.
I felt that by portrayingI felt that by portraying
this protagonist as 17this protagonist as 17
years old I was showing ayears old I was showing a
comparison betweencomparison between
genders too.genders too.
Stereotypically youngerStereotypically younger
girls are perceived moregirls are perceived more
positively rather than men.positively rather than men.
I felt I was able toI felt I was able to
MALE AGEMALE AGE
In films I had researched that also had this typeIn films I had researched that also had this type
of narrative and protagonists, I found that Iof narrative and protagonists, I found that I
had never seen a younger stalker. So this ishad never seen a younger stalker. So this is
what influenced me to challenge stereotypicalwhat influenced me to challenge stereotypical
views on stalkers.views on stalkers.
My stalker was anonymous, he was aged 19 andMy stalker was anonymous, he was aged 19 and
I think this was portrayed through his clothesI think this was portrayed through his clothes
and manner. For example the use of darkand manner. For example the use of dark
clothing and a cap to hide his identity.clothing and a cap to hide his identity.
I feel that my male was a stereotype of this kindI feel that my male was a stereotype of this kind
of generation. They are alleged as abusive,of generation. They are alleged as abusive,
disorderly and dangerous. I recreated thisdisorderly and dangerous. I recreated this
through my narrative and I believe I displayedthrough my narrative and I believe I displayed
these different factors.these different factors.
Overall, I found that by using younger ages thanOverall, I found that by using younger ages than
usual I was able to put a twist on theusual I was able to put a twist on the
ETHNICITYETHNICITY
I didn’t want my film opening to be based aroundI didn’t want my film opening to be based around
age and ethnicity as I felt there were more effectiveage and ethnicity as I felt there were more effective
elements of the film to be concentrated on. Both ofelements of the film to be concentrated on. Both of
my actors are white British, because my picturemy actors are white British, because my picture
was set and filmed in Britain. After researching awas set and filmed in Britain. After researching a
lot of different thrillers I found that they werelot of different thrillers I found that they were
majorly American, although American accents weremajorly American, although American accents were
possible I opted to stay with the British theme as apossible I opted to stay with the British theme as a
way to challenge typical conventions of a thriller.way to challenge typical conventions of a thriller.
Equally, I felt that by maintaining the BritishEqually, I felt that by maintaining the British
ethnicity I was able to challenge stereotypes ofethnicity I was able to challenge stereotypes of
British people. For example having 2 characters ofBritish people. For example having 2 characters of
the same ethnicity and age however a huge contrastthe same ethnicity and age however a huge contrast
in personasin personas..

More Related Content

What's hot

Film script & storyboard development
Film script & storyboard development Film script & storyboard development
Film script & storyboard development GeorginaMediaStudies
 
3. research(1)
3. research(1)3. research(1)
3. research(1)Luke Ross
 
3. research(1)
3. research(1)3. research(1)
3. research(1)Luke Ross
 
Media questions 1 7 jessica spiteri
Media questions 1 7 jessica spiteriMedia questions 1 7 jessica spiteri
Media questions 1 7 jessica spiteriJessicaSpiteri12
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...shannoncotton
 
Narrative theories
Narrative theories Narrative theories
Narrative theories Jack Cooper
 
B322 GCSE Media Exam Revision Session
B322 GCSE Media Exam Revision SessionB322 GCSE Media Exam Revision Session
B322 GCSE Media Exam Revision Sessionrhughes82
 
A2 Media Studies Preproduction Development
A2 Media Studies Preproduction DevelopmentA2 Media Studies Preproduction Development
A2 Media Studies Preproduction DevelopmentGeorginaMediaStudies
 
Propps charater anasysis 2
Propps charater anasysis  2Propps charater anasysis  2
Propps charater anasysis 2Luciamancini199
 
The Hostage Evaluation
The Hostage EvaluationThe Hostage Evaluation
The Hostage Evaluationstephgray
 
A2 Media Studies Evaluation
A2 Media Studies EvaluationA2 Media Studies Evaluation
A2 Media Studies Evaluationmaddieefaye
 
Anna Wylde Evaluation
Anna Wylde EvaluationAnna Wylde Evaluation
Anna Wylde Evaluationannawylde1234
 
Analysis of opening sequences
Analysis of opening sequences Analysis of opening sequences
Analysis of opening sequences HollyFairbairn
 

What's hot (20)

Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Film script & storyboard development
Film script & storyboard development Film script & storyboard development
Film script & storyboard development
 
3. research(1)
3. research(1)3. research(1)
3. research(1)
 
3. research(1)
3. research(1)3. research(1)
3. research(1)
 
Media questions 1 7 jessica spiteri
Media questions 1 7 jessica spiteriMedia questions 1 7 jessica spiteri
Media questions 1 7 jessica spiteri
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
 
Test
TestTest
Test
 
Narrative theories
Narrative theories Narrative theories
Narrative theories
 
B322 GCSE Media Exam Revision Session
B322 GCSE Media Exam Revision SessionB322 GCSE Media Exam Revision Session
B322 GCSE Media Exam Revision Session
 
A2 Media Studies Preproduction Development
A2 Media Studies Preproduction DevelopmentA2 Media Studies Preproduction Development
A2 Media Studies Preproduction Development
 
Propps charater anasysis 2
Propps charater anasysis  2Propps charater anasysis  2
Propps charater anasysis 2
 
Moodboard analysis
Moodboard analysisMoodboard analysis
Moodboard analysis
 
Film idea development
Film idea development Film idea development
Film idea development
 
3
33
3
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
The Hostage Evaluation
The Hostage EvaluationThe Hostage Evaluation
The Hostage Evaluation
 
A2 Media Studies Evaluation
A2 Media Studies EvaluationA2 Media Studies Evaluation
A2 Media Studies Evaluation
 
1.eval
1.eval1.eval
1.eval
 
Anna Wylde Evaluation
Anna Wylde EvaluationAnna Wylde Evaluation
Anna Wylde Evaluation
 
Analysis of opening sequences
Analysis of opening sequences Analysis of opening sequences
Analysis of opening sequences
 

Viewers also liked

Locations
LocationsLocations
Locationsellelew
 
The missing titles
The missing titlesThe missing titles
The missing titlesellelew
 
Summary of andrew goodwin’s theory
Summary of andrew goodwin’s theorySummary of andrew goodwin’s theory
Summary of andrew goodwin’s theoryellelew
 
Distribution and Production Companies Media Studies
Distribution and Production Companies Media StudiesDistribution and Production Companies Media Studies
Distribution and Production Companies Media Studiesellelew
 
Research into 5 Film Openings
Research into 5 Film OpeningsResearch into 5 Film Openings
Research into 5 Film Openingsellelew
 
Thriller movie survey responses
Thriller movie survey responsesThriller movie survey responses
Thriller movie survey responsesellelew
 
Misconception script
Misconception scriptMisconception script
Misconception scriptyazzflowers12
 
Audience theories
Audience theoriesAudience theories
Audience theoriesellelew
 

Viewers also liked (17)

Locations
LocationsLocations
Locations
 
Question 2
Question 2Question 2
Question 2
 
Call sheet
Call sheetCall sheet
Call sheet
 
The missing titles
The missing titlesThe missing titles
The missing titles
 
Summary of andrew goodwin’s theory
Summary of andrew goodwin’s theorySummary of andrew goodwin’s theory
Summary of andrew goodwin’s theory
 
Call sheet
Call sheetCall sheet
Call sheet
 
Distribution and Production Companies Media Studies
Distribution and Production Companies Media StudiesDistribution and Production Companies Media Studies
Distribution and Production Companies Media Studies
 
Research into 5 Film Openings
Research into 5 Film OpeningsResearch into 5 Film Openings
Research into 5 Film Openings
 
Thriller movie survey responses
Thriller movie survey responsesThriller movie survey responses
Thriller movie survey responses
 
Question 4
Question 4Question 4
Question 4
 
Question 2
Question 2Question 2
Question 2
 
Misconception script
Misconception scriptMisconception script
Misconception script
 
Digipak
DigipakDigipak
Digipak
 
Audience theories
Audience theoriesAudience theories
Audience theories
 
Call sheet
Call sheetCall sheet
Call sheet
 
Shooting schedule
Shooting scheduleShooting schedule
Shooting schedule
 
Shooting schedule
Shooting scheduleShooting schedule
Shooting schedule
 

Similar to How social groups are portrayed in media

Conventions of music videos Paramore
Conventions of music videos Paramore Conventions of music videos Paramore
Conventions of music videos Paramore Malinatac
 
Conventions of music videos paramore
Conventions of music videos paramore Conventions of music videos paramore
Conventions of music videos paramore Malinatac
 
EVALUATION Q1b: Representations
EVALUATION Q1b: Representations EVALUATION Q1b: Representations
EVALUATION Q1b: Representations Evie Gibbons
 
Rhianna Francis Question 2
Rhianna Francis Question 2Rhianna Francis Question 2
Rhianna Francis Question 2RhiannaF
 
How research has impacted our ideas
How research has impacted our ideasHow research has impacted our ideas
How research has impacted our ideasAlice Purling
 
Emily Lee - Media Evaluation
Emily Lee - Media EvaluationEmily Lee - Media Evaluation
Emily Lee - Media EvaluationEmilysAPirate
 
Media evaluation question 2
Media evaluation question 2 Media evaluation question 2
Media evaluation question 2 amber98xo
 
Media Evaluation Question 2
Media Evaluation Question 2Media Evaluation Question 2
Media Evaluation Question 2Monique Jackson
 
Media Evaluation Question 2
Media Evaluation Question 2Media Evaluation Question 2
Media Evaluation Question 2Lauren Hewitt
 
Question 1) finnished
Question 1) finnishedQuestion 1) finnished
Question 1) finnishedgulustan
 
Task 2 how does your product represent particular social groups?
Task 2 how does your product represent particular social groups?Task 2 how does your product represent particular social groups?
Task 2 how does your product represent particular social groups?GeorgeMarrington
 
How Research has Impacted our Ideas
How Research has Impacted our Ideas How Research has Impacted our Ideas
How Research has Impacted our Ideas jesspage13
 
question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? dowsa_xo
 
Representation- Evaluation
Representation- EvaluationRepresentation- Evaluation
Representation- EvaluationMatt de Ath
 
How does your media product represent particular social
How does your media product represent particular socialHow does your media product represent particular social
How does your media product represent particular socialjennycoopa
 
Codes and conventions of film openings
Codes and conventions of film openingsCodes and conventions of film openings
Codes and conventions of film openingsZainab1311
 
Evaluation question one pp
Evaluation question one ppEvaluation question one pp
Evaluation question one pprebeccaosborne1
 

Similar to How social groups are portrayed in media (20)

Conventions of music videos Paramore
Conventions of music videos Paramore Conventions of music videos Paramore
Conventions of music videos Paramore
 
Conventions of music videos paramore
Conventions of music videos paramore Conventions of music videos paramore
Conventions of music videos paramore
 
EVALUATION Q1b: Representations
EVALUATION Q1b: Representations EVALUATION Q1b: Representations
EVALUATION Q1b: Representations
 
Rhianna Francis Question 2
Rhianna Francis Question 2Rhianna Francis Question 2
Rhianna Francis Question 2
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
How research has impacted our ideas
How research has impacted our ideasHow research has impacted our ideas
How research has impacted our ideas
 
Question 2
Question 2Question 2
Question 2
 
Task 2
Task 2Task 2
Task 2
 
Emily Lee - Media Evaluation
Emily Lee - Media EvaluationEmily Lee - Media Evaluation
Emily Lee - Media Evaluation
 
Media evaluation question 2
Media evaluation question 2 Media evaluation question 2
Media evaluation question 2
 
Media Evaluation Question 2
Media Evaluation Question 2Media Evaluation Question 2
Media Evaluation Question 2
 
Media Evaluation Question 2
Media Evaluation Question 2Media Evaluation Question 2
Media Evaluation Question 2
 
Question 1) finnished
Question 1) finnishedQuestion 1) finnished
Question 1) finnished
 
Task 2 how does your product represent particular social groups?
Task 2 how does your product represent particular social groups?Task 2 how does your product represent particular social groups?
Task 2 how does your product represent particular social groups?
 
How Research has Impacted our Ideas
How Research has Impacted our Ideas How Research has Impacted our Ideas
How Research has Impacted our Ideas
 
question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups?
 
Representation- Evaluation
Representation- EvaluationRepresentation- Evaluation
Representation- Evaluation
 
How does your media product represent particular social
How does your media product represent particular socialHow does your media product represent particular social
How does your media product represent particular social
 
Codes and conventions of film openings
Codes and conventions of film openingsCodes and conventions of film openings
Codes and conventions of film openings
 
Evaluation question one pp
Evaluation question one ppEvaluation question one pp
Evaluation question one pp
 

Recently uploaded

Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDThiyagu K
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Celine George
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactPECB
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfchloefrazer622
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeThiyagu K
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxGaneshChakor2
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docxPoojaSen20
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
The byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxThe byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxShobhayan Kirtania
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsTechSoup
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdfQucHHunhnh
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 

Recently uploaded (20)

Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdf
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and Mode
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptx
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docx
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
The byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxThe byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptx
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 

How social groups are portrayed in media

  • 1. QUESTION 2 – EVALUATIONQUESTION 2 – EVALUATION HOW DOES YOUR MEDIAHOW DOES YOUR MEDIA PRODUCT REPRESENTPRODUCT REPRESENT PARTICULAR SOCIALPARTICULAR SOCIAL GROUPS?GROUPS?
  • 2. AA social groupsocial group has been defined as two orhas been defined as two or more people who interact with one another,more people who interact with one another, share similar characteristics, andshare similar characteristics, and collectively have a sense of unitycollectively have a sense of unity.. - GoogleGoogle DefinitionsDefinitions RepresentationRepresentation is the descriptionis the description or portrayal of someone oror portrayal of someone or something in a particular way.something in a particular way. –– Google DefinitionsGoogle Definitions During the production process of The Missing, I have explored a rangeDuring the production process of The Missing, I have explored a range of different social groups and exploited their ways in todays society. Iof different social groups and exploited their ways in todays society. I felt it was important to do this as it allows the audience in knowingfelt it was important to do this as it allows the audience in knowing how they are viewed in civilization.how they are viewed in civilization. In this presentation I will be speaking about the following socialIn this presentation I will be speaking about the following social groups:groups: •MalesMales •FemalesFemales •AgeAge •Social ClassSocial Class
  • 4. Male Social GroupMale Social Group My male protagonist wasMy male protagonist was portrayed as an abductorportrayed as an abductor throughout ‘The Missing’.throughout ‘The Missing’. For this to beFor this to be successful I knew Isuccessful I knew I had to research similarhad to research similar films in order to get afilms in order to get a better understandingbetter understanding of this type of personof this type of person.. I wanted to base my antagonistI wanted to base my antagonist around a character from Thearound a character from The Lovely Bones, however alsoLovely Bones, however also make him my own as I hadmake him my own as I had some ideas and this wouldsome ideas and this would show how it differs.show how it differs. I dressed my unknown maleI dressed my unknown male in dark, uncoordinatedin dark, uncoordinated clothing to enhance hisclothing to enhance his suspicious characteristics.suspicious characteristics. This idea was aThis idea was a stereotypical conventionstereotypical convention from other films of thisfrom other films of this genre who also featuredgenre who also featured characters like this.characters like this. However, I cameHowever, I came up with the idea ofup with the idea of him wearing a caphim wearing a cap as a prop, I felt thisas a prop, I felt this challenged thechallenged the conventions of aconventions of a stalker yet also fitstalker yet also fit I also opted toI also opted to choose a youngerchoose a younger person to playperson to play this type ofthis type of character as Icharacter as I hadn’t seen ithadn’t seen it been done beforebeen done before so I felt it heldso I felt it held I think that havingI think that having someone of this age tosomeone of this age to play such a darkplay such a dark character helped tocharacter helped to portray the real lifeportray the real life dangers of todaysdangers of todays societysociety..
  • 5.  My stalker was dressed in dark colours,My stalker was dressed in dark colours, uncoordinated clothes too, similar to otheruncoordinated clothes too, similar to other characters with this type of persona in othercharacters with this type of persona in other films. Such as the abductor in The Lovely Bones.films. Such as the abductor in The Lovely Bones.  I wanted him to be in dark clothing as black hasI wanted him to be in dark clothing as black has deep connotations of death, power and evil, thatdeep connotations of death, power and evil, that fulfil the conventions of a thriller genre. Howeverfulfil the conventions of a thriller genre. However the white shirt contrasts with connotations ofthe white shirt contrasts with connotations of purity and innocence, I felt this kept thepurity and innocence, I felt this kept the mysterious sense within.mysterious sense within.  The use of a cap helped to keep his identityThe use of a cap helped to keep his identity anonymous which is something I aimed for, I feltanonymous which is something I aimed for, I felt that keeping his true self a mystery helped tothat keeping his true self a mystery helped to heighten the suspension within, to keep theheighten the suspension within, to keep the audience on edge.audience on edge.  I also opted for my stalker to be in withI also opted for my stalker to be in with todays societies fashion. With the use oftodays societies fashion. With the use of big designer brands such as Conversebig designer brands such as Converse and Nike, I was able to illustrate to myand Nike, I was able to illustrate to my audience the realism of the ongoingaudience the realism of the ongoing events. As well as challenge the typicalevents. As well as challenge the typical codes of a thriller film by exploiting thecodes of a thriller film by exploiting the younger generation of males.younger generation of males.  Within each shot I wanted the audienceWithin each shot I wanted the audience to perceive him of a young age,to perceive him of a young age,
  • 6. FEMALE SOCIAL GROUPFEMALE SOCIAL GROUP I researched a lot aboutI researched a lot about thrillers and theirthrillers and their characters, and I foundcharacters, and I found that there is always athat there is always a damsel in distress.damsel in distress. StereotypicallyStereotypically they were blondethey were blonde so I decided toso I decided to follow thisfollow this commoncommon convention byconvention by incorporating aincorporating a blonde actress toblonde actress to play the victim.play the victim. I also decided to useI also decided to use Mulvey’s Male Gaze Theory.Mulvey’s Male Gaze Theory. I feel I achieved this byI feel I achieved this by having an attractive victim,having an attractive victim, this aided me in knowingthis aided me in knowing that my male viewers wouldthat my male viewers would To ensure my opening hadTo ensure my opening had realistic elements, I dressedrealistic elements, I dressed ‘Rose’ in todays fashion‘Rose’ in todays fashion items, e.g. leather jacketsitems, e.g. leather jackets etc. I felt the more normaletc. I felt the more normal concepts were the moreconcepts were the more Similar to theSimilar to the male character, Imale character, I was influencedwas influenced to portray Roseto portray Rose in this particularin this particular way from Susieway from Susie in The Lovelyin The Lovely Bones. HerBones. Her innocent andinnocent and vulnerablevulnerable mannerismsmannerisms were key towere key to incorporateincorporate when filming.when filming. The female protagonistThe female protagonist from Spectre also played afrom Spectre also played a part in knowing how Rosepart in knowing how Rose should be perceived by anshould be perceived by an audience. The actor wasaudience. The actor was distressed throughout anddistressed throughout and this is something I wantedthis is something I wanted to achieve myself.to achieve myself.
  • 7.  My damsel had blonde hair, which is aMy damsel had blonde hair, which is a stereotypical element of being ‘dumb’. Istereotypical element of being ‘dumb’. I wanted my audience to underestimate herwanted my audience to underestimate her to heighten the suspension in the film.to heighten the suspension in the film.  I ensured she was wearing makeup thatI ensured she was wearing makeup that had worn off and made her lookhad worn off and made her look distressed. This would demonstrate thedistressed. This would demonstrate the realism to the audience as well as seemrealism to the audience as well as seem relatable to others.relatable to others.  Her clothing was dark in some places yetHer clothing was dark in some places yet light and bright in others, this was to showlight and bright in others, this was to show her inner connotations. The bright coloursher inner connotations. The bright colours reflected her youth and how her age hasreflected her youth and how her age has been exploited. However the dark coloursbeen exploited. However the dark colours explore her power to escape yet theexplore her power to escape yet the dangers in her kidnapping.dangers in her kidnapping.  I always made sure that Rose was on her own, I feltI always made sure that Rose was on her own, I felt by doing this the audience would feel moreby doing this the audience would feel more anticipation towards the entire opening. Heranticipation towards the entire opening. Her loneliness exposes her weakness, nobody suspects aloneliness exposes her weakness, nobody suspects a girl of her age to make it through as the whole femalegirl of her age to make it through as the whole female species are objectified as the weaker sex. Withspecies are objectified as the weaker sex. With nobody but herself to protect her from the stalker,nobody but herself to protect her from the stalker, the tension builds further.the tension builds further.  I used this stereotype to build an opinion up from theI used this stereotype to build an opinion up from the audience, the different shot types are ways to discoveraudience, the different shot types are ways to discover her weaknesses.her weaknesses.
  • 8. REPRESENATIONSREPRESENATIONSFEMALEFEMALE Rose was continuously portrayed asRose was continuously portrayed as the weaker and more vulnerable sex.the weaker and more vulnerable sex. Which fits with the stereotypicalWhich fits with the stereotypical views on women in todays society.views on women in todays society. Women are belittled in the way inWomen are belittled in the way in which they try to demonstrate power,which they try to demonstrate power, I wanted to challenge this and showI wanted to challenge this and show her power through her escape fromher power through her escape from the abductor.the abductor. The representation of Rose isThe representation of Rose is negative, she is victimised and this isnegative, she is victimised and this is illustrated throughout. Because ofillustrated throughout. Because of the harsh opinions women evoke Ithe harsh opinions women evoke I wanted to stay within these andwanted to stay within these and exploit her age and feebleness.exploit her age and feebleness. I gave Rose more air time because myI gave Rose more air time because my MALEMALE Men have always been known as theMen have always been known as the more powerful sex, which is why Imore powerful sex, which is why I incorporated these elements in myincorporated these elements in my opening.opening. Although my male antagonist was in theAlthough my male antagonist was in the wrong, he was still holding all the powerwrong, he was still holding all the power over his fallen victim. Whilst she wasover his fallen victim. Whilst she was running, he was following her, whilst herunning, he was following her, whilst he held her captive, he abused her and whilstheld her captive, he abused her and whilst she thought she was safe, he knew hisshe thought she was safe, he knew his plan all along. Thus meaning he is moreplan all along. Thus meaning he is more intelligent than Rose, anotherintelligent than Rose, another stereotypical concept on males.stereotypical concept on males. I followed the stereotypical view on menI followed the stereotypical view on men and wanted him to overpower the girl asand wanted him to overpower the girl as this enhanced the anticipation within.this enhanced the anticipation within.
  • 10. Rose is featured in a high angle shot,Rose is featured in a high angle shot, this demonstrates her vulnerabilitythis demonstrates her vulnerability and intrigues the audience inand intrigues the audience in knowing what it is that’s controllingknowing what it is that’s controlling her. This shot makes the stalkerher. This shot makes the stalker seem even more intimidating evenseem even more intimidating even though he’s not visual on ourthough he’s not visual on our screens. Displaying him ranked in ascreens. Displaying him ranked in a higher social class as he engages allhigher social class as he engages all the power over the female, histhe power over the female, his dominance overtakes all of hers. Thisdominance overtakes all of hers. This shot also emphasises how littleshot also emphasises how little power Rose has in this and otherpower Rose has in this and other situations, this may be an indicationsituations, this may be an indication to her lower social status. Thisto her lower social status. This
  • 12. FEMALE AGEFEMALE AGE I wanted my female victimI wanted my female victim to be the age she was into be the age she was in real life, 17. I wanted toreal life, 17. I wanted to do this as a way to makedo this as a way to make my film show realism, Imy film show realism, I felt that by my actorfelt that by my actor playing a girl of her ageplaying a girl of her age she was able to relateshe was able to relate more to her role andmore to her role and therefore play a moretherefore play a more engaging character thatengaging character that my audience could relatemy audience could relate with.with. I think that these agesI think that these ages worked well with eachworked well with each other, I was able toother, I was able to entertain my viewersentertain my viewers I also made Rose a 17I also made Rose a 17 year old girl as in otheryear old girl as in other film with similarfilm with similar narrative I have nevernarrative I have never seen a girl of this age,seen a girl of this age, they have always beenthey have always been slightly younger.slightly younger. Therefore this age wasTherefore this age was something new for mesomething new for me and this genre, I wantedand this genre, I wanted to challenge the differingto challenge the differing between a young girl andbetween a young girl and a maturing girl.a maturing girl. I felt that by portrayingI felt that by portraying this protagonist as 17this protagonist as 17 years old I was showing ayears old I was showing a comparison betweencomparison between genders too.genders too. Stereotypically youngerStereotypically younger girls are perceived moregirls are perceived more positively rather than men.positively rather than men. I felt I was able toI felt I was able to
  • 13. MALE AGEMALE AGE In films I had researched that also had this typeIn films I had researched that also had this type of narrative and protagonists, I found that Iof narrative and protagonists, I found that I had never seen a younger stalker. So this ishad never seen a younger stalker. So this is what influenced me to challenge stereotypicalwhat influenced me to challenge stereotypical views on stalkers.views on stalkers. My stalker was anonymous, he was aged 19 andMy stalker was anonymous, he was aged 19 and I think this was portrayed through his clothesI think this was portrayed through his clothes and manner. For example the use of darkand manner. For example the use of dark clothing and a cap to hide his identity.clothing and a cap to hide his identity. I feel that my male was a stereotype of this kindI feel that my male was a stereotype of this kind of generation. They are alleged as abusive,of generation. They are alleged as abusive, disorderly and dangerous. I recreated thisdisorderly and dangerous. I recreated this through my narrative and I believe I displayedthrough my narrative and I believe I displayed these different factors.these different factors. Overall, I found that by using younger ages thanOverall, I found that by using younger ages than usual I was able to put a twist on theusual I was able to put a twist on the
  • 15. I didn’t want my film opening to be based aroundI didn’t want my film opening to be based around age and ethnicity as I felt there were more effectiveage and ethnicity as I felt there were more effective elements of the film to be concentrated on. Both ofelements of the film to be concentrated on. Both of my actors are white British, because my picturemy actors are white British, because my picture was set and filmed in Britain. After researching awas set and filmed in Britain. After researching a lot of different thrillers I found that they werelot of different thrillers I found that they were majorly American, although American accents weremajorly American, although American accents were possible I opted to stay with the British theme as apossible I opted to stay with the British theme as a way to challenge typical conventions of a thriller.way to challenge typical conventions of a thriller. Equally, I felt that by maintaining the BritishEqually, I felt that by maintaining the British ethnicity I was able to challenge stereotypes ofethnicity I was able to challenge stereotypes of British people. For example having 2 characters ofBritish people. For example having 2 characters of the same ethnicity and age however a huge contrastthe same ethnicity and age however a huge contrast in personasin personas..