The document provides an evaluation of a media product titled "Stolen" created by Danielle Gallagher. It summarizes how the product used and developed conventions of the psychological crime thriller genre. It analyzed elements like camera work, titles, lighting, costumes, and characters to represent stereotypes and attract its target middle-class audience of 15+ year old males and females. The evaluator believes the product could be distributed by film companies like New Line Cinema or Film4 and garner interest from those who enjoy thrillers with similar conventions like Misery. Feedback on an early cut praised the music, titles, and ability to engage and intrigue the audience about what would happen next.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
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In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
3. 1. IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE FORMS
AND CONVENTIONS OF REAL MEDIA PRODUCTS?
When creating our media product „Stolen‟, we used, developed and challenged
forms and conventions of real media products. We did this by researching deep into
the „psychological crime thriller‟ area, and discovered and followed conventions of
existing products in that area. This meant we also had to find the key concepts in
this genre and begin to develop our understanding of what they were.
To do this, I looked at existing media products in the thriller genre and began to
analyse camera, mise-en scene, sound and editing. Furthermore, after we had
decided to choose the psychological crime thriller genre, I then went and did more
research into that sub genre to identify the common conventions in this area. I
discovered that each production company has their own unique title that always
appears at the beginning of the film. Therefore we set out to create our own
individual label that symbolises our company and would be widely recognisable.
New Line Cinema are a well known thriller production company, and there label has
a logo and a clear font, with a dark background. This is similar to what we tried to
incorporate in our own production label.
I also discovered that the name of the film, often came at the beginning or middle
of the title sequence. (see Seven opening 0:24) Conversely, we decided to subvert
this convention, and put our title at the end of our film, as we felt that the name of
the film is quite obvious to what happens in the opening two minutes. Also, our
footage gradually built up a lot of tension and we felt if we interrupted this, it would
ruin the pace. (See Stolen opening 2:03)
However, our titles do follow the forms and conventions of thriller films, appearing
every 3-4 seconds. We thought this was an appropriate pace as they weren‟t too
long or too short. We also originally placed all our titles in the bottom left hand
corner of the screenplay, but when we looked back to our research, the titles of
other products often moved around. The positioning of these titles was dependent
on how clear they would appear in front of the footage. As we had decided to have
our titles in the colour white (our research informed our planning that most thriller
films used the colours black, white and red) we had to ensure we positioned them
against a piece of the background that was dark, and had to fade out before the
scene changed.
Moreover, the off centre positioning of our title creates a hidden meaning. „Stolen‟ is
not central as the story of the film is uncomfortable and taken out of peoples comfort
zone. As the main character is stolen and taken away from everything she found
comfortable, it made sense to incorporate this in our title.
4. 1. IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE FORMS
AND CONVENTIONS OF REAL MEDIA PRODUCTS?
Our product also follows conventions by the use of mise-en
scene. In our film our protagonist is handcuffed to the bed and
unable to escape. This is similar to other thrillers like „Misery‟
where the male character is strapped to the bed. When
conducting this scene, we were careful to certify specific aspects
of the conventions to establish the genre of our film. For
example, we made our lighting quite dark to present an eerie
atmosphere that gave the audience an inkling that something
immoral was happening in this scene. In addition, we carefully
chose our characters clothing and make up. Her dress is
womanly, but also represent vulnerability as it is very untidy. Her
make up shows some bruising and bleeding, she also looks tired
and her lipstick has been smudged by force. This is similar to
„Misery‟ with the clothing, and the broken arm, he has bare feet
like our character which I noticed is very common in the thriller
genre when people have been kidnapped. The bed we used is
also very similar with the bars, this symbolises old fashioned
furniture which makes it looks a bit more creepy.
Furthermore, the positioning of the antagonist at the end of the
bed is also alike. This creates an intimidating, and menacing
persona for the antagonist, and the audience and protagonist will
find this frightening and daunting.
When researching whether to use, develop or challenge the
forms and conventions of real media products, we needed to be
aware of the consequence it would have on the film and the
audience. If we changed too much within our subgenre, the text
would ultimately fall out of that subgenre, as well as confusing
the audience and making them come out of their comfort zone.
However, if we kept too much the same, it would become very
boring and the same as other thrillers. Subsequently, we
ensured we created the right balance between the two and
created a psychological crime thriller that was familiar to the
audience, yet with slight twists to really engage our audience and
create something successful.
5. 2. HOW DOES YOUR MEDIA PRODUCT REPRESENT A PARTICULAR SOCIAL GROUP?
We decided to represent the age, gender, race and class quite
stereotypically in our film. Our opening scene is set in a police
interview room where a detective is interviewing a mother who has
lost her daughter. The detective is dressed in smart clothes and his
status and class as a detective is very high. This juxtaposes the
mother who is dressed in casual clothes with her hair thrown up,
representing the middle class. By addressing both classes it
broadens our audience as many can relate to it.
In addition, the age of these two characters are supposed to be in
their thirties which also extends our intended age group since out
film is a 15. We have included both genders and presented them in
a stereo typical way. The male is very firm and informative, but also
sensitive as a detective, whereas the mother is fragile and weak.
We wanted the male to be dominant as the audience would be
familiar with this. To connote her weakness further, we used close
ups to allow the audience to see how broken she is through her
facial expressions, as well as over the shoulder shots. Moreover, the
colour of the females outfit is dark, showing sadness and grief,
whereas the male is wearing royal blue and purple, connoting
power, wealth and status.
We decided to keep the ethnicity of our character as white British as
we didn‟t find many films that had a different background, and from
our audience survey research we concluded that our film would not
appeal to a different ethnicity.
6. 2. HOW DOES YOUR MEDIA PRODUCT REPRESENT A PARTICULAR SOCIAL GROUP?
For our protagonist we really wanted to create a very stereotypical looking weak
female, but with slight twists. We did this with very low key lighting to show
weakness, as well as high angle shots to portray her as small and feeble. In
addition, we dressed her in an flowy white dress, which connotes purity and
innocence and creates an angelic figure, however we scrunched the dress up to
make it look messy and old. The stereotypical weak blonde female in other thrillers
appealed to us, so we made her hair more natural and curly, instead of having it
perfectly neat. Her make up depicts her as a drained and weary character with the
dark eyes and her smudged lipstick would have been smudged off by someone in
force, denoting weakness. We have also handcuffed her to the bed so she cant
escape, again showing a weakness. When she hears the antagonist approach she
corners herself to get as far away as possible (see 1:43).However during the text,
she has a fighting persona. When she wakes up (see 1:29) she begins to fight
against the handcuffs, meaning she is determined, juxtaposing the weakness.
Furthermore, when she is face with the antagonist (see 1:48) she shouts at the
antagonist, although she shouts in desperation, she also shouts “don‟t touch me”
and begins kicking and fighting against him. Unfortunately she is put back in her
stereotype when he forces her down on the bed.
For our antagonist again wanted to create a strong stereotypical looking male. We
did this with a mix of high and low key lighting. The high key lighting we used when
he was in the study to highlight his importance, and throughout him walking up the
stairs, he looks like a normal person and the audience doesn‟t know who he really
is and doesn‟t know his full potential. Whereas when he is in the room with the
protagonist, we used low key lighting to portray a dark, evil character, like an alter
ego. We dressed him in dark clothes to illustrate an evil character and gave him a
quirky side parting with his hair perfect to show a strange character. Moreover, we
shot him from mainly low angle shots to reinforce his importance and strength.
When he is reading the newspaper about the missing girl, (see 1:00) he begins to
laugh and chuck down the newspaper with a careless attitude as if he finds it
funny. The jumps cuts between the protagonist and antagonist build tension for the
next scene where we see the more dark side of his character come out. He seems
quite quiet at first when the girl first questions him, but he then becomes more
dominant, shouting “I said, don‟t aggravate me.” and he forces the girl on the bed
and holds her down staring into her eyes.
We aimed this film at 15‟s and above, in the middle class, white British males and
females. I think we have captured our audience perfectly through the use of
characters and mise-en scene.
7. 3. WHAT KIND OF MEDIA INSTITUTION MIGHT DISTRIBUTE YOUR MEDIA PRODUCT AND
WHY?
When researching institutions in our research we found Film 4 quite
interesting. They make British films that are often quite eccentric, but
realistic.
British thriller
Dark background
with minimal colour-
evil
Orange denotes fire
Antagonist looks very
malicious and
immoral. Sinister look
in his eyes
Simplistic name for
the film, yet powerful
and predictable
Forest setting, cliché yet
classic, connotes disturbing,
ominous tone
8. 3. WHAT KIND OF MEDIA INSTITUTION MIGHT DISTRIBUTE YOUR MEDIA PRODUCT AND
WHY?
When researching institutions in our research, we also
found New Line Cinema a good thriller distributor.
Traditional thriller colours of red, white and
black. Black is around the face, denoting
an evil character. Red could link to death
and blood.
Antagonist looks very
malicious and immoral. Eyes
are central and peculiar.
Central and only character – most important
Cross signifies religion, I can infer that
this means going against religion due to
Simplistic name the rest of the page
9. 3. WHAT KIND OF MEDIA INSTITUTION MIGHT DISTRIBUTE YOUR MEDIA PRODUCT AND
WHY?
I believe that our film has the potential to be in cinemas with
New Line Cinema, but as there is only 2 minutes, I have also
settled for Film4 as it could be on British TV too. If the
narrative sequence was longer, it could have a better
opportunity at getting a bigger institution, however I feel that
these two companies are well suited to our film.
Our audience is aimed to be 15+ as it isn‟t too violent and
doesn‟t promote inappropriate behaviour. Therefore it is able
to be on television after 9pm and would get a lot of viewings
as many would not have to pay for it, this would be the
benefit of Film4. However, I believe that our title sequence,
opening two minutes and storyline is much higher quality
than a TV film, has a good narrative structure, and is
ultimately very engaging. I don‟t think our film would become
a franchise and produce a trilogy for example, unless the rest
of the storyline is how the protagonist escapes the clasps on
her kidnapper and something like this happens again. I see
this more as a one off, gripping film, but the potential is there.
New Line Cinema has produced thrillers like The Rite,
Se7en, Final Destination and Blade. These are all very
famous thrillers and I think our thriller could fit in with this if
the storyline throughout the film is engaging and captivating
10. 4. WHO WOULD BE THE AUDIENCE OF YOUR MEDIA PRODUCT?
As our film is a thriller sub genre, it means our target audience is more niche.
However we made sure that we developed and challenged the conventions
of this so that we widened our audience and created a better thriller. We
researched into target audiences and decided that our best option was 15+
as we didn‟t intend to have anything too violent or inappropriate in our film.
The gender of our target audience would be both female, and male as our
two main characters involved are two sexes. They are both the stereotypical
ideologies of the female protagonist and male antagonist, meaning that
almost any audience can relate to in some way. The race for our audience
could be any depending on the language, I think although we haven‟t
included any other ethnicities in our opening, it is still relatable and you could
introduce another ethnicity if desired later on in the film. The class that would
be interested in our film I think would be middle class as its not a complicated
storyline that you cannot understand, its easy to follow.
The audience would also be similar to Columbia Pictures film of Misery as
our film is extremely similar and the codes and conventions are nearly
identical.
11. 5. HOW DID YOU ATTRACT/ADDRESS YOUR AUDIENCE?
We knew our target audience was a similar age to us, therefore we
spoke to many people in our school our age that we thought would be
interested and give us significant and valuable feedback. We also used
social networking sites to broaden our audience beyond this and entice
people to watch it. Each of our group put it on a different networking
site, one put it on Facebook, I put it on Twitter, and Nicole also
uploaded to another site. This gave us significant feedback and reviews
on our work. People reviewed our work on a Google survey we
created. These reviews included:
“Great choice of music - very dark and creepy. Without this sort of
music, the whole scene would not have been as effective.”
“It was suspenseful and made me want to know what had happened to
get to this situation and what was going to happen. Didn't know what to
expect and was very pleasantly surprised by the film.”
"Yes as right from the beginning, with the deep pessimistic tones of the
music, I was eager to find out what was going to happen next. The
police interview, although I could sense had been some what rushed
during the process of filming, actually set the scene brilliantly, engaging
the audience by putting them in a state of wonder as to what the two
subjects were talking about. The title's section I thought was done
excellently and engaged the audience as it only gave you tiny not-
giveaway snippets of the plot which is clever.”
“It really gripped you into the story at the very start of the movie and
you are left wondering what will happen to the character's next.”
“Whenever I watch these media movies I always cringe at the acting,
the acting was really good and the editing was very welldone. I think
the music needs a bit of a facelift as it could be more
eerie/suspenseful.”
12. 5. HOW DID YOU ATTRACT/ADDRESS YOUR AUDIENCE?
I am very pleased with our feedback as it is all positive and
constructive criticism. The one aspect I was pleased about was
our music choice as I was very unsure on it when we put it onto
our film, however all the comments wanted it to be a bit darker,
when I thought it was too dark.
The audience said that the police interview at the beginning really
set the scene and the lighting throughout built up suspense and
the pace was very good. Additionally they also said that our titles
were good and well spread out and weren‟t giving away too much
too quickly.
We identified that our audience started from 16-25 then jumped to
46-50 which very pleasing as we have a wide spread of ages.
The middle ages may not have had a chance to access our
questionnaire due to where we attracted our audience. The
majority of our audience was 16-25 which means we met our
target audience.
I also believe that the use of camera work, mise-en scene, editing
and sound also attracted our audience as we worked very hard to
ensure this all connected and gave hidden meaning where it
needed to be. The audience found it easy to relate and engage
with the characters as we tried to incorporate many social groups.
13. 6. WHAT HAVE YOU LEARNT ABOUT TECHNOLOGIES FROM THE PROCESS OF
CONSTRUCTING THE PRODUCT?
Overall, I felt I learnt a lot from the editing process of creating this product. Before I began this
product I had never edited any form of footage, and from our lessons, colleagues and practising
myself, I feel confident that I would now be able to edit a film of this quality again. Although I would
like to have learnt how to do animation for our title sequence, I don‟t think it would have suited our
storyline, and it would have been very difficult for me to pick up quick enough to put my skills into
use. If I had the chance to do this again, I would definitely consider trying to learn to do some sort
of animation for our work. Adobe Premiere Pro was very easy to use and I would recommend it for
beginners.
I had done some filming previously, so I knew the basic skills to using a camera and framing shots.
However when I had done this previously, I hadn‟t attempted to move the camera, it was all filmed
from aesthetic shots which were not any good for our filming. From the preliminary task we first
discovered the challenges of moving the camera, even if it was on a tripod. Therefore I spent time
practicing moving the camera slowly to pan from side to side until I felt comfortable with doing this.
I also needed to practice the speed of zooms that we were going to use as the cameras we had
didn‟t have that much control on the speed. This took time, but I got there eventually and
consequently my zoom out was used in the final product (see 0:40) Although the camera was
always placed on a tripod and we never did any handheld shots, when pressing the record button
at the start, it often changed the position of the camera, therefore I learnt to hold the camera with
my other hand at the same time and if necessary get the actors to film a few seconds after I press
record so that the beginning footage is not staggered. When framing a shot I learnt that we had to
ensure the their whole head is always in the frame unless you don‟t intend to film that, otherwise
part of their head gets cut off and it looks very unprofessional.
I learnt that we need to pay particular attention to the time of day when filming as the natural light
fades as we forgot when first filming. We changed this by blocking out all natural light and using a
lamp to light rooms instead. Also to speed up the filming process we often used multiple cameras
to film one scene to certify we had enough footage, as well as different angles. This additionally
helped our continuity as there would be no slight changes to the position of the characters, as well
as lighting and props. I also learnt how to make titles come and go at a good speed, and use fades
and blurs to give our titles an eerie effect.
14. 7. LOOKING BACK TO YOUR PRELIMINARY TASK, WHAT DO YOU FEEL THAT YOU HAVE
LEARNT IN THE PROGRESSION OF IT TO THE FULL PRODUCT?
Looking back to my preliminary task, I have learnt a great deal. Firstly, I have learnt the
importance of research and planning before we go ahead with filming. When making our
preliminary task, we did not storyboard, make a sufficient shot list and did not even create a
script. This meant that when we were filming we didn‟t really know what we were meant to be
doing, consequently when we uploaded our footage, it was not appropriate and we had to
keep re-filming, meaning that we got left quite far behind from the rest of the group. Also, we
did not fully understand the significance and how to obey the 180º rule, thus most of our
footage we were not able to use.
This brings me on to the use of our camera. We did not practice with the camera at all when
were first went out and started filming, we just went straight into it, as a result all of our
footage was wobbly and none in frame. We tried to pan with the camera too quickly, causing a
blur and even tried to film free hand, which subsequently looked terrible (see 0:23). We looked
at out work and realised before coming to make the real product, we would really need to do
some research to find tips on how to help us with these things, as well as using our spare time
to practice to help us get a good grade.
Our continuity in our sound throughout was again very bad, we didn‟t think that what seemed
to us as „quiet noise‟ the camera could pick up every detail meaning, some scenes the sound
was different pitches and different volumes. But at the time we did not know how to change
that when editing, but we learnt how to do it for our final product, so we have made progress.
In our editing we never attempted to use any fades or cross dissolves in our film, which did
work as our film was meant to be up pace. It just lacked professionalism and often it felt like
we were jumping way too quickly. We also never had enough footage to edit as we just start
filming start away and ended as soon as the action finished on screen. If we had filmed a little
bit longer at the end, this may have cut out the quick cuts, however we learnt from our
mistakes and have always made sure we filmed for another three seconds after action has
stopped.
The continuity in this was also a problem, which I didn‟t notice until now that there is a person
walking in the background that suddenly disappears (see 0:52) Additionally, whoever filmed at
one point, you can hear them say “that‟s better” and then suddenly stop talking (see 0:58)
Although these mistakes we made in our practice product, I feel it is important that we have
made them as it has made a significant difference to our final product. We learnt from our
mistakes, and although we have also made some mistakes on our final too, we have made
great progression. Both tasked have helped me work better with others and I believe our
group worked very well together and we are all very pleased with our final media text. If I
could make any changes to our final piece, I would have to change the music to a lighter
piece as I believe the heavy music contrasts the screenplay and builds up too much tension
that isn‟t really there. I would also try and do some more shots of our protagonist before she
wakes up from different angles that will slowly reveal the character. I have enjoyed making
this film and although at times my time management wasn‟t as a good as it should have been
I have learnt and understood a lot more in forms and conventions used in productions.