The document discusses audience feedback the author received on their media products for a psychological thriller film called "The Hostage." They conducted a poll, questionnaire, and focus group to get feedback on the storyboard, blog, magazine covers, and trailer. The feedback revealed needed improvements to the trailer's sound, effects, titles, and a confusing flashback sequence. The author learned how to enhance the drama and engagement for their target audience of 15-25 year olds.
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240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
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exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
2. In what ways does your media
product use, develop or challenge
forms and conventions of real
media products?
3. I used, developed and challenged many conventions whilst in the process of
planning and editing my trailer. The first thing I did was find out what
psychological thriller films/trailers tend to have. I did this by analysing
‘Seven’, ‘The Butterfly Effect’ and ‘The Game’ trailers. I found that they tend
to be quite dark and twisted films and don’t usually have much blood or
gore.
I also found that a binary opposition often exists between the criminals and a
person in a position of power (such as police detectives) who are striving to
solve the crimes and catch the killer. For example in ‘Seven’, both the
protagonists and antagonists are encoded as being strong characters and
they work tirelessly in a battle to ‘beat’ their opponent (either to stop the
crimes and save future victims, or outwit the police and continue killing).
I used these conventions in my own trailer by encoding the
protagonists/victim to be a weak character. To enhance this I decided to use
a female child as I felt that this would increase the feeling of vulnerability.
The reason I decided to use a female victim is that I feel that it makes is more
realistic as females are seen as weaker than males. This challenges the
conventions identified in the texts I looked at, as they used adult male
victims. However, I do think my choice is effective. I chose to use an adult,
male antagonist because I felt that the juxtaposition between these two
characters would enhance the feeling of a struggle, conventional of a
psychological thriller.
4. I used a kidnapping narrative as I feel like this is a dark, twisted plot. My
research into existing media products showed me that this is conventional of
the genre. For example, in ‘Seven’ the killer kidnaps some of his victims and
removes them from their homes. By taking them out of their ‘comfort zone’
in this way we are shown that the killer is the powerful character, and the
victim is weaker.
In terms of style, I identified that it is conventional for psychological thrillers
to have low-key or chiaroscuro lighting to create a more enigmatic feel. The
settings are often old, grubby places such as shacks or motel rooms. These
are used to make the audience feel uneasy. I used these conventions by using
a dark, dingy garage. I used low-key lighting to make the scene scarier and
followed the conventions in these ways. Conventional mise-en-scene for this
genre includes: rope (to tie victims up), an uncomfortable chair (for the
victims to be tied to) and small of blood or gore. I used the first two of these
conventions in my trailer to increase the levels of verisimilitude but found it
difficult to include blood and gore. However, having reviewed my trailer if
feel that the thriller effect may have been increased if I had been able to
include this in some way.
6. I used, developed and challenged many different conventions in the process of analysing and
creating my poster. I analysied the poster of ‘Seven’ ‘The Butterfly Effect’ and ‘The Game’. I
have done this to see what all these psychological thriller posters tend to have.
The first convention I identified is that they all tend to use a dark colour pallet. In my poster I
used black on a black with red writing as I felt that this gave a sense that the film is dark and
twisted. I used red to connote the thriller element to my film and because red symbolises
blood, gore and danger. I was hoping that my audience would decode this and understand
that my film belonged to the psychological thriller genre.
I have also found that each of the posters used a close up of a face and that the facial
expressions were usually serious. For example on the poster for ‘Seven’ the two detectives are
looking very serious and the audience can tell that the characters are determined, possibly to
find and catch the killer. Although the audience does not see the protagonist’s face on my
poster they can see that she is very upset/not happy. The audience can see this as the
protagonist has her face down and her hands are tied up. This is different to the conventions
of the posters I analysed. I feel that I could have improved my poster by using a more
conventional image, for example, having a close up of her hands tied up or of her face
showing a serious of frightened facial expression.
7. The conventional font of a poster is rather simple font ‘The
Butterfly Effect’ is a good example of this. The reason they
tend to have a simple font is sometimes it give a better
twisted effect. I have not used a overly basic font , however is
feel that it still gives a good effect of a psychological thriller.
The poster gives a variety of different information such as credit
block, title, tagline, and certificate, however a teaser poster
may also have ‘Coming Soon’ and actors names. On my poster
I have added Credit block, title and tagline as I feel that
keeping it basic gives a more dramatic effect. I feel that this is
conventional as it goes with a psychological thriller genre.
8. I used, developed and challenged many different
conventions in the process of analysing and creating my
own magazine cover. I analysied ‘Inception (Empire)’ ‘The
silence of the lambs (Empire)’ and ‘The dark knight (Total
Film)’.
The first convention that I have noticed is the rule of
thirds, this is to draw the audience into different parts of
the magazine in a certain order. This to see the banner
and image first, followed by the information that is
provided around about other films, exclusives etc. I have
followed this convention by making sure that my image
and banner was the first thing they see this is why I
centred them, I did this to draw my audiences attention.
9. Another convention I found is that the leading
article is usually a big blockbuster movie that has
been much anticipated. This is done to draw the
audiences attention, the way that they do this is by
adding an image usually of a character from the
film, and puffs. I followed this convention as I added
a character from my film and added it in the centre
of the magazine cover.
The text that is also on the magazine cover is all
styled (colour, font) based around the main feature
film that the magazine has chosen to do. I feel that I
have added this convention as all the text is dark
colours to go with the psychological thriller genre.
10. How effective is the combination
of your main product and ancillary
texts?
11. It is important that all three of my products looked like they promoted the
same film in order to create a brand identity. For this reason I have used the
same characters on both my poster and magazine cover. The character clearly
indicates that she is the protagonist from the film because she is tied up, she is
framed centrally and is the only character in the image. I have created
continuity by using a shot that is also seen in the film as well as keeping the
actor in the same costume. The blue of her sleeves is striking and this helps the
audience identify the character on the poster and magazine, as the same
character from the film.
I have also kept the same, low-key/chiaroscuro, lighting in all 3 so that the
audience get the idea that it is going to be a dark film. I used black on black in
my magazine cover and poster to give the feel that it is going to be a scary,
twisted film. The image from the poster and magazine goes well with the
garage scene fro the trailer because each use very low-key lighting.
12. The fonts on both the magazine cover and poster are the
same in order to create a logo for the film; ‘The Hostage’.
Also the style and colour of the font is the same, as are
the colours (red and white), representing horror/thriller
films as they connote blood/death. I could have improved
the feeling on continuity across my main and ancillary
tasks by using the same font for my trailer. The fact that I
have used a different fonts goes against the brand identity
and the audience might fail to recognise that the products
are connected.
The tagline ‘You never know what’s next!’ creates enigma
codes (Barthes) and makes the audience want to go to see
the film to answer the question and see what happens
next. This tagline appears on my poster and magazine but
not in my trailer. Here is used a different tagline. Again,
this may also detract from the brand identity.
The idea of kidnapping also creates enigma codes to the
audience as it makes them wonder what has happened
what is going to happen. I have encoded each product
with the theme of kidnapping by showing the protagonist
tied up and alone.
13. I wanted to show that the film is going to be a dark and twisted film. The way I have done this is
by having a black background on the poster and having the protagonist facing down as though
she is in trouble. I didn’t want to give too much away on the poster, so just having her tied on a
chair suggest trouble but the audience does not know what has happened. This raises enigmas
(Barthes) and encourages the audience to watch the film to answer them.
The trailer leaves questions so the only way of finding out what happens is by going to watch
the film. The question I have left is what happens to the girl, and what will the antagonist do? I
didn’t want to show what happens as I feel that the audience wouldn’t want to go and see the
film. However I do feel that with the trailer I could have added a few close ups at the ends of the
hostage to make it a little more dramatic.
With the magazine that I produced for my film I gave the message of a dark film as the magazine
cover is black with red writing on the banner. I have done this to convey the psychological
thriller genre, I have also used the same image as my poster to create brand identity.
14. I haven’t suggested a certificate on any of three texts,
however I feel that I should have added it on my poster to
let the audience know what age certificate for the film is.
I don’t feel that I have made my film look like a
blockbuster because the credit block isn’t in the correct
font and the image could be more professional by
perhaps focussing on the face or the hands tied up.
My target audience is 15-25 year olds as I feel this is the
age range that people tend to be to watch psychological
thrillers. The way that I have specifically targeted this is
by having a young protagonist and an adult male as the
antagonist.
15. The way that my poster and magazine cover are enticing the
audience to go to watch the film, is by showing that them it is
going to be a dark twisted film. The title ‘The Hostage’ and the
tagline ‘You Never know what’s next’ create enigma codes
(Barthes) for the audience to decode. This is effective as it means
that more people will want to go to the cinema to see the film as
they will want answers and to see what happens.
Having the image as a young female victim tied to a chair also l
makes the audience wonder if she will be murdered and how she
got there. The way that the image of the girl tied to the chair is
positioned in the centre of the poster, means that she faces away
from the audience which indicates that something is wrong, that
she is vulnerable and makes the audience go and watch the trailer
to see what it is going to be about.
16. I have also created enigma codes (Barthes) so that it entices
the audience to go and watch the film to get the answers. The
codes that I have created through my 3 texts are ‘You never
know what’s next!’ as the tagline and having ‘One step could
be you last’ in my trailer.
Having the tagline ‘you never know what’s next!’ on both my
poster and magazine to create brand identity and make the
audience go to the cinema to get answers about what
happens, also having the same image on both texts create
brand identity and as she is tied up the audience will want to
know what happens. This works well with my trailer as this is
also seen in the trailer.
The fact that the trailer ends with the dialogue ‘Be quiet and
you won’t get hurt’, entices the audience in as it makes them
wonder what is going to happen to the girl and suggests the
threat of violence.
17. In both the poster and the magazine I have used the same colour palette. I also used the
same image I did this because I feel it is a good way to brand my film. I have also positioned
both images in the centre of the screen as it attracts the audience in, and used a slight
trace effect to make the image look more professional.
The font on all 3 texts is different. This I feel is something I should improved and by making
sure all 3 texts had the same font. I feel that having different fonts creates confusion within
the audience about whether they are promoting the same film. This also detracts from a
brand identity.
The tagline is also different on the poster and magazine. The tagline is ‘you never know
what’s next!’ but on my poster it is ‘one step could be your last.’ This can confuse the
audience and also detract from brand identity as I am not using continuity through my 3
texts. I feel that my attention to detail is something to work on in the future and if I had the
opportunity to do this task again, I would have paid more attention to ensuring continuity
across the details of each text.
19. I undertook a poll, questionnaire and I also did a focus group to collect audience feedback. The
reason that I did this was to get an understanding of what I needed to do to improve certain
pieces of work (poster magazine and trailer) as well as how successful my work was at various
stages in the process.
With the poll I asked ‘What do you think of the Storyboard?’ ‘Do you think my blog suits the
psychological thriller genre?’ and ‘What magazine titles is most effect?’. I asked these questions
because this would help me see if my blog and work was suitable for the psychological thriller
genre. Getting feedback allowed me to see what was good and conventional for the
psychological thriller genre and what was not, which I could then fix.
The reason I undertook a poll feedback is because a variety of people can access the internet so
I could collect a range of responses from various audience types. Also, with a poll on my blog
they can look at the work before they answer whereas if I did a questionnaire about my
magazine or poster than I would have to print them off as well the questionnaires.
20. I asked the question ‘What magazine title is most effective?’ I asked
this question to see what the audience think would go best with the
psychological thriller genre and good for a magazine title.
I created a questionnaire for my trailer this had both open and closed
questions so that I could get a good idea of what was good, bad and
what could be improved from my audiences view. I found out that my
trailer need more dramatic sounds, better fonts for the writing. Most
also said that the felt I could make some effects more dramatic if I
slowed them down. I allowed my participants enough opportunities to
give full details (by asking open questions) as I allowed room for them
to provide me with information on what the thought of my trailer as a
whole and what they thought could have been improved. Also on
some of the closed questions such as ‘Was the sound effective’ I
allowed room at the end to explain why they thought it was or wasn’t
good.
21. To ensure that I asked a range of people for audience
feedback I have created a poll on my blog as anyone that has
a computer and access the internet can access my blog and
gave me their feedback. This is good as a wide variety of
people at different ages will let me know what they think
about my work and will help me see what is most popular.
I have also asked a different range of people (ages 15- 35) to
tell me what they think of my trailer through a
questionnaire. This was important on allowing me to see
what they liked and did not like about my trailer. I asked a
broader audience to see whether or not they would also go
and watch my film.
I invited members of my specific target audience to my focus
group as I wanted to receive feedback directly form the
people the film is aimed. The focus group contained 7 people
aged 15-25 of both genders. I feel it is important to gather
target audience feedback as well as general audience
response.
22. I learned that my trailer needed more dramatic movements and quicker shots, dramatic sound
effects, better titles and with one clip I learned that it confused the audience. I was aiming to
create a ‘flashback/memory sequence’ in the middle of my trailer but the audience did not
decode this as I had intended and instead took an oppositional reading (Hall) and became
confused. Base don’t his feedback I removed this sequence form my trailer.
The way that I learned about improvements to my work is through the questionnaire I had
created. The questions that I have asked were ‘Did you feel that this trailer fitted the
psychological thriller genre?’ ‘What did you feel was good about the trailer?’ ‘What did you
think was not effective in this trailer?’ ‘Was the sound effective?’ ‘Were the shots effective?’
‘What do you think could be improved in the trailer?’. All these questions helped me get an
understanding on what the audience think of my trailer what was good and the improvements
that need to be improved.
Some of the responses I got from these questions included : ‘I feel that you need more dramatic
effects to help create suspense to the audience.’ This response allowed me to go back and add
more sound effects to add more tension and suspense and ultimately make my sequence more
effective.
23. I got a variety of responses for ‘Were the shots effectives?’ some of my
audience said they felt that I had a good variety of shots such as when the
protagonist is hitting the glass especially as it was in slow motions. However
some have said that I could have added a few more close-ups of the
protagonist to make it more dramatic. I feel that the comments where fair
and that I could have added some more close-ups.
Adding close-ups, sound effects, better font and more effects on clips was the
answers got from ‘What do you think can be improved in my trailer?’ This
helped me understand what the audience felt needed to be added to make
sure that the trailer represents a psychological thriller.
With the poll I learned that ‘Just Released’ was the most popular to call my
magazine. I feel that this was the best choice as it allows to talk about all the
newest films. I also asked whether my blog links into the psychological thriller
genre with everyone saying it does.
My audience thought that my trailer thrilling and effective. They have said
that the editing was very effective with it in general being thrilling.
24. These findings helped me get an idea on what the audience wanted in the trailer.
The first thing that I feel helped me improve my work was the feedback I got for the
sound effects in my trailer. The feedback I got was that I could add more sound effects
to create more suspense. This helped me as I was able to add more sound effects so
that it does create more suspense to the audience. The main sound effect that I used
to create this is a heart beat as it goes well with the kidnapping and hostage clips. This
creates suspense to the audience and also creates tension.
I also added more dramatic music as I felt it needed more tension and this is also what
my audience felt.
I had a ‘memory sequence’ that the audience did not understand what it was for this
reason I taken the sequence out so I don not confuse my audience.
As the majority of people liked the title ‘Just Released’ for magazine cover this is what I
used. I have done this as this is what the audience feel is what is the best title.
25. How did you use media
technologies in the construction
and research, planning and
evaluation stages?
26. The technology was very important in the coursework process. The reason for this is that
technology is a good way of producing my 3 texts and analysing to help me understand what
conventions need to go in my 3 texts.
I used a variety of different types of technology throughout the research planning and evaluation.
The use of technology was very important in the coursework process as it allowed me to produce
my work in different programmes and also allowed me to have all my work on a log where it is all
together and easy for people to access and see.
I used the internet, Microsoft PowerPoint and Microsoft Word for the research. YouTube was
what I used to analyse psychological thrillers analysing Seven, The butterfly Effect and The Game
all these told me that I needed low key lighting , fast cuts and music.
The planning I used camcorder, camera, tripod, Mac, pixlr, and iMovie all these helped me create
my trailer, poster, and magazine.
27. I had a lot of problems with technology which set me back. The biggest problem I had
is that my work wasn’t saving which meant I was repeatedly doing the same work so it
took me 3X longer to do the work which set me a long way back. I also had problems
with my blog; I had trouble uploading some of my work (Trailer, Magazine analysis) this
set me back as I had to find away of loading my work onto the blog and find out why it
was not uploading.
I had problems embedding my trailer from iMovie onto my blog, the problem was that
my trailer would not upload onto YouTube it was taking a long time, once it had done
this I tried to embed it onto my blog but it took a long time to do. I also had problem
with the sound effects as I had trouble adding some of the sounds into my trailer.
28. I learned new skills in iMovie as I hadn’t really used it in my
foundation portfolio before so it was new to me, so I learned
editing techniques such as; adding sound effects, changing
contrast and adding effects. I feel know that I would be able to
create projects without any problems know that I know how
iMovie works.
I have created a blog to engage with my audience, as it
provided all my work and information about my trailer. On the
blogs I used polls this was to get the audience feedback on
certain parts of my work (poster, magazine and storyboard),
with the poster and magazine I asked for improvements so
what they think I can do to improve them. I also used
slideshare for my trailer analysis. In this way, technology
helped me to engage with the audience and get feedback as
my work was developing.
29. Using a variety of different technologies helped getting my the audience interacted in a variety
of different ways (blog, YouTube, slide share).
Creating each piece of my work was created on different programmes for the research I used
Word and PowerPoint.
For the poster I used fireworks and http://pixlr.com/editor/ . These are editing tools which were
good to edit my image and then add all the text. The tools that I used was paint, wand, crop,
rotate and add text. The wand tool allowed me to get rid of certain areas that was in my image
originally. The paint allowed me to get rid of some of the details surrounding the image that I
did not want and what the wand tool would not remove. I also had to rotate and crop my image
to reduces the size of the image. Adding text allowed me to create my title, tagline, and credit
block, to make it look like a poster.
30. The magazine I used publisher as I felt this was the best
programme to use to create a magazine . This improved my
work as it had all the different features that a magazine needs
and helped it look as professional as it could be with the only
resources I had. I used shapes to that I could add text to add
price.
With the trailer I used the Mac and used iMovie the reason for
this was that it was the best technology I had to produce a
trailer. I used iMovie instead of moviemaker as I felt that
moviemaker was not going to give the same quality. Using
iMovie allowed me to add sound effects, change the contrast,
add effects to clips, reduce speed on clips and reduce the
volume on clips.
31. I decided to do a blog as it was a good way to show my work interactively and it shows I can use
different types of technologies. It also allows me to add polls and get feedback on my work.
I used iMovie to create my trailer as it was the best editing software I had available. The benefits
of iMovie is that I could add and remove sound, cut the clips shorter, change lighting, and add
effects. This was good as it allowed me to make my trailer look more professional.
The benefits of having my work on a blog as that I can keep all my work together in one place
and know it won’t go missing. Also it allows a range of people that use the internet to view my
work and give me feedback on it (what they like and did not like). Also on a blog I can add pages,
polls, the look of the blog to go with the psychological thriller genre. This all helps as it helps
make it look more professional.
32. I used publisher as I feel this is the best programme to
create a magazine cover, the reason for this is that you
can use certain layout and add shapes. I used publisher
instead of word as on word you can’t chose certain layout
to go with what you want to do.
I had considered using moviemaker to make my trailer so
that I could do work on it at home if I needed but iMovie
has better editing tools for me to use, this is why i chose
it and instead of working at home I decided to work in my
free lessons.