The document discusses representations of social groups in films. It focuses on representations of teenagers and females. For teenagers, it notes common stereotypes in films that portray them as troublemakers who use drugs and alcohol. For females, it discusses stereotypes of them as the weaker sex who are easily scared and vulnerable. The author's film opening portrays the main character, a teenage girl, in stereotypical ways at first by showing her as innocent, vulnerable, and wearing pink clothes. This is intended to help audiences understand the story by starting with expectations, while her character develops strength later in going against stereotypes.
we have decide to make our film about a young teenage girls who is perceived as perfect but the reality is that she's not, she has so much going on in her life which shows the opposite of how she is perceived.
Ethnobotany and Ethnopharmacology:
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The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
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The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
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Question 2
1. HOW DOES YOUR MEDIA
PRODUCT REPRESENT
PERTICULAR SOCIAL
GROUPS?
Emma Blake
2. SOCIAL GROUPS IN WHICH
CHARACTERS ARE REPRESENTATIVE
AND WHY
I wanted to show the main character in my film as a sterotypical girl, by
this I mean showing her as:
• Innocent
• Vulnerable
I thought it was important to do this because my film opening storyline
pushes their view of what is possible and what is not therefore having
the main character stick to the sterotype may help their understanding
of the film.
4. THE STEREOTYPE
The stereotype of teenagers is not always positive. They are often
shown to be trouble makers and many films present a view that they
cannot be trusted. There are many films where teenagers are all seen
to be in gangs, take drugs and accessive amounts of alcohol, use
strong langues and violance.
5. TEENAGERS IN MY FILM
• I chose the main character to be classified as a teenager as although they are classed as
'young adults' they still have the vulnerability of a child. They also have some of the same
mannerisms of child. An example of this is the fact that in the opening the girl is seen to
be wearing, as some might say, 'childish nightwear' and some things in her room are the
same as what a child might have in their room yet society sees her as a young adult.
• I think it is important to my film opening because it helps the audience feel sympathy for
her yet due to her being a teenager and not younger increases the way in which she can
react in the film. The audience may also see a different aspect to teenagers that does not
fit the sterotype of them being 'trouble makers' as they will see her trying to save lives
through out the film.
7. THE STEREOTYPE
The stereotype of females is normally that they are the weaker sex,
easily scared, more vulnerable than males and are stereotypically
seen in pink. Many films present them being reliant on the males in
their lives. Some jobs are seen as a 'job for a man' so some females
who have jobs such as a builder get pushed about, this is also shown
in some films.
8. FEMALES IN MY FILM
• In my film opening the girl is wearing pink night clothes which follows the
stereotypical view of females. At the end of film opening she is seen to be
running from what she has seen which again is one of the stereotypical
views of females
• I wanted the main character to be female as overall they are seen to be
weaker and I wanted to go against the stereotype. Although I wanted to show
her as strong at the end , I wanted the audience to see the change in her
from the beinning to the end. In the opening there are many ways in which
she fits the steroetype and because the storyline pushes the boundries of
what the audience thinks is possible and what is not I wanted something that
people will expect from a film.