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STAGING
MODALITIES
STAGING
Is the process of selecting,
designing, adapting to, or
modifying the performance
space for a play or film.
TYPES OF THEATRE
STAGES
 PROSCENIUM
 THRUST
 THEATRES IN-THE-ROUND
 BLACK-BOX OR STUDIO THEATRES
 PLATFORM
 HIPPODROMES
 OPEN AIR THEATRES
 SITE-SPECIFIC
 PROMENADE
PROSCENIUM
Have an architectural frame,
known as the proscenium
arch, although not always
arch in shape.
The stage is gently sloped
rising away from the
audience
PROSCENIUM
THRUST
As the name suggests, these
project or ‘thrust’ into the
auditorium with the audience
sitting on three sides. The thrust
stage area itself is not always
square but may be semi-circular or
half a polygon with any number of
sides. Such stages are often used
THRUST
THEATRES IN-THE-
ROUND
 These have a central performance
area enclosed by the audience on
all sides. The arrangement is rarely
‘round’: more usually the seating is
in a square or polygonal formation.
The actors enter through aisles or
vomitories between the seating.
Scenery is minimal and carefully
positioned to ensure it does not
THEATRES IN-THE-
ROUND
ARENA
Large scale auditoria and have
a central stage area with
audiences on all sides, similar
to the theatres in-the-round. The
stage area is usually
rectangular, more like a sports
area, with tiered seating.
ARENA
BLACK- BOX OR
STUDIO
These are flexible performance
spaces which when stripped to
their basics are a single room
painted black, the floor of the
stage at the same level as the
first audience row.
BLACK- BOX OR
STUDIO
PLATFORM
These usually consist of a
raised rectangular platform at
one end of a room. They can
either have a level or raked
sloping floor. The audience sit in
rows facing the stage. The
stage is open And without
curtains, they are sometimes
PLATFORM
HIPPODROMES
Similar to circuses and have a
central arena surrounded by
concentric tiered seating. Deep
pits or low screens often
separate the audience from the
arena.
HIPPODROMES
OPEN AIR
These outdoor theatres that do
not have a roof although
sometimes parts of the stage or
audience seating will be
covered. These stages may
make use of the neutral light as
it changes during the day,
particularly sunset.
OPEN AIR
Q_STAGING_MODALITIES.pptx

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Q_STAGING_MODALITIES.pptx

  • 2. STAGING Is the process of selecting, designing, adapting to, or modifying the performance space for a play or film.
  • 3. TYPES OF THEATRE STAGES  PROSCENIUM  THRUST  THEATRES IN-THE-ROUND  BLACK-BOX OR STUDIO THEATRES  PLATFORM  HIPPODROMES  OPEN AIR THEATRES  SITE-SPECIFIC  PROMENADE
  • 4. PROSCENIUM Have an architectural frame, known as the proscenium arch, although not always arch in shape. The stage is gently sloped rising away from the audience
  • 6. THRUST As the name suggests, these project or ‘thrust’ into the auditorium with the audience sitting on three sides. The thrust stage area itself is not always square but may be semi-circular or half a polygon with any number of sides. Such stages are often used
  • 8. THEATRES IN-THE- ROUND  These have a central performance area enclosed by the audience on all sides. The arrangement is rarely ‘round’: more usually the seating is in a square or polygonal formation. The actors enter through aisles or vomitories between the seating. Scenery is minimal and carefully positioned to ensure it does not
  • 10. ARENA Large scale auditoria and have a central stage area with audiences on all sides, similar to the theatres in-the-round. The stage area is usually rectangular, more like a sports area, with tiered seating.
  • 11. ARENA
  • 12. BLACK- BOX OR STUDIO These are flexible performance spaces which when stripped to their basics are a single room painted black, the floor of the stage at the same level as the first audience row.
  • 14. PLATFORM These usually consist of a raised rectangular platform at one end of a room. They can either have a level or raked sloping floor. The audience sit in rows facing the stage. The stage is open And without curtains, they are sometimes
  • 16. HIPPODROMES Similar to circuses and have a central arena surrounded by concentric tiered seating. Deep pits or low screens often separate the audience from the arena.
  • 18. OPEN AIR These outdoor theatres that do not have a roof although sometimes parts of the stage or audience seating will be covered. These stages may make use of the neutral light as it changes during the day, particularly sunset.