The Whole world is
     a stage

     William Shakespeare
The Whole world is
     a stage

     William Shakespeare
The Stage Designer
   In a professional theatre,
         a set designer
    works very closely with
           the director
      to interpret the play
The set will influence the -
• The place
• Defining the place
• Restricting or creating opportunities for
  movement
• Restricting view
• Creating levels
• Symbolism of the piece
Types of sets
Types of sets
•    Rostra and levels
Types of sets
•    Rostra and levels
•         Box set
Types of sets
•    Rostra and levels
•         Box set
•      Swivel sets
Types of sets
•    Rostra and levels
•         Box set
•      Swivel sets
•       Fixed sets
Rostra and Levels
  Using a minimalist set can create an
             interesting set
•          Interlocking rostra
Box set
Box set
This set is like a part of a room.
Box set
This set is like a part of a room.
Box set
      This set is like a part of a room.


The sides and back are generally constructed
                  with flats.
Box set
      This set is like a part of a room.


The sides and back are generally constructed
                  with flats.
Box set
       This set is like a part of a room.


 The sides and back are generally constructed
                   with flats.

These are wooden frames with canvas stretched
                 across them.
Box set
       This set is like a part of a room.


 The sides and back are generally constructed
                   with flats.

These are wooden frames with canvas stretched
                 across them.
Box set
       This set is like a part of a room.


 The sides and back are generally constructed
                   with flats.

These are wooden frames with canvas stretched
                 across them.


          The canvas can be painted
Several flats can be joined together to
              from the box set.

 The box set can be simple or elaborate
     with doors, windows and lights.


Flats
Swivel sets
 Small box sets can be constructed so that
             they are reversible.


  It can help you with scene change overs.

Flats
Fixed Sets
Box sets can be fixed or have castors so they
          can be wheeled in and off.


Most professional theatres sets are moved off
               by tracks or fly's.

Flats
Sightlines
These are the areas of the
stage the audience can see.

                      Part of the
          Acting      audience
           Area       can’t see
                      this area

         Audience
Styles of Staging
    There are five main ways of staging a
                  performance


•           End On – proscenium
•                  Thrust
•                 Traverse
•               In the round
•   Promenade/ Street theatre/ Environment
End on - proscenium
The audience is directly in from of the
              acting area



            Acting Area




             Audience
Thrust
The audience is on three sides of the
            acting areas



  A         Acting Area     A




            Audience
Traverse
The audience is on both side of the acting
                   area



      A         Acting Area       A
In The Round
The audience is all around the acting
                areas



       A     Acting
               A       A
              Area


                A
Promenade/
Street theatre/ Environment
Promenade - the audience follows the
  actors from area to area
Street Theatre - The actors perform to
  the audience some where in the street.
  Different scenes can move into the
  space.
Environment – The performance is based
  around a place or building
Designing a set
Designing a set
When you design a set you need to consider:
Designing a set
When you design a set you need to consider:
Designing a set
When you design a set you need to consider:


• The period
Designing a set
When you design a set you need to consider:


• The period
• The place
Designing a set
When you design a set you need to consider:


• The period
• The place
• Opportunities for movement
Designing a set
When you design a set you need to consider:


•   The period
•   The place
•   Opportunities for movement
•   Creating levels
Designing a set
When you design a set you need to consider:


•   The period
•   The place
•   Opportunities for movement
•   Creating levels
•   Symbolism of the piece
The design Brief
It should include :
 A page of research of ideas
 Samples of material with annotation
 A rough design
 Final design with annotation
 Bibliography
You are only

Stage pp

  • 1.
    The Whole worldis a stage William Shakespeare
  • 2.
    The Whole worldis a stage William Shakespeare
  • 3.
    The Stage Designer In a professional theatre, a set designer works very closely with the director to interpret the play
  • 5.
    The set willinfluence the - • The place • Defining the place • Restricting or creating opportunities for movement • Restricting view • Creating levels • Symbolism of the piece
  • 7.
  • 8.
    Types of sets • Rostra and levels
  • 9.
    Types of sets • Rostra and levels • Box set
  • 10.
    Types of sets • Rostra and levels • Box set • Swivel sets
  • 11.
    Types of sets • Rostra and levels • Box set • Swivel sets • Fixed sets
  • 12.
    Rostra and Levels Using a minimalist set can create an interesting set • Interlocking rostra
  • 14.
  • 15.
    Box set This setis like a part of a room.
  • 16.
    Box set This setis like a part of a room.
  • 17.
    Box set This set is like a part of a room. The sides and back are generally constructed with flats.
  • 18.
    Box set This set is like a part of a room. The sides and back are generally constructed with flats.
  • 19.
    Box set This set is like a part of a room. The sides and back are generally constructed with flats. These are wooden frames with canvas stretched across them.
  • 20.
    Box set This set is like a part of a room. The sides and back are generally constructed with flats. These are wooden frames with canvas stretched across them.
  • 21.
    Box set This set is like a part of a room. The sides and back are generally constructed with flats. These are wooden frames with canvas stretched across them. The canvas can be painted
  • 22.
    Several flats canbe joined together to from the box set. The box set can be simple or elaborate with doors, windows and lights. Flats
  • 24.
    Swivel sets Smallbox sets can be constructed so that they are reversible. It can help you with scene change overs. Flats
  • 25.
    Fixed Sets Box setscan be fixed or have castors so they can be wheeled in and off. Most professional theatres sets are moved off by tracks or fly's. Flats
  • 27.
    Sightlines These are theareas of the stage the audience can see. Part of the Acting audience Area can’t see this area Audience
  • 28.
    Styles of Staging There are five main ways of staging a performance • End On – proscenium • Thrust • Traverse • In the round • Promenade/ Street theatre/ Environment
  • 29.
    End on -proscenium The audience is directly in from of the acting area Acting Area Audience
  • 31.
    Thrust The audience ison three sides of the acting areas A Acting Area A Audience
  • 33.
    Traverse The audience ison both side of the acting area A Acting Area A
  • 35.
    In The Round Theaudience is all around the acting areas A Acting A A Area A
  • 37.
    Promenade/ Street theatre/ Environment Promenade- the audience follows the actors from area to area Street Theatre - The actors perform to the audience some where in the street. Different scenes can move into the space. Environment – The performance is based around a place or building
  • 38.
  • 39.
    Designing a set Whenyou design a set you need to consider:
  • 40.
    Designing a set Whenyou design a set you need to consider:
  • 41.
    Designing a set Whenyou design a set you need to consider: • The period
  • 42.
    Designing a set Whenyou design a set you need to consider: • The period • The place
  • 43.
    Designing a set Whenyou design a set you need to consider: • The period • The place • Opportunities for movement
  • 44.
    Designing a set Whenyou design a set you need to consider: • The period • The place • Opportunities for movement • Creating levels
  • 45.
    Designing a set Whenyou design a set you need to consider: • The period • The place • Opportunities for movement • Creating levels • Symbolism of the piece
  • 46.
    The design Brief Itshould include :  A page of research of ideas  Samples of material with annotation  A rough design  Final design with annotation  Bibliography
  • 85.