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The document discusses the process of designing a digipak for an album. The author decided on a drum and flames theme with bright colors based on case studies of other albums in the same genre. A drum kit was chosen as the focus of the front cover to highlight the "feature" track and tie into a music video. Consistent fonts and colors were used throughout the digipak design to create an overall theme and brand identity while not overloading the senses.
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PP DRAFT
The document provides details on the album artwork concept for a digipak. It discusses influences from bands like The Flaming Lips, Yeah Yeah Yeahs, and Neckdeep. A rough sketch is presented showing exaggerated surreal imagery including flames and a drum kit. For the interior, flames and clouds will cover the inside pages to tie the theme together. Fonts and a flame motif will also carry through to the back cover and disc to reinforce the brand across the full package.
First Draft
The document discusses the illustration and theme choices for a digipak album cover. It decided on recurring themes of drum flames and bright colors based on case studies of other albums in the same genre. A drum kit was chosen as the focus of the front cover to tie into a music video and suggest it is the feature track, as is commonly done. Fonts and colors were selected to be clear, dramatic, and tie all slides together cohesively in establishing the album's brand.
Feedback and improvements on poster and digipak
The document provides feedback on designs for a CD cover and poster:
- For the CD cover, the reviewer suggests varying the photos beyond just drumming shots to include other images related to the band or music video.
- For the poster, the reviewer recommends equalizing the gaps on the sides of the polaroid photos and changing or adding variety to the photos rather than just drumming.
- The document then shows original and revised designs for the CD covers and posters, with the revised versions incorporating a greater variety of photos from the music video as suggested.
Draft print productions
The document provides details on the development of artwork for an album digipak. It discusses influences from other artists' album covers that feature surreal cartoon-like imagery and themes of fire. A rough sketch is presented showing a drum kit as the focal point. For the back and inside covers, flames and clouds will carry through in a minimalist style. Potential fonts are selected to contrast a large stylized band name with simple bold song titles. The flame motif and band name will also be featured on the album disk to reinforce the brand style.
Album Artwork Case Study
The document analyzes album artwork from bands similar to Bellevue Days like Modest Mouse and Radiohead to identify genre characteristics that could inform the design of a digipack for Bellevue Days. Key characteristics identified include illustrated or cartoon-like artwork, imagery related to destruction or rebellion, use of red and earth tones in color palettes, simplifying aspects of the cover artwork for the CD itself, and using bold, legible fonts on back covers. Evaluating these examples helped determine design elements that could create identity and appeal to fans of the genre.
Digipak Analysis
The document analyzes different layout options for a digipak album cover. It examines using panoramic shots for the CD and panel, with one option having the artist's logo on the CD. It also discusses spine designs, front covers with simple landscape images and central artist names, back covers with images on one side and text on the other, and provides an example six-panel digipak to draw inspiration from.
Digipak designs for a 4 panel case
The document discusses different design ideas for a 4-panel CD case and magazine poster to promote the artist's music. Design idea 1 for the CD case uses screenshots from the artist's music video along with a watercolor background in a polaroid-inspired template. Feedback found designs 1 and 3 most popular due to the polaroid photos and unusual font. The final design combines elements of designs 1 and 4, gaining positive feedback. For the magazine poster, design 1 is preferred as the polaroid photos relate to the music video and draw the eye.
Final dvd cover analysis
This document analyzes the DVD cover of Rihanna's "Good Girl Gone Bad Live". The summary is:
The main elements of the cover include the title "Rihanna - Good Girl Gone Bad Live", a photo of Rihanna from her live show, and listings of special features and tracks. The cover signals that Rihanna has changed her image from "good girl" to "bad girl" through her revealing outfit and black color. It aims to appeal to Rihanna fans and those who wanted to see her tour by portraying her live performance.
Recommended
PP DRAFT
The document provides details on the album artwork concept for a digipak. It discusses influences from bands like The Flaming Lips, Yeah Yeah Yeahs, and Neckdeep. A rough sketch is presented showing exaggerated surreal imagery including flames and a drum kit. For the interior, flames and clouds will cover the inside pages to tie the theme together. Fonts and a flame motif will also carry through to the back cover and disc to reinforce the brand across the full package.
First Draft
The document discusses the illustration and theme choices for a digipak album cover. It decided on recurring themes of drum flames and bright colors based on case studies of other albums in the same genre. A drum kit was chosen as the focus of the front cover to tie into a music video and suggest it is the feature track, as is commonly done. Fonts and colors were selected to be clear, dramatic, and tie all slides together cohesively in establishing the album's brand.
Feedback and improvements on poster and digipak
The document provides feedback on designs for a CD cover and poster:
- For the CD cover, the reviewer suggests varying the photos beyond just drumming shots to include other images related to the band or music video.
- For the poster, the reviewer recommends equalizing the gaps on the sides of the polaroid photos and changing or adding variety to the photos rather than just drumming.
- The document then shows original and revised designs for the CD covers and posters, with the revised versions incorporating a greater variety of photos from the music video as suggested.
Draft print productions
The document provides details on the development of artwork for an album digipak. It discusses influences from other artists' album covers that feature surreal cartoon-like imagery and themes of fire. A rough sketch is presented showing a drum kit as the focal point. For the back and inside covers, flames and clouds will carry through in a minimalist style. Potential fonts are selected to contrast a large stylized band name with simple bold song titles. The flame motif and band name will also be featured on the album disk to reinforce the brand style.
Album Artwork Case Study
The document analyzes album artwork from bands similar to Bellevue Days like Modest Mouse and Radiohead to identify genre characteristics that could inform the design of a digipack for Bellevue Days. Key characteristics identified include illustrated or cartoon-like artwork, imagery related to destruction or rebellion, use of red and earth tones in color palettes, simplifying aspects of the cover artwork for the CD itself, and using bold, legible fonts on back covers. Evaluating these examples helped determine design elements that could create identity and appeal to fans of the genre.
Digipak Analysis
The document analyzes different layout options for a digipak album cover. It examines using panoramic shots for the CD and panel, with one option having the artist's logo on the CD. It also discusses spine designs, front covers with simple landscape images and central artist names, back covers with images on one side and text on the other, and provides an example six-panel digipak to draw inspiration from.
Digipak designs for a 4 panel case
The document discusses different design ideas for a 4-panel CD case and magazine poster to promote the artist's music. Design idea 1 for the CD case uses screenshots from the artist's music video along with a watercolor background in a polaroid-inspired template. Feedback found designs 1 and 3 most popular due to the polaroid photos and unusual font. The final design combines elements of designs 1 and 4, gaining positive feedback. For the magazine poster, design 1 is preferred as the polaroid photos relate to the music video and draw the eye.
Final dvd cover analysis
This document analyzes the DVD cover of Rihanna's "Good Girl Gone Bad Live". The summary is:
The main elements of the cover include the title "Rihanna - Good Girl Gone Bad Live", a photo of Rihanna from her live show, and listings of special features and tracks. The cover signals that Rihanna has changed her image from "good girl" to "bad girl" through her revealing outfit and black color. It aims to appeal to Rihanna fans and those who wanted to see her tour by portraying her live performance.
Digipak progression mockup
This document discusses the design elements of Taylor Swift's album "1989" and how they were used as inspiration for a mock-up album design. Key elements copied from Swift's design include a minimalist, neutral color scheme carried throughout the front cover, spine, and back cover. Photos were chosen that could be recreated on a low budget. The mock-up CD designs were kept simple with the album's color on the rims to look professional. Sample photos were used inside in a polaroid format, continuing the theme while being affordable for an independent artist. Overall continuity of color scheme and design was maintained to make the mock-up digipak visually cohesive.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Following/Challenging Conventions: Digipak
The document discusses the design of a digipak for an album. The author aimed to follow conventions to make the product look professional, while also challenging some conventions through their design choices. They summarize how each element of the digipak (front cover, back cover, spine, discs, etc.) follows or challenges typical conventions. Research into other album designs helped influence their choices. Overall, the author believes their digipak successfully follows conventions of cohesion and style appropriate for the indie music genre.
Evaluation Question 1
The document discusses how the media product, a DigiPak for a CD, uses and develops conventions of real music packaging. It follows conventions like shape/size of a CD case and only including the artist on the cover. It also develops conventions by using a similar mysterious image and font style to the Sam Smith album "In The Lonely Hour". The back cover includes standard info but with a consistent handwritten font. The CD itself challenges conventions by using an image with a black background. The music video follows conventions of using different shots but develops them with a narrative storyline rather than just a performance.
digipack desconstuction
The document summarizes and analyzes the album covers, layouts, colors, genres, and branding of four different albums:
1. The Black Keys - El Camino uses an orange-tinted photo of a car to represent the album's Spanish name and origins. It features the car centered in the frame with equal space above and below. The cover subverts genre conventions to brand the artist as unconventional.
2. Gorillaz - Gorillaz features a camouflaged car on a white background to catch attention. It is positioned as driving toward the viewer. The cover follows alternative hip hop conventions while subverting bright electronica styles. This brands the artists as curious and unseen.
Print products flat plans media a2 coursework
The document discusses plans for a 6-panel digipak design for a band's album. Key elements include:
- The front and back covers will be on the outside of the folded digipak. Inside panels will feature pictures of the band and lyrics to promote their hit song.
- The back cover will have typical design elements like a barcode and song list, along with an image in the background.
- Fonts on the front cover will prominently display the album and band names at the top and bottom around a central image of the band.
Slideshare 2
The document discusses the conventions and design elements used across different components of a music album release, including the front and back covers, spine, CD disk, and magazine advertisement. It analyzes existing examples to identify common conventions, such as featuring the artist's name and image prominently on the front cover and track listing on the back. It then describes how the design of its own album components, for an artist named Jess Kelly, follows these conventions to look professional and be consistent with existing products. Key elements included are the artist's name, album title, image of the artist, and information on purchasing.
Question 2 media work
The document discusses the design process for a Digi Pack for a hip hop album. It describes researching professional album packaging to identify conventions in the genre. Elements like photos of artists wearing expensive clothes and jewelry, unique fonts, and consistency across the front and back covers were incorporated. Photos from the album's music video were used to create familiarity. The inner booklet followed conventions of including credits instead of lyrics. A magazine ad was designed to link the video, Digi Pack, and magazine using cover photos. The design process aimed to attract the target hip hop audience by mirroring established packaging styles.
Digipak design 1
The document describes the design process for a digipak album cover. Key elements include:
- Using colors and background from the band's website for branding recognition.
- Placing the band name and album title prominently on the front cover.
- Including an image of the band with their instruments to identify their genre as rock.
- Providing track listings, tour dates, lyrics and a band message inside the digipak for fan engagement.
- Maintaining a consistent color scheme and style throughout to create a coherent design.
Digipack analysis
The document analyzes the conventions and design elements of digipack album covers for R&B artists Drake and Rihanna. Key conventions included placing the artist's name prominently at the top of the front cover with the artist directly facing the camera to create a connection with the audience. Song/album titles are placed at the bottom in smaller font. Covers tend to be simple with minimal color to reflect the emotion of R&B music. Back covers typically list songs and credit the record label, while keeping the same overall color scheme. Insides contain large double page images of the artist.
Props
The document discusses props that a group wants to include in a music video for one of their songs. They found props like flags were effective in conveying themes of patriotism and nostalgia. They created a poster design featuring these themes to include in wider shots. Ideas for props included beer, crisps, and a car to help portray the atmosphere and show actors traveling. The finished poster successfully represented the themes and style of the band through images like the union jack flag, silhouetted crowd, and rustic, disheveled aesthetic.
Evaluation question
The document discusses how the media product draws inspiration from real music videos and albums in its forms and conventions. It summarizes how the product takes visual elements like quick cuts, split screens, and flashing colors from Beyonce's "Countdown" video. It also replicates the use of graffiti walls from Cheryl Cole and close-up shots from Azealia Banks. The product mimics album layouts including four edited images on the cover inspired by Little Mix. The back cover and website draw from Adele and Rita Ora respectively. Images compare elements copied from other artists alongside the original work.
Conventions of my digipack
This document discusses the conventions Tanvir Khan followed for their Digipack design project. It provides background on what a Digipack is and its typical features such as a limited number of fonts, small production details, the artist's name and photo on the front cover. The document then shows screenshots of the front and back covers Tanvir designed, taking inspiration from other artists' album designs. It also includes an advertisement page Tanvir created, following conventions like using a bright photo, including tour dates and social media details.
Guvna b a little love pitch
The document discusses mockups for the front and back cover, CD design, and magazine advertisement for an album by Guvna B-A titled "Little Love".
For the front cover, two ideas are presented: 1) a faded image of the artist at a skate park with the album title overlaid and 2) a collage of black and white selfies showing individuals expressing love with the word "Love" in colored text.
The back cover mockup shows a wide shot image of the artist at a skate park along with track listings and credits. The CD design aims to be simple and consistent with the front cover, potentially using a splash of graffiti colors. The spine will contain the single
Evaluation- Question 1
My media product uses and develops conventions of real digipaks. I researched conventions for front covers, back covers, inside covers, and CD designs. My front cover includes the album name and clustered artwork. The back cover includes the track list, copyright, and barcode. The inside cover and CD include the artist and album names. While conforming to conventions, my design is tailored to my dance genre and music video concept of confusion. Comparisons show my product develops conventions appropriately for genre and intended audience.
Q2 eval questions
The document summarizes the effectiveness of combining the main product (a music video) with ancillary texts (a digipak and poster) for an indie band called Palace.
It notes several similarities between the main product and ancillary texts, including keeping colors simple, using a white font and casual images/photography. Font, color schemes, and artistic backgrounds are consistent, while writing is kept small and simple. The documentary style and casual clothing of the performers is also consistent with typical indie music videos and albums. Overall, the combination of the main product and ancillary texts effectively captures the indie genre's aesthetic of simplicity and subtlety.
Design (1)
Avenged Sevenfold's album covers and CD designs typically feature elements common in the metal genre like religious imagery, dark color schemes, skulls, and weapons. Their second album "Waking the Fallen" introduced their signature Deathbat symbol. Subsequent albums varied the designs to appeal to broader audiences or reflect the album's themes, with "Nightmare" depicting a grim reaper after the death of their drummer. Across albums, their artwork balances recognizability through the Deathbat with variations in imagery and colors to engage fans and represent each album's mood.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
Media pp poster
Bellvue Days is the name of a band. They are featured in two music publications, NME and Rock Sound. Bellvue Days received coverage or reviews in NME and Rock Sound magazines.
PP Final
This appears to be a music album with 6 song titles listed: Bellevue Days, Ripped Jeans, Pepper Tea, Something New, Gratefully Gracious, and Made from the Devil, Heavy Metal. The album has a front and back cover with the song list contained inside.
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What's hot
Digipak progression mockup
This document discusses the design elements of Taylor Swift's album "1989" and how they were used as inspiration for a mock-up album design. Key elements copied from Swift's design include a minimalist, neutral color scheme carried throughout the front cover, spine, and back cover. Photos were chosen that could be recreated on a low budget. The mock-up CD designs were kept simple with the album's color on the rims to look professional. Sample photos were used inside in a polaroid format, continuing the theme while being affordable for an independent artist. Overall continuity of color scheme and design was maintained to make the mock-up digipak visually cohesive.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Cd research
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
Following/Challenging Conventions: Digipak
The document discusses the design of a digipak for an album. The author aimed to follow conventions to make the product look professional, while also challenging some conventions through their design choices. They summarize how each element of the digipak (front cover, back cover, spine, discs, etc.) follows or challenges typical conventions. Research into other album designs helped influence their choices. Overall, the author believes their digipak successfully follows conventions of cohesion and style appropriate for the indie music genre.
Evaluation Question 1
The document discusses how the media product, a DigiPak for a CD, uses and develops conventions of real music packaging. It follows conventions like shape/size of a CD case and only including the artist on the cover. It also develops conventions by using a similar mysterious image and font style to the Sam Smith album "In The Lonely Hour". The back cover includes standard info but with a consistent handwritten font. The CD itself challenges conventions by using an image with a black background. The music video follows conventions of using different shots but develops them with a narrative storyline rather than just a performance.
digipack desconstuction
The document summarizes and analyzes the album covers, layouts, colors, genres, and branding of four different albums:
1. The Black Keys - El Camino uses an orange-tinted photo of a car to represent the album's Spanish name and origins. It features the car centered in the frame with equal space above and below. The cover subverts genre conventions to brand the artist as unconventional.
2. Gorillaz - Gorillaz features a camouflaged car on a white background to catch attention. It is positioned as driving toward the viewer. The cover follows alternative hip hop conventions while subverting bright electronica styles. This brands the artists as curious and unseen.
Print products flat plans media a2 coursework
The document discusses plans for a 6-panel digipak design for a band's album. Key elements include:
- The front and back covers will be on the outside of the folded digipak. Inside panels will feature pictures of the band and lyrics to promote their hit song.
- The back cover will have typical design elements like a barcode and song list, along with an image in the background.
- Fonts on the front cover will prominently display the album and band names at the top and bottom around a central image of the band.
Slideshare 2
The document discusses the conventions and design elements used across different components of a music album release, including the front and back covers, spine, CD disk, and magazine advertisement. It analyzes existing examples to identify common conventions, such as featuring the artist's name and image prominently on the front cover and track listing on the back. It then describes how the design of its own album components, for an artist named Jess Kelly, follows these conventions to look professional and be consistent with existing products. Key elements included are the artist's name, album title, image of the artist, and information on purchasing.
Question 2 media work
The document discusses the design process for a Digi Pack for a hip hop album. It describes researching professional album packaging to identify conventions in the genre. Elements like photos of artists wearing expensive clothes and jewelry, unique fonts, and consistency across the front and back covers were incorporated. Photos from the album's music video were used to create familiarity. The inner booklet followed conventions of including credits instead of lyrics. A magazine ad was designed to link the video, Digi Pack, and magazine using cover photos. The design process aimed to attract the target hip hop audience by mirroring established packaging styles.
Digipak design 1
The document describes the design process for a digipak album cover. Key elements include:
- Using colors and background from the band's website for branding recognition.
- Placing the band name and album title prominently on the front cover.
- Including an image of the band with their instruments to identify their genre as rock.
- Providing track listings, tour dates, lyrics and a band message inside the digipak for fan engagement.
- Maintaining a consistent color scheme and style throughout to create a coherent design.
Digipack analysis
The document analyzes the conventions and design elements of digipack album covers for R&B artists Drake and Rihanna. Key conventions included placing the artist's name prominently at the top of the front cover with the artist directly facing the camera to create a connection with the audience. Song/album titles are placed at the bottom in smaller font. Covers tend to be simple with minimal color to reflect the emotion of R&B music. Back covers typically list songs and credit the record label, while keeping the same overall color scheme. Insides contain large double page images of the artist.
Props
The document discusses props that a group wants to include in a music video for one of their songs. They found props like flags were effective in conveying themes of patriotism and nostalgia. They created a poster design featuring these themes to include in wider shots. Ideas for props included beer, crisps, and a car to help portray the atmosphere and show actors traveling. The finished poster successfully represented the themes and style of the band through images like the union jack flag, silhouetted crowd, and rustic, disheveled aesthetic.
Evaluation question
The document discusses how the media product draws inspiration from real music videos and albums in its forms and conventions. It summarizes how the product takes visual elements like quick cuts, split screens, and flashing colors from Beyonce's "Countdown" video. It also replicates the use of graffiti walls from Cheryl Cole and close-up shots from Azealia Banks. The product mimics album layouts including four edited images on the cover inspired by Little Mix. The back cover and website draw from Adele and Rita Ora respectively. Images compare elements copied from other artists alongside the original work.
Conventions of my digipack
This document discusses the conventions Tanvir Khan followed for their Digipack design project. It provides background on what a Digipack is and its typical features such as a limited number of fonts, small production details, the artist's name and photo on the front cover. The document then shows screenshots of the front and back covers Tanvir designed, taking inspiration from other artists' album designs. It also includes an advertisement page Tanvir created, following conventions like using a bright photo, including tour dates and social media details.
Guvna b a little love pitch
The document discusses mockups for the front and back cover, CD design, and magazine advertisement for an album by Guvna B-A titled "Little Love".
For the front cover, two ideas are presented: 1) a faded image of the artist at a skate park with the album title overlaid and 2) a collage of black and white selfies showing individuals expressing love with the word "Love" in colored text.
The back cover mockup shows a wide shot image of the artist at a skate park along with track listings and credits. The CD design aims to be simple and consistent with the front cover, potentially using a splash of graffiti colors. The spine will contain the single
Evaluation- Question 1
My media product uses and develops conventions of real digipaks. I researched conventions for front covers, back covers, inside covers, and CD designs. My front cover includes the album name and clustered artwork. The back cover includes the track list, copyright, and barcode. The inside cover and CD include the artist and album names. While conforming to conventions, my design is tailored to my dance genre and music video concept of confusion. Comparisons show my product develops conventions appropriately for genre and intended audience.
Q2 eval questions
The document summarizes the effectiveness of combining the main product (a music video) with ancillary texts (a digipak and poster) for an indie band called Palace.
It notes several similarities between the main product and ancillary texts, including keeping colors simple, using a white font and casual images/photography. Font, color schemes, and artistic backgrounds are consistent, while writing is kept small and simple. The documentary style and casual clothing of the performers is also consistent with typical indie music videos and albums. Overall, the combination of the main product and ancillary texts effectively captures the indie genre's aesthetic of simplicity and subtlety.
Design (1)
Avenged Sevenfold's album covers and CD designs typically feature elements common in the metal genre like religious imagery, dark color schemes, skulls, and weapons. Their second album "Waking the Fallen" introduced their signature Deathbat symbol. Subsequent albums varied the designs to appeal to broader audiences or reflect the album's themes, with "Nightmare" depicting a grim reaper after the death of their drummer. Across albums, their artwork balances recognizability through the Deathbat with variations in imagery and colors to engage fans and represent each album's mood.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
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Media pp poster
Bellvue Days is the name of a band. They are featured in two music publications, NME and Rock Sound. Bellvue Days received coverage or reviews in NME and Rock Sound magazines.
PP Final
This appears to be a music album with 6 song titles listed: Bellevue Days, Ripped Jeans, Pepper Tea, Something New, Gratefully Gracious, and Made from the Devil, Heavy Metal. The album has a front and back cover with the song list contained inside.
Digipak case study
The digipaks for Halsey's albums Room 93 and Badlands appeal to her target audience through their aesthetics and additional content. The Room 93 digipak contains a booklet discussing each song's producer and writer. Badlands' color scheme and themes are inspired by films. Overall, the albums present Halsey as nostalgic and motivational, appealing to fans seeking self-esteem through her lyrics about self-love. Her early fans were highly engaged online, discussing her music on social media with dedicated accounts.
Inspiration mood boards
From researching album covers and music videos with similar styles, the document summarizes that warm tones and pastel colours were commonly used to create a nostalgic feel. Filters were popular on covers to mimic the effects of Polaroid photographs. To match the retro style of the music video, the document proposes taking Polaroid photos or using similar filters for the album cover.
Cds
Kodaline uses simplistic landscape photography on their album covers that creates a natural feel relating to their Irish identity. Their light color palettes produce a fresh, raw atmosphere. The document discusses how albums by London Grammar and Mumford & Sons also feature natural landscapes. It then analyzes the debut album "My Head Is an Animal" by the Icelandic band Of Monsters and Men. The album uses a simple but effective two-panel cardboard digipak design with a natural photo that relates to the album's theme of wilderness. It inspires the document's author for their own digipak design through its vintage photo treatment and interaction through being made of cardboard.
Layout and font designs
This document discusses research for designing layouts and fonts for a music video. It considers using a handwritten font style to represent a teenage boy's handwriting and notes three capital letter fonts downloaded from Dafont that could work. Photography ideas include taking Polaroid photos of the boy playing drums, on a merry-go-round, or sitting with his bike against a white background. The background color in the design will match colors featured in the Polaroid photos.
Digipack analysis
The document summarizes and analyzes two album covers:
1) Red Hot Chili Peppers' "I'm With You" album cover features a pink and white pill with a fly, influenced by minimalism with its use of white space and limited colors.
2) Radiohead's "A Moon Shaped Pool" cover depicts a weeping minotaur drawing on a red library book surrounded by constellations and black space, representing feelings of being trapped and the album's personal, mysterious yet elegant feel.
Digipak first designs
This document summarizes the design process for the covers of a digipak. The front cover features an image representing spring. Feedback noted the fonts lacked impact and were unclear. The inside left cover features a beach representing summer, but the sun rays were too dark. The inside right cover features an autumn statue, but the image quality was low. The back cover features winter but the song font was dull. The designer plans to address the feedback by changing fonts and improving image quality and naturalness.
Digipak Final Designs
This document describes a physical object that is a jewelled case containing 5 parts: a front cover, inside left page, inside right page, a disc, and a back cover. The case protects a physical copy held within.
Moodboard
The document discusses features the author has discovered from analyzing album cover designs for bands with similar aesthetics to Eyes Like Switzerland. Specifically, it notes the extensive use of black and white color schemes and central images surrounded by borders. It considers using these design elements for its own album cover for the song "f e v e r" given the dark and moody nature of the music. The author also discusses options for the main central image and font style to reflect the lyrics and meaning of the songs.
Digipaks ideas
The document discusses ideas for designing the panels of a digipak album cover representing the four seasons - Spring, Summer, Autumn, and Winter. For Spring, the designer aims to feature a lush green area and sunny sky showing optimism. For Summer, a beach scene will portray warmth and relaxation. Autumn will show simple "autumn leaves" design centered around the CD. Winter aims to attract attention with a pristine snowy setting that allows space for song information. The designer also considers fonts that reflect power and authority for the album name "Kings" versus a more delicate font for the artist name.
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Similar to Print Production
Question 1
The document discusses how the media product uses and develops conventions of real music videos. It summarizes how various shots, effects, makeup, costumes, lighting and other elements follow conventions seen in popular music videos by artists like Beyoncé, Jessie J, and others. While most conventions are followed for professionalism, one way conventions are challenged is by keeping the green screen background throughout, rather than changing colors.
Evaluation: Question 2
The document discusses the student's process of creating ancillary texts, including a digipak and poster, to accompany their main music video product. The student began by researching conventions of digipaks and posters from the country music genre. They analyzed existing examples to identify conventions like consistent branding, imagery relating to the genre, and key information included. The student took what they learned and applied it while designing their own digipak and poster over multiple drafts, making revisions based on feedback. In the end, the student compares their final designs to real industry examples and determines they successfully incorporated important conventions, creating ancillary texts that complement their main product and genre.
G324 Shane Dobbing Media Evaluation
The document discusses the process of creating a music video, website, and album packaging for a band. It examines conventions from existing media products in the same genre to develop forms and conventions for its own creative works. Key conventions included displaying the song/band title, showing the band performing, connecting images to the music, and including information like tour dates. The goal was to create a product that would be recognizable to audiences familiar with the genre.
How I made my digipack
The document describes the design process for a digipack. For the front panel, the designer cropped an image from a magazine advertisement and added the band and album names in the same fonts used for other promotional materials. For the back panel, the designer included track listings and other standard elements like a barcode and logo. Side panels featured additional beach photos that were edited for consistency across the design.
Digipak Conventions
The document discusses the conventions and design elements the author followed in creating a Digipak for a CD. It examines the conventions of the front cover, back cover, spine, CD disks, and inside panels based on research of existing products. For each design element, the author provides examples of conventions they identified (e.g. artist name and image on the front cover). They then explain how their own design incorporates those conventions (e.g. placing the artist's name and image on the front cover) and compare it to inspirational existing products. The goal was to design professional-looking packaging by adhering to standard conventions.
Evaluation Question
This document analyzes a student's media product of a music video and accompanying digipak for their music. The student aimed to represent the rock music genre through conventions like the artist looking cool in sunglasses and leather jacket. Natural lighting was used in the video against genre conventions to match the sad song. The digipak and magazine advertisement incorporate elements from the video like the sunglasses and coat to represent the artist's persona and engage fans. Realistic features like track listings and pre-order information were also included.
Eq 1
This document analyzes a student's media product of a music video and accompanying digipak for their music album. The student aimed to develop conventions of rock music genres in their work. In the music video, they included elements like sunglasses, leather jacket, and guitar to portray looking "cool." They also chose natural lighting to match the sad tone of their song. In the digipak and advertisements, they incorporated bold fonts, images from the video, and codes/messages to fans to develop a realistic rock album packaging and marketing. The goal was to thoughtfully represent the genre through visuals and design choices.
Analysis of digipak
The document analyzes the design choices made for a digipak album cover. It discusses using images of the artist that engage the audience and establish her brand identity. The front cover places the artist off-center following the rule of thirds. Inside pages continue focusing on the artist through additional photos in different styles. Design elements like fonts, colors and backgrounds are chosen to be consistent throughout and relate to the artist's style and theme. The goal is to build a connection between the artist and audience through the visuals and track list descriptions.
Question 2
The student created a music video, digipak, and advertisement for a record label called Ruby Records as part of a course. The logo, featuring a dispersing rose, was used consistently across all products to create a unified brand identity. Photoshop was used to design the products, ensuring consistent font, color scheme, and imagery like tree branches and paint splatters. The digipak and advertisement featured the same black and white portrait of the singer Matthew to reinforce the star image. Reviews were included in a different font to distinguish outside opinions. Overall, the consistent design choices across all products helped create synergy and link them together with the music video as the core product.
Digipak Research
The document discusses conventions for music album covers and digipak designs based on examples. Some key conventions highlighted include using a close-up of the artist's face dominating most of the cover, including only the artist's name and song title with little other text, and maintaining a consistent color theme throughout the design. The document also examines specific album covers, noting design elements like lighting, font styles, image positioning, and how they appeal to audiences. Templates and ideas for creating an original digipak are discussed at the end.
A2 Music Video Evaluation
The document discusses the process of creating a music video that challenges conventions of the genre. Some key points:
1) Rather than featuring the band as most music videos do, the student uses stop-motion animation of fruit characters like lemons and limes to tell the story.
2) Feedback from the target audience confirmed that the music video did not need to include the band to be successful.
3) A variety of media technologies were used at different stages, including YouTube for research, GarageBand to edit audio, and digital editing software to create ancillary materials like an album cover and magazine ad.
Cd front and back cover evaluation
Luke created a fake CD cover for a made-up dubstep group called "Fixaz" with an album titled "Cutting Shapes". He designed the cover to match the dubstep genre by including references like writing "wub" all over in bright colors and including pictures of himself making a "dubstep face". While most elements fit the genre well, Luke felt the song titles and credits stood out too much against the black background. Creating the cover in Photoshop was a learning experience, but he would take more care cutting out images and matching fonts if given more time.
Making ancillary
1. The document discusses the design process for creating a digipak album cover and packaging for a band called "Shabby".
2. The author considers different design ideas and elements that are important to include, like the artist name, album title, imagery, and track listing.
3. Through feedback from peers and iterations of different logo designs, the author settles on a design for the album cover, inside packaging, and label that features images from an antique shop in a collage style with neon red text.
Evaluation – the ancillary task
Katherine evaluates her ancillary task of designing a CD cover and inserts for the fictional band Fire Drive Tiger. She summarizes the design process for each element, including using inspiration from real band covers and layouts. Key design elements included a cartoon tiger face, orange and black colors, and matching fonts. Katherine believes the final ancillary product captures the pop/rock genre, appeals to their target audience, and complements their music video well through consistent use of the tiger icon and colors across all pieces.
evaluation
The document discusses the design process for a digipak for a hip hop album. It aimed to follow conventions of existing digipaks through research. Conventions followed include using the artist name, album name, tracklist, parental advisory sign, barcodes, and record label logos. Color schemes and fonts are consistent across the front, back, spine and disc to create cohesion. Some conventions were broken such as adding age ratings, but overall it strives to appear like a professionally designed real product.
A2 Music Video Evaluation
- The music video uses stop-frame animation with fruit characters instead of people to differentiate itself from typical music videos in the genre, which usually follow the song's storyline.
- The album cover and magazine advertisement incorporate a "house theme" to connect the ancillary texts and have elements like a band image and lemon character.
- Feedback from the target audience confirmed that including the band wasn't necessary and helped the creator make improvements.
Conventional analysis
The document discusses conventions used in promotional posters and album packaging. For the promotional poster, the author included the record label logo, reviews, artist and album names, release date, and social media links. Images across materials featured the same costume and props for continuity. The album digi-pack featured the same front cover image as the poster, with artist and album names in the same font. The back listed the song titles, barcode, and company info. Photos inside corresponded to the music video and maintained a consistent color scheme and prop across the ancillary texts. In conclusion, the author aimed to meet genre expectations and conventions for promotional effectiveness.
Question 2 evaluation
The student created a music video, digipak, and website for their band. To ensure continuity across products:
1) The music video incorporated the "X" logo from the other works for a few seconds at the beginning.
2) Photos from the music video were used in the digipak. Locations matched between the video and photos.
3) A consistent color scheme of pink, black, white, and grey was used throughout all products.
4) The background design of a faded gray cross and spots was replicated across the website and digipak.
How effective is the combination of your main product and ancillary texts
1) The document analyzes how the ancillary materials for a band called Fire Drive Tiger effectively complement their music video.
2) Key elements that link the ancillary materials and video together include consistent use of the band's signature orange, black and white color scheme, similar fonts, imagery of the band's tiger logo, and portrayals of the band's rock/pop genre and appeal to teenage audiences.
3) The document concludes that the ancillary materials and video work well together to represent the band's style and genre while appealing to their target audience.
Creating My Ancillary Texts
The document describes the process of creating various ancillary materials for a music album, including a digipak, poster, and inside covers. Key steps involved using Photoshop and Publisher to design templates, crop and edit images, add text using various fonts for consistency, and combine elements together. Templates and assets were reused across materials to maintain cohesion. The goal was to promote a fictional artist and album with a theme of innocence and loss through the visual design elements and layouts.
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How effective is the combination of your main product and ancillary texts
How effective is the combination of your main product and ancillary texts
More from Anna Soukal
Media
The document discusses how the media product uses, develops, or challenges conventions of music videos and genre. It describes setting the music video in a school to create a familiar environment. It used shots of drums as a proairetic code to move the story along. It also used conventions like close-ups of the artist and a GoPro's fisheye effect for a voyeuristic perspective. The print productions used motifs, bright colors, and fonts seen in the genre to develop a coherent brand and make ideological connections. The music video utilized Todorov's three-act structure and included tension building to progress between acts, representing simplistic views of relationships.
Media Q 3
The document discusses the results of a survey the author conducted to evaluate the effectiveness of a music video production in meeting its objectives. The author created an online questionnaire using Google Forms and received responses over a period of time. The survey included questions about demographics, identification with characters, engagement, ability to identify the target audience and branding. The responses indicated that the author was mostly successful in targeting their intended young, male audience and engaging viewers through narrative choices and typical music video techniques. The production was also seen as creating an identifiable brand through consistent motifs across different works.
Evaluation
The document discusses the technologies used during the pre-production, production, and post-production stages of creating a music video. During pre-production, the author used websites like "Best of British Unsigned" and "SoundCloud" to research and select a song. A GoPro camera was used for filming due to its wide angle shot and maneuverability. Adobe Premiere Pro was used to edit the footage, applying techniques like matching cuts to the beat. Audience feedback was gathered through an online Google Forms survey. Overall, new media technologies have enhanced opportunities for young people to both consume and create film content through more accessible cameras and editing/sharing platforms.
MEDIA STUDIES: QUESTION SEVEN
1) In researching and studying many thriller films to produce their own opening, the author gained a better understanding of thriller conventions and how they are used to introduce the genre to target audiences.
2) Skills developed in a preliminary task, such as the 180 degree rule and match on action editing, were also applied to their thriller opening. However, the thriller opening allowed for more flexibility, like the inclusion of titles and credits.
3) Through extensive research on thriller conventions and experimenting with lighting techniques, the author improved their ability to understand the genre and meet the needs of a target audience.
MEDIA STUDIES: QUESTION SIX
The document discusses the technologies and skills learned through creating a media blog and thriller opening. It describes learning to use presentation software like Prezi and PowerPoint to share research. New skills with video editing software allowed lighting and shot adjustments. Experience with cameras, tripods, and embedding videos provided skills for shooting and sharing content. Overall, the process developed existing technical abilities and introduced skills with software, equipment, importing media, and editing shots to construct the thriller opening.
MEDIA STUDIES: QUESTION FOUR
The target audience for the media thriller is 15-21 year old Caucasian females interested in mainstream and big budget independent films. Specifically, the film focuses on the suffering of a female lead character that would appeal most to fellow females who could empathize with her struggles. While thrillers generally attract male audiences, this film emphasizes character development and psychology over action scenes. It aims to attract a mainstream yet intellectual audience interested in straightforward plots.
MEDIA STUDIES: QUESTION THREE
My thriller would likely be distributed as an independent TV thriller. It shares similarities with gritty British independent films like Lovely Bones but could have a larger release and budget as a TV show. Specifically, it parallels the investigative thriller format of True Detective season 1. Given its focus on teen leads and gritty style, it would likely target younger audiences on channels like E4 that feature dark dramas about teen life. Alternatively, it could be distributed via online streaming platforms like Netflix, which has been successful with exclusive thriller and drama series and offers a wide range for independent films to find audiences.
MEDIA STUDIES: QUESTION THREE
My thriller would likely be distributed as an independent TV thriller. It shares similarities with British independent films from FilmFour in its use of young actors, gritty settings, and natural landscapes on a small budget. However, as a TV show it could have a larger budget and release like True Detective season 1. The young teen lead and gritty tone suggest it would target younger audiences on channels like E4 that feature dark teen dramas. Streaming services like Netflix, which has 75 million subscribers and funds their own original shows, could also be suitable distribution for an independent thriller looking to find audiences through binge-watching a suspenseful series.
MEDIA STUDIES: QUESTION ONE
The document discusses conventions used in the opening of the author's thriller media product. It begins in a bleak wooded area to set a mysterious tone, referencing other films. An abandoned house creates a sense of entrapment for the protagonist through claustrophobic space and dirty surroundings. Chiaroscuro lighting is used to represent the contrast between innocence and criminality. The title "Rebecca" pays homage to the 1940 film and is shown before action to not interrupt it. Simple white titles and a heavy breathing sound bridge create tension. The opening ends on a cliffhanger to encourage audience attention, a convention of thriller genres.
Media ||Studies
The document provides details for planning a thriller film shoot near the author's house. The woodland surrounding the house is ideal for filming with its sense of isolation and variety of accessible locations. Scenes can be shot near the abandoned house, though the interior will need to be recreated elsewhere. The costume for the character Rebecca will portray her as escaping captivity through a prisoner number on her shirt. Her pursuer, called the Enigma, will wear all black to seem mysterious and threaten Rebecca's escape. Character descriptions establish Rebecca as innocent and helpless against the criminal and controlling Enigma.
THRILLER PLANNING
The document outlines initial concepts for a thriller film, including character types, locations, and costumes. For the female character, the writer intends to create a "damsel in distress" who is chased through an isolated wooded area and trapped in an old, cluttered shed. The "enigma" character will be constantly hooded, creating mystery around his identity. Locations like the dense woods and cramped shed aim to build tension. Costumes for the female will be plain to allow audiences to relate to her plight, while the enigma will remain fully concealed in black clothing, promoting speculation about his identity.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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