Principles And Elements Of Art
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This document defines and provides examples of the key principles and elements of art, including line, color, shape, space, texture, and value as elements, and balance, unity, movement, proportion, repetition, emphasis, and variety as principles. It provides brief descriptions of each element and principle, along with examples of famous artworks that demonstrate each one. The elements are the basic tools used to create art, while the principles are the ways elements are arranged and organized to achieve an artistic effect.
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Principles of art
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
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Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
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The document outlines the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are balance, emphasis, contrast, rhythm and movement, pattern and repetition, unity, and variety. They define the building blocks and tools used to create and organize art.
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This document defines and provides examples of the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are balance, emphasis, contrast, rhythm and movement, pattern and repetition, unity, and variety. They are the basic building blocks and organizational tools used to create visual artworks. Examples of artists who exemplified the use of these elements and principles in their works are provided.
Elements and-principles-1229805285530990-1
This document defines and provides examples of the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are balance, emphasis, contrast, rhythm and movement, pattern and repetition, unity, and variety. They are the basic building blocks and organizational tools used to create visual artworks. Examples of artists who exemplified different elements and principles are provided.
Elements and-principles-ARTS
The document outlines the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are used to organize the elements and include balance, emphasis, contrast, rhythm/movement, pattern/repetition, unity, variety, and proportion. Balance can be symmetrical or asymmetrical. Emphasis draws the eye to a focal point. Contrast creates interest through differences. Rhythm uses repetition to imply movement. Unity occurs when all elements work together cohesively.
Elements and-principles-1229805285530990-1 (2)
The document outlines the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are used to organize the elements and include balance, emphasis, contrast, rhythm/movement, pattern/repetition, unity, variety, and proportion. These elements and principles are the basic building blocks that artists use to create works of art.
Colorin Art
This document discusses color theory and how artists use color in their works. It covers color fundamentals like hue, value, saturation, complementary colors, analogous colors, and color schemes. Specific artists mentioned include Picasso, Cézanne, Monet, Van Gogh, Matisse, Newman, Rothko, Delaunay, Marc, Kelly, Raphael, and Reinhardt. The document also notes how color can impact a work of art and that color in painting is analogous to elements like timbre in music.
de Beaufort AA ch17
The document summarizes artistic movements in Europe between the Renaissance and Baroque periods. It describes how Humanism during the Renaissance led to a focus on depicting physical reality and the human form over religious subjects. Key artists of the Early Renaissance like Giotto, Masaccio, Donatello, and Botticelli incorporated realism and linear perspective. The High Renaissance saw the work of masters like Leonardo da Vinci, Michelangelo, and Raphael who pushed artistic skills to new heights. Northern European artists like Van Eyck and Bruegel also incorporated more realistic depictions of daily life. Mannerism emerged as a reaction against perfected Renaissance styles. The Baroque saw a shift to dramatic emotion and innovative uses of
Elements of Art
The document discusses the elements of art (line, shape, space, value, texture, color) and principles of design (emphasis, balance, unity, contrast, movement/rhythm, pattern/repetition). It provides definitions and examples for each element and principle. The key ideas are that the elements are the basic building blocks of art, and the principles are ways to combine the elements to create a powerful composition. Applying an understanding of elements and principles can help photographers construct aesthetically pleasing photographs. However, creativity also allows for experimentation beyond rigid rules.
1010elementsofartprinciplesofdesign-101123194756-phpapp01 (1).pdf
The document defines and provides examples of the elements of art (line, color, value, shape, form, space, and texture) and the principles of design (balance, emphasis, contrast, rhythm and movement, pattern and repetition, variety, proportion, and unity). It explains that the elements are the basic building blocks used in art while the principles are ways of organizing the elements in a work of art. Key artists are referenced as examples for several elements and principles.
lesson 3 principle and element of art.pptx
The document defines the elements and principles of art. The elements are line, color, value, shape, form, space and texture - the basic building blocks used to create art. The principles are balance, emphasis, contrast, rhythm/movement, pattern/repetition, unity, variety, and proportion - the tools and techniques used to organize the elements. Examples of artists are provided for some elements and principles to illustrate their use.
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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Principles And Elements Of Art
- 1. Principles and Elements of Art
- 2. Elements V L E A U LINE Color T E X T U R E Shape S P A C E
- 3. Color The Old Guitaristby Pablo Picasso, painted with oil on canvas Color is the reflection of light, when hitting an object. There are three parts to color: Hugh (the name given to the color), Intensity (strength and vividness of the color) and Value (the lightness or darkness of a color)
- 4. Line The Last Supper, by Leonardo DaVinci Painted with tempera on stone wall Line: a continuous mark. In art, used to define a space, create an outline or pattern, imply movement or texture and allude to mass or volume.
- 5. Shape Robe violette et Anemones, by Henri Matisse Oil on canvas Shape: An enclosed space whose boundaries are defined by other elements of art such as line and color.
- 6. Space Landscape with Butterflies, by Salvador Dali Oil on canvas Space: distances or areas around, between or within components of a piece. Space may be either positive or negative, open or closed, shallow or deep, two or three dimensional.
- 7. Texture Visual Music by Paul Klee Oil on canvas The visual “feel” or interpretation of medium on a two dimensional work. The literal feel of a three dimensional piece of work
- 8. Value Portrait of FrédéricBazille Painting The Heron with Wings Unfurled by Pierre AugusteRenoir Oil on canvas Value: The lightness or darkness of a color.
- 9. Principles BALANCE Variety Movement EMPHASIS UNITY Repetition PrOpOrTiOnS
- 10. Balance The Two Fridas By Frida Kahlo Balance: elements arranged so that no one part overpowers the other. Three types of balance are symmetrical, asymmetrical and radial.
- 11. Unity Starry Night by Vincent Van Gogh Unity: The arrangement of various elements of art to effectively complete the piece.
- 12. Movement No Swimming by Norman Rockwell Movement: the arrangement of elements of the arts to convey a sense of kinesthetic movement.
- 13. Proportion The Statue of David by Michael Angelo Proportion: a measurement of the size and elements within a composition, so that it reflects either distorted reality or is actually realistic.
- 14. Repetition Water Lilies by Claude Monet Repetition: demonstrates consistency with color and line.
- 15. Emphasis The Kiss By Gustav Klimt Emphasis: occurs when elements or portions of the piece are given dominance over others.
- 16. Variety Variety: utilizing different forms or types. May utilize a notable change in size, contrast, or color. Marilyn by Andy Warhol