SlideShare a Scribd company logo
1 of 3
Declan
Front Cover And Contents
Frontcover
• Q:
• The headline for Q does not follow the convention a regular magazine due to its one letter. Due to this it is positioned at the top left of the
magazine and changes size and orientation depending on the issue. For example when muse are featured it is slightly larger and rotated at
an angle with cracks going through it imitating the attitude that muse have. This is very similar to kerrang. However when Adele is featured
it fits perfectly in the corner with no cracks with a prefect contrast to the snow white background she is placed on.
• The cover lines on kerrang follow the magazine signature colour scheme of red black and white. Occasionally they will mix it up depending
on which artists feature in that issue. They are bold and red mostly with black or red article teasers. This is to catch the attention of the
readers and because it's almost telling them you should look here, due to the cover lines being bold, they do this as kerrang editors know
the audience they are appealing to.
• A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at the lower
corner of the screen or upper corners.
• There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily distracted.
• Clash:
• Clash’s typography is very bold and large centred at the top of the page. This an opposite of kerrang as it is a solid colour and
not broken up. This would be because clash is not a music magazine base on rock and punk therefore the same attitude towards
music does not apply. Clash is not primarily and singularly a music magazine it is also a fashion and film magazine so the attitude
is more grown up and less rebellious as the target audience is very different.
• The main image/ subject on Clash from cover is mostly large and in the centre whether it be a band or singular artist. This is
because they are know that audiences are more attracted to pictures than blocks of text. This is more of a marketing technique
rather than a convention of the clashes audience. The other reason they are positioned like this is because the front cover
bands are usually well known people for example if Kings of Leon was on the front cover people who are fans of the genre
would quickly recognise him as one of the usp's of this magazine and be more inclined to buy it rather than say Kerrang or
another music magazine. The background is almost always a solid or simple block colour with maybe a fade effect if the text
becomes unreadable.
• The cover lines of clash are almost always positioned quite close underneath the title however unlike other magazines they do
not feature a few lines from said article just the article name, something short and snappy too instantly get the readers
attention.
• A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at
the lower corner of the screen or upper corners.
• There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily
distracted. The texts used on Clash are all white keeping with the more mature attitude toward music than kerrangs teenage
rebellious attitude.
• Kerrang:
• Firstly kerrangs headlines typography is that connoting the genre. Is broken and shattered. This conveys a certain attitude of which this magazine is known for, it's
rocky and punk music genre. For another point these genres are associated with rebellion and breaking the rules. This again backs up the reasoning behind
kerrang using a broken font as it is breaking the conventions (rules ) of most magazine front covers.
• The main image/ subject on kerrangs from cover is always large and in the centre whether it be a band or singular artist. This is because they are know that
audiences are more attracted to pictures than blocks of text. The other reason they are positioned like this is because the front cover bands are usually well
known people for example if gerrard way was on the front cover people who are fans of the genre would quickly recognise him as one of the usp's of this
magazine and be more inclined to buy it rather than say Q or another music magazine. The background is almost always a solid or simple block colour with maybe
a fade effect if the text becomes unreadable.
• The cover lines on kerrang follow the magazine signature colour scheme of red black and white. Occasionally they will mix it up depending on which artists
feature in that issue. They are bold and red mostly with black or red article teasers. This is to catch the attention of the readers and because it's almost telling
them you should look here, due to the cover lines being bold, they do this as kerrang editors know the audience they are appealing to.
• A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at the lower corner of the screen or
upper corners.
• There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily distracted.
Contentspage
Many of the music magazines I have analysed have the same common features
and barely any change apart from the attitude conveyed within them via the
colour of the text, the font size and whether or not the text is serif or sans-serif.
Many of these features include:
• The main articles are listed with there page numbers next to them and the
others are listed as features or specials.
• Many don't have the links to social media on the contents page unless it is a
special editors edition of which they want to get there name out there.
• The front page is used as an image at the top or bottom of the page to remind
readers of what issue they are reading. This mostly a marketing technique
rather than a magazine choice as its easier for audiences to look than read.
• The colour of the background is again a simple block so that the main article
photo does not have the attention drawn away from it and you can recognise
the artist via their face. It’s also done so you can manipulate the artificial
lighting so the text can be read. In certain issues of the subject is famous
enough you cam get away without using a block colour.
• Many of the magazines use adverts based towards their target audience so
they can sell more merchandise or push certain deals and offers again giving
them an incentive to buy.
• Most of the contents pages have the issue date somewhere on the page to
reinforce which issue you’re reading if you dont pay attention to the front
cover.

More Related Content

What's hot

Contents page analysis
Contents page analysisContents page analysis
Contents page analysisAmy Lea
 
Front cover overview
Front cover overviewFront cover overview
Front cover overviewDN02RZU
 
Codes and conventions of a magazine final presentation
Codes and conventions of a magazine final presentationCodes and conventions of a magazine final presentation
Codes and conventions of a magazine final presentationHassan Elahi
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1tara96
 
ancillary research - music magazine cover
ancillary research - music magazine coverancillary research - music magazine cover
ancillary research - music magazine coverKatie Anderson
 
Music Magazine Research
Music Magazine ResearchMusic Magazine Research
Music Magazine ResearchHarriet Hagen
 
Codes and conventions- Front cover
Codes and conventions- Front coverCodes and conventions- Front cover
Codes and conventions- Front coverfrankwebster99
 
Codes and conventions of a magazine
Codes and conventions of a  magazineCodes and conventions of a  magazine
Codes and conventions of a magazinejasmineharding
 
Front cover analysis y13
Front cover analysis y13Front cover analysis y13
Front cover analysis y13frankwebster99
 
Codes and Conventions: Music Magazine Front Covers
Codes and Conventions: Music Magazine Front CoversCodes and Conventions: Music Magazine Front Covers
Codes and Conventions: Music Magazine Front CoversPhoebe Robinson
 
Music Magazine Construction
Music Magazine ConstructionMusic Magazine Construction
Music Magazine ConstructionTMoorwood
 
Analysis of a professional double page spread
Analysis of a professional double page spreadAnalysis of a professional double page spread
Analysis of a professional double page spreadjasmineharding
 
Magazine Cover Terminology
Magazine Cover TerminologyMagazine Cover Terminology
Magazine Cover TerminologyRobBeynon1
 

What's hot (19)

Contents page analysis
Contents page analysisContents page analysis
Contents page analysis
 
Front cover overview
Front cover overviewFront cover overview
Front cover overview
 
Codes and conventions of a magazine final presentation
Codes and conventions of a magazine final presentationCodes and conventions of a magazine final presentation
Codes and conventions of a magazine final presentation
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
ancillary research - music magazine cover
ancillary research - music magazine coverancillary research - music magazine cover
ancillary research - music magazine cover
 
Music Magazine Research
Music Magazine ResearchMusic Magazine Research
Music Magazine Research
 
Film magazine analysis
Film magazine analysisFilm magazine analysis
Film magazine analysis
 
Codes and conventions- Front cover
Codes and conventions- Front coverCodes and conventions- Front cover
Codes and conventions- Front cover
 
Newspaper make up
Newspaper make upNewspaper make up
Newspaper make up
 
Codes and conventions of a magazine
Codes and conventions of a  magazineCodes and conventions of a  magazine
Codes and conventions of a magazine
 
Front cover analysis y13
Front cover analysis y13Front cover analysis y13
Front cover analysis y13
 
Codes and Conventions: Music Magazine Front Covers
Codes and Conventions: Music Magazine Front CoversCodes and Conventions: Music Magazine Front Covers
Codes and Conventions: Music Magazine Front Covers
 
Music Magazine Construction
Music Magazine ConstructionMusic Magazine Construction
Music Magazine Construction
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Double page
Double pageDouble page
Double page
 
Analysis of a professional double page spread
Analysis of a professional double page spreadAnalysis of a professional double page spread
Analysis of a professional double page spread
 
Magazine Cover Terminology
Magazine Cover TerminologyMagazine Cover Terminology
Magazine Cover Terminology
 
Xxl
XxlXxl
Xxl
 

Viewers also liked (15)

Test
TestTest
Test
 
synigize
synigizesynigize
synigize
 
Test
TestTest
Test
 
Test
TestTest
Test
 
Test
TestTest
Test
 
test
testtest
test
 
Estrés laboral plan de negocio
Estrés laboral plan de negocioEstrés laboral plan de negocio
Estrés laboral plan de negocio
 
Testimonials
TestimonialsTestimonials
Testimonials
 
NIRIN VORA THE GREAT PLEASANT BASKETBALL PLAYER - DINESH VORA
NIRIN VORA THE GREAT PLEASANT  BASKETBALL PLAYER - DINESH VORANIRIN VORA THE GREAT PLEASANT  BASKETBALL PLAYER - DINESH VORA
NIRIN VORA THE GREAT PLEASANT BASKETBALL PLAYER - DINESH VORA
 
Grade 3 unit 5 (part 2)
Grade 3   unit 5 (part 2)Grade 3   unit 5 (part 2)
Grade 3 unit 5 (part 2)
 
2016 Auction
2016 Auction2016 Auction
2016 Auction
 
TOUCH SCREEN EXPOSICION
TOUCH SCREEN EXPOSICION TOUCH SCREEN EXPOSICION
TOUCH SCREEN EXPOSICION
 
Sandra, Goreti e Leonilde
Sandra, Goreti e LeonildeSandra, Goreti e Leonilde
Sandra, Goreti e Leonilde
 
Elisa, Sara e Lucília
Elisa, Sara e LucíliaElisa, Sara e Lucília
Elisa, Sara e Lucília
 
Test watir
Test watirTest watir
Test watir
 

Similar to Presentation1

Genre Layout Conventions
Genre Layout ConventionsGenre Layout Conventions
Genre Layout Conventionserindawson_
 
Magazine conventions
Magazine conventionsMagazine conventions
Magazine conventionsDarcie Naylor
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazinesFlipDexHD1
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazinesFlipDexHD1
 
Codes and conventions abbey waitt
Codes and conventions abbey waitt Codes and conventions abbey waitt
Codes and conventions abbey waitt 08WaittA
 
Media Language Lesson 7 - written codes - magazines
Media Language Lesson 7 - written codes - magazinesMedia Language Lesson 7 - written codes - magazines
Media Language Lesson 7 - written codes - magazinesElle Sullivan
 
Lesson 7 - written codes - magazines
Lesson 7 - written codes - magazinesLesson 7 - written codes - magazines
Lesson 7 - written codes - magazinesElle Sullivan
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazinesFlipDexHD1
 
Music magazine
Music magazine Music magazine
Music magazine asmediad14
 
Music magazine
Music magazine Music magazine
Music magazine asmediad14
 
Conventions
ConventionsConventions
Conventionsellerb
 
Unit 13 powerpoint lo2
Unit 13 powerpoint lo2Unit 13 powerpoint lo2
Unit 13 powerpoint lo2olong17
 
Music Magazine Analysis - Kerrang
Music Magazine Analysis - KerrangMusic Magazine Analysis - Kerrang
Music Magazine Analysis - Kerrangmaddyh7
 
Evaluation question 1 redo
Evaluation question 1   redoEvaluation question 1   redo
Evaluation question 1 redo10-klam
 
LIIAR ANAYLISIS
LIIAR ANAYLISISLIIAR ANAYLISIS
LIIAR ANAYLISISeri77
 
media magazines analysis
media magazines analysismedia magazines analysis
media magazines analysismillie276332
 

Similar to Presentation1 (20)

Genre Layout Conventions
Genre Layout ConventionsGenre Layout Conventions
Genre Layout Conventions
 
Magazine conventions
Magazine conventionsMagazine conventions
Magazine conventions
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazines
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazines
 
Codes and conventions abbey waitt
Codes and conventions abbey waitt Codes and conventions abbey waitt
Codes and conventions abbey waitt
 
Kerrang
KerrangKerrang
Kerrang
 
Conventions
ConventionsConventions
Conventions
 
Kerrang
KerrangKerrang
Kerrang
 
Media Language Lesson 7 - written codes - magazines
Media Language Lesson 7 - written codes - magazinesMedia Language Lesson 7 - written codes - magazines
Media Language Lesson 7 - written codes - magazines
 
Lesson 7 - written codes - magazines
Lesson 7 - written codes - magazinesLesson 7 - written codes - magazines
Lesson 7 - written codes - magazines
 
Front cover of music magazines
Front cover of music magazinesFront cover of music magazines
Front cover of music magazines
 
Music magazine
Music magazine Music magazine
Music magazine
 
Music magazine
Music magazine Music magazine
Music magazine
 
Conventions
ConventionsConventions
Conventions
 
Unit 13 powerpoint lo2
Unit 13 powerpoint lo2Unit 13 powerpoint lo2
Unit 13 powerpoint lo2
 
Music Magazine Analysis - Kerrang
Music Magazine Analysis - KerrangMusic Magazine Analysis - Kerrang
Music Magazine Analysis - Kerrang
 
Conventions
ConventionsConventions
Conventions
 
Evaluation question 1 redo
Evaluation question 1   redoEvaluation question 1   redo
Evaluation question 1 redo
 
LIIAR ANAYLISIS
LIIAR ANAYLISISLIIAR ANAYLISIS
LIIAR ANAYLISIS
 
media magazines analysis
media magazines analysismedia magazines analysis
media magazines analysis
 

More from FlipDexHD1

Evaluation question 2 draft 1 (1)
Evaluation question 2  draft 1 (1)Evaluation question 2  draft 1 (1)
Evaluation question 2 draft 1 (1)FlipDexHD1
 
Audience research results
Audience research resultsAudience research results
Audience research resultsFlipDexHD1
 
Documentary analysis v2
Documentary analysis v2Documentary analysis v2
Documentary analysis v2FlipDexHD1
 
Documentary analysis 2
Documentary analysis 2Documentary analysis 2
Documentary analysis 2FlipDexHD1
 
Documentary analysis
Documentary analysisDocumentary analysis
Documentary analysisFlipDexHD1
 
Codes & conventions
Codes & conventionsCodes & conventions
Codes & conventionsFlipDexHD1
 
Narrative structure
Narrative structureNarrative structure
Narrative structureFlipDexHD1
 
Batman owns a caravan
Batman owns a caravanBatman owns a caravan
Batman owns a caravanFlipDexHD1
 
Breadline kids
Breadline kidsBreadline kids
Breadline kidsFlipDexHD1
 
Plus size wars
Plus size warsPlus size wars
Plus size warsFlipDexHD1
 
The documentary genre
The documentary genreThe documentary genre
The documentary genreFlipDexHD1
 
Audience profile
Audience profileAudience profile
Audience profileFlipDexHD1
 
Preliminary contents page
Preliminary contents pagePreliminary contents page
Preliminary contents pageFlipDexHD1
 
Media Things j
Media Things jMedia Things j
Media Things jFlipDexHD1
 
Questionnaire results analysis
Questionnaire results analysisQuestionnaire results analysis
Questionnaire results analysisFlipDexHD1
 

More from FlipDexHD1 (20)

Evaluation question 2 draft 1 (1)
Evaluation question 2  draft 1 (1)Evaluation question 2  draft 1 (1)
Evaluation question 2 draft 1 (1)
 
Audience research results
Audience research resultsAudience research results
Audience research results
 
Documentary analysis v2
Documentary analysis v2Documentary analysis v2
Documentary analysis v2
 
Documentary analysis 2
Documentary analysis 2Documentary analysis 2
Documentary analysis 2
 
Documentary analysis
Documentary analysisDocumentary analysis
Documentary analysis
 
Codes & conventions
Codes & conventionsCodes & conventions
Codes & conventions
 
Narrative structure
Narrative structureNarrative structure
Narrative structure
 
Batman owns a caravan
Batman owns a caravanBatman owns a caravan
Batman owns a caravan
 
Breadline kids
Breadline kidsBreadline kids
Breadline kids
 
Plus size wars
Plus size warsPlus size wars
Plus size wars
 
Caravans
CaravansCaravans
Caravans
 
Kenny rogers
Kenny rogersKenny rogers
Kenny rogers
 
Kenny rogers
Kenny rogersKenny rogers
Kenny rogers
 
The documentary genre
The documentary genreThe documentary genre
The documentary genre
 
Presentation2
Presentation2Presentation2
Presentation2
 
Audience profile
Audience profileAudience profile
Audience profile
 
Preliminary contents page
Preliminary contents pagePreliminary contents page
Preliminary contents page
 
Media Things j
Media Things jMedia Things j
Media Things j
 
Questionnaire results analysis
Questionnaire results analysisQuestionnaire results analysis
Questionnaire results analysis
 
David hid
David hidDavid hid
David hid
 

Recently uploaded

Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...
Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...
Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...RKavithamani
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991RKavithamani
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxGaneshChakor2
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesFatimaKhan178732
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxmanuelaromero2013
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxpboyjonauth
 

Recently uploaded (20)

Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...
Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...
Privatization and Disinvestment - Meaning, Objectives, Advantages and Disadva...
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
CARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptxCARE OF CHILD IN INCUBATOR..........pptx
CARE OF CHILD IN INCUBATOR..........pptx
 
URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and Actinides
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptx
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptx
 

Presentation1

  • 2. Frontcover • Q: • The headline for Q does not follow the convention a regular magazine due to its one letter. Due to this it is positioned at the top left of the magazine and changes size and orientation depending on the issue. For example when muse are featured it is slightly larger and rotated at an angle with cracks going through it imitating the attitude that muse have. This is very similar to kerrang. However when Adele is featured it fits perfectly in the corner with no cracks with a prefect contrast to the snow white background she is placed on. • The cover lines on kerrang follow the magazine signature colour scheme of red black and white. Occasionally they will mix it up depending on which artists feature in that issue. They are bold and red mostly with black or red article teasers. This is to catch the attention of the readers and because it's almost telling them you should look here, due to the cover lines being bold, they do this as kerrang editors know the audience they are appealing to. • A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at the lower corner of the screen or upper corners. • There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily distracted. • Clash: • Clash’s typography is very bold and large centred at the top of the page. This an opposite of kerrang as it is a solid colour and not broken up. This would be because clash is not a music magazine base on rock and punk therefore the same attitude towards music does not apply. Clash is not primarily and singularly a music magazine it is also a fashion and film magazine so the attitude is more grown up and less rebellious as the target audience is very different. • The main image/ subject on Clash from cover is mostly large and in the centre whether it be a band or singular artist. This is because they are know that audiences are more attracted to pictures than blocks of text. This is more of a marketing technique rather than a convention of the clashes audience. The other reason they are positioned like this is because the front cover bands are usually well known people for example if Kings of Leon was on the front cover people who are fans of the genre would quickly recognise him as one of the usp's of this magazine and be more inclined to buy it rather than say Kerrang or another music magazine. The background is almost always a solid or simple block colour with maybe a fade effect if the text becomes unreadable. • The cover lines of clash are almost always positioned quite close underneath the title however unlike other magazines they do not feature a few lines from said article just the article name, something short and snappy too instantly get the readers attention. • A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at the lower corner of the screen or upper corners. • There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily distracted. The texts used on Clash are all white keeping with the more mature attitude toward music than kerrangs teenage rebellious attitude. • Kerrang: • Firstly kerrangs headlines typography is that connoting the genre. Is broken and shattered. This conveys a certain attitude of which this magazine is known for, it's rocky and punk music genre. For another point these genres are associated with rebellion and breaking the rules. This again backs up the reasoning behind kerrang using a broken font as it is breaking the conventions (rules ) of most magazine front covers. • The main image/ subject on kerrangs from cover is always large and in the centre whether it be a band or singular artist. This is because they are know that audiences are more attracted to pictures than blocks of text. The other reason they are positioned like this is because the front cover bands are usually well known people for example if gerrard way was on the front cover people who are fans of the genre would quickly recognise him as one of the usp's of this magazine and be more inclined to buy it rather than say Q or another music magazine. The background is almost always a solid or simple block colour with maybe a fade effect if the text becomes unreadable. • The cover lines on kerrang follow the magazine signature colour scheme of red black and white. Occasionally they will mix it up depending on which artists feature in that issue. They are bold and red mostly with black or red article teasers. This is to catch the attention of the readers and because it's almost telling them you should look here, due to the cover lines being bold, they do this as kerrang editors know the audience they are appealing to. • A splash is used in most instances for an extra incentive to buy. For example free posters and is normally in a circular shape at the lower corner of the screen or upper corners. • There are normally only 3-4 text fonts used on a front cover to keep it simple and not messy. This because audiences are easily distracted.
  • 3. Contentspage Many of the music magazines I have analysed have the same common features and barely any change apart from the attitude conveyed within them via the colour of the text, the font size and whether or not the text is serif or sans-serif. Many of these features include: • The main articles are listed with there page numbers next to them and the others are listed as features or specials. • Many don't have the links to social media on the contents page unless it is a special editors edition of which they want to get there name out there. • The front page is used as an image at the top or bottom of the page to remind readers of what issue they are reading. This mostly a marketing technique rather than a magazine choice as its easier for audiences to look than read. • The colour of the background is again a simple block so that the main article photo does not have the attention drawn away from it and you can recognise the artist via their face. It’s also done so you can manipulate the artificial lighting so the text can be read. In certain issues of the subject is famous enough you cam get away without using a block colour. • Many of the magazines use adverts based towards their target audience so they can sell more merchandise or push certain deals and offers again giving them an incentive to buy. • Most of the contents pages have the issue date somewhere on the page to reinforce which issue you’re reading if you dont pay attention to the front cover.