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SCHOOL of
CRITICISM
*stylistic
Stylistic
Style is the manner in which
something is presented, and
this approach concentrates on
the peculiarities of diction and
imagery employed, sometimes
relating them to literary and
social theory.
Stylistics
-is a valuable if long-winded
approach to criticism, and compels
attention to the poem's details. Two
of the three simple exercises
performed here show that the poem
is deficient in structure, and needs
to be radically recast. The third
sheds light on its content.
Stylistics
-applies linguistics to literature
in the hope of arriving at
analyses which are more
broadly based, rigorous and
objective.
STEPHEN CRANEÆS
•>stylistics represents a
promising area not only
because stylistic analysis
involves both fields, but
because such an analysis
makes possible a more
complex approach to
literature.
Strength
-the focus is on linguistic
devices or applications at the
phonological, lexical, or
syntactic level, whichever
proves to be meaningful in any
kind of literary interpretation.
Why then
employ
stylistics
at
all?
Because form is important in
poetry, and stylistics has the largest
armoury of analytical weapons.
Moreover, stylistics need not be
reductive and simplistic.
Why then
employ
stylistics
at
all?
-Stylistics suggests why
certain devices are effective;
- Stylistics is a very technical
subject, which hardly makes for
engrossing, or indeed
uncontentious, reading.
Some stylistic analysis is to
be found in most types of
literary criticism, and
differences between the
traditional, New Criticism and
Stylistics approaches are often
matters of emphasis.
Published Examples of Stylistic
Literary Criticism
*G.N. Leech's A Linguistic Guide to
English Poetry (1969)
*Laura Brown's Alexander Pope (1985)
*Roy Lewis's On Reading French
Verse: A Study in Poetic Form (1982)
*George Wright's Shakespeare's
Metrical Art. (1988)
*Richard Bradford's A Linguistic History
of English Poetry (1993)
Source :
http//www.textec.com/critic
ism
Ana Marie B. Cordova

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School of Criticism(Stylistic)

  • 2. Stylistic Style is the manner in which something is presented, and this approach concentrates on the peculiarities of diction and imagery employed, sometimes relating them to literary and social theory.
  • 3. Stylistics -is a valuable if long-winded approach to criticism, and compels attention to the poem's details. Two of the three simple exercises performed here show that the poem is deficient in structure, and needs to be radically recast. The third sheds light on its content.
  • 4. Stylistics -applies linguistics to literature in the hope of arriving at analyses which are more broadly based, rigorous and objective.
  • 5. STEPHEN CRANEÆS •>stylistics represents a promising area not only because stylistic analysis involves both fields, but because such an analysis makes possible a more complex approach to literature.
  • 6. Strength -the focus is on linguistic devices or applications at the phonological, lexical, or syntactic level, whichever proves to be meaningful in any kind of literary interpretation.
  • 8. Because form is important in poetry, and stylistics has the largest armoury of analytical weapons. Moreover, stylistics need not be reductive and simplistic.
  • 10. -Stylistics suggests why certain devices are effective; - Stylistics is a very technical subject, which hardly makes for engrossing, or indeed uncontentious, reading.
  • 11. Some stylistic analysis is to be found in most types of literary criticism, and differences between the traditional, New Criticism and Stylistics approaches are often matters of emphasis.
  • 12. Published Examples of Stylistic Literary Criticism *G.N. Leech's A Linguistic Guide to English Poetry (1969) *Laura Brown's Alexander Pope (1985) *Roy Lewis's On Reading French Verse: A Study in Poetic Form (1982) *George Wright's Shakespeare's Metrical Art. (1988) *Richard Bradford's A Linguistic History of English Poetry (1993)