3.0 Albert Berghaus, M. B. Brady’s New Photographic Gallery, Corner of Broadway and Tenth Street, New York,
from Frank Leslie’s Illustrated Newspaper, 1861. Wood engraving. Library of Congress, Washington, D.C.
3.1 Gabriel Harrison, Past, Present, Future,
1854. George Eastman House, Rochester,
New York.
3.2 Photographer Unknown, The Fresh View Agent Soliciting, from Stereoscopes in Use, c. 1860s. Stereograph.
George Eastman House, Rochester, New York.
3.3 Photographer Unknown, Looking up Broadway from the Corner of Broome Street, 1868. Stereograph. Albumen
silver print, 1868-71. Library of Congress, Washington, D.C.
3.4 André Adolphe
Eugène Disdéri,
Prince Lobkowitz,
1858. Metropolitan
Museum of Art, New
York.
3.5 Jean-François Millet, The Sower, 1862. Cliché
verre. Victoria and Albert Museum, London.
3.6 Étienne Carjat, Charles Baudelaire, c.
1862. Woodburytype. Metropolitan
Museum of Art, New York.
3.7 Nadar, Panthéon Nadar, 1854. Lithographic print. George Eastman House, Rochester, New York.
3.8 Nadar and Adrien Tournachon, Pierrot the
Photographer, 1854-55. Paper print. Musée
Carnavalet, Paris.
3.9 Nadar, Théophile Gautier, 1854-55. Albumen
salted paper print, mounted on Bristol board.
Musée d’Orsay, Paris.
3.10 Nadar, The Sewers of Paris, 1864-65.
Modern print from a glass negative. Caisse
Nationale des Monuments Historiques et des
Sites, Paris.
3.11 William Lake Price, Don Quixote in
his study, early 1850s. Albumen print
from a wet collodion negative. Victoria
and Albert Museum, London.
3.12 Oscar Rejlander, The Two Ways of Life, 1857. Albumen print. George Eastman House, Rochester, New York.
3.13 Henry Peach Robinson, Group with Recumbent Figure (Sketch with cut-out), 1860. Albumen print and pastel
collage on paper. Gernsheim Collection. Harry Ransom Humanities Research Center, University of Texas at Austin.
3.14 Henry Peach Robinson, Fading Away, 1858. Albumen composite print. Science Museum, London.
3.15 Lewis Carroll, Alice Liddell as “The Beggar
Maid”, c. 1859. Hand-colored albumen print.
3.16 Lady Augusta
Mostyn, Oak tree in
Eridge Park, Sussex,
1856. Albumenized print
of collodion negative.
George Eastman House,
Rochester, New York.
3.17 Lady Filmer, Untitled leaf from the Filmer Album, c. 1865. Photo and watercolour. Paul F. Walter Collection, New
York.
3.18 Julia Margaret Cameron, Herschel, 1867.
Albumen print. Victoria and Albert Museum,
London.
3.19 Julia Margaret Cameron, Ophelia,
Study no. 2, 1867. Albumen print . George
Eastman House, Rochester, New York.
3.20 Lady Hawarden, Girl in Fancy Dress, c. 1860. Collodion print. Victoria and Albert Museum, London.

Ppt ch03 marien_4_e-205392

  • 1.
    3.0 Albert Berghaus,M. B. Brady’s New Photographic Gallery, Corner of Broadway and Tenth Street, New York, from Frank Leslie’s Illustrated Newspaper, 1861. Wood engraving. Library of Congress, Washington, D.C.
  • 2.
    3.1 Gabriel Harrison,Past, Present, Future, 1854. George Eastman House, Rochester, New York.
  • 3.
    3.2 Photographer Unknown,The Fresh View Agent Soliciting, from Stereoscopes in Use, c. 1860s. Stereograph. George Eastman House, Rochester, New York.
  • 4.
    3.3 Photographer Unknown,Looking up Broadway from the Corner of Broome Street, 1868. Stereograph. Albumen silver print, 1868-71. Library of Congress, Washington, D.C.
  • 5.
    3.4 André Adolphe EugèneDisdéri, Prince Lobkowitz, 1858. Metropolitan Museum of Art, New York.
  • 6.
    3.5 Jean-François Millet,The Sower, 1862. Cliché verre. Victoria and Albert Museum, London.
  • 7.
    3.6 Étienne Carjat,Charles Baudelaire, c. 1862. Woodburytype. Metropolitan Museum of Art, New York.
  • 8.
    3.7 Nadar, PanthéonNadar, 1854. Lithographic print. George Eastman House, Rochester, New York.
  • 9.
    3.8 Nadar andAdrien Tournachon, Pierrot the Photographer, 1854-55. Paper print. Musée Carnavalet, Paris.
  • 10.
    3.9 Nadar, ThéophileGautier, 1854-55. Albumen salted paper print, mounted on Bristol board. Musée d’Orsay, Paris.
  • 11.
    3.10 Nadar, TheSewers of Paris, 1864-65. Modern print from a glass negative. Caisse Nationale des Monuments Historiques et des Sites, Paris.
  • 12.
    3.11 William LakePrice, Don Quixote in his study, early 1850s. Albumen print from a wet collodion negative. Victoria and Albert Museum, London.
  • 13.
    3.12 Oscar Rejlander,The Two Ways of Life, 1857. Albumen print. George Eastman House, Rochester, New York.
  • 14.
    3.13 Henry PeachRobinson, Group with Recumbent Figure (Sketch with cut-out), 1860. Albumen print and pastel collage on paper. Gernsheim Collection. Harry Ransom Humanities Research Center, University of Texas at Austin.
  • 15.
    3.14 Henry PeachRobinson, Fading Away, 1858. Albumen composite print. Science Museum, London.
  • 16.
    3.15 Lewis Carroll,Alice Liddell as “The Beggar Maid”, c. 1859. Hand-colored albumen print.
  • 17.
    3.16 Lady Augusta Mostyn,Oak tree in Eridge Park, Sussex, 1856. Albumenized print of collodion negative. George Eastman House, Rochester, New York.
  • 18.
    3.17 Lady Filmer,Untitled leaf from the Filmer Album, c. 1865. Photo and watercolour. Paul F. Walter Collection, New York.
  • 19.
    3.18 Julia MargaretCameron, Herschel, 1867. Albumen print. Victoria and Albert Museum, London.
  • 20.
    3.19 Julia MargaretCameron, Ophelia, Study no. 2, 1867. Albumen print . George Eastman House, Rochester, New York.
  • 21.
    3.20 Lady Hawarden,Girl in Fancy Dress, c. 1860. Collodion print. Victoria and Albert Museum, London.