Ppt ch11 marien_4_e-205400

11.1 Lee Friedlander, New Orleans, 1968. Gelatin silver print.

11.2 David Douglas Duncan, Untitled, cover of Life
magazine, December 25, 1950.

11.3 Aaron Siskind, Jerome, Arizona, 1949.
Gelatin silver print. Aaron Siskind Foundation.
Nelson-Atkins Museum Collection.

11.4 Lotte Jacobi, Photogenic, c. 1950. Vintage
gelatin silver print. Lotte Jacobi Archives,
Diamond Library, University of New Hampshire,
Durham, New Hampshire. The Nelson-Atkins
Museum of Art, Gift of Hallmark Cards, Inc.,
Kansas, Missouri.

11.5 Frederick Sommer, Arizona Landscape, 1943. Gelatin silver print. Center for Creative Photography, Tucson, Arizona.

11.6 Minor White, Empty Head, from sequence
14 of Sound of One Hand Clapping, 1962.
Gelatin silver print. Minor White Archive.
Princeton Art Museum, Princeton, New Jersey.

11.7 Jerry Uelsmann, Untitled (Landscape with a floating tree), 1969. Victoria and Albert Museum, London.

11.8 Robert Frank, Drug Store, Detroit, 1955, plate 147
from his book The Ameericans, 1959. Gelatin silver print.
Courtesy Pace McGill Gallery, New York. © The artist.

11.9 Harry Calahan, Chicago, 1961. Gelatin silver print.

11.10 Harry Calahan, Eleanor, 1947. Gelatin silver print.

11.11 Roy Decarava, Graduation, 1949, from his book The Sweet Flypaper of Life, 1955. George Eastman
House, Rochester, New York.

11.12 William Klein, Swing and Boy and Girl, New York,
1954. © William Klein. Gelatin silver print. Howard
Greenberg Gallery, New York.

11.13 Mario Giacomelli, Roma, 1957.

11.14 Weegee (Arthur Fellig), Their First Murder, October 9, 1941. Gelatin silver print.

11.15 Eduardo Paolozzi, Meet the People, 1948. Collage
mounted on card. Tate, London.

11.16 Garry Winogrand, American Legion Convention, Dallas, Texas, 1964. Gelatin silver print. Museum of Modern
Art, New York.

11.17 Lisette Model, Albert-Alberta, Hubert’s Forty-
Second Street Flea Circus, New York, c. 1945. Gelatin
silver print. Bruce Silverstein Gallery, New York.

11.18 Stephen Frank, Untitled (Diane Arbus with her photo of a boy holding a toy grenade in Central Park,
New York), 1970.

11.19 Ralph Eugene
Meatyard, Romance (N)
from Ambrose Bierce, No.
3, 1962. Gelatin silver
print. George Eastman
House, Rochester, New
York.

11.20 Barrie Wentzell, Elton John, Sundown
Theatre, Edmonton, London, 1973.

11.21 Bruce Davidson, Untitled, from his book
East 100th Street, New York, 1966-68.

11.22 Danny Lyon, Cal, Eikhorn, Wisconsin, 1966. Gelatin silver print.

11.23 Naoyoshi Hikosaka, Revolution, 1971. Offset printed postcard and silk screen. Getty Research Institute,
Research Library.

11.24 Larry Clark, Accidental Gunshot Wound, 1971. Gelatin silver print.

11.25 Helen Levitt, New York, c. 1940. Gelatin silver print.

11.26 Duane Michals, The Bogeyman, 1973.
Gelatin silver print.

11.27 Lewis Baltz, Southwest Wall, Ware, Malcolm & Garner, from The New Industrial Parks Near Irvine, California,
1974. Collection Centre Canadien d’Architecture / Canadian Center for Architecture, Montreal, Cananda.

11.28 Robert Adams, Newly
Occupied Tract Houses,
Colorado Springs, Colorado,
1968.

11.29 Bill Owens, Untitled, from his book Suburbia, 1972, 1999.

11.30 Richard Avedon, Cover of Harper’s
Bazaar, April 1965.

11.31 Hiro, Tilly Tizzani with a Blue Scarf, Antigua,
1963, from cover of Harper’s Bazaar, May 1963.
Victoria and Albert Museum, London.

11.32 Bert Stern, Martini and
Pyramid, 1955. Dye-transfer
print.

11.33 Deborah Turbeville, The Bath House, 1975.

11.34 Eliot Porter, October 3, 1858, from Henry David Thoreau’s book In Wilderness Is the Preservation of the World.

11.35 Edward Weston, Waterfront, Monterey, 1946. Silver dye bleach print (Cibachrome). Center for Creative
Photography, University of Arizona, Tucson, Arizona.

11.36 Walker Evans, Untitled (Crushed beer can), 1973-74. Polaroid print. Metropolitan Museum of Art, New
York.

11.37 Ralph Amdursky, Colorama (Blue “Woody” stationwagon in front of summer cottage), n.d. Kodak print.
Eastman Kodak, Rochester, New York.

11.38 Apollo II, Untitled (The far side of the moon), Apollo II mission, July 1969.

11.39 Photographer Unknown, Cover of Life
magazine, February 18, 1966.

11.40 ATS Satellite, Earth, as Viewed from ATS Satellite, November 1967.

11.41 Ernest Withers, Workers Assembling for a Solidarity March, Memphis, Tennessee, 1968.

11.42 Charles Moore, Birmingham, 1963.

11.43 Josef Koudelka, Soviet Invasion of Czechoslovakia, 1968. Image from The Sunday Times Magazine,
anniversary issue, 1969.

11.44 Larry Burrows, At a First-Aid Center During Operation Prairie, 1966. Dye-transfer print. Spencer Matthews
Museum of Art, University of Kansas, Missouri.

11.45 Philip Jones Griffiths, Napalm Victim, Vietnam,
1967. Gelatin silver print.

11.46 Eddie Adams, General Loan Executing a Vietcong Suspect, February 1, 1968. Gelatin silver print.

11.47 John Paul Filo, Untitled (Kent State: girl screaming over dead body), May 4, 1970.

11.48 Huynh Cong (Nick) Ut, Children fleeing a Napalm Strike, June 8, 1972.

11.49 Ron Haeberle & Peter Brant, “Q. And Babies? A. And Babies,” 1970. Offset lithograph, printed in color.
Museum of Modern Art, New York.

11.50 Vo Anh Khanh, U Minh Forest,
Ca Mau, September 15, 1970.

11.51 Photographer
Unknown, Roles Reserved
for the Negro in the
Spectacle, 1963, from The
World of Which We Speak,
1970. Situationist
International.

11.52 Richard Hamilton, Just What
is it that Makes Today’s Homes So
Different, So Appealing?, 1956.
Collage on paper. Kunsthalle,
Tübingen, Germany.

11.53 Andy Warhol, Marilyn Diptych, 1962. Acrylic on canvas. Tate, London.

11.54 David Bailey, Mick
Jagger, 1964.

11.55 Robert Rauschenberg, Untitled Combine (Man with White
Shoes), 1955. Panza Collection. Museum of Contemporary Art, Los
Angeles, California.

11.56 Richard Estes, Woolworth’s, 1974. Oil on canvas, 38 x 55in. (96.5 x 139.7 cm). San Antonio Museum of Art,
San Antonio, Texas.

11.57 Chuck Close, Self-Portrait, 1968. Acrylic
on canvas, 8 ft 11 ½ in. x 6 ft 11 ½ in. (2.73 x
2.12 m). Walker Art Center Collection,
Minneapolis, Minnesota.

11.58 Audrey Flack, World War II
(Vanitas), Incorporating Part of
Margaret Bourke-White’s
Photograph “Buchenwald, April
1945,” 1976-77. Oil over acrylic on
canvas, 8 x 8 ft (2.43 x 2.43 m).

11.59 Robert Smithson,
Seventh Mirror Displacement,
1969. Guggenheim Museum,
New York.

11.60 Ed Ruscha, From Nine Swimming Pools and a Broken Glass, 1968.

11.61 Bernd & Hilla Becher, Gas Tower
(Telescoping Type), off Pulaski Bridge, Jersey
City, New Jersey, U.S.A., 1981.

11.62 Harry Shunk, Yves Klein Leaping
into the Void, near Paris, October 23,
1960. Gelatin silver print.

11.63 Bruce Nauman, Self-Portrait as a Fountain, from the series Photograph Suite, 1966. Chromogenic color print.
Whitney Museum of American Art, New York.

11.64 Marcel Broodthaers, La
Soupe de Daguerre, 1974.
Twelve color coupler prints on
paper.

11.65 Hitoshi Nomura, “Moon” Score, 1977-80. National Museum of Modern Art, Tokyo.

11.66 John Baldessari, Untitled, 1967. Acrylic
and photoemulsion on canvas.

11.67 William Wegman, Man Ray
Portfolio-Man Ray Contemplating the
Bust of Man Ray, 1978. Silver gelatin
print. Collection of the artist.

11.68 William Eggleston, Greenwood, Mississippi, 1970. The J. Paul Getty Museum, Los Angeles, California.

11.69 Lucas Samaras, Untitled,
1973. Polaroid. The Nelson-Atkins
Museum of Art, Gift of Hallmark
Cards, Inc., Kansas, Missouri.

11.70 Robert Cumming, Academic Shading Exercise, 1974. Positive contract print.

11.71 Robert Cummin, Academic Shading Exercise, 1974. Paper negative print.

11.72 Robert Heinecken, Refractive Hexagon, 1965. Twenty-four movable photographic pieces on wood.
Gelatin silver prints. Center for Creative Photography, University of Arizona, Tucson, Arizona.

11.73 Ray K. Metzker, Composites:
Philadelphia, 1964. Gelatin silver
print. Purchase. Contemporary
Exhibition Fund, Alfred Stieglitz
Restricted Fund, Alice Newton
Osborn Fund. Philadelphia
Museum of Art, Philadelphia,
Pennsylvania.

11.74 Don McCullin, Corpse of North Vietnamese Soldier,
1968. Copy-negative print.

11.75 Bob Jackson, Lee Harvey Oswald Shot, 1963. Gelatin silver print.

Ppt ch11 marien_4_e-205400

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