potential settings
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The document discusses potential settings for a horror film, including an empty field, firework display, open country road, and river or waterfall. These settings are analyzed for how they fit horror conventions by creating feelings of isolation, anxiety, and mystery for the audience. Each setting is said to generate enigma codes that make the audience wonder why the characters are there and what could happen.
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Task 1
This document analyzes how a media product uses, develops, or challenges conventions of real horror movie genres. It discusses several screenshots from the media product, explaining how each shot establishes tension, mystery, or a sense of being watched in line with common horror tropes. The shots include an isolated run-down house, a distorted reflection, blood in a sink suggesting violence, a voyeuristic view of a character, darkness and doors closing to build tension, and angular shots that make the house seem powerful and mysterious.
Assignment 3: Distribution/Production Company.
Screen Gems is a production company owned by Sony Pictures Entertainment that has produced films like The Exorcism of Emily Rose and Deliver Us From Evil. Columbia Pictures is a film distribution studio also owned by Sony Pictures Entertainment that has distributed films like Thr13ten Ghost, Deliver Us From Evil and Gothika. The document then analyzes the logos of Screen Gems, Columbia Pictures, and several other production and distribution companies such as Dark Castle Entertainment, Ghost House Pictures, and Vertigo Entertainment.
Insomnia stills analysis
The document analyzes still shots from the film Insomnia that set mood and create mystery for the audience. Shots of titles fading in and out like smoke or ink establish a mysterious tone. An extreme close-up of a red liquid on white material leads audiences to assume it is blood and the film will be horror-related. Isolated white settings with no human activity and muted colors create a bleak, depressing mood. Shots that do not show full faces or are seen through reflections in mirrors tease audiences and enhance mystery about characters and events.
Inspiration for my Production
This slide show consists of four different photos that have been detonated and analysed because they have gave me inspiration for my production.
Insidious powerpoint
The opening sequence of the horror film Insidious uses various cinematic techniques to set an ominous tone. Red credits fade in and out over very low-key, dark lighting to create a sense of danger and the unknown. A demon is portrayed with a dead, bridal costume and black colors that make her appear ghostly. Camerawork like birds-eye views and close-ups of the demon's face increase suspense, while tracking shots around the dark, shadowy house make the audience feel involved. Unsettling high pitched violins, screams and sting sounds are used for the soundtrack, along with silence to build tension. Editing techniques such as cross-cutting between rooms and long takes with fade outs help move the
Film and filming ideas
1. The document outlines initial ideas for a student thriller film including plot, genre, location, costumes, title ideas, and filming techniques.
2. The plot involves a single mother named Sarah Knight who witnesses a murder and must now pay the price for her innocence.
3. Key filming techniques for thrillers discussed include using slow orchestral music at the beginning of the trailer that builds tension, close-ups to highlight emotions, and dim lighting to hide parts of the environment and build mystery.
Inspiration for my Production
This slide show consists of four different photos that have been detonated and analysed because they have gave me inspiration for my production.
Creativity Investigation
Horror film trailers aim to evoke emotions of fright and terror in viewers. They do this through scenes depicting nightmares, fears, and graphic violence, employing special effects. The trailers also use unsettling voiceovers, jumpy editing, unusual camera angles, creepy sounds, and ominous text to create an atmosphere of danger and put the viewer in the position of the victim.
Recommended
Task 1
This document analyzes how a media product uses, develops, or challenges conventions of real horror movie genres. It discusses several screenshots from the media product, explaining how each shot establishes tension, mystery, or a sense of being watched in line with common horror tropes. The shots include an isolated run-down house, a distorted reflection, blood in a sink suggesting violence, a voyeuristic view of a character, darkness and doors closing to build tension, and angular shots that make the house seem powerful and mysterious.
Assignment 3: Distribution/Production Company.
Screen Gems is a production company owned by Sony Pictures Entertainment that has produced films like The Exorcism of Emily Rose and Deliver Us From Evil. Columbia Pictures is a film distribution studio also owned by Sony Pictures Entertainment that has distributed films like Thr13ten Ghost, Deliver Us From Evil and Gothika. The document then analyzes the logos of Screen Gems, Columbia Pictures, and several other production and distribution companies such as Dark Castle Entertainment, Ghost House Pictures, and Vertigo Entertainment.
Insomnia stills analysis
The document analyzes still shots from the film Insomnia that set mood and create mystery for the audience. Shots of titles fading in and out like smoke or ink establish a mysterious tone. An extreme close-up of a red liquid on white material leads audiences to assume it is blood and the film will be horror-related. Isolated white settings with no human activity and muted colors create a bleak, depressing mood. Shots that do not show full faces or are seen through reflections in mirrors tease audiences and enhance mystery about characters and events.
Inspiration for my Production
This slide show consists of four different photos that have been detonated and analysed because they have gave me inspiration for my production.
Insidious powerpoint
The opening sequence of the horror film Insidious uses various cinematic techniques to set an ominous tone. Red credits fade in and out over very low-key, dark lighting to create a sense of danger and the unknown. A demon is portrayed with a dead, bridal costume and black colors that make her appear ghostly. Camerawork like birds-eye views and close-ups of the demon's face increase suspense, while tracking shots around the dark, shadowy house make the audience feel involved. Unsettling high pitched violins, screams and sting sounds are used for the soundtrack, along with silence to build tension. Editing techniques such as cross-cutting between rooms and long takes with fade outs help move the
Film and filming ideas
1. The document outlines initial ideas for a student thriller film including plot, genre, location, costumes, title ideas, and filming techniques.
2. The plot involves a single mother named Sarah Knight who witnesses a murder and must now pay the price for her innocence.
3. Key filming techniques for thrillers discussed include using slow orchestral music at the beginning of the trailer that builds tension, close-ups to highlight emotions, and dim lighting to hide parts of the environment and build mystery.
Inspiration for my Production
This slide show consists of four different photos that have been detonated and analysed because they have gave me inspiration for my production.
Creativity Investigation
Horror film trailers aim to evoke emotions of fright and terror in viewers. They do this through scenes depicting nightmares, fears, and graphic violence, employing special effects. The trailers also use unsettling voiceovers, jumpy editing, unusual camera angles, creepy sounds, and ominous text to create an atmosphere of danger and put the viewer in the position of the victim.
Presentation1
The trailer uses various cinematic techniques to establish the thriller genre and build suspense. Close-ups of iconography and a shift to black and white symbolize darkness and impending danger. Mise-en-scene reveals few setting details, creating mystery. Creepy music conveys the killer's distorted mindset and builds tension. Shaky, black-and-white titles shown with creepy effects establish the psychologically chilling narrative and tone of the film. Fast-paced editing with jump cuts implies action and uses genre conventions to startle the audience.
Inspiration for my Production
The document provides analysis of visual techniques that can generate fear in a horror film production. It examines features of antagonists, settings, and victims that make audiences feel tense, scared, and integrated with the on-screen feelings of fear. Shot types, lighting, character positioning, and reactions are discussed as conventions that effectively build suspense and represent common horror film tropes.
Lighting and location
The document discusses how lighting and location are used in movie trailers to set mood and provide context. It analyzes screenshots from a trailer, noting that locations shown appear abandoned, isolated, and unpleasant, creating feelings of fear and unease for the characters. Dim, uneven lighting in these run-down settings adds to the eerie, mysterious, and tense tone. The interior location, seen most prominently, seems like a frightening place where the characters are trapped and threatened.
Thriller
Thrillers are suspenseful stories involving crime or espionage. They use conventions like low key lighting, quick cuts, tension music, and changes in camera angles to build suspense and scare audiences. There are several thriller subgenres that have their own codes and conventions, such as crime thrillers focusing on planning or solving crimes, action thrillers with fights for survival, sci-fi thrillers set in futuristic worlds, psychological thrillers that play with reality, and horror thrillers with frightening supernatural elements. Each subgenre employs techniques like music, editing, lighting, locations, and characters in distinct ways to immerse viewers in high-tension stories.
Horror conventions
This document outlines conventions commonly used in horror films to set the scene and build suspense. It discusses how isolated, dark locations are often used as settings. Technical conventions like high and low camera angles, point of view shots, and ambient sounds are employed. Visual elements like dark colors, low key lighting, recognizable props, and masks also help identify the horror genre. These techniques aim to make viewers feel isolated, build fear of the unknown, and identify with victims.
Soundtrack theory
The document discusses the relationship between sound and moving images in filmmaking. It defines different types of sounds, including diegetic sounds that exist within the world of the story that characters can hear (e.g. footsteps, dialogue), non-diegetic sounds that exist outside the world of the story (e.g. film scores, voiceovers), external diegetic sounds that come from outside the frame but are part of the story world, and internal diegetic sounds that happen inside a character's mind. The document also discusses parallel sounds that reinforce visuals, contrappuntal sounds that contrast visuals, the use of silence, and sting sounds for emphasis. It provides examples of each type of sound and tasks students with analyzing
Power point liam o'connor
The document discusses conventions of settings, camera work, narrative, iconography, and character types in horror slasher films. Settings that are commonly used include isolated places like dark streets, woods, abandoned buildings to build tension. Camera techniques like handheld shots and frame work to obscure the antagonist are employed. Narratives usually involve a hero on a mission to stop a killer who is often motivated by trauma from their past. Iconography features masks, weapons and low light/red colors. Character types include victims, heroes, police and villains.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Conventions
The document discusses how a horror film sequence uses and challenges genre conventions. It begins with establishing generic horror conventions like dull colors, an obscured main character dressed in black, and tense instrumental music. However, it also challenges conventions by not making the genre obvious, excluding things like graphic violence. The sequence hints at psychological horror through repetitive behaviors and stalking. It aims to blend ideas without being overdone by focusing on the psychological subgenre. Influences like the psychological thriller Se7en are evident through its secretive yet distraught opening tone and style.
Se7en analysis
The opening title sequence of Se7en uses dark, close-up camera shots and low key lighting to build tension and mystery. Without establishing shots, the audience does not know the location and must focus on ominous close-ups of objects like pens, paper, and scratched out eyes in a file. The dark lighting, black and white color scheme, and unidentified character creating a sinister file increase the suspense. Editing techniques like straight cuts, cross fades and fades to black further the eerie atmosphere and suggest the character's harsh and confused nature as well as the underlying darkness and evil.
Auteur study james wan
James Wan was born in 1977 in Malaysia and is a film director known for horror movies like Saw (2004) and The Conjuring (2013). The document discusses scenes from Insidious: Chapter 2, which Wan directed. It describes how non-diegetic sounds are used at the beginning to set a creepy tone. A medium shot then shows the protagonist pulling curtains away from a window, curious about what is outside and creating intrigue for the audience. The opening establishes the film's setting with a long shot of houses.
Analysis of 9 Screenshots From The Horror Genre
The document discusses techniques used in horror film openings to set the scene and establish atmosphere. It describes how establishing shots, low camera angles, lighting, sound, and mise-en-scene are used to create an eerie, dark, and mysterious tone at the beginning of a horror sequence. Characterization of vulnerable protagonists like young school girls alone in a dark, stormy setting helps generate a sense of fear. Extreme close-ups show characters' emotions and allow audiences to relate to their feelings of vulnerability and fear.
FILM 2 TREATMENT
This document provides a treatment for a short film called "Safe" about a young girl named Camari. The film will be divided into three acts: in Act 1, Camari gets into an argument with her intoxicated parents and runs away; in Act 2, she finds an unsafe shed to sleep in but wakes to loud noises; in Act 3, she runs frightened through the woods. The target audience is older teenagers and adults interested in thrillers. The film will be shot with a handheld camera and edited with Adobe Premiere Pro. It aims to create suspense through quick shots, dark lighting, and tense sounds to portray Camari's fear as she escapes her home life.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses how the media product Voices uses and develops conventions of psychological horror films. It uses desaturated color, shadows, and black and white cinematography to create an unsettling atmosphere and show the main character's distorted perspective, similar to films like Psycho. The film also features a character who imagines threatening figures like in Identity and The Babadook. It conforms to conventions by having the main character's deteriorating mental state lead to dangerous actions and a therapist character who analyzes the protagonist's condition.
Fran
This document provides an overview of key elements that contribute to horror film genres. It discusses how locations are typically dark and spooky environments to create fear in audiences. It also describes common character archetypes seen in horror films and explains the importance of sound, costumes, makeup, and lighting in establishing the right mood and eliciting fear. Specifically, it notes how lighting is often low-key and dramatic to generate tension through shadows.
Media – thriller genre
The document discusses the thriller genre in film and some of its key characteristics and conventions. Thrillers create tension, suspense, and anticipation in audiences. They rely on techniques like sound editing, lighting, and camera work to build tension and mystery. Alfred Hitchcock was a famous director known for his suspenseful and psychological thrillers that used innovative techniques to manipulate audiences' emotions. The 1960 film Psycho is analyzed as an example of Hitchcock's thriller style, with its use of lighting, shadows, and music to build suspense and hide crucial details from viewers.
Insidious title sequence analysis
The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different dark and shadowy locations in a house, interspersed with close-ups of unsettling images like a pale woman holding a candle. The black and white cinematography and unsettling non-diegetic sounds reinforce the sense of mystery and impending danger. The sequence establishes the setting and characters while foreshadowing that something sinister may be haunting the family who has just moved into the house.
Insidious title sequence analysis
The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different darkened locations in a seemingly haunted house, with unsettling non-diegetic sounds. A shadowy figure of an old woman holding a candle is revealed, looking sinister. Throughout, the black and white cinematography and focus on a clock suggest something frightening from the past. The sequence successfully builds suspense and foreshadows horror to come through its deliberate pacing and use of lighting, camera work, editing and sound design.
Conventions
The document outlines several key conventions of horror and slasher films. It discusses how horror films typically use isolated or abandoned settings, unnatural camerawork and lighting, eerie sounds and music, and Todorov's narrative structure of equilibrium, disequilibrium, recognition, repair, and new equilibrium. Slasher films often feature an isolated remote location, do not reveal the killer until halfway through or the end, and focus on teenage victims. The document concludes by stating the creators' own film will use a forest setting, multiple killer point-of-view shots, and feature teenage boys and a lone survivor to adhere to slasher conventions.
Conventions of a horror film
The document outlines common conventions of horror films, including isolated settings like abandoned houses, woods, and asylums. It discusses technical codes such as point-of-view shots that bring the audience into the action, as well as lighting, sounds, and props linked to horror. Character types are also described, like the main protagonist or victim, the villain, and "stupid/immoral" characters who are often killed. Finally, common themes in horror films are listed, including things like suicide, religion, revenge, and the supernatural.
Mise en scene plan
The document discusses costume, location, lighting, and prop choices for a short film opening sequence. The antagonist will wear dark, concealing clothing with a hood and gloves. The victims will wear regular teenage clothing to appear vulnerable. The protagonist's older brother costume will seem more approachable. The preferred location is an abandoned cattle market to seem industrial and lonely. The backup plan is a more public industrial area. The lighting will be overcast dusk for an eerie thriller feel. Props like everyday objects will be used as weapons to show the antagonist's instability and lack of planning.
Horror genre research
This character is usually
the sidekick to the protagonist and
is commonly the first to die. An
example of this would be „Laurie‟
from „Halloween‟.
The Comic Relief: This character
provides light relief throughout the
film through their humour. An
example of this would be „Shorty‟
from „Texas Chainsaw Massacre‟.
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Presentation1
The trailer uses various cinematic techniques to establish the thriller genre and build suspense. Close-ups of iconography and a shift to black and white symbolize darkness and impending danger. Mise-en-scene reveals few setting details, creating mystery. Creepy music conveys the killer's distorted mindset and builds tension. Shaky, black-and-white titles shown with creepy effects establish the psychologically chilling narrative and tone of the film. Fast-paced editing with jump cuts implies action and uses genre conventions to startle the audience.
Inspiration for my Production
The document provides analysis of visual techniques that can generate fear in a horror film production. It examines features of antagonists, settings, and victims that make audiences feel tense, scared, and integrated with the on-screen feelings of fear. Shot types, lighting, character positioning, and reactions are discussed as conventions that effectively build suspense and represent common horror film tropes.
Lighting and location
The document discusses how lighting and location are used in movie trailers to set mood and provide context. It analyzes screenshots from a trailer, noting that locations shown appear abandoned, isolated, and unpleasant, creating feelings of fear and unease for the characters. Dim, uneven lighting in these run-down settings adds to the eerie, mysterious, and tense tone. The interior location, seen most prominently, seems like a frightening place where the characters are trapped and threatened.
Thriller
Thrillers are suspenseful stories involving crime or espionage. They use conventions like low key lighting, quick cuts, tension music, and changes in camera angles to build suspense and scare audiences. There are several thriller subgenres that have their own codes and conventions, such as crime thrillers focusing on planning or solving crimes, action thrillers with fights for survival, sci-fi thrillers set in futuristic worlds, psychological thrillers that play with reality, and horror thrillers with frightening supernatural elements. Each subgenre employs techniques like music, editing, lighting, locations, and characters in distinct ways to immerse viewers in high-tension stories.
Horror conventions
This document outlines conventions commonly used in horror films to set the scene and build suspense. It discusses how isolated, dark locations are often used as settings. Technical conventions like high and low camera angles, point of view shots, and ambient sounds are employed. Visual elements like dark colors, low key lighting, recognizable props, and masks also help identify the horror genre. These techniques aim to make viewers feel isolated, build fear of the unknown, and identify with victims.
Soundtrack theory
The document discusses the relationship between sound and moving images in filmmaking. It defines different types of sounds, including diegetic sounds that exist within the world of the story that characters can hear (e.g. footsteps, dialogue), non-diegetic sounds that exist outside the world of the story (e.g. film scores, voiceovers), external diegetic sounds that come from outside the frame but are part of the story world, and internal diegetic sounds that happen inside a character's mind. The document also discusses parallel sounds that reinforce visuals, contrappuntal sounds that contrast visuals, the use of silence, and sting sounds for emphasis. It provides examples of each type of sound and tasks students with analyzing
Power point liam o'connor
The document discusses conventions of settings, camera work, narrative, iconography, and character types in horror slasher films. Settings that are commonly used include isolated places like dark streets, woods, abandoned buildings to build tension. Camera techniques like handheld shots and frame work to obscure the antagonist are employed. Narratives usually involve a hero on a mission to stop a killer who is often motivated by trauma from their past. Iconography features masks, weapons and low light/red colors. Character types include victims, heroes, police and villains.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Conventions
The document discusses how a horror film sequence uses and challenges genre conventions. It begins with establishing generic horror conventions like dull colors, an obscured main character dressed in black, and tense instrumental music. However, it also challenges conventions by not making the genre obvious, excluding things like graphic violence. The sequence hints at psychological horror through repetitive behaviors and stalking. It aims to blend ideas without being overdone by focusing on the psychological subgenre. Influences like the psychological thriller Se7en are evident through its secretive yet distraught opening tone and style.
Se7en analysis
The opening title sequence of Se7en uses dark, close-up camera shots and low key lighting to build tension and mystery. Without establishing shots, the audience does not know the location and must focus on ominous close-ups of objects like pens, paper, and scratched out eyes in a file. The dark lighting, black and white color scheme, and unidentified character creating a sinister file increase the suspense. Editing techniques like straight cuts, cross fades and fades to black further the eerie atmosphere and suggest the character's harsh and confused nature as well as the underlying darkness and evil.
Auteur study james wan
James Wan was born in 1977 in Malaysia and is a film director known for horror movies like Saw (2004) and The Conjuring (2013). The document discusses scenes from Insidious: Chapter 2, which Wan directed. It describes how non-diegetic sounds are used at the beginning to set a creepy tone. A medium shot then shows the protagonist pulling curtains away from a window, curious about what is outside and creating intrigue for the audience. The opening establishes the film's setting with a long shot of houses.
Analysis of 9 Screenshots From The Horror Genre
The document discusses techniques used in horror film openings to set the scene and establish atmosphere. It describes how establishing shots, low camera angles, lighting, sound, and mise-en-scene are used to create an eerie, dark, and mysterious tone at the beginning of a horror sequence. Characterization of vulnerable protagonists like young school girls alone in a dark, stormy setting helps generate a sense of fear. Extreme close-ups show characters' emotions and allow audiences to relate to their feelings of vulnerability and fear.
FILM 2 TREATMENT
This document provides a treatment for a short film called "Safe" about a young girl named Camari. The film will be divided into three acts: in Act 1, Camari gets into an argument with her intoxicated parents and runs away; in Act 2, she finds an unsafe shed to sleep in but wakes to loud noises; in Act 3, she runs frightened through the woods. The target audience is older teenagers and adults interested in thrillers. The film will be shot with a handheld camera and edited with Adobe Premiere Pro. It aims to create suspense through quick shots, dark lighting, and tense sounds to portray Camari's fear as she escapes her home life.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses how the media product Voices uses and develops conventions of psychological horror films. It uses desaturated color, shadows, and black and white cinematography to create an unsettling atmosphere and show the main character's distorted perspective, similar to films like Psycho. The film also features a character who imagines threatening figures like in Identity and The Babadook. It conforms to conventions by having the main character's deteriorating mental state lead to dangerous actions and a therapist character who analyzes the protagonist's condition.
Fran
This document provides an overview of key elements that contribute to horror film genres. It discusses how locations are typically dark and spooky environments to create fear in audiences. It also describes common character archetypes seen in horror films and explains the importance of sound, costumes, makeup, and lighting in establishing the right mood and eliciting fear. Specifically, it notes how lighting is often low-key and dramatic to generate tension through shadows.
Media – thriller genre
The document discusses the thriller genre in film and some of its key characteristics and conventions. Thrillers create tension, suspense, and anticipation in audiences. They rely on techniques like sound editing, lighting, and camera work to build tension and mystery. Alfred Hitchcock was a famous director known for his suspenseful and psychological thrillers that used innovative techniques to manipulate audiences' emotions. The 1960 film Psycho is analyzed as an example of Hitchcock's thriller style, with its use of lighting, shadows, and music to build suspense and hide crucial details from viewers.
Insidious title sequence analysis
The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different dark and shadowy locations in a house, interspersed with close-ups of unsettling images like a pale woman holding a candle. The black and white cinematography and unsettling non-diegetic sounds reinforce the sense of mystery and impending danger. The sequence establishes the setting and characters while foreshadowing that something sinister may be haunting the family who has just moved into the house.
Insidious title sequence analysis
The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different darkened locations in a seemingly haunted house, with unsettling non-diegetic sounds. A shadowy figure of an old woman holding a candle is revealed, looking sinister. Throughout, the black and white cinematography and focus on a clock suggest something frightening from the past. The sequence successfully builds suspense and foreshadows horror to come through its deliberate pacing and use of lighting, camera work, editing and sound design.
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Conventions
The document outlines several key conventions of horror and slasher films. It discusses how horror films typically use isolated or abandoned settings, unnatural camerawork and lighting, eerie sounds and music, and Todorov's narrative structure of equilibrium, disequilibrium, recognition, repair, and new equilibrium. Slasher films often feature an isolated remote location, do not reveal the killer until halfway through or the end, and focus on teenage victims. The document concludes by stating the creators' own film will use a forest setting, multiple killer point-of-view shots, and feature teenage boys and a lone survivor to adhere to slasher conventions.
Conventions of a horror film
The document outlines common conventions of horror films, including isolated settings like abandoned houses, woods, and asylums. It discusses technical codes such as point-of-view shots that bring the audience into the action, as well as lighting, sounds, and props linked to horror. Character types are also described, like the main protagonist or victim, the villain, and "stupid/immoral" characters who are often killed. Finally, common themes in horror films are listed, including things like suicide, religion, revenge, and the supernatural.
Mise en scene plan
The document discusses costume, location, lighting, and prop choices for a short film opening sequence. The antagonist will wear dark, concealing clothing with a hood and gloves. The victims will wear regular teenage clothing to appear vulnerable. The protagonist's older brother costume will seem more approachable. The preferred location is an abandoned cattle market to seem industrial and lonely. The backup plan is a more public industrial area. The lighting will be overcast dusk for an eerie thriller feel. Props like everyday objects will be used as weapons to show the antagonist's instability and lack of planning.
Horror genre research
This character is usually
the sidekick to the protagonist and
is commonly the first to die. An
example of this would be „Laurie‟
from „Halloween‟.
The Comic Relief: This character
provides light relief throughout the
film through their humour. An
example of this would be „Shorty‟
from „Texas Chainsaw Massacre‟.
Genre analysis
The document discusses key elements of the horror genre that aim to provoke fear in audiences. It notes that horror films use techniques like unusual camera angles, movement, and editing to unsettle viewers. Successful horror leaves audiences feeling scared after watching by building suspense and tension without necessarily showing graphic violence. Common conventions of early horror films include Gothic settings and characters like vampires, ghosts, and werewolves derived from folklore. More modern horrors continue to use themes of blood and death while suggesting terrifying events off-screen to frighten audiences. Music is also important for creating an unsettling atmosphere and raising tension during scary scenes.
AS Media Horror Genre
The document provides an analysis of horror films. It begins with a brief history, noting that the first horror film was a 2-minute 1896 short film about vampires. Horror film budgets rose in the 1950s and The Exorcist broke box office records in 1973. Iconography in horror includes torn clothes, masks, and weapons. Settings are often dark, run-down places at night. Common characters include killers, monsters, and victims. Themes include slasher, vampire, zombie, and possession films. Horror narratives feature conflict between heroes and monsters. Music and sounds are used to build tension and signal danger.
Horror posters milo
The poster depicts a screaming girl alone in a misty forest, with dark colors and weather that signal a horror genre. The tagline "FAIRY TALE ROAD NO ENDING" juxtaposes the happy fairy tale genre with the dark imagery, implying an unhappy ending. Visual elements like the dense mist and twisting vines create a sense of claustrophobia and danger for the girl.
Casting and costume
This document discusses the casting and costuming for the roles of antagonist, victim, and extras in a thriller film. The antagonist is portrayed by a 13-year-old girl named Abbey to subvert expectations and provoke more fear and tension in the audience. Her costume includes a long black coat, pale makeup, and dark eye shadow to appear creepy. The victim role is portrayed by a 20-year-old male named Jake to go against stereotypes, as audiences would not expect an intimidating male to be attacked. Two extras are considered for parental figures, with the male ultimately chosen for following directions better on camera.
Horror trailer analysis
The trailer uses a variety of shots including close-ups, long shots, and tracking shots to follow the characters. Fast-paced editing with transitions creates comedy and tension. Well-known comedic actors like Ben Stiller and Jonah Hill are featured to attract audiences. Non-diegetic music and sound effects paired with dialogue demonstrate the science fiction comedy genre.
Horror Genre "distinct"
The document discusses key elements of the horror genre including common settings, technical aspects, iconography, narrative structures, character types, and themes. Typical horror settings include isolated areas at night with a hidden past like graveyards, which create a scary atmosphere. Technically, horrors use dim lighting, odd camera angles, and close-ups to establish an uneasy feeling. Iconographically, horrors feature weapons, blood, dark costumes, and a blue filter to add creepiness. Narratively, horrors have mysteries, cliffhangers, and incomplete plots leaving the audience wondering and allowing for sequels. In terms of characters, horrors feature stereotypical roles like "the hot blonde" and "the black guy." Common horror themes center
Horror Genre Conventions A2 Media
The document outlines conventions of the horror genre including settings that isolate characters, technical techniques like camera angles and lighting to build tension, common iconography like dark colors and masks, narrative structures featuring a protagonist battling an antagonist, character types such as heroes and villains, and themes of good vs. evil, the supernatural, and insanity.
Cinematography & Planning : A Conclusion
In this PowerPoint I take you through the conclusions I have come to for cinematography and planning during my genre research.
Studying Horror Films
This document provides information and activities for students to learn about the horror genre and filmmaking process. It discusses conventions of horror films, analyzing scenes, developing a story treatment and pitching an idea for an original horror film. Students are guided through pre-production, production, and post-production steps to create a trailer for their proposed film, including storyboarding, scheduling and editing.
Horror cinematography
This document outlines cinematography techniques used in horror films including chiaroscuro, realism, and examples from Open Water and Cabin in the Woods. Chiaroscuro uses strong contrasts between light and dark to create a sense of volume. Realism aims to present an unmanipulated mirror of the actual world using available lighting and handheld or stationary cameras. Examples of scenes are provided from Open Water during a night storm and Cabin in the Woods but no details are given. The document tasks recreating a still from one of the example clips.
Horror film Mise-en-scene analysis
The document discusses mise-en-scene elements in the trailers for the films Carrie, Gone Girl, and Unfriended. Lighting in Carrie and Gone Girl is dark to create a spooky and suspenseful mood, while Unfriended uses pitch black rooms with only computer light on faces. Props like phones in Carrie and dolls in Gone Girl make audiences feel vulnerable. Facial expressions in Carrie and Gone Girl imply danger and fear. Costumes in the films' settings like homes and schools make the horror more personal and unexpected.
Analsying Screenshots
The document analyzes different shot types commonly used in horror movie trailers. It discusses high angle shots, establishing shots, close-up shots, shots of weapons, over-the-shoulder shots, and point-of-view shots. For each shot type, it provides examples from horror trailers and explains how the shots are used to build tension, establish characters and settings, and manipulate the audience's perspective and fear.
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the key narrative structures, characters, settings, costumes, props, colors, and sounds that define the genre. Narratives typically follow a pattern of equilibrium, disruption, recognition, attempt to repair, and return to equilibrium. Common characters include the protagonist, antagonist, sex appeal victim, and unlikely hero. Settings are often isolated or abandoned locations. Lighting, colors, costumes, and sounds are used to create an eerie atmosphere and build suspense and tension.
Horror Genre
The document provides an overview of the horror genre, including what defines horror films, their history and conventions. It distinguishes horror from thriller films, noting horror plays on primal fears through supernatural or disturbing scenes. Key conventions of horror discussed include isolated settings, technical techniques like lighting and camera work, common character archetypes, and themes of good vs evil. The document also examines two horror film posters and their use of visual elements and text to convey horror themes and intrigue audiences.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
Horror Film Forms and Conventions
The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
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Similar to potential settings
Opening Sequence Analysis- The Shining
The document provides an analysis of the opening sequence of the film The Shining. It discusses how the narrative is set up through the title sequence and establishing shots that introduce the isolated setting. Characters are kept mysterious through a focus on their vehicle. The thriller genre and dark themes are communicated through the ominous soundtrack. Mise-en-scene elements like the rural setting and camera angles represent the people and events as sinister and mysterious.
Lovefield
The short film 'Lovefield' uses suspense and surprise to tell a unique story. It misleads the audience through the use of signs and assumptions into thinking the main character is a murderer, when he has actually just delivered a baby. Sound, camera techniques, lighting, and props are used to build an unsettling atmosphere and lead the audience to make incorrect judgments. The film challenges horror conventions by subverting expectations with an unexpected twist. It shows how audiences can make premature judgments based on certain cues without understanding the full context.
Treatment for thriller opening as media
This document provides a treatment for a thriller film opening. It will be 4-5 minutes and filmed at locations around Auckland including a busy street, derelict house, and isolated wharf. It will utilize conventions like a dark logo, low lighting, diegetic sounds and a mysterious narrative involving two unidentified men disposing of a large wrapped object from the trunk of their car at the wharf. The opening aims to create tension through obscurity of characters, their motives and the object's contents to intrigue the audience.
Treatment for thriller opening as media 2
This document provides a treatment for a thriller film opening. It will be 4-5 minutes long and filmed at locations around Auckland including the CBD, a derelict house, and North Wharf. The opening will incorporate thriller conventions like a dark logo, low-key lighting, diegetic sounds, and ambiguous characters dumping a large wrapped object into the water. It aims to create mystery and suspense around the characters' identities and their actions through obscurity and unknown elements.
Horror film key conventions
The document discusses several key elements that are commonly used in horror and thriller films to set the atmosphere and engage audiences, including iconic settings, character archetypes, visual styles, audio techniques, and common themes. Settings such as run-down houses or isolated places help set the mood, while character tropes include protagonists, victims, and antagonists. Elements like dark colors, lighting, weapons and masks are frequently used for visuals, and diegetic and non-diegetic sounds build suspense. Common themes revolve around good vs. evil, the supernatural, madness, and revenge.
Horror movie openings analysis and codal analysis
The document analyzes horror movie openings through codal analysis. It provides examples from four horror movies: The Exorcism of Emily Rose, Jeepers Creepers, The Grudge 3. For each, it examines visual codes like isolated settings, dark skies; audio codes like non-diegetic scary music; and narrative codes like introducing a threat or disequilibrium. These codes aim to intrigue audiences, establish genre, and foreshadow danger through techniques like ominous sounds, titles, and character introductions, setting the tone for scary stories to unfold.
Task 1
This document analyzes how a media product uses, develops, or challenges conventions of real horror media products. It discusses several screenshots from the media product. The screenshots show a run-down isolated house, a distorted reflection in a mirror meant to be unsettling, blood in a sink suggesting violence, a voyeuristic shot of a young girl meant to create tension, dark corridors and doors closing to build mystery and fear, a low-angle shot of the house to convey its power, the unkempt surroundings of the house, and distorted titles meant to mess with the viewer's mind. The analysis suggests the media product employs several common horror conventions to unnerve and thrill the audience.
Presentation1
The opening sequence of the movie The Conjuring uses various film techniques to set the tone of horror and suspense. Dark colors, gloomy lighting, and a damaged doll with a sinister smile are used to make the audience feel uneasy. Extreme close-ups of the doll's stitched face instantly engage viewers and play on their fears. Creeping violin music stops abruptly, heightening tension. While the doll is dressed as an innocent girl, its destroyed appearance signifies danger. These elements draw viewers into the story and make them anticipate the unknown horrors to come.
Codal analysis
The three horror film trailers analyzed use similar techniques to build tension and intrigue in the viewer. Fast-paced editing, non-linear storytelling, and audio/visual cues that sync with shocking moments are employed. Locations, costumes, and mysterious elements pose questions without full explanations. While plot details are given, the endings remain ambiguous, leaving audiences wanting more. Overall, the analyses show how trailers for Insidious 2, The Crazies, and The Woman in Black craft an unsettling tone that draws viewers into the films' terrifying worlds.
Cropped
This short film uses various cinematic techniques to establish it as a comedic science fiction piece. It introduces the characters of tourists on a crop circle tour led by an unlikable guide. When their van breaks down, they investigate a nearby crop circle, which leads to an encounter with aliens that mirrors the guide's earlier dismissive comments. The film ends on a cliffhanger, leaving the audience to interpret what might happen next in line with conventions of the short film genre. It engages the audience through established science fiction and comedy tropes while building mystery and intrigue through its narrative and visual storytelling.
First treatment for thriller opening as media
This document provides a treatment for a short thriller film titled "Only Angles Lie". It discusses the locations, conventions, influences, narrative, characters, themes, and other elements of the proposed film. The locations chosen are Auckland CBD, a derelict house, and North Wharf to provide busy, isolated, and industrial settings. Conventions like low-key lighting, diegetic sounds, and an ambiguous narrative aim to create mystery and suspense for the audience. Health and safety issues with filming in a moving car are also addressed.
First treatment for thriller opening AS media
This document provides a treatment for a short thriller film titled "Only Angles Lie". It discusses the locations, conventions, influences, narrative, characters, themes, and other elements of the proposed film. The locations chosen are Auckland CBD, a derelict house, and North Wharf to provide busy, isolated, and industrial settings. Conventions like low-key lighting, diegetic sounds, and an ambiguous narrative aim to create mystery and suspense for the audience. Health and safety issues around filming a body bag or while driving may pose challenges to realizing the creative vision.
Key conventions
The document discusses several key elements that are commonly found in horror films, including settings, narrative structures, character archetypes, and technical elements. Typical horror film settings include run-down houses, ghost towns, and dark alleyways. The narratives often feature heroic protagonists trying to stop threats and leave room for sequels. Character types include final girls, sex appeal victims, irritating characters, and unlikely heroes. Technical elements that build suspense include camera angles, sound design, editing, and lighting. Common themes in horror include good vs evil, the supernatural, madness, and revenge.
Refined treatment for thriller opening AS media
This document provides a treatment for a thriller film opening titled "Only Angles Lie". It outlines the narrative, locations, characters, themes, and conventions that will be used. The opening will be 4-5 minutes and feature unidentified main characters disposing of a large wrapped object, implied to be a body, from a car at an isolated wharf location. Mise-en-scene elements like dark clothing, lighting, and settings will maintain an atmosphere of mystery and suspense for the audience.
Durham County Opening Sequence Analysis
Durham County is a TV crime drama that follows homicide detective Mike Sweeney as he investigates serial killings in Durham County. The opening titles use unsettling imagery and disorienting editing to create an ominous atmosphere and leave viewers feeling confused and curious. Scenes of dolls, action figures, roses, and a screaming man are intercut to hint at supernatural threats. The titles aim to draw viewers in by raising questions about the threats Sweeney will face and leaving the narrative purposefully unresolved.
My bloody valentine
The document discusses various elements of horror film trailers and films that are intended to frighten and unsettle audiences. Locations shown in trailers are often dark and isolated to build tension and a sense of unpredictability. Horror films also use everyday locations like supermarkets to make the threat of danger seem more realistic. The mask and title sequence for the film My Bloody Valentine help set the tone that evil will dominate in the film through their dark and ominous visuals.
The warriors analysis
The document discusses various elements used in the opening of the film The Warriors to set the mood and provide clues to the audience without revealing plot details. Mysterious sounds and a gruff narrator create an unsettled tone. Distorted music and a plucked guitar string symbolize future tension and climax. Panning over ancient Greek folklore and diegetic seaside sounds establish historical and location context without dialogue. A neon wheel and ominous music during the opening credits allow the audience to focus on key elements without context. A lit subway train is singled out to signify its importance, while shallow focus on a character hints at his significance to the plot.
Chernobly diaries trailer analysis
The trailer for Chernobyl Diaries uses various film techniques to set up tension and build suspense. It begins by establishing the storyline of a group of tourists exploring Chernobyl, then shows footage of the real-life disaster. As the characters arrive in Chernobyl, ominous sounds are heard and they realize they may not be alone. Shots of a creepy doll and disturbed objects imply a threatening presence. The trailer references the director of Paranormal Activity to draw in fans of that successful horror film. It culminates with characters fleeing from an unseen antagonist, leaving viewers wanting to find out who or what threatens them.
Real Media Research - George
The document provides an analysis of opening thriller sequences. It examines several film openings and analyzes the techniques used to set tone and build suspense, mystery, and interest in viewers. Key techniques discussed include the use of establishing shots, lighting, music, editing, camera shots, settings, characters' expressions and interactions. The analysis suggests these techniques aim to involve viewers emotionally, encourage imagination, create an unsettling atmosphere, and leave questions unanswered to drive interest in learning more through watching the full film.
Intertext research
1. The documentary involves a young couple who move into a new home and begin experiencing strange paranormal activity, especially at night.
2. It was directed by Oren Peli and received positive reviews, ranking highly on horror film websites.
3. The couple document the increasingly disturbing events using cameras in their home, adding to the film's sense of realism.
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Question 4 how have you used media technologies in the planning, research, ...
The student utilized a variety of media technologies throughout the different stages of their media project. During the research stage, they relied on online tools like YouTube and Google to study conventions in music videos, digipaks, and magazine ads. Hardware like a Sony camcorder and Canon DSLR were used to film footage for the music video during production. Adobe Premiere Pro and Photoshop were the primary software for editing the video and creating the digipak and ad during post-production. The completed project was published online using Blogger and SlideShare.
In what ways does your media product use
This document discusses how the media product uses and develops conventions of real indie pop music products. It analyzes the conventions found in digipaks, magazine ads, and music videos of indie pop artists like Lana Del Rey and Florence and the Machine. For the digipak, conventions like color schemes, positioning of the artist, and inclusion of synced images from the music video were developed. The magazine ad follows conventions of font styles and positioning of text. The music video develops conventions of conceptual themes, grayscale color schemes, inclusion of the artist, and conservative costumes to establish the indie pop genre.
Editing record
The document discusses various video editing techniques used to maintain an eerie tone for a music video. These include:
1) Overlapping footage and reducing opacity to create a "jittery" transition effect between scenes.
2) Muting all audio tracks except the song track to ensure only the music was heard.
3) Using the "Leave Color" effect to focus shots on a single color while making other areas grayscale, maintaining an eerie tone.
4) Applying fast blur to blur characters/landscapes and somewhat hide them, furthering the eerie tone.
5) Using fast color correction to give clips a colder, blue tint when the artist was lip syncing
Digipak audience research
The document contains a series of numbers with no context or explanation. It is unclear what the numbers represent or what information they are intended to convey without any additional context or description.
Digipak pictures
This short document appears to contain a series of symbols and numbers with no clear meaning or context. It does not contain enough substantive information to generate a meaningful 3 sentence summary.
Risk assessment
Bad weather, sea rocks, and mud pose dangers of dropping or damaging equipment during an outdoor film shoot. To reduce these risks, the document recommends securely holding all cameras and gear, supervising equipment at all times, maintaining distance from hazards like water, and being cautious when traveling or moving through potentially hazardous areas like roads or mud.
Indie pop music magazine adverts
The document discusses conventions that are commonly found in magazine advertisements for indie pop music albums. It notes that the ads usually feature the same image as the album cover to promote recognition of the album. They also typically use the same font and colors as the album cover. Additionally, the ads normally list popular songs from the album and display the artist name and album title in central locations near the top or bottom of the ad.
Indie rock album covers
The document analyzes indie rock album covers. It notes that most covers do not feature images of the artists, instead focusing on other photographic elements. Black and white designs are common. Nearly all covers include the name of the artist and album. Photographs are more prevalent than illustrations.
Indie pop album covers
Indie pop album covers typically feature the artist in the center, wearing conservative clothing. Black and white imagery and unique photos are commonly used. The artist and album name are always prominently displayed in a consistent font to help identify the artist's works. Color use, imagery themes, and font consistency provide visual continuity across an artist's albums.
Indie pop album covers
Indie pop album covers typically feature the artist in the center, wearing conservative clothing. Black and white imagery is commonly used. The name of the artist and album are always included, often in a consistent font to identify the artist's works. Common elements include centered artists not facing the camera, dark or bright but not overly revealing images, and an emphasis on consistent branding through color schemes and fonts.
Rock album covers
The document discusses common elements found on rock album covers. Most covers do not prominently feature the artist and instead focus on a conceptual image related to the album's music. Dark colors are conventionally used but bright colors also appear. The title of the album and name of the band are always included.
Pop album covers
Pop album covers typically feature the artist as the main subject, centered on the cover. The name of the artist and album are also usually included. Photographs are most commonly used rather than illustrations. Variations between covers include the artist's attire, expression, lighting, and backdrop, which provide clues to the tones of the album.
House album covers
House album covers vary in style between artists but generally feature the artist or album name prominently. Well-known artists like David Guetta appear on their own covers to promote their image, while more obscure artists rely on just their name. Covers usually have a dark color scheme but some exceptions exist. The artist name is always included due to the lack of a personal image on many covers.
Hip hop album covers
This document analyzes hip-hop album cover trends over time. It notes that pre-2000, covers more commonly featured the artist, whereas now they tend to have more conceptual artwork instead of just the artist. Some modern covers do not include the album or artist name. It also states that hip-hop album covers often incorporate conventions seen in music videos, such as people smoking, dark clothing, baggy clothes, and sunglasses.
Hip hop music
Hip-hop began in the late 1960s as a cultural movement within African American communities in New York City, centered around four elements: rap music, turntablism, breakdancing, and graffiti art. Pioneering artists like DJ Kool Herc and Afrika Bambaataa would play mixed music at block parties to bring people together across racial and social barriers. Hip-hop culture introduced the concept of sampling older records to create new music. As a genre, hip-hop is also known as rap and involves rhyming speech over rhythmic beats, and can incorporate beatboxing and sampling. The 1980s saw the genre's development and the emergence of subgenres like gangsta rap and G
Rock music
Rock music originated in the United States in the 1950s before spreading to Britain, where it developed further in the 1960s. It combines elements of genres like jazz, blues, and country and is characterized by the use of drums and electric guitar. In the 1960s, various subgenres emerged as artists experimented by blending rock with other styles. Rock has greatly influenced Western culture, especially youth subcultures in the 1960s-1980s that protested through music. New genres like punk and subgenres emerged but rock remained influential through iconic artists like the Rolling Stones, Elvis Presley, and Pink Floyd.
R&b music
R&B music originated in the 1940s as a term to describe popular African American urban music known previously as "race music." R&B was coined to mean "rhythm and blues" and was sourced in the USA, becoming a recognizable genre that developed from the 1940s to today. Though still dominated by black artists, contemporary R&B utilizes a mixture of electric blues, gospel, and soul styles to create a distinctive sound different from original R&B. Popular contemporary R&B artists include Stevie Wonder, Rhianna, Whitney Houston, Beyoncé, Michael Jackson, Drake, and Mariah Carey.
Pop music
Pop music began as a term used in the 1950s-1960s to describe popular music groups like The Rolling Stones that appealed widely to national and global audiences, rather than referring to a unique genre. Originally, pop music contrasted with art music which drew from classical traditions and narrower audiences. Over time from the 1960s onward, pop evolved into its own genre inspired by popular culture and other genres like soul and rock, prevalent in Britain and the US with icons like Michael Jackson and Madonna achieving widespread acclaim.
Indie rock
The document analyzes several indie rock music videos, noting common visual elements like close-ups showing the relationship between artists and audience, casual clothing, singing and playing instruments. Location settings include trucks, clubs and playgrounds. Videography styles like hand-held cameras, low or high pitch lighting, and narratives that amplify the song lyrics are also discussed.
R&B Music Video Analysis
This document analyzes and summarizes elements that are commonly found in R&B music videos. Many of the videos depict women behaving provocatively or include voyeuristic elements. They also tend to feature close-ups of the artist, amplified imagery to match lyrics, performances or dances, and use of lighting, clothing, and sets to create moods. Elements like smoking, drinking, pole dancing, and money throwing also frequently appear. The goal is to engage the audience and bring the song lyrics to life through visuals.
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potential settings
- 1. Potential Horror Film Settings
- 2. Empty Field An empty, isolated field, fits in with the conventions of a horror film as the area gives the impression of being ‘alone’, building anxiety within the audience. It also creates enigma codes as the audience wonders why characters are there and what could be happening here. Firework Display Could be the catalyst of a potential disaster and engages the audience while the narrative begins to progress. Also creates enigma codes as the audience begins to wonder what could go wrong or be happening at such an event to make it a part of the horror genre.
- 3. Open Country Road An open country road follows the horror conventions of isolation, and mysteriousness, creating anxiety through enigma codes like: why are they here? What’s going to happen? Where are they? River/Waterfall River/waterfall, gives the impression of being in the wilderness and creates an anxious atmosphere as the impression of being alone is imprinted. Enigma codes are created as the audience wonders why the characters are there and what could possibly be happening here.