Kelsie Barrett created a poster and magazine for a horror film. For the poster, she struggled to edit the main image but improved it by enlarging the title and credit block. She lowered the exposure to make it darker. For the magazine, editing images in Photoshop was difficult due to inexperience. She overcame issues by self-teaching techniques from videos. The final magazine follows horror conventions with direct address, colors of red, black and white, and typical magazine features.
Accelerate your Kubernetes clusters with Varnish CachingThijs Feryn
A presentation about the usage and availability of Varnish on Kubernetes. This talk explores the capabilities of Varnish caching and shows how to use the Varnish Helm chart to deploy it to Kubernetes.
This presentation was delivered at K8SUG Singapore. See https://feryn.eu/presentations/accelerate-your-kubernetes-clusters-with-varnish-caching-k8sug-singapore-28-2024 for more details.
UiPath Test Automation using UiPath Test Suite series, part 4DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 4. In this session, we will cover Test Manager overview along with SAP heatmap.
The UiPath Test Manager overview with SAP heatmap webinar offers a concise yet comprehensive exploration of the role of a Test Manager within SAP environments, coupled with the utilization of heatmaps for effective testing strategies.
Participants will gain insights into the responsibilities, challenges, and best practices associated with test management in SAP projects. Additionally, the webinar delves into the significance of heatmaps as a visual aid for identifying testing priorities, areas of risk, and resource allocation within SAP landscapes. Through this session, attendees can expect to enhance their understanding of test management principles while learning practical approaches to optimize testing processes in SAP environments using heatmap visualization techniques
What will you get from this session?
1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
Topics covered:
Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Tobias Schneck
As AI technology is pushing into IT I was wondering myself, as an “infrastructure container kubernetes guy”, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefit’s both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
DevOps and Testing slides at DASA ConnectKari Kakkonen
My and Rik Marselis slides at 30.5.2024 DASA Connect conference. We discuss about what is testing, then what is agile testing and finally what is Testing in DevOps. Finally we had lovely workshop with the participants trying to find out different ways to think about quality and testing in different parts of the DevOps infinity loop.
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...UiPathCommunity
💥 Speed, accuracy, and scaling – discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Mining™:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing – with little to no training required
Get an exclusive demo of the new family of UiPath LLMs – GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
Speakers:
👨🏫 Andras Palfi, Senior Product Manager, UiPath
👩🏫 Lenka Dulovicova, Product Program Manager, UiPath
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
2. My first draft poster…
My first draft poster follows the typical
conventions of the horror genre as the
main image shows an element of direct
address; making the poster seem personal
to the audience member. It also includes
other conventional features such as a
credit block, release date, tagline and
title. The poster also conforms to typical
colour themes and has the colour motifs of
red, black and white. The colours black
and white create a binary opposition
whereas the colour red symbolises blood
and anger; revealing typical themes from
the plot.
3. Issues that I found…
The main issue I found was with the main image. From the beginning of planning for my poster, I intended
to make the actress’ lips red in order to symbolise blood and anger; making it clear to potential audiences
that she is the antagonist. I struggled to do this for a number of reasons – one being the lack of experience
I had had with Photoshop. This made it difficult for me and made the process extremely time consuming
as I was teaching myself along the way. When taking this picture with the intention to use it as my main
image, I didn’t consider how difficult it would be to make her lips red when her hair hangs over them.
Everyway I attempted to create this look, it looked un-natural but not in a typical horror genre manor; it
make the image look extremely unrealistic.
After I thought I had completed my poster, I looked at the typical elements that an audience member
would look for in a poster; one being the title. I realised that the title was too small and therefore, was
difficult to read especially because of its dark colouring. Due to the title being too small, it doesn’t steal as
much as the audience’s attention as I had first hoped.
The credit block also seems too big, being out of proportion from the title and therefore, stealing more
attention. The release date was awkward to position as the main image is slightly off the centre point
making the release date look unsymmetrical.
4. My final poster…
With my final draft of my poster, I changed a
few elements however, kept to the conventional
features so it is still recognisable as a horror
poster.
5. Justification…
To improve my poster, I extended the title size my using the ‘free transform’ feature on
Photoshop. This enabled me to stretch out the title layer but without having to make the text go
onto 2 lines and taking up un-necessary space on the poster. I also used this on the credit block
to save space as it is a feature on the magazine which isn’t too important, however
conventional. I used this again, with the release date so that it is spread our across the bottom
of the magazine without making the font too big.
I also lowered the exposure on the image which I had originally increased. This made the
overall effect of the poster look darker and therefore, more like a horror.
6. Issues that I found with my magazine…
The main issue that I have found whilst creating my magazine was my lack of experience with
Photoshop. Similarly to creating my poster, I found that simple tasks performed on Photoshop
was taking me longer as I had to teach myself how to use the different functions. To attempt to
overcome this, I watched several videos on YouTube in order to understand different features.
After creating my poster, I had a better idea of what to do but still had some setbacks; one
being the main image. It was difficult and time consuming for me to erase the background of
the main image. However, once I self-taught myself, it became easier and didn’t take me as
long as I had once thought. Another task I struggled with was the positioning of the different
features on the magazine cover. I overcome this by referring back to my initial magazine
analyses to understand the proportions of the different features e.g. the main image being the
most attention grabbing with a form of direct address. Once I understood this, it was easier for
me to play around with the positioning and therefore creating an image which works…
7. My final magazine…
My magazine follows the typical conventions of
the horror genre as the main image shows an
element of direct address; making the poster seem
personal to the audience member. It also includes
other conventional features such as cover lines,
images, title, tagline, lures etc. The magazine also
conforms to typical colour themes and has the
colour motifs of red, black and white. The colours
black and white create a binary opposition
whereas the colour red symbolises blood and
anger; conforming to typical themes of the horror
genre.
8. Justification…
Over all, I am impressed with the result of my magazine. The colour themes are clear and it is
also recognisable as a magazine cover through the conforming to the conventions. The colour
themes create a binary opposition (Levi Strauss) whilst the red in the magazine shows the hatred
and the violence which normally appears in a conventional horror. The main image is also
conventional as it carries a form of direct address; targeting the audience. The issue number,
release date and barcode help it to be recognised as a magazine cover as these are all typical
magazine features, regardless of the genre. The cover lines act as lures for the audience,
making them want to read on from the features hinted on the cover. These cover lines are
conventional as they consist of different fonts and sizes which are usually seen on a published
magazine. The main image is a main focus of the magazine and is also victim to the most
editing on Photoshop with getting rid of the background image and using different filters to
highlight the actress. The slogan for the magazine is slightly overlapped by the main image. I did
this as I see this technique in a lot of iconic magazine such as ‘EMPIRE’ magazine and even non-
film related magazines such as ‘VOGUE’.