SlideShare a Scribd company logo
In what ways does your media product use, develop or challenge form and conventions of real media products? Other conventions I have followed are the insertion of the flasher, the way in which the copy frame and circle the main image. For the mise-en-scene of the image I have chosen to challenge a convention of indie pop artist’s photography. For example as I found in my research lots of indie pop photography features some sort of enhanced colour effect or bright or vintage costumes. However I have tried to keep the costume fairly plain with a hint of rock styling. Instead I tried to make the magazine design, the artists hair and make up show that this was not a typical rock magazine but through her soft, lose, wavy hair and her well made up (airbrushed) face, a convention and style associated with pop artists, it will be insinuated that it is an indie pop magazine. I have used the convention of a masthead featured in the top left corner. I chose to follow this convention as my research showed that this was common for magazine to use as it is natural for people to read from top to bottom and from left to right and therefore it is the natural and most memorable place to place the masthead in order to imprint the magazine in the readers memory. However it is also common for the main image of a magazine to overlap the masthead. I decided to follow this convention as it provides a range and depth in the layout and makes it appear more dynamic. However I have only overlapped the masthead slightly so that the masthead can still appear as a major feature and will still stand out to the reader. The first convention I have decided to follow and develop is the rule of thirds. I have achieved this by making the main image feature across two of the three columns of the rule of thirds. Also the masthead is featured across one and part of the second column to make it really stand out to a reader. The remainder of the column at top third of the page feature the magazine header. Then the copy is laid out so that three of the cover lines and the flasher is featured in the left hand column and the cover line ‘Grey film review’ is featured in the right hand column. The remaining two cover lines are spread out across the middle and right hand column, making them stand out more and to highlight their importance.  For the main image I have tried to both follow and challenge typical conventions.  I have used a medium close-up image to clearly show both body language and facial expression and the clear identity of the artist. Also I have used direct address to engage and attract the readers. Yet unlike many magazine that’s feature a female artist. I have tried to make the mise-en-scene and impression of the image non-seductive or enticing in terms of a role model. The subtext of the image is that she is moving her hair away as if to reveal her identity, which is relevant to the article featured in the magazine. I chose to challenge this as I feel that main images can be intriguing without appealing to people want and desires, whether its seductively to males or as a an inspirational to females.  Other conventions I have followed are the date of issue, price and the barcode required for selling.
In what ways does your media product use, develop or challenge form and conventions of real media products? Firstly I have followed the convention of repeating the masthead with the same positioning, sizing and colouring so the repetition makes it more memorable and recognisable. I have also followed the convention of inserting the ‘contents’ title at the top of the page. I also have subheadings for the insiders and the monthly features of the magazine.  I have used the rule of thirds again, however the first column is taken up by the insiders. The masthead then slightly overlaps this column to make it more prominent. The final two columns are then used up by the main image. The third also features the two additional images. Most magazine contents pages that consist of more than one image have the main image as either light or dark with the opposite image on top. The reason for this is to make it clear and easy to see. However, for my images my text boxes are black with a dim lit main image and one dark Image and one brighter (yet shadowed) image. All of this makes a hectic and busy design of the page. I have decided to challenge the usual conventions for this because by doing this the reader will need to take more time and to concentrate when looking at the pictures and reading the copy. I have included a web-address at the top of the page. This is a fairly common convention found in magazines as it can attract a wider/different audience and more publicity. I have inserted fairly large numbers next to the article title and on the images as well as captions. This allows a reader to quickly find an article and it shows that the images are relevant to an article.  I have added effects such as drop shadows onto the images and some of the text boxes around the images to make them stand out more against the main image. To make the magazine cover and contents consistent and recognisable I have repeated the colour scheme and house style of the cover (font styles etc). I have challenged the convention of including a date of issue of the contents page as I feel that the modern and relevant artists and article topics should automatically allow the reader to know the date of issue.
In what ways does your media product use, develop or challenge form and conventions of real media products? I have followed the convention of adding tags onto the article and image to allow the reader to know the topic of the article allowing them to decide to read it or not.  It is a typical convention of double page spreads for the main image to take up the whole of one of the pages. I have chosen to follow this. Also it is common for this image to be of a live performance. I have also decided to follow this as it is clearly relevant to the article and enticing for the reader to know of the artists latest performances and tours. It also make the article more appealing as by making the pages image dominated, the article appears less dull and easier to read. I have developed the conventions of titles and pull quotes by merging them. I chose to do this as in the article the artist uses the quote when talking about her songs and lyrics and beliefs. Thus this is a relevant quote to both the article and the artist as well as being an inspirational lyric. To continue following the convention of making a double page spread image dominated, I have added two further images of the artists having fun and concealing her identity, which is relevant to the article. I have then added effects to these to make them stand out more. I have followed the convention of a stand first as this gives the reader an insight on what the article features and engages and attracts them to read on.  The article is in Q&A form, split into three columns and has a drop capital at the beginning. These are all conventions that make the article more dynamic, easier and more interesting to read.  Other typical conventions of double page spreads that I have followed are the page numbers, date of issue and the by-line.  Unlike most magazine I have continued the house style and colour scheme onto this article as it again makes it more memorable and recognisable. But it also because it reminds the audience that this is the main article relating to the artist on the cover. Yet the added red makes it more prominent and dynamic.

More Related Content

What's hot

Magazine plans
Magazine plansMagazine plans
Magazine plans
edwincameron
 
Evaluation media
Evaluation mediaEvaluation media
Evaluation media
chirstohper
 
Magazine
MagazineMagazine
Magazine
lloydmorgann
 
Evaluation Q1
Evaluation Q1 Evaluation Q1
Evaluation Q1 zaradorman
 
Evaluation question one
Evaluation question oneEvaluation question one
Evaluation question one
Rosie Stores
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
shofialamin
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
shofialamin
 
As media evaluation
As media evaluation As media evaluation
As media evaluation
BenTibbits
 
Media film magazine
Media film magazineMedia film magazine
Media film magazineMija_Valdez
 
5. pre production(1) (1) magazihe (1)
5. pre production(1) (1) magazihe (1)5. pre production(1) (1) magazihe (1)
5. pre production(1) (1) magazihe (1)
jackedwards46
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
Robert-17
 
Contents page
Contents pageContents page
Contents page
mee-c-4
 
Codes and conventions contents
Codes and conventions contentsCodes and conventions contents
Codes and conventions contents
Toby Allen
 
Pre-production
Pre-productionPre-production
Pre-production
Emily Porter
 
Question 1
Question 1Question 1
Question 1
kelsey ryan
 

What's hot (17)

Magazine plans
Magazine plansMagazine plans
Magazine plans
 
Evaluation media
Evaluation mediaEvaluation media
Evaluation media
 
Question one
Question oneQuestion one
Question one
 
Magazine
MagazineMagazine
Magazine
 
Evaluation Q1
Evaluation Q1 Evaluation Q1
Evaluation Q1
 
Evaluation new
Evaluation newEvaluation new
Evaluation new
 
Evaluation question one
Evaluation question oneEvaluation question one
Evaluation question one
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
As media evaluation
As media evaluation As media evaluation
As media evaluation
 
Media film magazine
Media film magazineMedia film magazine
Media film magazine
 
5. pre production(1) (1) magazihe (1)
5. pre production(1) (1) magazihe (1)5. pre production(1) (1) magazihe (1)
5. pre production(1) (1) magazihe (1)
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Contents page
Contents pageContents page
Contents page
 
Codes and conventions contents
Codes and conventions contentsCodes and conventions contents
Codes and conventions contents
 
Pre-production
Pre-productionPre-production
Pre-production
 
Question 1
Question 1Question 1
Question 1
 

Viewers also liked

Topic ideas...
Topic ideas...Topic ideas...
Topic ideas...beckyt95
 
Smash hits analysis
Smash hits analysisSmash hits analysis
Smash hits analysis
beckyt95
 
NME analysis
NME analysisNME analysis
NME analysis
beckyt95
 
Q analysis
Q analysisQ analysis
Q analysis
beckyt95
 
EVALUATION QUESTION 2
EVALUATION QUESTION 2EVALUATION QUESTION 2
EVALUATION QUESTION 2beckyt95
 
Q analysis
Q analysisQ analysis
Q analysis
beckyt95
 
End questionnaire
End questionnaireEnd questionnaire
End questionnairebeckyt95
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1beckyt95
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1beckyt95
 
Questionnaire
QuestionnaireQuestionnaire
Questionnairebeckyt95
 
EVALUATION QUESTION 2
EVALUATION QUESTION 2EVALUATION QUESTION 2
EVALUATION QUESTION 2beckyt95
 
Supersize Me Essay's
Supersize Me Essay's Supersize Me Essay's
Supersize Me Essay's beckyt95
 
Mlat ads-b-reference-guide
Mlat ads-b-reference-guideMlat ads-b-reference-guide
Mlat ads-b-reference-guide
Sergio Llugdar
 

Viewers also liked (17)

Topic ideas...
Topic ideas...Topic ideas...
Topic ideas...
 
Smash hits analysis
Smash hits analysisSmash hits analysis
Smash hits analysis
 
NME analysis
NME analysisNME analysis
NME analysis
 
Q analysis
Q analysisQ analysis
Q analysis
 
EVALUATION QUESTION 2
EVALUATION QUESTION 2EVALUATION QUESTION 2
EVALUATION QUESTION 2
 
Q analysis
Q analysisQ analysis
Q analysis
 
Q6
Q6Q6
Q6
 
Prueba 1
Prueba 1Prueba 1
Prueba 1
 
End questionnaire
End questionnaireEnd questionnaire
End questionnaire
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Q6
Q6Q6
Q6
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Questionnaire
QuestionnaireQuestionnaire
Questionnaire
 
Q7
Q7Q7
Q7
 
EVALUATION QUESTION 2
EVALUATION QUESTION 2EVALUATION QUESTION 2
EVALUATION QUESTION 2
 
Supersize Me Essay's
Supersize Me Essay's Supersize Me Essay's
Supersize Me Essay's
 
Mlat ads-b-reference-guide
Mlat ads-b-reference-guideMlat ads-b-reference-guide
Mlat ads-b-reference-guide
 

Similar to Evaluation Q1

Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
shofialamin
 
Evaluation question 1 øøøøøøøø
Evaluation question 1 øøøøøøøøEvaluation question 1 øøøøøøøø
Evaluation question 1 øøøøøøøønikolinef
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
kendra20003
 
All evaluation questions completed
All evaluation questions completedAll evaluation questions completed
All evaluation questions completedatkinsh1
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
EMILYCORBET
 
Exam q 1
Exam q 1Exam q 1
Exam q 1
india smith
 
Media q1
Media q1Media q1
Media q1
zainyc4
 
Question one
Question oneQuestion one
Question one
AS Media Column E
 
As media evaluation
As media evaluationAs media evaluation
As media evaluation
BenTibbits
 
As media studies-salimjeylanisaeed1
As media studies-salimjeylanisaeed1As media studies-salimjeylanisaeed1
As media studies-salimjeylanisaeed1swaleh1234
 
Eval q1
Eval q1Eval q1
Eval q1
luciahoyle12
 
Written Evaluation First Draft
Written Evaluation First DraftWritten Evaluation First Draft
Written Evaluation First DraftRyanDenner
 
As Media Evaluation Salim Jeylani Saeed
As Media Evaluation Salim Jeylani SaeedAs Media Evaluation Salim Jeylani Saeed
As Media Evaluation Salim Jeylani Saeedswaleh1234
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluation
elloise clements
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluation
elloise clements
 

Similar to Evaluation Q1 (20)

Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evaluation question 1 øøøøøøøø
Evaluation question 1 øøøøøøøøEvaluation question 1 øøøøøøøø
Evaluation question 1 øøøøøøøø
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Evalutaion Question One
Evalutaion Question OneEvalutaion Question One
Evalutaion Question One
 
Question 1
Question 1Question 1
Question 1
 
Eval Q1
Eval Q1Eval Q1
Eval Q1
 
All evaluation questions completed
All evaluation questions completedAll evaluation questions completed
All evaluation questions completed
 
Question one
Question oneQuestion one
Question one
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Evaluation (1)
Evaluation (1)Evaluation (1)
Evaluation (1)
 
Exam q 1
Exam q 1Exam q 1
Exam q 1
 
Media q1
Media q1Media q1
Media q1
 
Question one
Question oneQuestion one
Question one
 
As media evaluation
As media evaluationAs media evaluation
As media evaluation
 
As media studies-salimjeylanisaeed1
As media studies-salimjeylanisaeed1As media studies-salimjeylanisaeed1
As media studies-salimjeylanisaeed1
 
Eval q1
Eval q1Eval q1
Eval q1
 
Written Evaluation First Draft
Written Evaluation First DraftWritten Evaluation First Draft
Written Evaluation First Draft
 
As Media Evaluation Salim Jeylani Saeed
As Media Evaluation Salim Jeylani SaeedAs Media Evaluation Salim Jeylani Saeed
As Media Evaluation Salim Jeylani Saeed
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluation
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluation
 

More from beckyt95

Questionnaire
QuestionnaireQuestionnaire
Questionnairebeckyt95
 
Questionnaire
QuestionnaireQuestionnaire
Questionnairebeckyt95
 
Questionnaire
QuestionnaireQuestionnaire
Questionnairebeckyt95
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire resultsbeckyt95
 
Final Questionnaire
Final QuestionnaireFinal Questionnaire
Final Questionnairebeckyt95
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and resultsbeckyt95
 
Magazine article
Magazine articleMagazine article
Magazine articlebeckyt95
 
Research and planning
Research and planningResearch and planning
Research and planningbeckyt95
 
Formal proposal
Formal proposalFormal proposal
Formal proposalbeckyt95
 
Focus group results
Focus group resultsFocus group results
Focus group resultsbeckyt95
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and resultsbeckyt95
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and resultsbeckyt95
 

More from beckyt95 (15)

Questionnaire
QuestionnaireQuestionnaire
Questionnaire
 
Questionnaire
QuestionnaireQuestionnaire
Questionnaire
 
Questionnaire
QuestionnaireQuestionnaire
Questionnaire
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
 
Q6
Q6Q6
Q6
 
Q5
Q5Q5
Q5
 
Q3
Q3Q3
Q3
 
Final Questionnaire
Final QuestionnaireFinal Questionnaire
Final Questionnaire
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and results
 
Magazine article
Magazine articleMagazine article
Magazine article
 
Research and planning
Research and planningResearch and planning
Research and planning
 
Formal proposal
Formal proposalFormal proposal
Formal proposal
 
Focus group results
Focus group resultsFocus group results
Focus group results
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and results
 
Questionnaire and results
Questionnaire and resultsQuestionnaire and results
Questionnaire and results
 

Recently uploaded

GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
James Anderson
 
DevOps and Testing slides at DASA Connect
DevOps and Testing slides at DASA ConnectDevOps and Testing slides at DASA Connect
DevOps and Testing slides at DASA Connect
Kari Kakkonen
 
To Graph or Not to Graph Knowledge Graph Architectures and LLMs
To Graph or Not to Graph Knowledge Graph Architectures and LLMsTo Graph or Not to Graph Knowledge Graph Architectures and LLMs
To Graph or Not to Graph Knowledge Graph Architectures and LLMs
Paul Groth
 
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
BookNet Canada
 
Accelerate your Kubernetes clusters with Varnish Caching
Accelerate your Kubernetes clusters with Varnish CachingAccelerate your Kubernetes clusters with Varnish Caching
Accelerate your Kubernetes clusters with Varnish Caching
Thijs Feryn
 
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Ramesh Iyer
 
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdfFIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance
 
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
UiPathCommunity
 
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
Sri Ambati
 
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
Product School
 
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
Tobias Schneck
 
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
Jeffrey Haguewood
 
GraphRAG is All You need? LLM & Knowledge Graph
GraphRAG is All You need? LLM & Knowledge GraphGraphRAG is All You need? LLM & Knowledge Graph
GraphRAG is All You need? LLM & Knowledge Graph
Guy Korland
 
JMeter webinar - integration with InfluxDB and Grafana
JMeter webinar - integration with InfluxDB and GrafanaJMeter webinar - integration with InfluxDB and Grafana
JMeter webinar - integration with InfluxDB and Grafana
RTTS
 
Connector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a buttonConnector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a button
DianaGray10
 
Leading Change strategies and insights for effective change management pdf 1.pdf
Leading Change strategies and insights for effective change management pdf 1.pdfLeading Change strategies and insights for effective change management pdf 1.pdf
Leading Change strategies and insights for effective change management pdf 1.pdf
OnBoard
 
Designing Great Products: The Power of Design and Leadership by Chief Designe...
Designing Great Products: The Power of Design and Leadership by Chief Designe...Designing Great Products: The Power of Design and Leadership by Chief Designe...
Designing Great Products: The Power of Design and Leadership by Chief Designe...
Product School
 
Mission to Decommission: Importance of Decommissioning Products to Increase E...
Mission to Decommission: Importance of Decommissioning Products to Increase E...Mission to Decommission: Importance of Decommissioning Products to Increase E...
Mission to Decommission: Importance of Decommissioning Products to Increase E...
Product School
 
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
Product School
 
PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)
Ralf Eggert
 

Recently uploaded (20)

GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...
 
DevOps and Testing slides at DASA Connect
DevOps and Testing slides at DASA ConnectDevOps and Testing slides at DASA Connect
DevOps and Testing slides at DASA Connect
 
To Graph or Not to Graph Knowledge Graph Architectures and LLMs
To Graph or Not to Graph Knowledge Graph Architectures and LLMsTo Graph or Not to Graph Knowledge Graph Architectures and LLMs
To Graph or Not to Graph Knowledge Graph Architectures and LLMs
 
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
 
Accelerate your Kubernetes clusters with Varnish Caching
Accelerate your Kubernetes clusters with Varnish CachingAccelerate your Kubernetes clusters with Varnish Caching
Accelerate your Kubernetes clusters with Varnish Caching
 
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
 
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdfFIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
 
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...
 
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
 
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
From Siloed Products to Connected Ecosystem: Building a Sustainable and Scala...
 
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
 
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...
 
GraphRAG is All You need? LLM & Knowledge Graph
GraphRAG is All You need? LLM & Knowledge GraphGraphRAG is All You need? LLM & Knowledge Graph
GraphRAG is All You need? LLM & Knowledge Graph
 
JMeter webinar - integration with InfluxDB and Grafana
JMeter webinar - integration with InfluxDB and GrafanaJMeter webinar - integration with InfluxDB and Grafana
JMeter webinar - integration with InfluxDB and Grafana
 
Connector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a buttonConnector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a button
 
Leading Change strategies and insights for effective change management pdf 1.pdf
Leading Change strategies and insights for effective change management pdf 1.pdfLeading Change strategies and insights for effective change management pdf 1.pdf
Leading Change strategies and insights for effective change management pdf 1.pdf
 
Designing Great Products: The Power of Design and Leadership by Chief Designe...
Designing Great Products: The Power of Design and Leadership by Chief Designe...Designing Great Products: The Power of Design and Leadership by Chief Designe...
Designing Great Products: The Power of Design and Leadership by Chief Designe...
 
Mission to Decommission: Importance of Decommissioning Products to Increase E...
Mission to Decommission: Importance of Decommissioning Products to Increase E...Mission to Decommission: Importance of Decommissioning Products to Increase E...
Mission to Decommission: Importance of Decommissioning Products to Increase E...
 
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
From Daily Decisions to Bottom Line: Connecting Product Work to Revenue by VP...
 
PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)
 

Evaluation Q1

  • 1. In what ways does your media product use, develop or challenge form and conventions of real media products? Other conventions I have followed are the insertion of the flasher, the way in which the copy frame and circle the main image. For the mise-en-scene of the image I have chosen to challenge a convention of indie pop artist’s photography. For example as I found in my research lots of indie pop photography features some sort of enhanced colour effect or bright or vintage costumes. However I have tried to keep the costume fairly plain with a hint of rock styling. Instead I tried to make the magazine design, the artists hair and make up show that this was not a typical rock magazine but through her soft, lose, wavy hair and her well made up (airbrushed) face, a convention and style associated with pop artists, it will be insinuated that it is an indie pop magazine. I have used the convention of a masthead featured in the top left corner. I chose to follow this convention as my research showed that this was common for magazine to use as it is natural for people to read from top to bottom and from left to right and therefore it is the natural and most memorable place to place the masthead in order to imprint the magazine in the readers memory. However it is also common for the main image of a magazine to overlap the masthead. I decided to follow this convention as it provides a range and depth in the layout and makes it appear more dynamic. However I have only overlapped the masthead slightly so that the masthead can still appear as a major feature and will still stand out to the reader. The first convention I have decided to follow and develop is the rule of thirds. I have achieved this by making the main image feature across two of the three columns of the rule of thirds. Also the masthead is featured across one and part of the second column to make it really stand out to a reader. The remainder of the column at top third of the page feature the magazine header. Then the copy is laid out so that three of the cover lines and the flasher is featured in the left hand column and the cover line ‘Grey film review’ is featured in the right hand column. The remaining two cover lines are spread out across the middle and right hand column, making them stand out more and to highlight their importance. For the main image I have tried to both follow and challenge typical conventions. I have used a medium close-up image to clearly show both body language and facial expression and the clear identity of the artist. Also I have used direct address to engage and attract the readers. Yet unlike many magazine that’s feature a female artist. I have tried to make the mise-en-scene and impression of the image non-seductive or enticing in terms of a role model. The subtext of the image is that she is moving her hair away as if to reveal her identity, which is relevant to the article featured in the magazine. I chose to challenge this as I feel that main images can be intriguing without appealing to people want and desires, whether its seductively to males or as a an inspirational to females. Other conventions I have followed are the date of issue, price and the barcode required for selling.
  • 2. In what ways does your media product use, develop or challenge form and conventions of real media products? Firstly I have followed the convention of repeating the masthead with the same positioning, sizing and colouring so the repetition makes it more memorable and recognisable. I have also followed the convention of inserting the ‘contents’ title at the top of the page. I also have subheadings for the insiders and the monthly features of the magazine. I have used the rule of thirds again, however the first column is taken up by the insiders. The masthead then slightly overlaps this column to make it more prominent. The final two columns are then used up by the main image. The third also features the two additional images. Most magazine contents pages that consist of more than one image have the main image as either light or dark with the opposite image on top. The reason for this is to make it clear and easy to see. However, for my images my text boxes are black with a dim lit main image and one dark Image and one brighter (yet shadowed) image. All of this makes a hectic and busy design of the page. I have decided to challenge the usual conventions for this because by doing this the reader will need to take more time and to concentrate when looking at the pictures and reading the copy. I have included a web-address at the top of the page. This is a fairly common convention found in magazines as it can attract a wider/different audience and more publicity. I have inserted fairly large numbers next to the article title and on the images as well as captions. This allows a reader to quickly find an article and it shows that the images are relevant to an article. I have added effects such as drop shadows onto the images and some of the text boxes around the images to make them stand out more against the main image. To make the magazine cover and contents consistent and recognisable I have repeated the colour scheme and house style of the cover (font styles etc). I have challenged the convention of including a date of issue of the contents page as I feel that the modern and relevant artists and article topics should automatically allow the reader to know the date of issue.
  • 3. In what ways does your media product use, develop or challenge form and conventions of real media products? I have followed the convention of adding tags onto the article and image to allow the reader to know the topic of the article allowing them to decide to read it or not. It is a typical convention of double page spreads for the main image to take up the whole of one of the pages. I have chosen to follow this. Also it is common for this image to be of a live performance. I have also decided to follow this as it is clearly relevant to the article and enticing for the reader to know of the artists latest performances and tours. It also make the article more appealing as by making the pages image dominated, the article appears less dull and easier to read. I have developed the conventions of titles and pull quotes by merging them. I chose to do this as in the article the artist uses the quote when talking about her songs and lyrics and beliefs. Thus this is a relevant quote to both the article and the artist as well as being an inspirational lyric. To continue following the convention of making a double page spread image dominated, I have added two further images of the artists having fun and concealing her identity, which is relevant to the article. I have then added effects to these to make them stand out more. I have followed the convention of a stand first as this gives the reader an insight on what the article features and engages and attracts them to read on. The article is in Q&A form, split into three columns and has a drop capital at the beginning. These are all conventions that make the article more dynamic, easier and more interesting to read. Other typical conventions of double page spreads that I have followed are the page numbers, date of issue and the by-line. Unlike most magazine I have continued the house style and colour scheme onto this article as it again makes it more memorable and recognisable. But it also because it reminds the audience that this is the main article relating to the artist on the cover. Yet the added red makes it more prominent and dynamic.