Post-structuralism 
Zoë Freeman
• Barthes – Pleasure of the Texts 
• The audience know what’s happening, seeing it played out = fulfilling and 
gives closure, however, there is another layer when the unexpected happens 
• ‘Jouissance’ – found in transgressive films 
• Levi Strauss – Binary Opposites 
• Constant conflict/opposition propels the narrative 
• Visual (light/dark), conceptual (love/hate), sound (loud/quiet) 
• Propp – 8 Character Types 
• Based on folk tales and legends that he’d studied from across the world, 
found that they were all similar and the same problems/character types kept 
showing up 
• The Hero – on a quest, often restores equilibrium 
• Villain – opposes the hero, usually the one who creates moment of 
disequilibrium 
• The Donor – helps hero, may result in resolution 
• The dispatcher – aids the hero in task of restoring equilibrium 
• The false hero – attempts to steer the hero from his quest 
• The helper – helps the hero 
• The princess – reward for the hero 
• Her father – rewards the hero

Post Structuralism

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    • Barthes –Pleasure of the Texts • The audience know what’s happening, seeing it played out = fulfilling and gives closure, however, there is another layer when the unexpected happens • ‘Jouissance’ – found in transgressive films • Levi Strauss – Binary Opposites • Constant conflict/opposition propels the narrative • Visual (light/dark), conceptual (love/hate), sound (loud/quiet) • Propp – 8 Character Types • Based on folk tales and legends that he’d studied from across the world, found that they were all similar and the same problems/character types kept showing up • The Hero – on a quest, often restores equilibrium • Villain – opposes the hero, usually the one who creates moment of disequilibrium • The Donor – helps hero, may result in resolution • The dispatcher – aids the hero in task of restoring equilibrium • The false hero – attempts to steer the hero from his quest • The helper – helps the hero • The princess – reward for the hero • Her father – rewards the hero