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This document discusses changes in Hollywood filmmaking from the 1960s to the late 1970s. It describes how the New Hollywood era of the 1960s saw a shift towards more experimental, European-influenced films influenced by directors like Godard and Kurosawa that tackled social issues. Key films like Bonnie and Clyde and Easy Rider heralded this change by appealing to youth audiences. By the late 1970s, large studios shifted towards producing blockbuster films to appeal to broad audiences internationally in order to offset financial risks, with directors like Spielberg and Lucas leading this change towards spectacle and feel-good entertainment.
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New hwood
The document summarizes changes in Hollywood filmmaking from the 1960s to the late 1970s. In the 1960s, films became more expensive to produce due to various economic factors. European and international films influenced Hollywood with more experimental styles. Films like Bonnie and Clyde and Easy Rider heralded a new era known as New Hollywood characterized by youth culture films and explicit depictions of sex and violence. In the late 1970s, large studios shifted to a blockbuster model in response to financial troubles, focusing on large-budget films aimed at broad audiences.
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Independent vs mainstream film
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1. Avatar was produced by several major Hollywood studios with a budget of £237 million and profits of £2.788 billion. Hunky Dory had unknown funding from smaller independent producers and made £12,629 in profits.
2. High budget films aim to make profits and are associated with commercial success, while low budget films focus more on critical success and artistry.
3. Both types of films ultimately want to create quality films and make money, even if profit goals differ, and can both achieve success through different means.
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Independent versus mainstream film
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Twenty years ago, in the middle of a firestorm of criticism against video games caused by the release of Mortal Kombat, Ernest Adams asked several influential friends to help him set up a professional society for game developers. He didn't want it to be a union or a trade association, and he knew it would be a tough sell because game developers are some of the most libertarian, contrarian, independent and downright unsociable people on the planet. Today, Ernest takes a wry and humorous look back over the 20-year history of the International Game Developers Association with reflections on what went wrong, what went right, how in some ways it has exceeded his wildest dreams, and why we need it now more than ever.
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New hwood
The document summarizes changes in Hollywood filmmaking from the 1960s to the late 1970s. In the 1960s, films became more expensive to produce due to various economic factors. European and international films influenced Hollywood with more experimental styles. Films like Bonnie and Clyde and Easy Rider heralded a new era known as New Hollywood characterized by youth culture films and explicit depictions of sex and violence. In the late 1970s, large studios shifted to a blockbuster model in response to financial troubles, focusing on large-budget films aimed at broad audiences.
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This document discusses the rise of film schools and their influence on Hollywood in the late 20th century. It describes how French film critics-turned-directors launched the New Wave movement in the 1950s-60s without formal training. American film schools then grew in the 1960s-70s, training a new generation of directors like Spielberg, Lucas, and Coppola. Hollywood recognized this generation's appeal to younger audiences and began hiring them to direct big-budget genre films that were profitable. These directors paid homage to earlier films through references and allusions in their works.
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This document defines cult films and explores some of their key characteristics and genres. It states that cult films are often strange, quirky films that break conventions and cultural taboos. They frequently feature violence, gore and controversial topics. The document examines some notable cult directors like David Lynch and genres like musicals and westerns. It provides timelines of early and modern cult classics and discusses how cult followings have developed with social media. Three films - Reefer Madness, A Clockwork Orange, and Fight Club - are highlighted as examples of "social issues" cult films that explore influential realities in society.
Independent vs mainstream film
This document compares the blockbuster film Avatar to the independent film Hunky Dory in three key areas:
1. Avatar was produced by several major Hollywood studios with a budget of £237 million and profits of £2.788 billion. Hunky Dory had unknown funding from smaller independent producers and made £12,629 in profits.
2. High budget films aim to make profits and are associated with commercial success, while low budget films focus more on critical success and artistry.
3. Both types of films ultimately want to create quality films and make money, even if profit goals differ, and can both achieve success through different means.
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The document discusses issues related to targeting audiences in the media industry. It addresses topics of gender stereotypes in gaming, lack of regulation of mature games, and debates around violence in gaming. Specifically, it notes stereotypical portrayals of women in games, issues with age ratings and enforcement, and arguments from both sides about the impact of violent video game content.
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Fight club Intro
This document provides context about the production and critical reception of the controversial film Fight Club. It discusses how the film was an experimental movie funded by a major studio that critiques consumerism. While unconventional, the film's style and structure both conform and diverge from Hollywood norms. The film explores controversial themes like a fake and superficial society that strips away authentic emotions. It also represents masculinity in a homoerotic and non-traditional way. The film received mixed critical reviews, with some like Roger Ebert arguing it promoted fascist or misogynistic ideals through its portrayal of women and gender roles.
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Twenty years ago, in the middle of a firestorm of criticism against video games caused by the release of Mortal Kombat, Ernest Adams asked several influential friends to help him set up a professional society for game developers. He didn't want it to be a union or a trade association, and he knew it would be a tough sell because game developers are some of the most libertarian, contrarian, independent and downright unsociable people on the planet. Today, Ernest takes a wry and humorous look back over the 20-year history of the International Game Developers Association with reflections on what went wrong, what went right, how in some ways it has exceeded his wildest dreams, and why we need it now more than ever.
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2) Publicity stunts promoted IDB's political themes, like projecting the film's title and speeches onto Parliament buildings.
3) Politicians used lines from IDB and its hashtag in their own campaigns to raise awareness and support for related social issues.
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Evaluation task 3
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What is Postmodernism? Postmodernism in video games.
What is Postmodernism? Postmodernism in video games.
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What’s with indian cinema and the commodificatio of women
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How does your media product represent particular social groups.
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Seth Rogan defended his controversial film "The Interview" by saying he wanted to make a movie with one foot in reality. NewFilmmakers Los Angeles will be hosting an event on January 10th honoring seven documentary films that capture authenticity with both feet in reality. The documentaries being featured are "Ephemeral City", "The Past is in the Present: At Home with Gunther Schuller", "Chelsea's Light", "The Hustler", "Fly Colt Fly: The Legend of the Barefoot Bandit", "The Little House That Could", and "Bert Kreischer: I am the Machine".
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The Hollywood film industry has had a profound global influence since the early 20th century. It began emerging in Hollywood, California in the early 1900s and truly flourished in the 1920s with the rise of movie stars and studios like Paramount, Warner Bros., RKO, and Columbia establishing themselves in Hollywood. The classical Hollywood era from 1917-1960 developed the dominant style of narrative filmmaking still used today. The 1960s-1980s New Hollywood era saw a shift towards more unconventional narratives and an emphasis on realism and location shooting. Major studios like Universal, Paramount, Columbia, and Warner Bros. have produced many successful and influential films over the decades.
Genre research
An action film genre features heroes facing physical and action-packed challenges including fights, violence, and chases. In the 1920s-1960s, action films included adventure and western films. The James Bond films introduced gadgets and resourceful heroes. In the 1970s, gritty crime dramas fused with the action genre. The 1980s saw the rise of blockbuster action films led by stars like Schwarzenegger and Stallone. Computer graphics advanced the genre in the 1990s-2000s through more imaginative settings in films like Star Wars.
Genre research
An action film genre features heroes facing physical and action-packed challenges including fights, violence, and chases. In the 1920s-1960s, action films included adventure and western films. The James Bond films introduced gadgets and resourceful heroes. In the 1970s, gritty crime dramas fused with the action genre. The 1980s saw the rise of blockbuster action films led by stars like Schwarzenegger and Stallone. Computer graphics advanced the genre in the 1990s-2000s through more imaginative environments in films like Star Wars.
Screeningthebrits
Here are a few key points about how British national identity is portrayed in This is England:
- It shows how fragile and open to manipulation British identity can be for young, impressionable people seeking belonging. Shaun is led into the NF due to feeling ignored by society.
- Britishness is depicted as complex and contested, with the flag taking on different meanings for Shaun as his views change. It doesn't present a single, fixed definition.
- While set in the past, it explores contemporary issues of racism, extremism and disenfranchised youth that still resonate today. In this way it interrogates history rather than just displaying it.
- It takes a gritty, realistic approach rather than a
Action Films Presentation
This document discusses the progression and evolution of the action genre and masculinity in action films over time. It begins by outlining the development of key action film styles and icons from the 1920s through the 2000s. It then examines how masculinity has been portrayed in action films, from the hypermasculine heroes of the 1980s as a reaction to feminism, to the newer acceptance of emotion and feminization seen today. The crisis and changing definitions of masculinity are analyzed in relation to societal shifts and how action films both reflect and shape concepts of gender.
70's presentation
During the 1970s, young directors emerged who benefited from relaxed censorship laws to usher in a new wave of American cinema. Studios focused on big blockbusters but it was difficult to predict successes. Jaws (1975) was hugely successful until the release of Star Wars in 1977. Iconic films and characters like Scooby-Doo were created during this period that have endured for decades.
Horror genre powerpoint
The document discusses how the horror genre has changed over time from the 1930s to present day. It provides a timeline of key developments in each decade, from literary adaptations in the 1930s to psychological thrillers and predictions of world chaos in the 2000s. The document also analyzes how specific films have influenced and changed the genre, such as Psycho introducing new conventions in 1960 and Scream parodying horror tropes in the late 1990s. Additionally, it notes that audiences have become desensitized over time, leading to lower age ratings for films with similar graphic content.
70's presentation
The decade began with Hollywood experiencing financial problems but as restrictions on creativity decreased, young directors known as "movie brats" emerged and helped kick off a renaissance in American filmmaking. Studios focused on big blockbusters hoping a few hits could turn a profit as audiences grew interested in action films with new special effects. Jaws and Star Wars became two of the highest grossing films ever during this era that saw the emergence of new directors and styles of filmmaking.
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Edward R. Murrow and his television news show See It Now (1951-1958) took a different approach to television news compared to previous documentary filmmakers. Murrow was not interested in objective analysis but rather focused on highlighting problems in society. The production of See It Now was chaotic, with film shot and rushed to New York for editing. Segments were assigned to staff who edited around the clock. Despite positive viewer response and letters of support for Murrow's reporting, the show lost corporate sponsorship from Alcoa at the end of 1954-1955 due to lack of support from CBS president Paley. This led to the end of See It Now.
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This document summarizes the development of television from the early 20th century through the 1970s. It covers technological developments like the transition to electronic scanning. It discusses the growth of television programming and genres like quiz shows. It also addresses the influence of advertising, government and politics on television through events like the quiz show scandals, McCarthyism, and the Vietnam War. The document analyzes how television was critiqued in works like Newton Minow's "vast wasteland" speech and the film Network.
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D.W. Griffith was an influential early American film director who helped develop cinematic techniques like close-ups, parallel editing, and the use of camera movement. His 1915 film Birth of a Nation promoted racist ideas about Reconstruction and the role of the Ku Klux Klan. Oscar Micheaux was a pioneering African American filmmaker who produced over 40 race films between 1919-1950, including Within Our Gates which directly responded to and critiqued the racist narrative of Birth of a Nation.
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This document discusses historiography and approaches to historical writing, including monumental, antiquarian, and critical approaches. It then summarizes sections on early film historians, the American film "American Progress", and how early film historians fit within 19th century discourse on technology and political liberty. The summary discusses how later historians adopted more comprehensive and prismatic perspectives using theoretical paradigms like auteurism, genre studies, and cultural studies.
New+wave
The French New Wave was a film movement that emerged in the late 1950s as a rejection of the prevailing mode of literary adaptations and Hollywood emulation in French cinema. Young film critics at Cahiers du Cinema, like Truffaut, Godard, and Chabrol, revered the long take and rejected montage. In 1959, seminal New Wave films like Resnais' Hiroshima Mon Amour, Godard's Breathless, and Truffaut's The 400 Blows were released. The New Wave films used techniques like location shooting, available lighting, handheld cameras, and jump cuts that broke conventions and gave the films a casual, improvised feel.
Wartime%2 band%2b postwar%2bcinema%2bunited%2bstates-2016
This document discusses wartime propaganda films from Nazi Germany and the United States during World War 2. It contrasts the simplistic, emotional style of Nazi films like Triumph of the Will with the idealized but censored portrayals of combat and racial equality in American films of the era. The document also introduces the postwar film genre of film noir, noting its visual style, narrative conventions, and themes of disillusionment that emerged from conditions of war and its aftermath.
Week 10 citizen kane
Citizen Kane is Orson Welles' 1941 film that tells the life story of newspaper tycoon Charles Foster Kane through a series of flashbacks. It was Welles' first feature film and he was given significant creative control by RKO studios. The film pioneered numerous innovative cinematography techniques like deep focus photography and long takes. It also featured expressionist lighting and camera angles as well as an unconventional non-linear narrative structure that examined Kane's life from different perspectives. Citizen Kane was both a critical and commercial failure upon release but is now widely considered one of the greatest films ever made.
Europe in the thirties grand-illusion-2016
France in the 1930s saw three waves of avant-garde cinema movements that experimented with narrative forms and visual styles, including Impressionism, Dadaism, and Surrealism. The third avant-garde was ended by the introduction of sound film which raised production costs. Poetic realism then emerged, combining lyricism and realism through techniques like deep focus shots and sequence shots. Films from this era also explored more complex human relations beyond good and bad guys. Renoir's 1937 film Grand Illusion addressed the senselessness of war and promoted humanism, but was banned in Germany as Goebbels viewed it as cinema's biggest enemy.
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This document provides an overview of the development of classical silent cinema from 1908 to 1927. It discusses the founding of studios like Universal, Paramount, and Fox in response to Thomas Edison's Motion Picture Patents Company monopoly. It also describes how Hollywood emerged as the center of film production due to its warm climate and variety of filming locations. Key figures like Mack Sennett, Buster Keaton, and Thomas Ince established important innovations in comedy films and the studio system during this period.
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This document discusses the development of Soviet silent cinema and the theory of montage between 1917-1931. It introduces the Kuleshov technique using juxtaposition to create abstract meanings. It then covers Eisenstein's theories of intellectual montage and montage of attractions to shock audiences into political commitment. The Bolsheviks saw art as reflecting dialectical materialism and the montage technique was aimed to incorporate this dialectic. The Russian Revolution in 1917 led to the establishment of a communist state committed to radically restructuring society and culture, including cinema which was seen as an important art form for propaganda. The film Strike from 1925 is analyzed as an example that engages the audience through montage rather than individual acting.
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German Expressionist films of the 1920s sought to portray disturbed psychological states through exaggerated and distorted visuals meant to create an unsettling mood, or Stimmung. Key characteristics included angular compositions, stark contrasts between light and shadow, and stylized acting. While very innovative technically, these films struggled financially due to a small German market and mixed reception overseas. Fritz Lang's 1927 film Metropolis exemplified Expressionist styles through its futuristic yet Gothic set designs and used exaggerated performances to represent the class divide between workers and owners in a dystopian industrial city. Scholars debate whether the film presented socialist or fascist ideals through its themes of technological control and narratives of malevolent rulers.
Birth of a nation
D.W. Griffith was a pioneering American film director who helped develop early narrative film techniques between 1908-1913 while working with American Mutoscope and Biograph Company. Some of his innovations included close-ups, cutbacks, cross-cutting, parallel editing, and developing interframe narrative through breaking scenes into multiple shots. His 1915 film Birth of a Nation was groundbreaking technically but also promoted racist ideologies through its glorification of the Ku Klux Klan and portrayal of black men as sexually threatening. While innovative cinematically, the film reflected and helped spread dangerous American myths about race through its narrative and perspective.
Week 2-oct-2016
1) Early cinema between 1893-1903 saw technological advances in capturing and projecting films, including the development of celluloid film and intermittent motion cameras.
2) Notable early filmmakers and their works included the Edison Studios (first public film screening in 1893), the Lumière brothers (first films shot outdoors on location in 1895), and Georges Méliès (used special effects and narrative films starting in 1902).
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The teleprotection market size has grown
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
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学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
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Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
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New+hwood
- 1. New Hollywood and Blockbusters
- 2. New Hollywood • Hollywood 1960s – saw fundamental change in filmmaking • It was becoming more expensive to produce – Due to monetary inflation. – Diffusion and influence of television. – Because of Hollywood's blockbuster strategy. • New niche markets for young audiences (no longer all the films for all the people) sexploitation, blaxploitation, cult films – B-Flicks – American International Pictures – Roger Corman
- 3. New Hollywood • Influence of European Art films – innovative and experimental storytelling • Italian Neo-realists – Location shooting, non-professional actors – Fellini, De Sica, Antonioni • New Cinemas – French, Czech, German, British – Godard, Truffaut, Resnais • Japanese Cinema – Kurosawa, Ozu • Impact of U.S. Underground and experimental traditions • From dominant to counter-cinema (Peter Wollen) – Narrative transitivity to Narrative intransitivity • Ambiguous storylines – Identification to Estrangement • Lack of character to “cheer for” – Transparency to Foregrounding • Exposing film as artificial – Single diegesis to Multiple diegesis • Multiple storylines – Closure to Aperture • Open endings instead of happy endings – Pleasure to Un-pleasure • Confrontation instead of escapism – Fiction to Reality • More documentary look and message
- 4. New Hollywood • Heralded by Bonnie and Clyde • and Easy Rider – youth culture film produced for $375,000 – $50 million at the box office – caused Hollywood to embrace the youth market – Hire young directors • Explicit treatment of sexual conflicts and psychological problems – a sense of permissiveness that led to the end of American film censorship – Graphic sex and violence was cynical toward classical Hollywood genres (optimism and wholesomeness of nation under the Production Code)
- 5. New Hollywood • Style – Anti-establishment - tackled social issues: racism, classism, sexism, homophobia, war, political and legal system. • Mixing of the comic and the serious • Open or unhappy ending – Character • Offbeat antihero protagonists - charming, exciting, funny, social misfits, deviates, outlaws. • Antagonists are often the legal officials – Perspective • character over plot; feeling over action – Location shooting • self-conscious use of cinematic effects (slow motion, rapid montage, stylized flashbacks, freeze frame, split screen) • reminded audience it is watching a movie; intensified filmic mood • Sound: less canned nondiegetic scoring; more motivated diegetic audio (radio, ambience); popular rock music • Auteurs – Independent production boom – John Cassavetes, Woody Allen, Robert Altman, Francis Ford Coppola, Martin Scorsese, Terrence Malick, DePalma, Stanley Kubrick
- 6. Blockbuster Hollywood • Late 1970s - Studios change – Financial • Bankruptcy and Conglomeration of Studios • Disasters of kid directors running up HUGE budgets and losses - Heaven's Gate. • Studio heads became lawyers & accountants with no industry backgrounds. – lack of creativity – focus on playability – Ideological • Feel-good movie: Vietnam syndrome, rise of the moral majority, nostalgia – Mid 1970s - Rocky and Star Wars were catalysts – Citizens were asked to fulfill more roles, spend more (even if on credit); poverty and suffering went unacknowledged – Return of myth: muscular heroes, friendly robots, tough cops » If not Pro-establishment, definitely not anti; looking for something to believe in rather than to be angry at » Spielberg’s optimism and resourceful teens
- 7. Blockbuster Hollywood • Film School Generation in 1970s – Beginnings of college courses in film studies. • Francis Ford Coppola, Martin Scorsese, George Lucas, Steven Spielberg • Blockbuster mentality (films that take in over $100 million in box office) – Finance • Distribute a few big films for enormous profit. That ONE MONSTER HIT to carry through the lean films – International Marketing • And not only theaters, but other tiers – Home video distribution. – Conservative audience calculation • prescreening scores, focus groups • Sequalization, remakes and franchise • Marketing - franchising synergy with TV and publishing interests, tie-ins, cross-promotion and ancillary – ENTERTAINMENT is ALL • Intensely manipulative of audience response – construct films so meticulously that they lose spontaneity to become almost machine-like in their effect • Films become a RIDE - wide-screen; color; stereophonic; special effects; action over reflection; happy ending – Technically advanced; politically retreated (well really, reactionary);