Pitch v4 emma and louis 15.10.20-2
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This document outlines a pitch for a music video interpreting Billie Eilish's song "All the Good Girls Go to Hell." It proposes a dark romantic narrative in three parts—showing the good in the relationship, an argument that causes a breakup, and the protagonist walking away empowered. It discusses influences, potential locations, performance elements, and applying various film theories to portray the female protagonist gaining agency after leaving her controlling boyfriend.
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See No Evil
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Music video analysis too close
The music video for "Too Close" by Alex Claire features both a live performance and an action sequence of two characters dueling. The video cuts between the soulful performance sections and the electronic chorus, where the editing focuses more on the fight. The fight scenes are shot in dim lighting to convey danger and blocked emotions. Fast editing contrasts with the music and action. One fighter wears a red rope for personality compared to the other in all black. The artist is dressed in light colors to symbolize his control over the situation as he sings about a failing relationship that leads to a fight in a broken environment.
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This document analyzes the 9 shots in Taylor Swift's music video for "Safe and Sound" through their visual elements and symbolism. The shots establish a misty, empty forest setting through wide shots of trees. Medium shots show the artist moving through the woods to illustrate the music. Close-ups express her facial emotions of despair and emphasize lyrics at the end. Visuals like bare trees, white sky, and the artist's plain dress convey a sense of purity, coldness and emptiness, reflecting the song's message.
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The document discusses the use of sound and editing in the opening scenes of The Silence of the Lambs. Diegetic sounds are used to set the environment and location, suggesting themes of law enforcement. Non-diegetic music adds suspense. Background diegetic sounds in the FBI facility indicate the work environment. Editing is also used to convey mood, including slow pacing to ease tension and jump cuts during running to create a sense of speed and unease. Match cuts during dialogue allow the audience to see reactions.
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The opening titles of the film Silent Hill uses a series of fast-paced shots with black and white cinematography, flickering lights, and zooming cameras to set an eerie and unsettling tone. Typography introducing the directors, producers and characters appears on screen in a gothic font style. Through a series of quick shots, the camera pans across a dirty and broken location, showing disturbing images on polaroids and newspapers of characters and stopping briefly on abnormal people and a trapped body. This establishes the horror genre and hints that the characters may be trapped in the mysterious and dangerous town of Silent Hill.
Music video analysis too close
The music video for "Too Close" by Alex Claire features both a live performance and an action sequence of two characters dueling. The video cuts between the soulful performance sections and the electronic chorus, where the editing focuses more on the fight. The fight scenes are shot in dim lighting to convey danger and blocked emotions. Fast editing contrasts with the music and action. One fighter wears a red rope for personality compared to the other in all black. The artist is dressed in light colors to symbolize his control over the situation as he sings about a failing relationship that leads to a fight in a broken environment.
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Script
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Story board
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Donnie darko
Donnie Darko (2001) begins with an establishing shot that introduces the main character laying alone in the middle of a dark, rural road at night. As the camera tracks towards him and he stands up, the slow movement and melancholic piano music create a tense, lonely atmosphere. The first cut shows the normal countryside surroundings to establish the setting. When the character turns to face the camera with a confused yet laughing expression while wearing pajamas, it becomes clear he is out of place and leaves the audience questioning who he is and how he got there.
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The opening scene introduces the main character, Tim, who narrates his family life in the past tense, implying changes later in the film. Tim is the central focus as he is introduced first and appears in every shot. Other family members like Tim's father and uncle are shown to have close relationships with Tim through similar costuming and shot reverse shots. While characters are introduced, their storylines are left mysterious to intrigue the audience. The scene establishes the film's genre as a British romantic fantasy for adult and family audiences, through its pacing, soundtrack, and focus on relationships.
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The document analyzes film techniques used in the opening scene of V For Vendetta, including:
- The opening titles and production logos are in black-and-white to signal a dark theme.
- Camera movements like panning and tilting are used to follow characters and reveal the environment.
- Shots like medium close-up and medium long shot frame characters to show expressions, costumes, and the crowd.
- Lighting changes from low-key underground to high-key outside to indicate a change in location.
- Costumes and props provide context of the historical time period of the late 1600s.
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Treatment sheet
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Task 1 emile sande grabs
Social realism is portrayed in this screen grab from Emile Sande's music video for "Heaven" through the realistic depictions of everyday scenes, such as a woman walking and holding shopping bags, cars driving by, and handheld camera work that puts the viewer in the scene. The montage editing contrasts happy and sad scenes, possibly symbolizing the connection between heaven and hell.
Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress to lift his spirits and they go out together where lights and colors change throughout the night. Repeated shots at the beach hint at the cycle repeating as the video ends with the woman turning out the light for the man to sleep, implying the cycle will continue again.
Recce
The document discusses the locations that will be used for a music video shoot, including a park, bedroom, street, and descriptions of how each location will be used. The bedroom will be the main location, showing the protagonist packing and having flashbacks. The street will be the second most important location, showing the protagonist leaving the house and wandering at night. The park will be used for flashbacks of the protagonist and boyfriend being happy together. Various shots and angles are discussed for each location to help convey the story.
Analysis of camera shots
The document analyzes camera shots from three music videos:
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2) Clean Bandit's "Symphony" opens with an aerial shot of a busy city. Mid shots show singer Zara Larson performing with an orchestra. Two shots reveal the close relationship between two men in the narrative.
3) Imagine Dragons' "Thunder" begins with an extreme long shot of the black and white city, with only colorful strobes of light.
Q1 Evaluation
The document summarizes the opening scene of a film project. It describes choosing a mysterious soundtrack that builds tension over time. Lighting was dim to seem secretive as the protagonist gets ready alone at night. The location décor suited a single middle-class man but some areas like the bedroom were too dark. Props like a computer, map, and deck of cards hinted the protagonist's involvement in illegal activities. Tattoos and scars were added to the actor to suggest a criminal past. The opening establishes the protagonist as a sophisticated yet mysterious criminal mastermind.
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The document provides a textual analysis of two soap opera trailers from Coronation Street and EastEnders. For the first trailer, the analysis notes the contrasting use of diegetic sirens and a non-diegetic upbeat soundtrack to create intrigue. It also examines the use of lighting, costumes, and camera techniques. For the second trailer, the analysis discusses the mysterious soundtrack, setting, costumes that establish a power dynamic between characters, and lack of voiceover. The analysis concludes by discussing conventions from the trailers that could be repeated or exploited in a new trailer, such as contrasting sound and image or minimal locations and voiceover.
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Zombie Land Analysis
This scene introduces the two main characters, Columbus and Tallahassee. The cinematography uses a variety of shots like long shots, midshots, and close ups to portray their different personalities. Columbus is presented as calm through long shots, while Tallahassee causes disruption in his car through midshots and close ups. Their tense first meeting is depicted through an intense mix of shots. The editing and sound design further highlight the differences and confrontation between the characters.
Music video location choice
The document discusses location choices for a music video shoot for the song "Just Chill" by Jynx featuring another artist. It proposes shooting in three key locations - golf links estates to show the artist's origins, Russell Square to depict his rise to success among professionals, and a back alley for a bag exchange scene being watched by undercover police. Shooting in these distinct areas of London would help convey the narrative of the artist's journey from the bottom to the top and undermine the police portrayal.
Analysis of film noir d
The opening sequence of the film noir D.O.A establishes the setting of a large city through an establishing shot of tall buildings. The title appears in white font against a black background, reflecting light at the end of the tunnel and hinting that the crime will be solved without obvious clues. The sequence features non-diegetic jazz music that builds tension without dialogue. Through elliptical editing, the camera follows the main character down a long, low-lit corridor and into an office, establishing the 1940s film noir setting through mise-en-scene and production design.
9 key frame analysis
This document analyzes key frames from the opening title sequence of the film "The Road". It summarizes the symbolism and meanings conveyed in each frame through colors, settings, and objects shown. Frames use smoke, rain, dead plants, and a deserted road to set a dull, dismal atmosphere and imply danger, death, and disaster. The destroyed landscape in one frame conveys some abnormal event happened. Ships seen inland and damaged infrastructure suggest a devastating occurrence. Overall, the frames outline the post-apocalyptic genre and setting through symbolic codes and things provoking the audience to question what happened.
Music Video Analysis
The video for Bastille's "Pompeii" uses long shots and wide angles to portray an apocalyptic cityscape and give the video a cinematic feel. It establishes in the first shot that the setting is a post-apocalyptic city. Throughout the video, these wide shots emphasize the protagonist's vulnerability and aim to capture the scale of devastation he is trying to escape. The video has a dark, muted color palette and lighting to maintain the song's emotional tone while telling a story through imagery and limited lip syncing.
Dj tjaey – look like you remix
This song mixes afrobeat and grime genres to appeal to a youthful audience. A performance-based, lip-synced promo video is proposed to match the song's sound and lyrics without losing interest through excessive narrative. The idea is for a male lead singer to perform across different areas and end with surrounding actors at a "block party" location, visually linking the video to the song's blending of genres in an easily understood way.
Script
The document describes the script and audio for a music video. It includes descriptions of various shots including establishing shots of locations, close-ups of a character holding a photograph, and performance shots lip syncing the song. Shots convey a sense of loneliness, alienation, and purpose as the character travels to different areas depicted as run down or abandoned while holding onto the photograph. The video continues with a theme of long shots and close-ups across locations as the character seeks something or someone based on the photograph.
Story board
A teenage boy is grieving the death of a loved one. Throughout the video, which follows the boy on a journey through nature, the changing weather and scenery represent the boy's fluctuating emotions as he works through his grief. Shots of the boy walking are intercut with images of nature to convey the passage of time. Eventually the boy arrives at a memorial, where he is finally able to accept his loss and find closure. The open-ended structure is meant to leave room for personal interpretation by the audience.
Analysing Music Videos Daughter - 'Still'
The music video for the song "Still" by the indie band Daughter uses cinematography, editing, and lighting techniques to convey the mood of heartbreak and uncertainty expressed in the lyrics. The video tells the narrative of a woman returning home alone to find her partner still in bed, with contrasts created between the warm, yellow lighting used for the woman and the cool, blue tones used for the man. Shots throughout the video reflect the lyrics, such as depicting the characters sleeping separately to match the line "but we're still sleeping like we're lovers." The video concludes effectively conveying the feelings of sadness and conflict in the relationship through the woman's emotional reaction filmed in a close-up shot.
Magic tree’ - Florens Written Treatment
This treatment proposes a concept music video for the song 'Magic Tree' by Florens. The video will have a mysterious, magical atmosphere established through dramatic lighting, abstract shots of nature elements like tree branches and falling leaves, and connections between the artist and a magical tree. Shots of the artist lip syncing will be intercut with mystical footage that hints at but does not explain the relationship between the artist and the tree. The video aims to intrigue viewers and leave them wondering about the story through an experimental, non-linear style that emphasizes beauty, mystery and magic.
Donnie darko
Donnie Darko (2001) begins with an establishing shot that introduces the main character laying alone in the middle of a dark, rural road at night. As the camera tracks towards him and he stands up, the slow movement and melancholic piano music create a tense, lonely atmosphere. The first cut shows the normal countryside surroundings to establish the setting. When the character turns to face the camera with a confused yet laughing expression while wearing pajamas, it becomes clear he is out of place and leaves the audience questioning who he is and how he got there.
About time
The opening scene introduces the main character, Tim, who narrates his family life in the past tense, implying changes later in the film. Tim is the central focus as he is introduced first and appears in every shot. Other family members like Tim's father and uncle are shown to have close relationships with Tim through similar costuming and shot reverse shots. While characters are introduced, their storylines are left mysterious to intrigue the audience. The scene establishes the film's genre as a British romantic fantasy for adult and family audiences, through its pacing, soundtrack, and focus on relationships.
V For Vendetta
The document analyzes film techniques used in the opening scene of V For Vendetta, including:
- The opening titles and production logos are in black-and-white to signal a dark theme.
- Camera movements like panning and tilting are used to follow characters and reveal the environment.
- Shots like medium close-up and medium long shot frame characters to show expressions, costumes, and the crowd.
- Lighting changes from low-key underground to high-key outside to indicate a change in location.
- Costumes and props provide context of the historical time period of the late 1600s.
- Edited sequences use matched cuts during action and a jump cut when the scene
Treatment sheet
This document outlines a treatment plan for a music video for the song "Misery" by Maroon 5. It discusses using two parallel narratives to show the decay of a relationship from two male perspectives. Shooting locations would include a college studio, bus, and marina to show the passage of time. Costumes would be everyday clothing to fit the realistic narrative. Casting would involve the writers and their friends to keep costs low but maintain believability.
Task 1 emile sande grabs
Social realism is portrayed in this screen grab from Emile Sande's music video for "Heaven" through the realistic depictions of everyday scenes, such as a woman walking and holding shopping bags, cars driving by, and handheld camera work that puts the viewer in the scene. The montage editing contrasts happy and sad scenes, possibly symbolizing the connection between heaven and hell.
Treatment slideshow
The music video will have a fragmented and circular narrative following a restless man and the emotional support of a woman. Scenes will include the two waking up together with her wearing his shirt, spending time in the woods drinking coffee, and the man showing vulnerability alone in his room at night. The woman wears a red dress to lift his spirits and they go out together where lights and colors change throughout the night. Repeated shots at the beach hint at the cycle repeating as the video ends with the woman turning out the light for the man to sleep, implying the cycle will continue again.
Recce
The document discusses the locations that will be used for a music video shoot, including a park, bedroom, street, and descriptions of how each location will be used. The bedroom will be the main location, showing the protagonist packing and having flashbacks. The street will be the second most important location, showing the protagonist leaving the house and wandering at night. The park will be used for flashbacks of the protagonist and boyfriend being happy together. Various shots and angles are discussed for each location to help convey the story.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Ed Sheeran's "Galway Girl" uses point of view shots to show his personal experience in Galway with the girl from the song. Low angle shots show him being punched and looking up at people. Long shots showcase the setting of Galway.
2) Clean Bandit's "Symphony" opens with an aerial shot of a busy city. Mid shots show singer Zara Larson performing with an orchestra. Two shots reveal the close relationship between two men in the narrative.
3) Imagine Dragons' "Thunder" begins with an extreme long shot of the black and white city, with only colorful strobes of light.
Q1 Evaluation
The document summarizes the opening scene of a film project. It describes choosing a mysterious soundtrack that builds tension over time. Lighting was dim to seem secretive as the protagonist gets ready alone at night. The location décor suited a single middle-class man but some areas like the bedroom were too dark. Props like a computer, map, and deck of cards hinted the protagonist's involvement in illegal activities. Tattoos and scars were added to the actor to suggest a criminal past. The opening establishes the protagonist as a sophisticated yet mysterious criminal mastermind.
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Similar to Pitch v4 emma and louis 15.10.20-2
Music Video Analysis
The song is a soca/calypso song by an upcoming artist called Umi Marcano about wanting to dance with his girlfriend. The music video features the artist singing and dancing against a brick wall. It shows him and two friends dancing in the street. The artist has a dream where he sees girls at his school dancing, then in traditional clothing in the woods. He tries to kiss the lead girl but is attacked. He wakes up disappointed after another dream where the girl rejects him. The video uses different locations and costumes to portray the artist's dreams of being with the girl through the styles of Bollywood and a posh pool party. He finally wakes satisfied after dreaming of kissing the girl.
Somebodyelse deconstruction
The music video tells a narrative story through the main singer's experiences after a breakup. It begins with him alone in a room wearing clown makeup, representing his attempt to disguise his true feelings. Throughout the video, he visits different locations like a restaurant and bar, seeing his ex-girlfriends moving on, making him nostalgic. Through editing techniques like a shot reverse shot, it's revealed the singer has been replacing his ex in the scenes, implying he is the cause of his own unhappiness. The video uses lighting, location, and the singer's interactions with mirrors to portray his emotional journey from avoiding facing his feelings to accepting reality and himself.
textual analysis of 2 soap opera trailers
The document provides a textual analysis of two soap opera trailers from Coronation Street and EastEnders. For the first trailer, the analysis notes the contrasting use of diegetic sirens and a non-diegetic upbeat soundtrack to create intrigue. It also examines the use of lighting, costumes, and camera techniques. For the second trailer, the analysis discusses the mysterious soundtrack, setting, costumes that establish a power dynamic between characters, and lack of voiceover. The analysis concludes by discussing conventions from the trailers that could be repeated or exploited in a new trailer, such as contrasting sound and image or minimal locations and voiceover.
Alternative rock research
This document provides analysis of several music videos and their use of narrative and performance elements:
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Pitch for the music video "The veronica's everything im not"
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and humiliating him.
The veronica's everything im not
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will have an attitude to match the song, using quick cuts, varied camera angles, and outfits/settings to portray a "bitchy feel." It will show the singers getting revenge on the boyfriend in various ways, from posting warnings about him online to trashing his room.
Media powerpoint2
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and ultimately humiliating him.
Shine video analysis
1) The opening scene of the music video establishes the setting of a brightly lit house surrounded by darkness in the woods, representing the feelings that will be shown. Flames at the bottom of the screen add to the metaphor of something taking over.
2) Subsequent scenes use hazy lighting and filters to create an eerie atmosphere and sense that the scenes are linked. The male character's face is hidden, adding mystery.
3) One scene shows the boy alone in bed, gazing into the distance as he sings, indicating he is contemplating past events and events of the narrative video.
4) Changing lighting is used as a metaphor for the boy's changing emotions, from dark to colorful party lights to yellow
Treatment sheet
This document outlines a treatment plan for a music video for the song "Misery" by Maroon 5. It discusses using two parallel narratives to show the decay of a relationship from two male perspectives. Shooting locations would include a college studio, bus, and marina to show the passage of time. Costumes would be everyday clothing to fit the realistic narrative. Casting would involve the writers and their friends to keep costs low but maintain believability.
Treatment sheet
This document outlines a treatment plan for a music video for the song "Misery" by Maroon 5. It discusses using two parallel narratives to show the decay of a relationship from two male perspectives. Shooting locations would include a college studio, bus, and marina to show the passage of time. Costumes would be everyday clothing to fit the realistic narrative. Casting would involve the writers and their friends to keep costs low but maintain believability.
Hozier Video analysis
The music video for Hozier's "Take Me To Church" tells a narrative about the difficulties of being gay in society through the story of a persecuted couple. Throughout the video, the couple realizes they are in danger from a group of homophobic locals chasing them and are forced to run away. While the video shows the negatives of being chased, it also conveys the powerful love shared between the couple. The entire video is shot in black and white to suggest it depicts a historical persecution that the gay community has overcome.
Shine video analysis
The music video analysis summarizes 9 scenes from the Years & Years music video "Shine". Scene 1 establishes the setting of a brightly lit house in dark woods, representing feelings that will be displayed. Scene 2 depicts a hazy, eerie atmosphere linking scenes. Scene 3 shows the character alone in his subconscious. Scene 4 shows the character singing in bed, contemplating past events. Scene 5 lights up the house colorfully, representing changing emotions. Scene 6 creates a link between viewer and artist. Scene 7 changes the lighting to a golden hue, representing a new beginning. Scenes 6 and 9 use filters and lighting to visually represent healing and the relationship between love and pain.
The only exception powerpoint final
This document summarizes six key features of music videos: 1) relationships between lyrics and visuals, 2) relationships between music and visuals, 3) demonstration of genre characteristics, 4) record label demands, 5) references to notions of looking, and 6) intertextual references. It then analyzes Paramore's music video for "The Only Exception" based on these six features, noting how the visuals amplify the song's message through different scenes representing stages of life. Few direct matches exist between lyrics and visuals, but the video focuses on the singer and promotes her as an alternative mainstream artist, as record labels typically demand.
Music video treatment
The music video treatment is for the song "Figure.09" by Linkin Park. It will tell the story of a teenage protagonist who encounters a supernatural figure. Throughout the night, the figure stalks the man in his bedroom and around his neighborhood. The man tries to escape by running into a nearby woodland area. During the climax of the song, the man is able to overcome the figure's possession and banish it, though it remains unclear if the threat is truly gone. The video will feature gritty scenes of the band performing in a garage as well as locations showing the man's paranoia and encounters with the figure.
The Descent Analysis: Beginning
The document summarizes scenes from a film about a group of friends going whitewater rafting. It analyzes the cinematography, mise-en-scene, editing, and sound of various scenes. In one scene, the focus character Sarah notices her husband Paul seems distant while driving, suggesting he is still thinking about his affair with Juno from the rafting trip. Paul's distraction causes him to crash the car, killing himself and his daughter through poles piercing the vehicle. The summary focuses on the key plot points and narrative conveyed through the film techniques described.
Fallout boy
This document provides a detailed shot-by-shot analysis of the music video for the song "Alone Together" by Fall Out Boy. It analyzes how various shots use lighting, camera angles, settings and characters to convey a dark, isolated and panicked atmosphere. Key conventions of the rock genre and male gaze are employed through stereotypical female characters and implied violence. The analysis suggests the video uses an episodic structure to show each band member experiencing distress in different ways. Music and visuals are closely linked to build tension and intensity throughout the video.
Types of music videos blog post 3
This document discusses different types of music videos:
- Narrative music videos tell a story from beginning to end, like a girl dealing with regret over a past relationship.
- Performance videos solely feature the artist performing the song without a storyline, like a video of an artist on a beach.
- Conceptual videos have no storyline or performance, using only imagery to convey a concept, like a black-and-white video for a song called "Antichrist."
- Hybrid videos combine elements, like one using both narrative scenes and the artist lip syncing to tell a story of a woman gaining confidence after a breakup.
Media pre production a2 course work
This document contains an analysis of music videos and album covers, as well as a treatment for a proposed music video. The analysis covers elements like mise-en-scene, editing, camerawork, and narrative. The treatment outlines a concept for a music video for The Prodigy's "Take Me to the Hospital" involving an escalating fight and a dream sequence. Research was also done on digipak design conventions.
Music Video Treatment
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
Emelie sande heaven
The music video tells a story about social issues like homelessness, poverty, and temptation through religious themes and imagery. It features singer Emeli Sande portrayed as an angel dressed in black among ordinary people of various ages and ethnicities in London. Scenes show the daily struggles people face, such as a woman implied to be a prostitute. Through close-ups, the video aims to make viewers feel connected to the emotions expressed in the song lyrics about wanting to do good but succumbing to wrongdoings when the day lasts too long. Filming on the streets of Bethnal Green adds realism and allows audiences to relate the locations to their own cities.
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Cuckoo s1ep2 script
This summary provides the key details from the document in 3 sentences:
Ken is struggling to accept his daughter Rachel's new husband Cuckoo living in their home. At a family meeting to discuss house rules, Cuckoo requests that Ken remove his collection of Nazi books and memorabilia from the study where Cuckoo meditates. Ken refuses and calls a vote, campaigning for his books to stay by securing Dylan's vote in exchange for getting his crush Zoe to attend a party. The family ultimately votes for Ken to keep his books in the study.
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The document outlines 9 common conventions for digipak album packaging. These conventions include placing the artist name and logo largest on the front cover, including the album title in a playful font on the front cover, listing the track listing on the back panel, connecting the imagery between the front and back panels, continuing patterns or images across the inner panels, including legal information in small print on the back panel and disc, adding record label and company logos, putting the artist name, album title and code on the spine, and including extras like lyric booklets or stickers in deluxe editions.
Social media conventions.
Social media conventions for artists and influencers typically include establishing a consistent theme or filter across posts, crafting an introduction through their profile, banner, and bio, and regularly promoting new content, merch, or media releases. Artists also aim to seem relatable through more casual selfies and personal posts that encourage audience interaction using competitions or informal language. Monetization efforts include branded advertisements and sponsorships disclosed with hashtags like #ad.
Social media conventions
Social media conventions for artists and influencers typically include establishing a consistent theme or filter across posts, crafting an introduction through their profile, banner, and bio, and regularly promoting new content, merch, or media releases. Artists also aim to seem relatable through more casual selfies and personal posts that encourage audience interaction using competitions or informal language. Monetization efforts include branded advertisements and sponsorships disclosed with hashtags.
Chemtrails over the country club analysis loops media
Lana Del Rey's music video for "Chemtrails over the Country Club" contains various symbolic elements and genre characteristics. It begins with innocent, nostalgic scenes of women laughing and swimming but then takes a darker turn when Lana bites into a lemon. The video features dark lighting, flames, religious symbols of the devil, and characters with supernatural features. It is influenced by 1950s aesthetics but also features modern elements. The video portrays women as being in control and presents feminist ideals through its representations of gender. Unique cinematography and editing techniques are used, including bokeh, color transitions, and light flickers between scenes.
Lyric booklet
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help regulate emotions and stress levels.
General social media conventions - loops media
The document discusses social media conventions used by two musical artists, The Pixies and Bruno Mars. The Pixies use a group long shot as their profile picture and save stories with various media formats, including 3 blue theme pictures. They incorporate merchandise into posts but don't share much relatable content due to their older audience. Bruno Mars uses a close-up profile photo with direct eye contact and advertises his music in his bio. He adds a comedy element to make his page more relatable and mixes close-up, longshot, and group shots with promotional tour posts and brand deals.
Genre social media conventions - loops media
This document summarizes the social media genres of three artists on Instagram. Joji has a red theme and shares funny, unprofessional selfies while promoting his new music. Charli XCX uses filters and photoshop in playful posts but also shares serious messages. She includes both new and old technology in her photos. Lady Gaga advertises her recent release in her bio and shares glamorous selfies as well as stories on societal issues, with some revealing images despite her young audience.
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This document discusses fonts used by Billie Eilish and for her website. It describes a playful bubble serif font she uses a lot and a thin green serif font that works well for top links. A slightly serif green font is used for her bio that has a mix of formal and playful styles fitting her brand. A very playful sans-serif font with characters close together and wonky letters also fits well with her brand. The final font mentioned is a formal italic serif style suggested for important pages.
Website draft
This document provides feedback on improving a website home page and music slide. It recommends lightening the home page image, moving social links, and renaming sections. It also suggests making the image and title smaller on the music slide.
Logo final2 loopsx scope
The document contains a final logo design and other draft logo designs. It appears to be providing different logo options that were considered for a branding project. The final logo is selected alongside previous concept designs that were not chosen as the final logo.
Final website loops media
This document outlines the structure and sections of a music website for an artist or band called Loops Media. The home page would include sections for vinyl and merch, videos, and information on gigs and shows. Other sections include a bio page, a listen page to stream music, a videos page to watch performances, a tour page with tour dates, and a merch page to purchase merchandise.
Merchandise loops media
This document lists various merchandise categories sold by different online stores including clothing, jewellery, face masks, music media like cassettes and vinyl, hats/caps, alcohol, figurines, and more. The document provides links to the merchandise sections of specific stores like avamax, Lana Del Rey, and Joji.
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This document provides a shot-by-shot lyric timing sheet for a music video. It details the lyrics, time stamps, shots, and visual elements planned for each section of the music video. Shots include performances by the artist, narrative sequences, and visual effects. The video features themes of good versus evil, with the artist transforming from an innocent to a more sinister character.
Call sheet shoot 2 - loops x scope
This call sheet outlines 5 scenes to be filmed for a music video. Scene 1 will film the two characters sleeping and lip syncing together and individually in bed. Scene 2 will have individually lip syncing against a white background using lighting effects. Scene 3 will be a long shot of one character lip syncing on a balcony in a long red dress. Scene 4 will be a close-up shot of the same character in the red dress and a mask lip syncing in front of a picture frame. Scene 5 will film both characters in different costumes and makeup running on a street individually and together to develop the narrative.
Logo final loops x scope
The document discusses a finalized logo design. It contains references to other draft logo designs that were considered but ultimately not selected. The final logo was chosen from among previous draft designs.
Filming dates and times
This production schedule outlines the scenes, locations, dates, times, characters and costumes needed to film the movie "Cuckoo 2021". It includes 30 scenes to be shot at Louis' house between March 11th-15th. The scenes cover 4 days and involve the main family of Ken, Lorna, Dylan and Cuckoo, as well as friends Rachel, Steve, Connie and others. Costumes range from pyjamas, casual clothes and work uniforms. Props include household items, food and drinks.
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Chapter-1
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Pitch v4 emma and louis 15.10.20-2
- 1. PITCH V4 – ALL THE GOOD GIRLS GO TO HELL Loops Media and Scope Vids
- 2. ALL THE GOOD GIRLS GO TO HELL – WHY? • all the good girls go to hell – Billie Eilish (2019) • Contrast between dark echoed beat/audio filters and unfiltered, faster- paced upbeat chorus • Gives us opportunity to play around with filters/post-production edits to utilise for both moods of the song • Variation of pace - meaning we will have opportunities for selective on beat cuts + short takes (for a younger audience) • Bass (providing opportunity for VFX and a build-up to bass drop) • This build up will then give us an opportunity to build up the pace in the editing and possibly developments in narrative • Lyrics offer an interesting opportunity to look into a dark romantic narrative
- 3. INFLUENCES
- 4. NARRATIVE (PART 1) - THE GOOD • Portraying a relationship between these 2 characters (male and female) • Shown through several dates/locations Our ideas for these activities are (the ones highlighted are the ideas we are most likely to follow through with): • Under the covers • Netflix & eating pizza • Pillow fight • Picnic • Climbing a tree • Karaoke • Mini golf
- 5. NARRATIVE (PART 2) - THE ARGUMENT • Girl getting dressed to leave the house • Boyfriend enters with controlling opinions on her outfit (too revealing) • Shot of him picking out new clothes for her (+ possibly adjusting her shirt/blouse) • They start arguing as opinions contrast • She leaves the room and slams the door behind her • Must have some indication that she has left him (rips up photograph?)
- 6. NARRATIVE (PART 3) - THE BAD • This will take place in the second half of the video • After leaving her boyfriend, she walks away from him in the street while he follows her asking for forgiveness (showing that the female has agency) • She continues walking; however turns around once more to say, 'there's nothing left to save now' (more details on lyric timing sheet) • This links neatly with the performance throughout the video, with half of it being in a past location (more details next slide) to show she is better off alone • The visuals at the end will imply that after walking away from boyfriend, she has ended in a spot that had previously been and has been looking back at their relationship throughout the whole video
- 7. LOCATIONS FOR NARRATIVE • Current possibilities: • Forest/field with tree • Bedroom (specifically in bed) • Living room
- 8. PERFORMANCE • 2/3 specific performance shoots • Similar, to Evie's video (past A2 music video), we will have performance shoots in the same area's as narrative • Along with this, the female will be in a studio (possibly over greenscreen/black/red backdrop) • This shoot will contain several different shot types • LS showing new post-feminist outfit + ECU of quirky and shocking visuals (i.e biting a flower or other devil connotations) • These shots will include robotic movements (as influenced by videos shown in influence video)
- 9. LOCATION FOR PERFORMANCE • Some same locations as narrative (with the implication that protagonist is back to reflect and there is a visual contrast between controlled girl vs new in-control girl... AGENCY) • Specifically forest (filmed in tree with vs without boyfriend – angel and devil carrying connotations of 'falling from the sky' or 'coming from another world/being above human' therefore up in tree) • Green screen studio for the use of different plain coloured backgrounds
- 11. VISUAL CONCEPTS • White vs red • (Inspired by constant references to hell/heaven + Lucifer) • White carrying connotations of innocence (ANGEL) • Red carrying connotations of rebellion (DEVIL) • Flashbacks (nostalgic)
- 12. APPLYING THEORY • Post-feminism (portrayed through clothing and narrative – showing her agency) • Male gaze • Goodwin's 6 conventions • Intertextuality (Inspired by Miley Cyrus – Wrecking Ball, licking hammer and Lady Gaga's nails) • Freudian psychoanalysis • Binary opposition • Proppian archetypes • Narrative enigma • Stuart Hall's theory of readings • Agency • Heterenormativity
- 13. MOODBOARD
- 14. OTHER COMPLETED BLOG WORK Louis o Working through lyric/visual timing sheet o Artist & genre conventions o Location scouting + sample scenes o Detailed notetaking on subculture Emma • Working through lyric/visual sheet • Artist & genre conventions • Location scouting + sample scenes • Detailed notetaking on subculture • Research into heteronormativity