This document contains an analysis of music videos and album covers, as well as a treatment for a proposed music video. The analysis covers elements like mise-en-scene, editing, camerawork, and narrative. The treatment outlines a concept for a music video for The Prodigy's "Take Me to the Hospital" involving an escalating fight and a dream sequence. Research was also done on digipak design conventions.
This document provides a detailed analysis and summary of four movie trailers: The Last Exorcism Part 2, Sinister, The Shining, and The Last Exorcism Part 1. For each trailer, the document examines the cinematography, editing techniques, music, and other elements to understand how the trailers build suspense, mystery and intrigue in order to attract audiences to watch the full movies. The document finds that The Last Exorcism Part 1 and Sinister are the most effective trailers through their use of camera work, lighting, music and storytelling techniques to create tension and leave viewers curious to learn more. In contrast, it finds that The Shining trailer is less successful due to a lack of
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the natural landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The opening uses bright colors and a long shot to set the scene before the fast-paced action of the film. Production logos are shown prior to the animated opening sequence featuring Lucy.
Music video evaluation loyle carner ~ sun of jeanMolly Turner
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The opening sequence of Gone Girl immediately signals that this is a thriller genre film. It begins with a loving action of a man combing his wife's hair, but he speaks violent words about killing her in a dramatic monologue, putting the viewer on edge. The titles that appear are consistent in introducing the main actors, Ben Affleck and Rosamund Pike. The production company logos are also shown to fit the blue-tinted, unsettling tone of the opening scenes of the isolated seaside town. The editing, sound design, and cinematography come together to create an ominous and mysterious atmosphere through the use of cool colors, unpopulated settings, and unsettling sounds. This grabs the audience
Music video evaluation - Jake Bugg 'Two Fingers'Molly Turner
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
The opening sequence of Gone Girl spans the first five minutes of the film. Over this time, it establishes the main characters of Nick and Amy Dunne through voiceovers, shots of each alone and together, and dialogue between them at a party. The sequence begins with credits and establishes the dark, mysterious tone through low key lighting. It then shows Nick in different locations through the city before meeting his sister at a bar. After cutting to Amy writing in her diary, the final minute focuses on the two protagonists flirting at a gathering. This raises questions about what may happen between the couple and sets the stage for the central mystery of the film.
Textual analysis using goodwin's theoryfayefletcher
Drake's music video for "Hold On We're Going Home" tells a narrative story of Drake's character whose fiancée is kidnapped by a rival gang. The 7-minute video, set in 1985 Miami, follows Drake and his crew as they work to rescue the fiancée. Though the lyrics and visuals do not strongly connect and the mellow song contrasts with the depicted violence, the overall storyline of rescuing a kidnapped lover relates to the song's theme. The video presented a new image for Drake by focusing on the narrative over his typical performance-based videos.
This document provides a detailed analysis and summary of four movie trailers: The Last Exorcism Part 2, Sinister, The Shining, and The Last Exorcism Part 1. For each trailer, the document examines the cinematography, editing techniques, music, and other elements to understand how the trailers build suspense, mystery and intrigue in order to attract audiences to watch the full movies. The document finds that The Last Exorcism Part 1 and Sinister are the most effective trailers through their use of camera work, lighting, music and storytelling techniques to create tension and leave viewers curious to learn more. In contrast, it finds that The Shining trailer is less successful due to a lack of
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the natural landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The opening uses bright colors and a long shot to set the scene before the fast-paced action of the film. Production logos are shown prior to the animated opening sequence featuring Lucy.
Music video evaluation loyle carner ~ sun of jeanMolly Turner
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The opening sequence of Gone Girl immediately signals that this is a thriller genre film. It begins with a loving action of a man combing his wife's hair, but he speaks violent words about killing her in a dramatic monologue, putting the viewer on edge. The titles that appear are consistent in introducing the main actors, Ben Affleck and Rosamund Pike. The production company logos are also shown to fit the blue-tinted, unsettling tone of the opening scenes of the isolated seaside town. The editing, sound design, and cinematography come together to create an ominous and mysterious atmosphere through the use of cool colors, unpopulated settings, and unsettling sounds. This grabs the audience
Music video evaluation - Jake Bugg 'Two Fingers'Molly Turner
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
The opening sequence of Gone Girl spans the first five minutes of the film. Over this time, it establishes the main characters of Nick and Amy Dunne through voiceovers, shots of each alone and together, and dialogue between them at a party. The sequence begins with credits and establishes the dark, mysterious tone through low key lighting. It then shows Nick in different locations through the city before meeting his sister at a bar. After cutting to Amy writing in her diary, the final minute focuses on the two protagonists flirting at a gathering. This raises questions about what may happen between the couple and sets the stage for the central mystery of the film.
Textual analysis using goodwin's theoryfayefletcher
Drake's music video for "Hold On We're Going Home" tells a narrative story of Drake's character whose fiancée is kidnapped by a rival gang. The 7-minute video, set in 1985 Miami, follows Drake and his crew as they work to rescue the fiancée. Though the lyrics and visuals do not strongly connect and the mellow song contrasts with the depicted violence, the overall storyline of rescuing a kidnapped lover relates to the song's theme. The video presented a new image for Drake by focusing on the narrative over his typical performance-based videos.
This document provides a textual analysis of the opening sequence of the film "Gone Girl". It summarizes the plot, genres, and main characters. It then analyzes the opening shot in detail, examining the camerawork, mise-en-scene, lighting, color palette, and Rosamund Pike's performance. The analysis suggests the opening establishes Amy as important to the narrative and uses visual elements like a desaturated color scheme to create an unsettling tone that foreshadows the themes of deception and conflict in the marriage.
The music video for "Attica" by Olivver the Kid tells the story of how his life and relationship have changed since being imprisoned. Through a combination of lyrics and visuals, it shows his memories of happier times with his girlfriend contrasted with his current lonely reality in prison. Close-ups are used to convey emotion, and the visuals emphasize different parts of the lyrics. The relationship between the protagonist and his girlfriend seems to have deteriorated during his incarceration. By the end, both characters appear to have moved on after making eye contact upon his release.
The music video by Eminem focuses on the abandoned areas of Detroit where he grew up. It shows the decline of the local manufacturing industries and standards of living. Eminem walks through the distorted neighborhoods fighting his personal demons as referenced in the song lyrics. The video depicts the area and residents realistically without glamorization, in a style meant to match the somber mood of the song.
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
The assistant provides the following 3 sentence summary of the document:
The document discusses the openings of several films, analyzing shots, music, and themes used to set tone and intrigue audiences. Scenes are described that begin with credits over a black screen or nature sounds, then establish settings and characters through close-ups, dialogue, or tense action sequences. Overall, the document examines how different films use their openings to immerse viewers and hint at central themes through visuals and music.
This trailer for The Wolverine provides analysis of its key features and techniques used to engage audiences. It has around 116 cuts over 2.5 minutes, showing the increased pacing of modern trailers. Sound design uses voiceovers, music, and diegetic effects to set the scene and build tension. Mise-en-scene establishes locations and reveals plot details through costumes, props, and flashbacks. Cinematography employs various shots including close-ups, establishing shots, and disorienting angles to immerse viewers and hint at the story. Through its editing, sound, visuals and other cinematic techniques, the trailer aims to intrigue audiences and make them want to experience the full film.
The document analyzes 5 music videos directed by Jonas Åkerlund, providing details on each:
1) Duran Duran's "Girl Panic!" features the band members portrayed by famous supermodels at the Savoy hotel to depict the song's meaning through glamour.
2) U2's "Beautiful Day" shows Bono acting as a fictional version walking alone on a road until finding joy and the band performing at an airport, symbolizing overcoming darkness.
3) The Rolling Stones' "Doom and Gloom" cuts between the band rehearsing for their anniversary and a gothic woman experiencing nightmares about doom, reflecting the song's lyrics.
4)
The document analyzes the soundtracks of two movie trailers, The Good Lie and Birdman. For The Good Lie, the soundtrack uses uplifting African music to set the scene and introduces the main characters as refugees from Sudan. For Birdman, the soundtrack shifts between classical and drum music to represent the protagonist's changing mood and life situation as a former celebrity struggling in the present. Both soundtracks effectively summarize the films' stories through music and dialogue without revealing the endings.
Lance Preston and the crew of a ghost-hunting reality show lock themselves in the abandoned Collingwood Psychiatric Hospital for the night to investigate reports of paranormal activity. They quickly realize that the hospital is alive and preventing them from leaving, trapping them in a maze of hallways. As they become lost and terrified by the ghosts of former patients, they start to question their sanity and learn the dark truth behind the hospital's past, filming what turns out to be their final episode.
Analysis of a professional film opening.becci taylor
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
The document provides background information on the artist Kesha and describes plans for a music video for her song "Cannibal". It will tell the story of Kesha as a cannibal who takes male victims to a deserted forest. Various scenes and costumes are described to portray Kesha as a sexually appealing yet disturbed cannibal character who dominates and threatens her male victim. Inspiration is drawn from disturbing videos by Rihanna and Lady Gaga to create an unsettling video that is memorable.
The video analyzes the use of color, lighting, sound, and mise-en-scene in the movie trailer for Side Effects. It notes that the initial calm and natural colors establish a sense of well-being for the characters, while later greys and oranges imply a change in their situation. Sound starts peaceful but becomes tense, with diegetic dialogue revealing an emergency and cry for help. Shots of the protagonist and a prominent male character show the effects on them. The increasing sounds of urgency and a beeping noise build tension, intriguing viewers about the plot and characters.
The storyboard outlines the opening two minutes of a film where a girl, Lucy, is kidnapped while jogging. It consists of 18 shots that show Lucy jogging, a car following her, her phone ringing, and her being abducted by two men. Lucy is dragged into their car as her sister sits tied up. The final shots show Lucy's phone left on the ground and then fade to black with the title. The storyboard aims to build suspense through the use of music and camera shots that follow both Lucy and her kidnappers.
The music video for Michael Jackson's "Thriller" was directed by John Landis and produced by Landis, Jackson, and George Folsey Jr. in 1983. It stars Michael Jackson and features elaborate choreography, makeup effects, and a storyline where Jackson transforms into a zombie. The 14-minute video popularized the music video format and helped propel Thriller to become the best-selling album of all time. It is considered one of the most influential music videos ever made due to its cinematic quality, effects, and iconic dance routine.
The document discusses various shots and techniques used in music videos. It describes several close-up shots of lead singers to help audiences identify with them. It also analyzes the use of jump cuts to create a fast pace, backlighting to silhouette figures, and black and white coloring to give a vintage feel. Camera movements like pans and tracks are described as well as how they transition between scenes or match the music.
The document analyzes Michael Jackson's "Thriller" music video through various literary and film theories. It notes how the lyrics correspond with visuals, like Jackson portraying a zombie. It also discusses the video's references to horror genres through things like supernatural beings, sound effects, and the director's previous work. Overall, the document performs a thorough textual analysis of how "Thriller" uses various cinematic and musical techniques to create a horror story experience.
The document is very short, containing no sentences or paragraphs from which to summarize. It consists of only the single word "SHORT" with no other context provided.
The document discusses conventions, titles/timings, mise-en-scene, sound, and camera techniques used in horror and thriller movies. It provides examples of how these elements set the tone and build suspense, such as using string instruments and dark colors in the score, having the male character wear dark clothing, showing clocks at night to suggest mystery, and employing jump cuts and zooms between characters and locations. The document analyzes how these techniques are employed in the openings of movies to immerse viewers and establish the psychological nature of the films.
1. The music video for Michael Jackson's "Thriller" tells a narrative that follows the conventions of horror films. It begins with Michael and a girl watching a horror movie in a theater, before they walk out and are surrounded by zombies in a graveyard.
2. The video uses techniques like lighting, camerawork, costumes and makeup to portray the horror genre and create an eerie atmosphere as the story unfolds. It also includes references to other horror works to situate itself in that tradition.
3. Through its visuals and music, the video brings the song's lyrics about supernatural beings like zombies and werewolves to life, entertaining audiences while further promoting the hit song.
Here are some things I noticed about the paragraph:
- It makes a clear comparison between Rihanna and Taylor Swift's images and the audiences they aim their music towards. This is the main point of the paragraph.
- It uses some relevant terminology like "stereotypical image", "rebellion", "role model", "clean cut image", "fan base", "demographic" to analyze and describe the two artists.
- The comparison could be strengthened by providing some examples or evidence from the music videos to back up the claims.
- There are a few minor grammatical errors like missing articles.
Overall it gets the main point across in a concise way and uses some appropriate terminology. With a
The document discusses the key stages of media production: pre-production, production, and post-production. Pre-production involves planning, scripting, and storyboarding. Production is the actual filming or recording. Post-production includes editing, adding visual/audio effects, and creating the final product. Post-production scripts are also discussed, which provide a shot-by-shot transcript for tasks like dubbing or subtitling.
Media, pre production,location,costumes,props,actors,equipmentchappleaaron00
This document outlines the locations, costumes, props, actors, and equipment needed for a media production. It provides floor plans for the location where the victim gets out of the car and walks into the house, as well as the room where the agent shoots the victim. It also describes the suits, hoodies, and jeans to be worn by the agent and victim, as well as the props of a gun, watch, and jewelry. Finally, it lists the actors and equipment including a camera and tripod.
This document provides a textual analysis of the opening sequence of the film "Gone Girl". It summarizes the plot, genres, and main characters. It then analyzes the opening shot in detail, examining the camerawork, mise-en-scene, lighting, color palette, and Rosamund Pike's performance. The analysis suggests the opening establishes Amy as important to the narrative and uses visual elements like a desaturated color scheme to create an unsettling tone that foreshadows the themes of deception and conflict in the marriage.
The music video for "Attica" by Olivver the Kid tells the story of how his life and relationship have changed since being imprisoned. Through a combination of lyrics and visuals, it shows his memories of happier times with his girlfriend contrasted with his current lonely reality in prison. Close-ups are used to convey emotion, and the visuals emphasize different parts of the lyrics. The relationship between the protagonist and his girlfriend seems to have deteriorated during his incarceration. By the end, both characters appear to have moved on after making eye contact upon his release.
The music video by Eminem focuses on the abandoned areas of Detroit where he grew up. It shows the decline of the local manufacturing industries and standards of living. Eminem walks through the distorted neighborhoods fighting his personal demons as referenced in the song lyrics. The video depicts the area and residents realistically without glamorization, in a style meant to match the somber mood of the song.
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
The assistant provides the following 3 sentence summary of the document:
The document discusses the openings of several films, analyzing shots, music, and themes used to set tone and intrigue audiences. Scenes are described that begin with credits over a black screen or nature sounds, then establish settings and characters through close-ups, dialogue, or tense action sequences. Overall, the document examines how different films use their openings to immerse viewers and hint at central themes through visuals and music.
This trailer for The Wolverine provides analysis of its key features and techniques used to engage audiences. It has around 116 cuts over 2.5 minutes, showing the increased pacing of modern trailers. Sound design uses voiceovers, music, and diegetic effects to set the scene and build tension. Mise-en-scene establishes locations and reveals plot details through costumes, props, and flashbacks. Cinematography employs various shots including close-ups, establishing shots, and disorienting angles to immerse viewers and hint at the story. Through its editing, sound, visuals and other cinematic techniques, the trailer aims to intrigue audiences and make them want to experience the full film.
The document analyzes 5 music videos directed by Jonas Åkerlund, providing details on each:
1) Duran Duran's "Girl Panic!" features the band members portrayed by famous supermodels at the Savoy hotel to depict the song's meaning through glamour.
2) U2's "Beautiful Day" shows Bono acting as a fictional version walking alone on a road until finding joy and the band performing at an airport, symbolizing overcoming darkness.
3) The Rolling Stones' "Doom and Gloom" cuts between the band rehearsing for their anniversary and a gothic woman experiencing nightmares about doom, reflecting the song's lyrics.
4)
The document analyzes the soundtracks of two movie trailers, The Good Lie and Birdman. For The Good Lie, the soundtrack uses uplifting African music to set the scene and introduces the main characters as refugees from Sudan. For Birdman, the soundtrack shifts between classical and drum music to represent the protagonist's changing mood and life situation as a former celebrity struggling in the present. Both soundtracks effectively summarize the films' stories through music and dialogue without revealing the endings.
Lance Preston and the crew of a ghost-hunting reality show lock themselves in the abandoned Collingwood Psychiatric Hospital for the night to investigate reports of paranormal activity. They quickly realize that the hospital is alive and preventing them from leaving, trapping them in a maze of hallways. As they become lost and terrified by the ghosts of former patients, they start to question their sanity and learn the dark truth behind the hospital's past, filming what turns out to be their final episode.
Analysis of a professional film opening.becci taylor
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
The document provides background information on the artist Kesha and describes plans for a music video for her song "Cannibal". It will tell the story of Kesha as a cannibal who takes male victims to a deserted forest. Various scenes and costumes are described to portray Kesha as a sexually appealing yet disturbed cannibal character who dominates and threatens her male victim. Inspiration is drawn from disturbing videos by Rihanna and Lady Gaga to create an unsettling video that is memorable.
The video analyzes the use of color, lighting, sound, and mise-en-scene in the movie trailer for Side Effects. It notes that the initial calm and natural colors establish a sense of well-being for the characters, while later greys and oranges imply a change in their situation. Sound starts peaceful but becomes tense, with diegetic dialogue revealing an emergency and cry for help. Shots of the protagonist and a prominent male character show the effects on them. The increasing sounds of urgency and a beeping noise build tension, intriguing viewers about the plot and characters.
The storyboard outlines the opening two minutes of a film where a girl, Lucy, is kidnapped while jogging. It consists of 18 shots that show Lucy jogging, a car following her, her phone ringing, and her being abducted by two men. Lucy is dragged into their car as her sister sits tied up. The final shots show Lucy's phone left on the ground and then fade to black with the title. The storyboard aims to build suspense through the use of music and camera shots that follow both Lucy and her kidnappers.
The music video for Michael Jackson's "Thriller" was directed by John Landis and produced by Landis, Jackson, and George Folsey Jr. in 1983. It stars Michael Jackson and features elaborate choreography, makeup effects, and a storyline where Jackson transforms into a zombie. The 14-minute video popularized the music video format and helped propel Thriller to become the best-selling album of all time. It is considered one of the most influential music videos ever made due to its cinematic quality, effects, and iconic dance routine.
The document discusses various shots and techniques used in music videos. It describes several close-up shots of lead singers to help audiences identify with them. It also analyzes the use of jump cuts to create a fast pace, backlighting to silhouette figures, and black and white coloring to give a vintage feel. Camera movements like pans and tracks are described as well as how they transition between scenes or match the music.
The document analyzes Michael Jackson's "Thriller" music video through various literary and film theories. It notes how the lyrics correspond with visuals, like Jackson portraying a zombie. It also discusses the video's references to horror genres through things like supernatural beings, sound effects, and the director's previous work. Overall, the document performs a thorough textual analysis of how "Thriller" uses various cinematic and musical techniques to create a horror story experience.
The document is very short, containing no sentences or paragraphs from which to summarize. It consists of only the single word "SHORT" with no other context provided.
The document discusses conventions, titles/timings, mise-en-scene, sound, and camera techniques used in horror and thriller movies. It provides examples of how these elements set the tone and build suspense, such as using string instruments and dark colors in the score, having the male character wear dark clothing, showing clocks at night to suggest mystery, and employing jump cuts and zooms between characters and locations. The document analyzes how these techniques are employed in the openings of movies to immerse viewers and establish the psychological nature of the films.
1. The music video for Michael Jackson's "Thriller" tells a narrative that follows the conventions of horror films. It begins with Michael and a girl watching a horror movie in a theater, before they walk out and are surrounded by zombies in a graveyard.
2. The video uses techniques like lighting, camerawork, costumes and makeup to portray the horror genre and create an eerie atmosphere as the story unfolds. It also includes references to other horror works to situate itself in that tradition.
3. Through its visuals and music, the video brings the song's lyrics about supernatural beings like zombies and werewolves to life, entertaining audiences while further promoting the hit song.
Here are some things I noticed about the paragraph:
- It makes a clear comparison between Rihanna and Taylor Swift's images and the audiences they aim their music towards. This is the main point of the paragraph.
- It uses some relevant terminology like "stereotypical image", "rebellion", "role model", "clean cut image", "fan base", "demographic" to analyze and describe the two artists.
- The comparison could be strengthened by providing some examples or evidence from the music videos to back up the claims.
- There are a few minor grammatical errors like missing articles.
Overall it gets the main point across in a concise way and uses some appropriate terminology. With a
The document discusses the key stages of media production: pre-production, production, and post-production. Pre-production involves planning, scripting, and storyboarding. Production is the actual filming or recording. Post-production includes editing, adding visual/audio effects, and creating the final product. Post-production scripts are also discussed, which provide a shot-by-shot transcript for tasks like dubbing or subtitling.
Media, pre production,location,costumes,props,actors,equipmentchappleaaron00
This document outlines the locations, costumes, props, actors, and equipment needed for a media production. It provides floor plans for the location where the victim gets out of the car and walks into the house, as well as the room where the agent shoots the victim. It also describes the suits, hoodies, and jeans to be worn by the agent and victim, as well as the props of a gun, watch, and jewelry. Finally, it lists the actors and equipment including a camera and tripod.
A2 Media Coursework Pre-Production Phase Trailerslouisetindallx
This document discusses genres, conventions, and movie trailers. It begins by defining genre as a category of artistic works that share similar characteristics, techniques, or themes. Conventions are widely recognized or accepted ways of doing things within a genre that give the media meaning. The document then discusses what a movie trailer is, including that it aims to attract audiences to the film through exciting or important scenes. It also defines a teaser trailer. The document goes on to discuss how trailers have become more contemporary through technology and fan cultures. It provides an example comparing old and new trailers for Titanic. Key aspects that make a good trailer are also outlined. The document concludes by comparing trailers produced by independent versus large conglomerate
This document provides an overview of different literary genres including fiction, fantasy, romance, adventure, crime fiction, horror, science fiction, mystery, historical fiction, realistic fiction, and traditional literature. It discusses key elements and conventions of each genre such as settings, characters, plots, and themes. Examples of texts from various genres are also given. The document is intended to help classify literature and provide guidance on the characteristics of different genres.
This document provides an overview of writing genres and subgenres. It discusses the 5 main genres of poetry, nonfiction, fiction, folklore, and drama. For each genre, it lists related subgenres and provides brief descriptions and examples. The document aims to teach students the categories and subgenres that different types of writing fall into.
The document outlines the key phases of film production: pre-production, production, and post-production. In pre-production, tasks include screenwriting, storyboarding, casting, scheduling, and securing funding. During production, crews film on location under the direction of the director and departments like camera, lighting, and sound. In post-production, the film is edited, sound effects and music are added, and the final cut is prepared for distribution.
Film pre-production is the most vital step and involves careful planning of time and costs. An effective script is as important as the director, cast, and crew in connecting an audience to the film's message. During pre-production, the director must develop clear ideas about visual aspects like lighting, color, tone, and their significance in conveying the film's message. The director is the creative leader who oversees all aspects of a film's development to realize their vision.
The short film comments on environmental pollution by presenting the journey of a plastic bag through everyday life and habitats in an attempt to raise awareness. It follows the bag from the city through various settings like the beach and ocean, depicting its harmful effects using conventions of nature documentaries. Narrated by Jeremy Irons, the film garnered over 2 million views and aims to support a California bill banning plastic bags in major retailers.
Three stages of production and law of diminishingIbrahim Ismail
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document provides analysis of the video techniques used in 5 music videos:
1. Metallica - One uses blacked out band members, western stock footage, and an abandoned warehouse setting to reflect the dark tone of the song. Close-ups and angles emphasize the importance of the music and drumming. Stock footage is cut with the music.
2. Michael Jackson - Thriller uses horror film-inspired settings, costumes, and camera techniques to portray a movie-like feel. Close-ups show transformation and screaming details. Shots establish settings and conversation-like tracking.
3. Bring Me The Horizon - Sleepwalking uses locations and subtle, handheld shots to portray the fragile nature of sleepwalking. Cross
This document provides examples of different types of shots from music videos and asks the student to analyze similar shots from their own music video project. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that show the student has watched other music videos. The student is asked to analyze comparable shots from their own video and explain how they meet the described conventions.
This document provides examples of different types of shots from music videos and asks the respondent to analyze similar shots from their own media product. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that indicate the respondent has watched other music videos. The respondent is asked to analyze equivalent shots from their own video and discuss how they develop or challenge conventions of the genre.
The document provides an analysis of several music album covers and music videos, summarizing the visual elements, themes, and story being conveyed in each. Key details analyzed include backgrounds, costumes, camera shots, colors, symbols and how they relate to the music. The analyses provide insights into how the visuals help represent the music and engage the audience.
This document provides summaries of several music album covers and music videos:
- A summary of a music album cover analysis discusses computer generated graphics, prominent fonts, beach backgrounds, and colorful costumes representing different personalities.
- A summary of the music video for "The Pretender" by Foo Fighters describes its setting in an ice hockey rink with lighting representing violence and riot police confronting the band.
- A summary of the music video for "Fight for This Love" by Cheryl Cole depicts her wearing outfits like tiger print and military uniforms representing overcoming insecurity through fighting.
- A summary of the music video for "Where Is the Love" by Black Eyed Peas shows them questioning
The video for "Mr. Brightside" by The Killers depicts a burlesque show setting with voyeuristic overtones. The lead singer feels jealousy as his love interest pays attention to another wealthy man. Various shots are used including close-ups of the singer and love interest. Jump cuts between the performance and narrative depict the story of the love triangle through the song's lyrics.
The document discusses the television show Spaced and analyzes various film techniques used in an episode, including mise-en-scene, camera techniques, editing, sound design, and intertextuality. It provides context on the creators and stars of the show. Key details analyzed include the editing of a scene comparing two characters' evening plans and other comedic edits.
The music video uses medium shots and close ups to tell a narrative about a man's relationship with a woman represented as "icebox" or cold heart. Black and white colors and a recurring clock motif symbolize time running out in his efforts to understand the woman, who is portrayed as the source of his problems rather than the solution. The video ends where it begins, continuing the circular theme.
Green Day - Wake Me Up When September Ends ashleighhaines
1) The music video for "Wake Me Up When September Ends" by Green Day tells the story of a teenage couple whose relationship is disrupted when the boy joins the Marines and ships off to war.
2) The video depicts the couple's happy early relationship through scenes of them spending time together, until the girl discovers her boyfriend has enlisted and is sent to fight overseas.
3) It concludes with the girl waiting alone at home as scenes show the dangers her boyfriend now faces on the battlefield.
The music video for "Wake Me Up When September Ends" by Green Day tells the narrative story of a young couple deeply in love. However, the guy joins the army, upsetting the girl. The video cuts between their story and scenes of the band performing. It uses camera angles and iconography to represent both the couple's love and the band's punk rock genre. The somber story provides juxtaposition with the actual song and adds emotional depth.
The document provides an analysis of 3 music videos:
1) Coldplay's "The Scientist" uses reversed footage and symbolism to tell a story of going back in time to a car crash.
2) Plan B's "She Said" uses a courtroom setting and flashbacks to depict a story through the singer's lyrics.
3) Robbie Williams' "Feel" follows the singer's journey through rural landscapes as he searches for a woman, depicted through symbols of power, freedom and their eventual meeting.
The proposed music video for Foo Fighters' "All My Life" would have a dark, oppressive atmosphere conveyed through black lights and harsh lighting. Scenes would show a singer in a black room, someone walking alone at night, and the band playing in a dark room lit by a single floodlight. Throughout the video, the speed of actions and people would vary from slow to fast motion. Toward the end, the singer from the intro would appear in more scenes, and the video would culminate with the guitarist jumping in slow motion lit by a floodlight.
The video analyzes the music video for the song "The Polygraph Cheaters" by the band This Is Hell. The video cuts between shots of the band performing live, showing their passion and emotion, and scenes telling a storyline. In the storyline, a man in a suit is killing various victims in positions of power or stereotypes. The album cover for the song's album, "Sundowning", uses contrasting black, red, white and grey colors to represent both good and bad topics addressed on the album. Promotional materials for the album, including a poster and t-shirt, feature the same design as the album cover and use black and red colors to market the album as dealing with negative subjects.
The document provides details for 9 shots of a music video set to the song "Mr. Brightside" by The Killers. Shot 1 is an establishing shot of the stage with a dolly zoom. Shot 2 is a long shot of the band performing for 2 lines of lyrics. Shot 3 shows the character Guy A standing in a field, introducing the narrative. The following shots alternate between scenes of the band performing and scenes showing the story of Guy A's relationship.
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both establishing shots of the band performing on stage as well as close-ups of the singer, and cut between the narrative of a love triangle and shots of the band.
3. The shots are also described in terms of camera angles, movements, lighting, color effects, and mise-en-scene to depict the story and sync with lyrics from the song.
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both close-ups and long shots of the band performing, as well as shots showing a narrative of a boy watching his girlfriend with another guy.
3. The shots are described in detail with information on camera angles, lighting, color effects, settings, costumes, and how each shot relates to and advances the lyrics of the song.
The document provides editing notes and instructions for shooting a music video set to the song "Mr. Brightside" by The Killers. It describes 10 shots, including establishing shots of the band performing, flashback scenes showing characters' backstories, and shots advancing the narrative between the song's lyrics. The shots are to be filmed in both indoor and outdoor locations, incorporating changes in lighting, camera angles, and color effects to distinguish flashbacks from the present. The document aims to seamlessly edit the shots together to visualize the song's lyrics and story.
The document analyzes and summarizes three music videos: Blink 182's "I Miss You" features the band in a haunted mansion depicting a ghostly feel to match the song's darker theme. Linkin Park's "Breaking the Habit" uses anime to tell the story of a character's depression and death shown through flashbacks. Yellowcard's "Only One" focuses on the singer and his girlfriend walking through a protest, with closeups showing his love and need for her against the backdrop of conflict with authority.
The document discusses conventions used in pop/rock music videos. It analyzes several existing music videos to identify conventions such as simple transitions, fast or slow editing depending on tempo, cuts between bands performing and narratives, lip syncing when bands are shown, inclusion of narratives, cuts matching the music's beat, narratives linking to lyrics, casual clothing for characters, use of natural lighting and colors. The document then discusses how these conventions were applied or challenged in the author's own music video for their song.
The music video tells the story of a homeless girl struggling with drug addiction in London. It follows her daily struggles to earn money by selling magazines or her body. Her life is depicted as difficult and bleak, conveyed through black and white cinematography and her worn facial expressions. Throughout the video, her condition deteriorates until she ultimately succumbs to her drug abuse. The video uses techniques like stop motion and close ups to illustrate her isolation and the passing of time as her life remains stagnant while the world moves on around her.
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Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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The teleprotection market size has grown
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5. Annotations of Green day Boulevard of broken dreams Mise- en scene The tumble weed is a typical convention which indicates that there is a feeling of emptiness, in the middle of nowhere. It also gives a feel of western genre because you would expect to see tumble weed in a western film. The western feel gives a sense of conflict. In old cow boys films tumble weed is used to show that there is no life in the town. Green day are represented as rebellious because they are wearing suits and trainers which also suggests that they are still in that young pop-rock stage of their career.
6. The lyrics are all about being lonely with only his shadow to be by his side. The video emphasises with the desert in the background and the tumble weed rolling past his broken down car. The video is saying it’s a desolate lonely place just like the lyrics in the song. Editing Long periods of the same shot of the singer walking down the street past broken down building portrays boredom and a feeling of a on going journey. When the band plays with their instruments in the building the tempo of the music increases and show does the quickness of the edits. But near the end of the song there is a slower edit when he is walking down the street the camera does a close up and stays on him for longer which suggests sadness. Camera When they are walking from their broken down car the camera follows them by a tracking and side shot past abandoned gas pump and houses. The close up of the vultures implies death and haplessness There are frequent close ups of the singers face with black eyeliner; which show’s the sadness and emotion in his eyes At the beginning of the video there is a low angle establishing shot which sets the tone for the whole video. The camera then zooms in for an extreme close up of the bonnet to emphasise the damage. In this part of the video it shows them walking along the street whilst everyone is frozen. Which suggests he is alone with know one to turn to. FOO Fighters- Pretender Foo Fighters- Pretender The Foo Fighters video is set in an ice rink consistently lit by strong lights on the ceiling. The ice rink is the only location in the whole video and is spaciously laid out. It’s a very simple set with the band featuring on one side of the ice rink and a big red glossy screen above them. Also on the other side of the rink is what appears to be a riot police officer stood behind a black line across the floor. Other similar riot policeman joins the signal officer at the black line facing the band looking intimidating. The video seems to build up a tension just before their last chorus, where there is a very quit and light music part; the officers then start running and charge at the band in slow motion. As they get closer there is a close up of the singer’s face this show’s the emotion on his face when they are charging at them.
7. After this ordeal the singer plays the last chorus louder and angrier than before, this is a clear indication that they have defeated the riot police. As the song ends the main singer falls to his knees in exhaustion this represents that they have won the battle. The video is mainly composed of zooms and tracking shots and close ups of the main singer since he is the focal point. In surprise the red screen erupts and red water flies past the band and hits the riot police officers, overwhelming them and throws them off guard. This suggests that the video is about conflict between the two individuals the singer and the riot police maybe in the past they had problems and the singer is trying to solve it. The Black line acts like it’s a barricade for the band and the riot police. Also indicates that there could be some conflict between the main singer and the riot policeman. The reinforcement of the riot police signifies that the main singer is getting aggressive in his performance and they are there to control things and make sure it doesn’t kick off.
8. Nickleback- Far away The narrative of the story establishes a relationship between two characters very early on in the video. Everything is normal between them; they enjoy each other’s company and are very happy. We can see this because they are lying in bed reading a newspaper together and the husband records her lying in bed, also smiling at the camera. But then this guy’s mobile phone rings there is an immediate close up of the phone to signify the importance of the call. The husband has to go on duty to put out a huge forest fire. He turns to hug her and she turns away, this emphasises that she doesn’t want him to go. The performance has an element of linking to the forest fire. The lights used in the band’s performance are smoky and all over the place which could have a connection with the actual fire. Red and yellow lighting symbolises the flames. The girl watches the progress of the fire on the news. The chorus at this point is quieter than the rest of the song. The lyrics when the husband gets crushed by a tree are ‘keep breathing’ the singer is singing what the wife is thinking. Both the fire and the stage performance of the band are set in the dark giving a feeling of despair and bad things will happen. But there are some bright lights behind the band and a well in the well lit bedroom which could also connote optimism. Camera angles The scene opens with an establishing shot of a comfortable home .The shot of the tree on fire about to fall on the wife’s husband is a low angle shot to make the tree look huge and powerful. There is another close up of the phone once the tree has fallen on the husband this is to make it dramatic and sad. Straight after there is a medium shot of the wife, this is to highlight the emotion she is feeling. The director uses close up to portray emotion on the wife’s face and the fireman’s face. There is another close up of the flames Infront of the camera to show the fierceness of the blaze. A one second birds eye view shot of the forest fire and the smoke lets the audience know that it’s a serious fire.
16. Digipak Analysis This digipak focuses on the characters face that suggests that he is the main artist in the band The text style depicts a sense of spookiness and anxiety
17. My Digipak The song that we are making this digipak for is ‘Take me to the hospital’ by the prodigy. As the prodigy are quit crazy and creative with their products we thought it would be a good idea to go down the same track. This panel focus on the characters face which implies he is the main focus. The image itself is deliberately unpleasant like the prodigy. The red in this picture really depicts how the prodigy are with their crazy and bizarre antics. And how they are shocking
23. Music Video Treatment Music Video Treatment Song: Take me to the Hospital Group: The Prodigy Concept We are making a video using the music of the prodigy song. As well as the video we plan to assemble a digi- pack, which includes a CD cover and a magazine advert to promote the group. Narrative The music is very upbeat and aggressive and we thought that a story line with both violence and a touch of humour would be suitable. The scene opens with the song playing and a group of guys having a discussion around a table. One of the guys makes a violent jester towards another member of the group. The other member of the group retaliates with a similar gesture. All of the sudden things escalate and products from the table are thrown at each other and punches are thrown. As the fight gets worse, one member gets a strike in the face with a pan, which knocks him out cold, which leads to our dream sequence. In the dream he interacts with people masquerading as animals. When he wakes up from his dream he is looking disoriented dazed. He notices the animal masks scattered around the floor and is totally confused. In the final scene he turns and looks at the guys that where fighting and now is acting normal on the sofa and interacting with each other.
24. Treatment continuing Location We used a friends kitchen to film the fight scene. When one of the members got knocked out and entered his dream we filmed him at Alex’s house. The reason why we chose a different location is so that he would be confused in unfamiliar surroundings. Colour The whole video will be filmed in natural colour. We chose the natural colour because we feel it will give a sense of realism. The idea of realism is important because a gang fight happens often in society. They give off a bad image to society. We will be having the younger generation performing the gang fight; this gives a negative representation to the youth culture.
25. Target Audience for Treatment Our target audience is manly aimed at males between the ages of 13- late 20’s. We believe that the song will also appeal to certain types of woman. The reason why we have chosen this age group is because the song is very up beat and aggressive which symbolises how males feel during this period in their lives. Our storyline focuses on the violent behaviour and show’s the pack mentality. But I feel that it also illustrates how pointless this behaviour is. The song doesn’t have many lyrics. But it doesn’t really need them because the music tells the story. The electronic organ and the driving drum beat further emphasises the feeling of going into a fight. The song seems to carry the audience with that up beat tempo and fast rhythm. The song will target both working class and middle class as both classes listen to the Rock/ electronic genre. Our locations are places that anyone can identify with. From the questionnaire we have discovered that the majority of people questioned in our survey preferred the rock genre hip hop or dance and because of this we have decided to use the song ‘Take me to the hospital’ which is a mix of rock, dance and techno genre.
26. Target Audience for Treatment When asked if they want to see the band performing our survey concluded that this was not an important issue. All but one of those questioned did not object to see a violent video as long as it suited the song. The song we have chosen is fast and aggressive and easily fits in with the violent nature with our video. All of our when questioned everyone agreed that props where necessary for a music video. We will be using a make shift hospital and make shift stretchers as well as several gang members. Our survey found that people are attracted to videos for different reasons. Some will watch because of the interest of the song, the colours in the video and the performance of those on screen. But everyone would watch it if it was original. Everyone agreed that those over the age of 14 would be interested in seeing a violent music video. We also discovered that this type of video would be watch by majority of males although some females did say they would be watching if not to violent. Although our video is violent so we think it will suit both men and women because it’s not gory and it has a touch of humour.