SlideShare a Scribd company logo
Appliqué comes from the French word “appliquer”, which means to
“put on”. In appliqué, one piece of fabric is placed over a base layer and
is sewn in place. Another technique is the reverse appliqué, in which
one layer of fabric is placed on another layer, and a shape is cut out
from the top layer, exposing the lower layer. These two are then neatly
stitched together.
It is also believed that applique work made its way into western India either from Europe or
Arabia in the Middle East through trade contacts. In the 19th century, the Kathis, an agro-
pastoral community of the Kathiawar region of Gujarat and their Muslim associates, the
Molesalaams, or the land owning community are known to have produced intricate applique
work. Some of the surviving specimens show a wide representation of stylized human and
animal figures in cotton and silk cloths. In the neighbouring state Rajasthan, the Oswal Banias
have a similar tradition of stitching large applique canopies with a range of panels or squares
in different color combinations, for marriages. The Rajputs, Satwaras and various other cattle-
breeding communities also produce similar applique art to enhance the beauty of their
chandarvo (canopies), dharaniyo (quilt covers), among other things. In the Eastern part of the
country, Pipli a small city near Bhubaneswar has the distinction of providing a special artistic
name and fame to the creativity involved in the process of Applique work and the products
produced. Pipli and other parts of the Puri and Khurda district of Orissa are famous for the
intricate and artistic applique work. Now in India, the artisans of the state like Rajasthan,
Gujarat, Bihar and Orissa are practicing the craft. In Gujarat and Rajasthan Kathis, Molesalem,
Satwara, Meher, Mahojan and Rabri caste produces canopies, wall hangings, door curtains,
bullock, chariot and camel covers etc by using applique technique. Quilting on applique fabric
called Ralli is the uniqueness of the artisans of Rajasthan. Some artisans of Tanjore in Tamil
Nadu were also producing epical hanging with the help of applique technique.
Pipli is located at 20.12°N 85.83°E
It has an average elevation of
25 metres (82 feet).
It is thirty-five kilometres from Puri,
at the junction
where the Konark road branches from
the
Bhubaneswar to Puri road.
However, the appliqué work in its colourful best is most prominent
in the cloth covers of the three chariots of the presiding deities in
which they travel every year during the Ratha Yatra or Car Festival.
As per tradition, the colour scheme of the three covers is
predetermined, green and red for the chariot of Balabhadra, black
and red for that of Subhadra and yellow and red for Lord
Jagannath’s chariot
This beautiful craft is
usually practiced on
dazzling red, purple, black,
yellow, green and white
fabric.
PROCESS……..
PATTERN……………………
While there has been very little change in the use of motifs, there is a trend
towards greater experimentation in colour for non ceremonial items such
as bags, cushion covers, bed sheets etc. Appliqué items are also being used
in combination with other crafts to produce composite products. An
interesting new use is the superimposition of appliqué on grass mats and
used as partitions. .
The stitching process varies from item to item and come under six broad categories,
namely,
(1) bakhia,
(2) taropa,
(3) ganthi,
(4) chikana,
(5) button-hole and
(6) ruching.
Bakhia: It is the most common stitch and is often referred to
as shadow work. It is of two types:
(a) Ulta Bakhia , : Stem stitch - the floats lie on the reverse
of the fabric underneath the motif. The simplified bakhia is
Herringbone stitch.
(b) Sidhi Bakhia: Satin stitch with criss-crossing of individual
threads. The floats of thread lie on the surface of the fabric..
Taropa, a simple hemming, slip or invisible stitch, used to sew
the applique pieces on the main ground cloth.
Ganthi, the blanket or button hole stitch used to embroider the
motifs and to attach the small mirrors.
Chikan, the chain stitch predominantly used in applique work
not only decorative but functional too.
Ruching stitch used for gathering up of a cloth strip to make
an applique motif.
Sometimes embroidered patterns are also used and in a few items mirror work is also
incorporated.
The layout of various motifs and patterns vary according to the shape of the piece.
The canopy has a large centre piece which may be a square. This centre piece is then bounded
by several borders of different widths, one outside the other, till the edge is reached. In the
umbrella and Chhati the inner field is arranged in circles, each circle having patches of one motif
placed side by side. Patterns are laid in the same way as the shape of the Tarasa, with a large
motif or two placed at the centre.
The layout for covers for horses consists of a series of
concentric strips in the portion which covers the neck,
each strip having patches of one motif, while the
portions which fall on either side of the body are
plain, having border all round with or without a motif
at the centre of the plain field.
Superimposition of colored cloths on grey marking cloth is quite common
today as the use of cloth of all colors and hues. Similarly, with the changing
times the craft has also adopted itself to the needs of modern man. Among
the more popular applique items today are garden umbrellas, a variant of
chhati with wooden or aluminum stands, shoulder bags, ladies hand bags,
wall hangings, lamp shades, bed covers, pillow covers, letter pouches, etc.
Applique items are also being used in combination with other handicrafts to
produce composite products. An interesting use is the superimposition of
applique on grass mats and used as partitions. Though earlier the art form
was restricted to darji caste, today it is practiced by non-caste members,
notably by some young Muslim boys. Unlike many other handicrafts, applique
items are attractive artifacts of daily use apart from being decorative. They are
also comparatively cheaper.
Today, applique finds expressions in a wide variety of home
decor items. From wall-hangings and awnings to Kundini -
worked decorative pieces, the range of applique items available
nowadays is pretty exhaustive. One can even choose from a
variety of mirror-worked appliqué dresses and skirts for a
perfect evening do. Nothing can match the vibrancy of a
applique worked handbag on a private function with sequins
sewn on it. Appliqué bags and jholas are also becoming quite a
rage these days on campuses.
The choice of applique items of Pipli origin for a prospective buyer does not end
here. Manufacturers in Pipli and Puri are nowadays flooded with offers from star-
rated hotels and resorts to supply applique made side walls and garden umbrellas.
Upcoming designers are also considering it a new way to express their creative
visions. Accordingly, the fabric used for this typical patchwork has undergone a
refreshing change. It is no more the same thick cotton base that is used to
elaborate a certain theme; now experimentation is done with fabrics as varied as
velvet, satin and Georgette.
Popularity of applique items of Pipli is clearly on the rise. Rathayatra or no
Rathayatra- applique saleables of Pipli are now regarded as a major crowd-
puller in Puri. Tourists thronging this beach city from all over India and the world
find applique art absolutely entrancing, and they make it point to buy a thing or
two of this amazing work of art to add a dash of color either to their wardrobe or
to a dull nook back at home. This has been augmenting the demand for
applique items of Pipli to a large scale over the years.
Applique work of Pipli is now a much sought after art of embroidery. Decorative items
made of it are colorful, yet not jazzy. They help make a statement when put up at the
right place or accessorized properly. The most interesting fact about applique items of
Pipli are, unlike many other decorative artifacts of daily use, they are not overtly
expensive.
APPLICATION OF PIPLI WORK
OF ORISSA
Many designers gets inspiration from this patch
work style of pipli and designs interesting
garments
J.Augur Design 2010 Spring Patchwork Bag
Collection
• DATA
- ‘ Applique craft of Orissa-study of contemporary Textile crafts of
India '
--Mr. B.C. Mohanty
- www.google.com
-www.bing.com
-www.fullorissa.com
• IMAGE
Source--www.artbeautysociety.wordpress.com
--www.google.com
Pipli  work of Orissa

More Related Content

What's hot

What's hot (20)

Tie and dye of Rajasthan
Tie and dye of RajasthanTie and dye of Rajasthan
Tie and dye of Rajasthan
 
Ajrak Print
Ajrak PrintAjrak Print
Ajrak Print
 
Chikankari
ChikankariChikankari
Chikankari
 
Embroidery of kutch
Embroidery of kutchEmbroidery of kutch
Embroidery of kutch
 
BANARSI BROCADE
BANARSI BROCADEBANARSI BROCADE
BANARSI BROCADE
 
Kantha ppt
Kantha pptKantha ppt
Kantha ppt
 
applique work
applique workapplique work
applique work
 
Baluchari, jamdani and kalamkari
Baluchari, jamdani and kalamkariBaluchari, jamdani and kalamkari
Baluchari, jamdani and kalamkari
 
Traditional embroidery of india
Traditional embroidery of indiaTraditional embroidery of india
Traditional embroidery of india
 
Embroideries of india
Embroideries of indiaEmbroideries of india
Embroideries of india
 
Fashion history of india
Fashion history of indiaFashion history of india
Fashion history of india
 
Indian textiles ppt
Indian textiles ppt Indian textiles ppt
Indian textiles ppt
 
Traditional embroideries of india
Traditional embroideries of indiaTraditional embroideries of india
Traditional embroideries of india
 
Paithani
PaithaniPaithani
Paithani
 
Kashmir embroidery Documentation
Kashmir embroidery DocumentationKashmir embroidery Documentation
Kashmir embroidery Documentation
 
Applique Presentation-1.pptx
Applique Presentation-1.pptxApplique Presentation-1.pptx
Applique Presentation-1.pptx
 
Gupta period
Gupta periodGupta period
Gupta period
 
Shibori: Introduction and techniques
Shibori: Introduction and techniquesShibori: Introduction and techniques
Shibori: Introduction and techniques
 
PRESENTATION ON BAGRU PRINT OF RAJASTHAN
PRESENTATION ON  BAGRU  PRINT  OF RAJASTHANPRESENTATION ON  BAGRU  PRINT  OF RAJASTHAN
PRESENTATION ON BAGRU PRINT OF RAJASTHAN
 
The famous Chanderi fabric
The famous Chanderi fabricThe famous Chanderi fabric
The famous Chanderi fabric
 

Similar to Pipli work of Orissa

Resist dyeing (bandhini, batik, leheria)
Resist dyeing (bandhini, batik, leheria)Resist dyeing (bandhini, batik, leheria)
Resist dyeing (bandhini, batik, leheria)
Tina Dhingra
 
IFFD-IRW 15. Anupam kumar
IFFD-IRW 15. Anupam kumarIFFD-IRW 15. Anupam kumar
IFFD-IRW 15. Anupam kumar
Anupam kumar
 
Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
 Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project) Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
ShefaliJain69
 
Ilkal Saree, By Nanduri Asha
Ilkal Saree, By Nanduri AshaIlkal Saree, By Nanduri Asha
Ilkal Saree, By Nanduri Asha
Nanduri Asha
 

Similar to Pipli work of Orissa (20)

Embroidery surajkardi report
Embroidery surajkardi reportEmbroidery surajkardi report
Embroidery surajkardi report
 
Nokshi katha
Nokshi kathaNokshi katha
Nokshi katha
 
ARTS 8 MODULE 1.docx
ARTS 8 MODULE 1.docxARTS 8 MODULE 1.docx
ARTS 8 MODULE 1.docx
 
Textiles of Rajasthan
Textiles of Rajasthan Textiles of Rajasthan
Textiles of Rajasthan
 
Ajrakh A Symphony of the Universe.pdf
Ajrakh A Symphony of the Universe.pdfAjrakh A Symphony of the Universe.pdf
Ajrakh A Symphony of the Universe.pdf
 
Regional textile craft
Regional textile craftRegional textile craft
Regional textile craft
 
Resist dyeing (bandhini, batik, leheria)
Resist dyeing (bandhini, batik, leheria)Resist dyeing (bandhini, batik, leheria)
Resist dyeing (bandhini, batik, leheria)
 
Traditional dyed and printed textiles
Traditional dyed and printed textiles Traditional dyed and printed textiles
Traditional dyed and printed textiles
 
Textile Crafts Of Bengal
Textile Crafts Of BengalTextile Crafts Of Bengal
Textile Crafts Of Bengal
 
1stSOUTHEAST ASIAN ARTS(1st quarter).ppt
1stSOUTHEAST ASIAN ARTS(1st quarter).ppt1stSOUTHEAST ASIAN ARTS(1st quarter).ppt
1stSOUTHEAST ASIAN ARTS(1st quarter).ppt
 
Visit to Craft Museum
Visit to Craft MuseumVisit to Craft Museum
Visit to Craft Museum
 
Kriti Tolani ,Fashion Design ,Dezyne E'cole College
 Kriti Tolani ,Fashion Design ,Dezyne E'cole College Kriti Tolani ,Fashion Design ,Dezyne E'cole College
Kriti Tolani ,Fashion Design ,Dezyne E'cole College
 
IFFD-IRW 15. Anupam kumar
IFFD-IRW 15. Anupam kumarIFFD-IRW 15. Anupam kumar
IFFD-IRW 15. Anupam kumar
 
Batik
BatikBatik
Batik
 
EMBROIDERIES OF INDIA.pptx
EMBROIDERIES OF INDIA.pptxEMBROIDERIES OF INDIA.pptx
EMBROIDERIES OF INDIA.pptx
 
Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
 Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project) Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
Shefali Jain, Diploma Fashion Design Second Year,(Tie and dye Project)
 
Crafts of india
Crafts of indiaCrafts of india
Crafts of india
 
Bandhani of gujarat and rajasthan
Bandhani of gujarat and rajasthan  Bandhani of gujarat and rajasthan
Bandhani of gujarat and rajasthan
 
7가지 래그러그 기법 소개 (Rag Rug Seven Technics)
 7가지 래그러그 기법 소개 (Rag Rug Seven Technics) 7가지 래그러그 기법 소개 (Rag Rug Seven Technics)
7가지 래그러그 기법 소개 (Rag Rug Seven Technics)
 
Ilkal Saree, By Nanduri Asha
Ilkal Saree, By Nanduri AshaIlkal Saree, By Nanduri Asha
Ilkal Saree, By Nanduri Asha
 

More from Visual Design Solution

More from Visual Design Solution (20)

Kullu and Kinnauri Shawls
Kullu and Kinnauri ShawlsKullu and Kinnauri Shawls
Kullu and Kinnauri Shawls
 
kantha style and saree
kantha  style  and  sareekantha  style  and  saree
kantha style and saree
 
Mashru Fabric
Mashru FabricMashru Fabric
Mashru Fabric
 
Jamdani of tanda & west bengal
Jamdani of tanda & west bengalJamdani of tanda & west bengal
Jamdani of tanda & west bengal
 
FASHION IN 15th CENTURY
FASHION IN 15th CENTURYFASHION IN 15th CENTURY
FASHION IN 15th CENTURY
 
HISTORY OF DESIGN & FASHION “BAGH PRINTS”
HISTORY OF DESIGN & FASHION “BAGH PRINTS”HISTORY OF DESIGN & FASHION “BAGH PRINTS”
HISTORY OF DESIGN & FASHION “BAGH PRINTS”
 
The Perfumania
The PerfumaniaThe Perfumania
The Perfumania
 
Clothing of Gujarat
Clothing of GujaratClothing of Gujarat
Clothing of Gujarat
 
Visual merchandising
Visual merchandisingVisual merchandising
Visual merchandising
 
COSTUMES OF ANDHRA PRADESH
COSTUMES OF ANDHRA PRADESHCOSTUMES OF ANDHRA PRADESH
COSTUMES OF ANDHRA PRADESH
 
Karen tribe
Karen tribeKaren tribe
Karen tribe
 
ETRURIA AND ROME
ETRURIA AND ROMEETRURIA AND ROME
ETRURIA AND ROME
 
Introduction to costume history: ORIGINS
Introduction to costume history: ORIGINSIntroduction to costume history: ORIGINS
Introduction to costume history: ORIGINS
 
CRETE AND GREEK CIVILIZATION
CRETE AND GREEK CIVILIZATIONCRETE AND GREEK CIVILIZATION
CRETE AND GREEK CIVILIZATION
 
Costumes and textiles of Uttar Pradesh
Costumes and textiles of Uttar PradeshCostumes and textiles of Uttar Pradesh
Costumes and textiles of Uttar Pradesh
 
Costumes and textiles of rajasthan
Costumes and textiles of rajasthanCostumes and textiles of rajasthan
Costumes and textiles of rajasthan
 
Costumes and textiles of madhya pradesh & maharashtra
Costumes and textiles of madhya pradesh & maharashtraCostumes and textiles of madhya pradesh & maharashtra
Costumes and textiles of madhya pradesh & maharashtra
 
Sarees costumes of southern india
Sarees  costumes of southern indiaSarees  costumes of southern india
Sarees costumes of southern india
 
Phulkari
PhulkariPhulkari
Phulkari
 
Manipur shawls
Manipur shawlsManipur shawls
Manipur shawls
 

Recently uploaded

Research about Venice ppt for grade 6f anas
Research about Venice ppt for grade 6f anasResearch about Venice ppt for grade 6f anas
Research about Venice ppt for grade 6f anas
anasabutalha2013
 
National-Learning-Camp 2024 deped....pptx
National-Learning-Camp 2024 deped....pptxNational-Learning-Camp 2024 deped....pptx
National-Learning-Camp 2024 deped....pptx
AlecAnidul
 
Heuristic Evaluation of System & Application
Heuristic Evaluation of System & ApplicationHeuristic Evaluation of System & Application
Heuristic Evaluation of System & Application
Jaime Brown
 

Recently uploaded (16)

Research about Venice ppt for grade 6f anas
Research about Venice ppt for grade 6f anasResearch about Venice ppt for grade 6f anas
Research about Venice ppt for grade 6f anas
 
Spring 2024 wkrm_Enhancing Campus Mobility.pdf
Spring 2024 wkrm_Enhancing Campus Mobility.pdfSpring 2024 wkrm_Enhancing Campus Mobility.pdf
Spring 2024 wkrm_Enhancing Campus Mobility.pdf
 
Common Designing Mistakes and How to avoid them
Common Designing Mistakes and How to avoid themCommon Designing Mistakes and How to avoid them
Common Designing Mistakes and How to avoid them
 
Design lessons from Singapore | Volume 3
Design lessons from Singapore | Volume 3Design lessons from Singapore | Volume 3
Design lessons from Singapore | Volume 3
 
BIT- Pinal .H. Prajapati Graphic Designer
BIT- Pinal .H. Prajapati  Graphic DesignerBIT- Pinal .H. Prajapati  Graphic Designer
BIT- Pinal .H. Prajapati Graphic Designer
 
National-Learning-Camp 2024 deped....pptx
National-Learning-Camp 2024 deped....pptxNational-Learning-Camp 2024 deped....pptx
National-Learning-Camp 2024 deped....pptx
 
FW25-26 Fashion Key Items Trend Book Peclers Paris
FW25-26 Fashion Key Items Trend Book Peclers ParisFW25-26 Fashion Key Items Trend Book Peclers Paris
FW25-26 Fashion Key Items Trend Book Peclers Paris
 
Heuristic Evaluation of System & Application
Heuristic Evaluation of System & ApplicationHeuristic Evaluation of System & Application
Heuristic Evaluation of System & Application
 
The Evolution of Fashion Trends: History to Fashion
The Evolution of Fashion Trends: History to FashionThe Evolution of Fashion Trends: History to Fashion
The Evolution of Fashion Trends: History to Fashion
 
CA OFFICE office office office _VIEWS.pdf
CA OFFICE office office office _VIEWS.pdfCA OFFICE office office office _VIEWS.pdf
CA OFFICE office office office _VIEWS.pdf
 
Extended Reality(XR) Development in immersive design
Extended Reality(XR) Development in immersive designExtended Reality(XR) Development in immersive design
Extended Reality(XR) Development in immersive design
 
Dos And Dont's Of Logo Design For 2024..
Dos And Dont's Of Logo Design For 2024..Dos And Dont's Of Logo Design For 2024..
Dos And Dont's Of Logo Design For 2024..
 
Pitch Presentation for Service Design in Technology
Pitch Presentation for Service Design in TechnologyPitch Presentation for Service Design in Technology
Pitch Presentation for Service Design in Technology
 
Art Nouveau Movement Presentation for Art History.
Art Nouveau Movement Presentation for Art History.Art Nouveau Movement Presentation for Art History.
Art Nouveau Movement Presentation for Art History.
 
Claire's designing portfolio presentation
Claire's designing portfolio presentationClaire's designing portfolio presentation
Claire's designing portfolio presentation
 
The Design Code Google Developer Student Club.pptx
The Design Code Google Developer Student Club.pptxThe Design Code Google Developer Student Club.pptx
The Design Code Google Developer Student Club.pptx
 

Pipli work of Orissa

  • 1.
  • 2. Appliqué comes from the French word “appliquer”, which means to “put on”. In appliqué, one piece of fabric is placed over a base layer and is sewn in place. Another technique is the reverse appliqué, in which one layer of fabric is placed on another layer, and a shape is cut out from the top layer, exposing the lower layer. These two are then neatly stitched together.
  • 3. It is also believed that applique work made its way into western India either from Europe or Arabia in the Middle East through trade contacts. In the 19th century, the Kathis, an agro- pastoral community of the Kathiawar region of Gujarat and their Muslim associates, the Molesalaams, or the land owning community are known to have produced intricate applique work. Some of the surviving specimens show a wide representation of stylized human and animal figures in cotton and silk cloths. In the neighbouring state Rajasthan, the Oswal Banias have a similar tradition of stitching large applique canopies with a range of panels or squares in different color combinations, for marriages. The Rajputs, Satwaras and various other cattle- breeding communities also produce similar applique art to enhance the beauty of their chandarvo (canopies), dharaniyo (quilt covers), among other things. In the Eastern part of the country, Pipli a small city near Bhubaneswar has the distinction of providing a special artistic name and fame to the creativity involved in the process of Applique work and the products produced. Pipli and other parts of the Puri and Khurda district of Orissa are famous for the intricate and artistic applique work. Now in India, the artisans of the state like Rajasthan, Gujarat, Bihar and Orissa are practicing the craft. In Gujarat and Rajasthan Kathis, Molesalem, Satwara, Meher, Mahojan and Rabri caste produces canopies, wall hangings, door curtains, bullock, chariot and camel covers etc by using applique technique. Quilting on applique fabric called Ralli is the uniqueness of the artisans of Rajasthan. Some artisans of Tanjore in Tamil Nadu were also producing epical hanging with the help of applique technique.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Pipli is located at 20.12°N 85.83°E It has an average elevation of 25 metres (82 feet). It is thirty-five kilometres from Puri, at the junction where the Konark road branches from the Bhubaneswar to Puri road.
  • 9.
  • 10. However, the appliqué work in its colourful best is most prominent in the cloth covers of the three chariots of the presiding deities in which they travel every year during the Ratha Yatra or Car Festival. As per tradition, the colour scheme of the three covers is predetermined, green and red for the chariot of Balabhadra, black and red for that of Subhadra and yellow and red for Lord Jagannath’s chariot
  • 11.
  • 12. This beautiful craft is usually practiced on dazzling red, purple, black, yellow, green and white fabric.
  • 13.
  • 14.
  • 16.
  • 18. While there has been very little change in the use of motifs, there is a trend towards greater experimentation in colour for non ceremonial items such as bags, cushion covers, bed sheets etc. Appliqué items are also being used in combination with other crafts to produce composite products. An interesting new use is the superimposition of appliqué on grass mats and used as partitions. .
  • 19. The stitching process varies from item to item and come under six broad categories, namely, (1) bakhia, (2) taropa, (3) ganthi, (4) chikana, (5) button-hole and (6) ruching. Bakhia: It is the most common stitch and is often referred to as shadow work. It is of two types: (a) Ulta Bakhia , : Stem stitch - the floats lie on the reverse of the fabric underneath the motif. The simplified bakhia is Herringbone stitch. (b) Sidhi Bakhia: Satin stitch with criss-crossing of individual threads. The floats of thread lie on the surface of the fabric..
  • 20. Taropa, a simple hemming, slip or invisible stitch, used to sew the applique pieces on the main ground cloth. Ganthi, the blanket or button hole stitch used to embroider the motifs and to attach the small mirrors. Chikan, the chain stitch predominantly used in applique work not only decorative but functional too. Ruching stitch used for gathering up of a cloth strip to make an applique motif.
  • 21. Sometimes embroidered patterns are also used and in a few items mirror work is also incorporated. The layout of various motifs and patterns vary according to the shape of the piece. The canopy has a large centre piece which may be a square. This centre piece is then bounded by several borders of different widths, one outside the other, till the edge is reached. In the umbrella and Chhati the inner field is arranged in circles, each circle having patches of one motif placed side by side. Patterns are laid in the same way as the shape of the Tarasa, with a large motif or two placed at the centre. The layout for covers for horses consists of a series of concentric strips in the portion which covers the neck, each strip having patches of one motif, while the portions which fall on either side of the body are plain, having border all round with or without a motif at the centre of the plain field.
  • 22.
  • 23. Superimposition of colored cloths on grey marking cloth is quite common today as the use of cloth of all colors and hues. Similarly, with the changing times the craft has also adopted itself to the needs of modern man. Among the more popular applique items today are garden umbrellas, a variant of chhati with wooden or aluminum stands, shoulder bags, ladies hand bags, wall hangings, lamp shades, bed covers, pillow covers, letter pouches, etc. Applique items are also being used in combination with other handicrafts to produce composite products. An interesting use is the superimposition of applique on grass mats and used as partitions. Though earlier the art form was restricted to darji caste, today it is practiced by non-caste members, notably by some young Muslim boys. Unlike many other handicrafts, applique items are attractive artifacts of daily use apart from being decorative. They are also comparatively cheaper.
  • 24. Today, applique finds expressions in a wide variety of home decor items. From wall-hangings and awnings to Kundini - worked decorative pieces, the range of applique items available nowadays is pretty exhaustive. One can even choose from a variety of mirror-worked appliqué dresses and skirts for a perfect evening do. Nothing can match the vibrancy of a applique worked handbag on a private function with sequins sewn on it. Appliqué bags and jholas are also becoming quite a rage these days on campuses.
  • 25. The choice of applique items of Pipli origin for a prospective buyer does not end here. Manufacturers in Pipli and Puri are nowadays flooded with offers from star- rated hotels and resorts to supply applique made side walls and garden umbrellas. Upcoming designers are also considering it a new way to express their creative visions. Accordingly, the fabric used for this typical patchwork has undergone a refreshing change. It is no more the same thick cotton base that is used to elaborate a certain theme; now experimentation is done with fabrics as varied as velvet, satin and Georgette.
  • 26. Popularity of applique items of Pipli is clearly on the rise. Rathayatra or no Rathayatra- applique saleables of Pipli are now regarded as a major crowd- puller in Puri. Tourists thronging this beach city from all over India and the world find applique art absolutely entrancing, and they make it point to buy a thing or two of this amazing work of art to add a dash of color either to their wardrobe or to a dull nook back at home. This has been augmenting the demand for applique items of Pipli to a large scale over the years.
  • 27. Applique work of Pipli is now a much sought after art of embroidery. Decorative items made of it are colorful, yet not jazzy. They help make a statement when put up at the right place or accessorized properly. The most interesting fact about applique items of Pipli are, unlike many other decorative artifacts of daily use, they are not overtly expensive.
  • 28. APPLICATION OF PIPLI WORK OF ORISSA Many designers gets inspiration from this patch work style of pipli and designs interesting garments
  • 29.
  • 30.
  • 31.
  • 32.
  • 33. J.Augur Design 2010 Spring Patchwork Bag Collection
  • 34.
  • 35.
  • 36. • DATA - ‘ Applique craft of Orissa-study of contemporary Textile crafts of India ' --Mr. B.C. Mohanty - www.google.com -www.bing.com -www.fullorissa.com • IMAGE Source--www.artbeautysociety.wordpress.com --www.google.com