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LITERATURE PILLS
HOW TO FOCUS ON WHAT IS NEW
Charles Dickens
Themes: good vs evil, the
villain’s punishment, hardship,
childhood, vice vs virtue,
humanitarianism, mercy as a
sort of social reward,
industrial revolution, town vs
countryside, importance of
money and wealth as a sort
of prize, responsibility, social
problems, social clash, a
sense of social justice,
poverty, crime, family
relations
STYLE

-long fascinating
narrations

- - a large stock of
memorable minor
characters

- -a chronological
development of
events

- - descriptive skills

- -omniscient narrator

- - a sense of subtle
humor and parody

- -vivid dialogue

-
Robert Louis Stevenson
Themes: the limits of
science, sciences ethics,
addiction, double, crime,
good vs evil, the villain’s
punishment, the clash
between the individual and
the society, the difficulty of
standing social conventions,
the impossibility of
penetrating the secrets of
nature, the urge for freedom,
mask and social disguise.
Style

4 narrators

a detective story

intriguing descriptions

he starts in media res

time and setting are
well visible

suspence

dialogues well set 

out
Oscar Wilde
Themes: A sense of beauty
as something unattainable,
vice vs virtue, success and
its outcome, crime, youth vs
the old, fear for aging, a
sense of loss, instinct, social
conventions as a weight,
almost impossible to bear,
the double, the role of the
artist as a mission, a sort of
responsibility, education
connected to a moral
purpose
STYLE

Appeal to all sense

An obtrusive narrator

Powerful dialogue

An acute sense of
humor

Careful descriptions

Time and setting well
arranged
MODERNISM
Ernest Hemingway
Themes: the responsibility
of a social role, life led to
extremes, struggle for
survival, danger as a
challenge and as an
opportunity, various levels
of heroism, courage vs
cowardice, sense of honor
and respect towards oneself
rather than towards the
others, war as a field were
all instincts are re-awoken.
Style

- hard-boiled characters

- lack of sentimentality

- a master at creating
dialogues

- a meticulous care for
linguistic registers

- a technical use of
vocabulary

- an unobtrusive narrator
James Joyce
Themes: paralysis, sense of
loss, escape, failure,
discomfort, passivity, fear
for future, importance of
past, tradition, loneliness,
alienation, crisis, identity,
difficulty of communication,
lack of a real communion,
sense of responsibility, life
vs death
Style

Stream of consciousness
technique

Symbolism

Epiphany

Allusive use of language

Musical pattern

Free direct and indirect
speech
Langston Hughes
Themes: a racial awakening,
freedom vs slavery, looking
for a new identity, reliance
on man’s potentialities,
Black pride, awareness of a
new role in a multicultural
setting, a lurking sense of
melancholy, movement as a
form of vital strength, life as
a gift and an opportunity,
something precious to
defend.
Style

- Musicality

- - new verse forms

- Allusive language

- Explosion of sounds
recalling blues and jazz

- An original assemblage of
words

- An emotional use of
punctuation
T. S. Eliot
Alienation, emptiness, war
as cultural landscape,
sterility of the present age in
comparison with the fertility
of the past, history as a
source of inspiration,
loneliness, destruction, lack
of values, hopelessness.
Style

Objective Correlative

Lack of punctuation

Symbolism

Quotations

Different sources

Archaisms together with
neologisms
TOWARDS A FUTURE PERSPECTIVE
George Orwell
Themes: the effects of
dictatorship, slavery vs
freedom, love as a form of
transgression, privacy,
decency in human relations,
the danger of
totalitarianism, the power
enacted by advertising and
social media, ignorance,
social justice, trust,
responsibility, torture.
Style

Newspeak

An unobtrusive narratore

A disquieting atmosphere

A dystopian novelA

A narrator in a traditional
way

Slogans

Oxymora
Ray Bradbury
Themes: walking as an act
of transgression, social
control, the role of the
machine, mass
communication and its
effects, memories, being
different, loneliness, social
conventions, fear for future,
pressure to conform.
Style

A narrator with an internal view

Unsentimental bitter tone

A few clues to render the
situation

A fantascientifico short-story
with an unexpected ending
Roald Dahl
Themes: good vs evil, a
sense of macabre,
ambiguity, perverseness,
sense of fear, the villain is
not punished, a bitter
reward, vulnerability, a
misleading vision of
mankind, the unexpected,
the mysterious in mankind,
criminal minds, sado-
masochism.
Style

- Allusive language

- a large deal of symbols

- Suspence

- A gloomy atmosphere

- A bitter tone
Michael Morpurgo
Themes: nostalgia, growing
up, a sense of loss, love as
a living force, life as a
continuous struggle, war as
a loss, a tragedy, parental
responsibility, nature as a
silent mate, destiny.
Style

Epistolary together with
narration

Melancholic tone

Some vivid clues to give voice
to emotions
“Thank you for standing me”.
Mrs Valentina Mariano

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Pills

  • 1. LITERATURE PILLS HOW TO FOCUS ON WHAT IS NEW
  • 2. Charles Dickens Themes: good vs evil, the villain’s punishment, hardship, childhood, vice vs virtue, humanitarianism, mercy as a sort of social reward, industrial revolution, town vs countryside, importance of money and wealth as a sort of prize, responsibility, social problems, social clash, a sense of social justice, poverty, crime, family relations STYLE -long fascinating narrations - - a large stock of memorable minor characters - -a chronological development of events - - descriptive skills - -omniscient narrator - - a sense of subtle humor and parody - -vivid dialogue -
  • 3. Robert Louis Stevenson Themes: the limits of science, sciences ethics, addiction, double, crime, good vs evil, the villain’s punishment, the clash between the individual and the society, the difficulty of standing social conventions, the impossibility of penetrating the secrets of nature, the urge for freedom, mask and social disguise. Style 4 narrators a detective story intriguing descriptions he starts in media res time and setting are well visible suspence dialogues well set out
  • 4. Oscar Wilde Themes: A sense of beauty as something unattainable, vice vs virtue, success and its outcome, crime, youth vs the old, fear for aging, a sense of loss, instinct, social conventions as a weight, almost impossible to bear, the double, the role of the artist as a mission, a sort of responsibility, education connected to a moral purpose STYLE Appeal to all sense An obtrusive narrator Powerful dialogue An acute sense of humor Careful descriptions Time and setting well arranged
  • 6. Ernest Hemingway Themes: the responsibility of a social role, life led to extremes, struggle for survival, danger as a challenge and as an opportunity, various levels of heroism, courage vs cowardice, sense of honor and respect towards oneself rather than towards the others, war as a field were all instincts are re-awoken. Style - hard-boiled characters - lack of sentimentality - a master at creating dialogues - a meticulous care for linguistic registers - a technical use of vocabulary - an unobtrusive narrator
  • 7. James Joyce Themes: paralysis, sense of loss, escape, failure, discomfort, passivity, fear for future, importance of past, tradition, loneliness, alienation, crisis, identity, difficulty of communication, lack of a real communion, sense of responsibility, life vs death Style Stream of consciousness technique Symbolism Epiphany Allusive use of language Musical pattern Free direct and indirect speech
  • 8. Langston Hughes Themes: a racial awakening, freedom vs slavery, looking for a new identity, reliance on man’s potentialities, Black pride, awareness of a new role in a multicultural setting, a lurking sense of melancholy, movement as a form of vital strength, life as a gift and an opportunity, something precious to defend. Style - Musicality - - new verse forms - Allusive language - Explosion of sounds recalling blues and jazz - An original assemblage of words - An emotional use of punctuation
  • 9. T. S. Eliot Alienation, emptiness, war as cultural landscape, sterility of the present age in comparison with the fertility of the past, history as a source of inspiration, loneliness, destruction, lack of values, hopelessness. Style Objective Correlative Lack of punctuation Symbolism Quotations Different sources Archaisms together with neologisms
  • 10. TOWARDS A FUTURE PERSPECTIVE
  • 11. George Orwell Themes: the effects of dictatorship, slavery vs freedom, love as a form of transgression, privacy, decency in human relations, the danger of totalitarianism, the power enacted by advertising and social media, ignorance, social justice, trust, responsibility, torture. Style Newspeak An unobtrusive narratore A disquieting atmosphere A dystopian novelA A narrator in a traditional way Slogans Oxymora
  • 12. Ray Bradbury Themes: walking as an act of transgression, social control, the role of the machine, mass communication and its effects, memories, being different, loneliness, social conventions, fear for future, pressure to conform. Style A narrator with an internal view Unsentimental bitter tone A few clues to render the situation A fantascientifico short-story with an unexpected ending
  • 13. Roald Dahl Themes: good vs evil, a sense of macabre, ambiguity, perverseness, sense of fear, the villain is not punished, a bitter reward, vulnerability, a misleading vision of mankind, the unexpected, the mysterious in mankind, criminal minds, sado- masochism. Style - Allusive language - a large deal of symbols - Suspence - A gloomy atmosphere - A bitter tone
  • 14. Michael Morpurgo Themes: nostalgia, growing up, a sense of loss, love as a living force, life as a continuous struggle, war as a loss, a tragedy, parental responsibility, nature as a silent mate, destiny. Style Epistolary together with narration Melancholic tone Some vivid clues to give voice to emotions
  • 15. “Thank you for standing me”. Mrs Valentina Mariano